Surfaces and Essences: Analogy as the Fuel and Fire of Thinking (143 page)

naïve equations,
407–411

names: conflated with items they name,
227
; retrieved by analogy,
224–225

Napoleon: of fossil bones, the,
222
; frame-blended with emperor penguins,
380

nature, cut at the joints by categories,
14
,
77
,
522–523

N
-dimensional spaces,
443–444

nebula, as image for a language’s filling of a conceptul space,
119

necessary and sufficient criteria for category membership,
55
,
436

negative numbers: fear of,
439–442
; square roots of,
442–443

Neruda, Pablo,
522

nested radicals in polynomial solution-formulas,
445

Newman, Paul,
318

Newton, Isaac,
130
,
210
,
443
,
471
,
490
,
491
,
500
; law of gravitation of,
389
,
489
; second law of motion of,
410
,
491
; of terrorism, the,
222

New York subway, as translation of Paris métro,
378

Nick’s me-too quip to the Nubian taxi driver,
151–152

Nixon, Richard: of superheroes, the,
222
; yearining to be known as “RMN”,
90

Nietzsche, Friedrich,
21
,
509

9/11,
see
September 11th

Nobel Prize: citation for Einstein, extreme caution of,
461–462
; for creative extensions of categories,
464–465

non-Euclidean geometry,
16
,
498–499

non-lexicalized concepts,
30
,
137
,
139–140
,
176–180

normalement
, as monolithic concept in French,
82

normal mass/potential energy
analogy,
480–481

normal mass/strange mass
membrane, broken,
480–481
,
482
,
484

Norman, Donald,
259
,
400

norms as directing word choices,
73

novices: inability to spot depth,
341
;
versus
experts,
236–246
,
255
,
392–394

Nubians harmed by dam, me-too analogy centered on,
151–152

number
: blurriness of the category,
392
; relentless conceptual broadening of,
439–443
,
447–448

numerical comparisons as analogies,
153–154
,
281–282
,
285
,
331

—O—

oars replaced by javelins,
317
,
322

object recognition, mediated by analogy,
19
,
184

objectivity: of analogies,
522–526
; of categorization,
522–526

obsessions engendering analogies galore,
258
,
299–305
,
524

October 11th crash,
31
,
297

“Ode to Constraints” (James Falen),
315

“office”
versus
“study”,
47–49
,
74
,
76

office visit
as an example of a schema,
336–337

“official” boundaries of categories,
64–65

old town, as metaphor for a category’s core,
61–62
,
65

Once bitten, twice shy:
as an abstract category,
100
,
103–106
,
516
; as a proverb incarnated in various languages,
105
; as analogical pressure in column-translation dilemma,
306–307

“one”, as the name of a category,
75

one-dollar bill, as minimal banknote,
280

one-line analogies, list of,
135

one-member categories,
see
single-member categories

“one smart dude”, as indicative of category of speaker,
75

opacity: of acronyms,
91–93
; of compound words,
86–87
; of idiomatic phrases,
97–98

operation–result naïve analogy for equations,
407–411
;
see also
cause–effect

Oppenheimer, Frank,
275

Oppenheimer, Robert,
275
,
507

opposite meaning: produced through biplans,
268
; produced through conceptual-proximity slippage errors,
276–277

Orwell, George,
57

—P—

“pacifier”, semantic components of, unheard by toddler,
86

Pac-Man, obsession with,
303–305

pantheons,
219–220

paradoxes stemming from the alleged dominance of the superficial in retrieval,
341–344

parallels between parallels, Maxwell’s love of,
502

Paris: being Paris,
522
; genericity of, to French people,
378
; growth of, over centuries,
61
; métro stations in,
215
,
377–379
; as tourist mecca
versus
book-writing locale,
163
; of the United States,
16
,
378
; as venue of Marie Antoinette’s dizzy remark,
358

parking places in San Francisco: beauty of,
296–297
; surprising availability of,
327–328

particle–antiparticle annihilation,
482

parts hidden inside wholes,
86–93

Pascal, Blaise,
101
,
102

past, as key to understanding the present,
20
,
23

pasta, expertise in,
243–244

Pasteur, Louis,
300

patent clerk, Third Class,
457
,
460
,
463
,
470

“pathological” functions,
392

“Patsy is a pig”,
see
metaphors
,
“pig”

pattern
, as monolithic concept in English for which French has no single word,
81–82

patterns in discourse space,
69–76

patterns in multiplication tables of groups,
446–447

“peaks” of concepts poking out above clouds,
50
,
52

Pearl Harbor
, as category,
298

pedaling in sauerkraut,
248

pedestal, shared, as conceptual skeleton of two different word problems,
433–434

peel
, semantic halo surrounding,
126
,
270–271

people, analogically conflated,
181
,
224–225
,
275

perception: context-biased nature of,
299
; dependency on concepts,
171
; without concepts,
172
,
315

perception of grammatical situations,
69–70

permutations, successive, as giving rise to groups,
446

personal celebrities,
222–223

Peter-Defare, Evelyne,
259

Peter miswriting the year every January,
148–150
,
174

Phædrus,
112

Phædrus
,
522–523

Phelps, Michael,
154–155
,
367

philosophy of life, courtesy of Pac-Man,
303–305

phonetic proximity, role of in speech errors,
265

“phonon” as name for sound quantum,
459

photoelectric effect: behavior predicted by Einstein,
460–463
; discovered by Hertz,
460
; Einstein’s predictions confirmed by Millikan,
461
; merely an afterthought in Einstein’s 1905 light-quantum paper,
460
,
462

“photon” as name for light quantum,
459
,
461
,
462
,
482

phrase choice constrained by sentence choice,
26

phrases: blended together,
259–265
; retrieved by analogy,
93–98

physical world, understood via naïve analogies to computer world,
402–407

physicists: perception of equations by,
410–411
; stereotype of,
451–452

physics: naïve analogies in,
410–411
; seen as deductive, axiomatic discipline,
452
; seen as generalization of
mechanics
,
467–468

physics problems, as perceived by novices
versus
experts,
342

physics thinking/political thinking
analogy,
337

π
,
302
,
409
,
410
,
413
,
444
,
498

pianist: striking one wrong key,
270–271
; striking two keys at once,
263
,
266

“pig”, metaphorical use of,
228–232

pinball-machine obsession,
301

ping-pong, thanks to analogies, in discovery process,
500

pinpointing of essence,
see
essence-spotting

Pisa: Galileo’s use of the tower of,
492
,
493
; prior to its famous tower,
319
,
468
; with tower not yet leaning, 472: with tower starting to lean,
482

piton-placing as metaphor for concept creation,
131

pizza consumption, as generic bland event that does not trigger remindings of specific events,
158–159

Planck, Max,
456–458
,
460–461
; disdain for Einstein’s light quanta,
460
,
461
,
463
; likened to thirsty horse,
457
; pardoning Einstein’s sins,
461
; skeptical of existence of atoms,
460

Planck’s constant
h
,
456
,
459

planet
, as category requiring long deliberation to decide about membership in,
60
,
512
,
514
,
528

plans, blending of,
see
biplans plastic card as a key
,
254

plate
, as category lacking relationships among non-parts,
518–519

plate-throwing woman, frame blend by,
367

Plato: of freemasonry, the,
222
; objectivist vision of,
190
,
522–523
; warning of analogy’s slipperiness,
21

Platonic concepts, hopefully precise laws of,
56
,
58

“play”, zeugmatically exploited,
10–12

pluralization: of
Bible
,
220
; of famous people,
221–222
,
254
,
297
; of friends or relatives, revealed by speech errors,
224
; of friends, via strong resemblance,
224
; of
Hitler
,
335
; of
Jeff
,
223
; of
Mecca
,
220
; of
Mommy
,
34–35
; of
Moon
,
44
; of
Munich
,
335
; of
Pantheon
,
219–220
; of
Pope
,
219
; of
September 11th
,
297–298
; of
signature-botching
,
149
; of a specific wine,
244

plurals of compound nouns,
87

Pluto, debate over its status as
planet
,
60
,
512
,
514
,
528

poem learned by rote as member of category
boat on tracks
,
522

poems in the text: “Arizona Ants” (Kellie Gutman),
160
,
381
; “The Fox and the Grapes” (Benserade),
112
; “The Fox and the Grapes” (La Fontaine),
112
; “The Gardener’s Daughter” (Tennyson),
397
; “Karnak Caps”, (Kellie Gutman),
160
,
381
; “La cigale et la fourmi” (La Fontaine),
388
; “Ode to Constraints” (James Falen),
315
; “Psalm XXX” (Milton),
397
; “There Is No Word” (Tony Hoagland),
133

Poincaré, Henri,
132
; on flesh of geese and of dogs,
132
; letter of reference for Einstein by,
501
; on mathematical thinking,
439–440
,
509
; sudden flash of inspiration of,
16

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