Read Great Poems by American Women Online

Authors: Susan L. Rattiner

Great Poems by American Women (18 page)

ALICE DUNBAR-NELSON (1875-1935)

Wife of poet Paul Laurence Dunbar, Alice Dunbar-Nelson was born in New Orleans, Louisiana. An advocate for African-American rights, Dunbar-Nelson was of mixed black, white, and Native American ancestry. She taught high school for twenty years, founded the Industrial School for Colored Girls in Delaware, and was active as a lecturer in the black women's club movement. She wrote
Violets
, a collection of stories, poems, and essays, and
The Goodness of St. Rocque
, short stories. She also edited
Masterpieces of Negro Eloquence
, speeches, and
The Dunbar Speaker and Entertainer
, a magazine. “I Sit and Sew,” a war poem from 1920, reflects how powerless a woman feels while soldiers fight in the field.

Sonnet

I had no thought of violets of late,
The wild, shy kind that spring beneath your feet
In wistful April days, when lovers mate
And wander through the fields in raptures sweet.
The thought of violets meant florists' shops,
And bows and pins, and perfumed papers fine;
And garish lights, and mincing little fops
And cabarets and songs, and deadening wine.
So far from sweet real things my thoughts had strayed,
I had forgot wide fields, and clear brown streams;
The perfect loveliness that God has made,—
Wild violets shy and Heaven-mounting dreams.
And now—unwittingly, you've made me dream
Of violets, and my soul's forgotten gleam.

I Sit and Sew

I sit and sew—a useless task it seems,
My hands grown tired, my head weighed down with dreams—
The panoply of war, the martial tread of men,
Grim-faced, stern-eyed, gazing beyond the ken
Of lesser souls, whose eyes have not seen Death
Nor learned to hold their lives but as a breath—
But—I must sit and sew.

 

I sit and sew—my heart aches with desire—
That pageant terrible, that fiercely pouring fire
On wasted fields, and writhing grotesque things
Once men. My soul in pity flings
Appealing cries, yearning only to go
There in that holocaust of hell, those fields of woe—
But—I must sit and sew.

 

The little useless seam, the idle patch;
Why dream I here beneath my homely thatch,
When there they lie in sodden mud and rain,
Pitifully calling me, the quick ones and the slain?
You need me, Christ! It is no roseate dream
That beckons me—this pretty futile seam,
It stifles me—God, must I sit and sew?

ANNA HEMPSTEAD BRANCH (1875-1937)

Anna Hempstead Branch was born in New London, Connecticut, where her maternal family, the Hempsteads, had lived since 1640. Branch, whose father was a lawyer and mother a writer of children's stories and poems, was graduated from Smith College in 1897 and studied dramaturgy in New York. During her life, she worked for several social organizations and established the Poet's Guild, which was an association that helped make poetry more accessible to neighborhood children. Members of this association included Branch, Robert Frost, Edwin Arlington Robinson, Sara Teasdale, Carl Sandburg, and Vachel Lindsay, to name a few. Branch's long epic poem “Nimrod” is one of her better-known works. Her volumes include
The Shoes that Danced
(1905),
Rose of the Wind
(1910), and
Sonnets from a Lock Box
(1929).

Grieve Not, Ladies

Oh, grieve not, Ladies, if at night

Ye wake to feel your beauty going.

It was a web of frail delight,

Inconstant as an April snowing.

 

In other eyes, in other lands,

In deep fair pools, new beauty lingers,

But like spent water in your hands

It runs from your reluctant fingers.

 

Ye shall not keep the singing lark

That owes to earlier skies its duty.

Weep not to hear along the dark

The sound of your departing beauty.

 

The fine and anguished ear of night

Is tuned to hear the smallest sorrow.

Oh, wait until the morning light!

It may not seem so gone to-morrow!

 

But honey-pale and rosy-red!

Brief lights that made a little shining!

Beautiful looks about us shed—

They leave us to the old repining.

 

Think not the watchful dim despair

Has come to you the first, sweet-hearted!

For oh, the gold in Helen's hair!

And how she cried when that departed!

Perhaps that one that took the most,

The swiftest borrower, wildest spender,

May count, as we would not, the cost—

And grow more true to us and tender.

 

Happy are we if in his eyes

We see no shadow of forgetting.

Nay—if our star sinks in those skies

We shall not wholly see its setting.

 

Then let us laugh as do the brooks

That such immortal youth is ours,

If memory keeps for them our looks

As fresh as are the spring-time flowers.

 

Oh, grieve not, Ladies, if at night

Ye wake, to feel the cold December!

Rather recall the early light

And in your loved one's arms, remember.

Songs for My Mother
I
Her Hands

My mother's hands are cool and fair,

They can do anything.

Delicate mercies hide them there

Like flowers in the spring.

 

When I was small and could not sleep,

She used to come to me,

And with my cheek upon her hand

How sure my rest would be.

 

For everything she ever touched

Of beautiful or fine,

Their memories living in her hands

Would warm that sleep of mine.

 

Her hands remember how they played

One time in meadow streams,—

And all the flickering song and shade

Of water took my dreams.

 

Swift through her haunted fingers pass

Memories of garden things;—

I dipped my face in flowers and grass

And sounds of hidden wings.

 

One time she touched the cloud that kissed

Brown pastures bleak and far;—

I leaned my cheek into a mist

And thought I was a star.

 

All this was very long ago

And I am grown; but yet

The hand that lured my slumber so

I never can forget.

 

For still when drowsiness comes on

It seems so soft and cool,

Shaped happily beneath my cheek,

Hollow and beautiful.

II
Her Words

My mother has the prettiest tricks

Of words and words and words.

Her talk comes out as smooth and sleek

As breasts of singing birds.

 

She shapes her speech all silver fine

Because she loves it so.

And her own eyes begin to shine

To hear her stories grow.

 

And if she goes to make a call

Or out to take a walk

We leave our work when she returns

And run to hear her talk.

 

We had not dreamed these things were so

Of sorrow and of mirth.

Her speech is as a thousand eyes

Through which we see the earth.

 

God wove a web of loveliness,

Of clouds and stars and birds,

But made not any thing at all So beautiful as words.

 

They shine around our simple earth

With golden shadowings,

And every common thing they touch

Is exquisite with wings.

 

There's nothing poor and nothing small

But is made fair with them.

 

They are the hands of living faith

That touch the garment's hem.

They are as fair as bloom or air,

They shine like any star,

And I am rich who learned from her

How beautiful they are.

SARA TEASDALE (1884-1933)

Born in St. Louis, Missouri, Sara Teasdale contributed some sonnets to the privately printed literary monthly, the
Wheel
. Her first book,
Sonnets to Duse
, and
Other Poems
(1907), was followed by
Helen of Troy
, and
Other Poems
(1911), and
Rivers to the Sea
(1915). Teasdale married a businessman, whom she later divorced in 1929, and moved to New York. In 1918, Teasdale won both the Pulitzer Prize for poetry and the annual Poetry Society of America prize for
Love Songs
(1917). She also edited an anthology of poems for children and another composed of love poems written by women. Her later books such as
Flame and Shadow
(1920) and
Dark of the Moon
(1926) are enriched with more maturity and passion than her earlier works. While working on a biography of English poet Christina Rossetti, Teasdale fell ill with pneumonia, overdosed on barbiturates and died in January, 1933.

Barter

Life has loveliness to sell,

All beautiful and splendid things,

Blue waves whitened on a cliff,

Soaring fire that sways and sings,

And children's faces looking up

Holding wonder like a cup.

 

Life has loveliness to sell,

Music like a curve of gold,

Scent of pine trees in the rain,

Eyes that love you, arms that hold,

And for your spirit's still delight,

Holy thoughts that star the night.

 

Spend all you have for loveliness,

Buy it and never count the cost;

For one white singing hour of peace

Count many a year of strife well lost,

And for a breath of ecstasy

Give all you have been, or could be.

The Look

Strephon kissed me in the spring,

Robin in the fall,

But Colin only looked at me

And never kissed at all.

Strephon's kiss was lost in jest,

Robin's lost in play,

But the kiss in Colin's eyes

Haunts me night and day.

The Kiss

I hoped that he would love me,

And he has kissed my mouth,

But I am like a stricken bird

That cannot reach the south.

 

For though I know he loves me,

To-night my heart is sad;

His kiss was not so wonderful

As all the dreams I had.

I Shall Not Care

When I am dead and over me bright April

Shakes out her rain-drenched hair,

Though you should lean above me broken-hearted,

I shall not care.

 

I shall have peace as leafy trees are peaceful,

When rain bends down the bough,

And I shall be more silent and cold-hearted

Than you are now.

The Wind

A tall tree talking with the wind

Leans as he leaned to me—

But oh the wind waits where she will,

The wind is free.

 

I am a woman, I am weak,

And custom leads me as one blind,

Only my songs go where they will

Free as the wind.

The Answer

When I go back to earth
And all my joyous body
Puts off the red and white
That once had been so proud,
If men should pass above
With false and feeble pity,
My dust will find a voice
To answer them aloud:

 

“Be still, I am content,
Take back your poor compassion,
Joy was a flame in me
Too steady to destroy;
Lithe as a bending reed
Loving the storm that sways her—
I found more joy in sorrow
Than you could find in joy.”

Appraisal

Never think she loves him wholly,
Never believe her love is blind,
All his faults are locked securely
In a closet of her mind;
All his indecisions folded
Like old flags that time has faded,
Limp and streaked with rain,
And his cautiousness like garments
Frayed and thin, with many a stain—
Let them be, oh let them be,
There is treasure to outweigh them,
His proud will that sharply stirred,
Climbs as surely as the tide,
Senses strained too taut to sleep,
Gentleness to beast and bird,
Humor flickering hushed and wide
As the moon on moving water,
And a tenderness too deep
To be gathered in a word.

The Solitary

My heart has grown rich with the passing of years,

I have less need now than when I was young

To share myself with every comer

Or shape my thoughts into words with my tongue.

 

It is one to me that they come or go

If I have myself and the drive of my will,

And strength to climb on a summer night

And watch the stars swarm over the hill.

 

Let them think I love them more than I do,

Let them think I care, though I go alone;

If it lifts their pride, what is it to me

Who am self-complete as a flower or a stone.

Sappho

The twilight's inner flame grows blue and deep,
And in my Lesbos, over leagues of sea,
The temples glimmer moonwise in the trees.
Twilight has veiled the little flower face
Here on my heart, but still the night is kind
And leaves her warm sweet weight against my breast.
Am I that Sappho who would run at dusk
Along the surges creeping up the shore
When tides came in to ease the hungry beach,
And running, running, till the night was black,
Would fall forespent upon the chilly sand
And quiver with the winds from off the sea?
Ah, quietly the shingle waits the tides
Whose waves are stinging kisses, but to me
Love brought no peace, nor darkness any rest.
I crept and touched the foam with fevered hands
And cried to Love, from whom the sea is sweet,
From whom the sea is bitterer than death.
Ah, Aphrodite, if I sing no more
To thee, God's daughter, powerful as God,
It is that thou hast made my life too sweet
To hold the added sweetness of a song.
There is a quiet at the heart of love,
And I have pierced the pain and come to peace.
I hold my peace, my Cleïs, on my heart;
And softer than a little wild bird's wing
Are kisses that she pours upon my mouth.
Ah, never any more when spring like fire
Will flicker in the newly opened leaves,
Shall I steal forth to seek for solitude
Beyond the lure of light Alcæus' lyre,
Beyond the sob that stilled Erinna's voice.
Ah, never with a throat that aches with song,
Beneath the white uncaring sky of spring,
Shall I go forth to hide awhile from Love
The quiver and the crying of my heart.
Still I remember how I strove to flee
The love-note of the birds, and bowed my head
To hurry faster, but upon the ground
I saw two winged shadows side by side,
And all the world's spring passion stifled me.
Ah, Love, there is no fleeing from thy might,
No lonely place where thou hast never trod,
No desert thou hast left uncarpeted
With flowers that spring beneath thy perfect feet.
In many guises didst thou come to me;
I saw thee by the maidens while they danced,
Phaon allured me with a look of thine,
In Anactoria I knew thy grace,
I looked at Cercolas and saw thine eyes;
But never wholly, soul and body mine,
Didst thou bid any love me as I loved.
Now I have found the peace that fled from me;
Close, close, against my heart I hold my world.
Ah, Love that made my life a lyric cry,
Ah, Love that tuned my lips to lyres of thine,
I taught the world thy music, now alone
I sing for one who falls asleep to hear.

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