Read Great Poems by American Women Online

Authors: Susan L. Rattiner

Great Poems by American Women (16 page)

LOUISE IMOGEN GUINEY (1861-1920)

Poet and essayist Louise Imogen Guiney was born in Boston, Massachusetts. After her father's death, Guiney helped support her family by selling poems and essays to magazines. Her collections of poems include
Songs at the Start
(1884),
The White Sail and Other Poems
(1887), and A
Roadside Harp
(1893). Her essays were published in
Goose Quill Papers
(1885). Her musical verses, modeled after old English ballads and poems, were very popular in her day. Guiney also worked as a postmaster and librarian before moving to England in 1901.

The Wild Ride

I hear in my heart, I hear in its ominous pulses,
All day, on the road, the hoofs of invisible horses;
All night, from their stalls, the importunate tramping and neighing.

 

Let cowards and laggards fall back! but alert to the saddle,
Straight, grim, and abreast, go the weather-worn, galloping legion,
With a stirrup-cup each to the lily of women that loves him.

 

The trail is through dolor and dread, over crags and morasses;
There are shapes by the way, there are things that appal or entice us:
What odds? We are knights, and our souls are but bent on the riding.

 

I hear in my heart, I hear in its ominous pulses,
All day, on the road, the hoofs of invisible horses;
All night, from their stalls, the importunate tramping and neighing.

 

We spur to a land of no name, out-racing the storm-wind;
We leap to the infinite dark, like the sparks from the anvil.
Thou leadest, O God! All's well with Thy troopers that follow.

At a Symphony

Oh, I would have these tongues oracular
Dip into silence, tease no more, let be!
They madden, like some choral of the free
Gusty and sweet against a prison-bar.
To earth the boast that her gold empires are,
The menace of delicious death to me,
Great Undesign, strong as by God's decree,
Piercing the heart with beauty from afar!
Music too winning to the sense forlorn!
Of what angelic lineage was she born,
Bred in what rapture?—These her sires and friends:
Censure, Denial, Gloom, and Hunger's throe.
Praised be the Spirit that thro' thee, Schubert! so
Wrests evil unto wholly heavenly ends.

GRACE ELLERY CHANNING-STETSON (1862-1937)

Grace Ellery Channing-Stetson, born in Providence, Rhode Island, was educated in private schools and lived in Southern California, Italy, and New York during her lifetime. She was married in 1894 to the artist Charles Walter Stetson, who was the first husband of her best friend, Charlotte Perkins Gilman. Some of her published works include
The Sister of a Saint
(1895) and a book of verse,
Sea Drift
(1899). Channing-Stetson also edited
Dr. Channing's Note Book
(1887).

Any Woman to a Soldier

The day you march away—let the sun shine,
Let everything be blue and gold and fair,
Triumph of trumpets calling through bright air,
Flags slanting, flowers flaunting—not a sign
That the unbearable is now to bear,

The day you march away.

The day you march away—this I have sworn,
No matter what comes after, that shall be
Hid secretly between my soul and me
As women hide the unborn—
You shall see brows like banners, lips that frame
Smiles, for the pride those lips have in your name.
You shall see soldiers in my eyes that day—

That day, O soldier, when you march away.

The day you march away—cannot I guess?
There will be ranks and ranks, all leading on
To one white face, and then—the white face gone,
And nothing left but a gray emptiness—
Blurred moving masses, faceless, featureless—

The day you march away.

You cannot march away! However far,
Farther and faster still I shall have fled
Before you; and that moment when you land,
Voiceless, invisible, close at your hand
My heart shall smile, hearing the steady tread

Of your faith-keeping feet.

First at the trenches I shall be to greet;
There's not a watch I shall not share with you;
But more—but most—there where for you the red,
Drenched, dreadful, splendid, sacrificial field lifts up
Inflexible demand,

I will be there!

My hands shall hold the cup.
My hands beneath your head
Shall bear you—not the stretcher bearer's—through
All anguish of the dying and the dead;
With all your wounds I shall have ached and bled,
Waked, thirsted, starved, been fevered, gasped for breath,
Felt the death dew;
And you shall live, because my heart has said
To Death

That Death itself shall have no part in you!

EDITH WHARTON (1862-1937)

Famous as a novelist and short story writer, Edith Wharton was born into a prosperous family in New York City and was educated by governesses. At sixteen, Wharton's poems were privately printed and after her marriage in 1885, she began contributing stories and poems to
Harper's, Scribner's
, and other magazines. Of her more than fifty books, her most famous work is the novel
Ethan Frome
(1911). In 1920, Wharton won a Pulitzer Prize for another novel,
The Age of Innocence
. Some of her other books include
The Fruit of the Tree
(1907),
The Hermit and the Wild Woman
(1908), a book of short stories,
Twilight Sleep
(1927), and A
Backward Glance
(1934), an autobiography. Wharton lived in France after 1907, divorced her husband in 1913 and, in 1923, became the first woman to receive an honorary doctorate from Yale University.

The Last Giustiniani

O wife, wife, wife! As if the sacred name
Could weary one with saying! Once again
Laying against my brow your lips' soft flame,
Join with me, Sweetest, in love's new refrain,
Since the whole music of my late-found life
Is that we call each other “husband—wife.”

 

And yet, stand back, and let your cloth of gold
Straighten its sumptuous lines from waist to knee,
And, flowing firmly outward, fold on fold,
Invest your slim young form with majesty
As when, in those calm bridal robes arrayed,
You stood beside me, and I was afraid.

 

I was afraid—O sweetness, whiteness, youth,
Best gift of God, I feared you! I, indeed,
For whom all womanhood has been, forsooth,
Summed up in the sole Virgin of the Creed,
I thought that day our Lady's self stood there
And bound herself to me with vow and prayer.

 

Ah, yes, that day. I sat, remember well,
Half-crook'd above a missal, and laid in
The gold-leaf slowly; silence in my cell;
The picture, Satan tempting Christ to sin
Upon the mount's blue, pointed pinnacle,
The world outspread beneath as fair as hell—

 

When suddenly they summoned me. I stood
Abashed before the Abbot, who reclined
Full-bellied in his chair beneath the rood,
And roseate with having lately dined;
And then—I standing there abashed—he said:
“The house of Giustiniani all lie dead.”

 

It scarcely seemed to touch me (I had led
A grated life so long) that oversea
My kinsmen in their knighthood should lie dead,
Nor that this sudden death should set me free,
Me, the last Giustiniani—well, what then?
A monk!—The Giustiniani had been men.

 

So when the Abbot said: “The State decrees
That you, the latest scion of the house
Which died in vain for Venice overseas,
Should be exempted from your sacred vows,
And straightway, when you leave this cloistered place,
Take wife, and add new honors to the race,”

 

I hardly heard him—would have crept again
To the warped missal—but he snatched a sword
And girded me, and all the heart of men
Rushed through me, as he laughed and hailed me lord,
And, with my hand upon the hilt, I cried,
“Viva San Marco!” like my kin who died.

 

But, straightway, when, a new-made knight, I stood
Beneath the bridal arch, and saw you come,
A certain monkish warping of the blood
Ran up and struck the man's heart in me dumb;
I breathed an Ave to our Lady's grace,
And did not dare to look upon your face.

 

And when we swept the waters side by side,
With timbrelled gladness clashing on the air,
I trembled at your image in the tide,
And warded off the devil with a prayer,
Still seeming in a golden dream to move
Through fiendish labyrinths of forbidden love.

 

But when they left us, and we stood alone,
I, the last Giustiniani, face to face
With your unvisioned beauty, made my own
In this, the last strange bridal of our race,
And, looking up at last to meet your eyes,
Saw in their depths the star of love arise.

 

Ah, then the monk's garb shrivelled from my heart,
And left me man to face your womanhood.
Without a prayer to keep our lips apart
I turned about and kissed you where you stood,
And gathering all the gladness of my life
Into a new-found word, I called you “wife!”

Life

Life, like a marble block, is given to all,
A blank, inchoate mass of years and days,
Whence one with ardent chisel swift essays
Some shape of strength or symmetry to call;
One shatters it in bits to mend a wall;
One in a craftier hand the chisel lays,
And one, to wake the mirth in Lesbia's gaze,
Carves it apace in toys fantastical.

 

But least is he who, with enchanted eyes
Filled with high visions of fair shapes to be,
Muses which god he shall immortalize
In the proud Parian's perpetuity,
Till twilight warns him from the punctual skies
That the night cometh wherein none shall see.

With the Tide
1

Somewhere I read, in an old book whose name
Is gone from me, I read that when the days
Of a man are counted, and his business done,
There comes up the shore at evening, with the tide,
To the place where he sits, a boat—
And in the boat, from the place where he sits, he sees,
Dim in the dusk, dim and yet so familiar,
The faces of his friends long dead; and knows

They come for him, brought in upon the tide,
To take him where men go at set of day.
Then rising, with his hands in theirs, he goes
Between them his last steps, that are the first
Of the new life—and with the ebb they pass,
Their shaken sail grown small upon the moon.

 

Often I thought of this, and pictured me
How many a man who lives with throngs about him,
Yet straining through the twilight for that boat
Shall scarce make out one figure in the stern,
And that so faint its features shall perplex him
With doubtful memories—and his heart hang back.
But others, rising as they see the sail
Increase upon the sunset, hasten down,
Hands out and eyes elated; for they see
Head over head, crowding from bow to stern,
Repeopling their long loneliness with smiles,
The faces of their friends; and such go forth
Content upon the ebb tide, with safe hearts.

 

But never
To worker summoned when his day was done
Did mounting tide bring in such freight of friends
As stole to you up the white wintry shingle

That night while they that watched you thought you slept.

Softly they came, and beached the boat, and gathered
In the still cove under the icy stars,
Your last-born, and the dear loves of your heart,
And all men that have loved right more than ease,
And honor above honors; all who gave
Free-handed of their best for other men,
And thought their giving taking: they who knew
Man's natural state is effort, up and up—
All these were there, so great a company
Perchance you marvelled, wondering what great ship
Had brought that throng unnumbered to the cove
Where the boys used to beach their light canoe
After old happy picnics—

 

But these, your friends and children, to whose hands
Committed, in the silent night you rose
And took your last faint steps—
These led you down, O great American,
Down to the Winter night and the white beach,
And there you saw that the huge hull that waited
Was not as are the boats of the other dead,
Frail craft for a brief passage; no, for this
Was first of a long line of towering transports,
Storm-worn and ocean-weary every one,
The ships you launched, the ships you manned, the ships
That now, returning from their sacred quest
With the thrice-sacred burden of their dead,
Lay waiting there to take you forth with them,
Out with the ebb tide, on some farther quest.

WILLA CATHER (1873-1947)

Known primarily for her fiction novels such as
Alexander's Bridge
(1912),
O Pioneers!
(1913), and
My Antonia
(1918), Willa Cather was born in Virginia and moved to frontier Nebraska when she was a child. Cather managed and edited the
Home Monthly
magazine in 1896-97 and reviewed drama and music for the
Pittsburgh Daily Leader
. Cather became a schoolteacher in 1901 and published her poetry book,
April Twilights
, in 1903. Her 1905 collection of short stories,
The Troll Garden
, earned her the job of managing editor of
McClure's Magazine
.

“Grandmither, think not I forget!”

Grandmither, think not I forget, when I come back to town,
An' wander the old ways again an' tread them up an' down.
I never smell the clover bloom, nor see the swallows pass,
Without I mind how good ye were unto a little lass.
I never hear the winter rain a-pelting all night through,
Without I think and mind me of how cold it falls on you.
And if I come not often to your bed beneath the thyme,
Mayhap 't is that I'd change wi' ye, and gie my bed for thine,

Would like to sleep in thine.

I never hear the summer winds among the roses blow,
Without I wonder why it was ye loved the lassie so.
Ye gave me cakes and lollipops and pretty toys a score,—
I never thought I should come back and ask ye now for more.
Grandmither, gie me your still, white hands, that lie upon your breast,
For mine do beat the dark all night and never find me rest;
They grope among the shadows an' they beat the cold black air,
They go seekin' in the darkness, an' they never find him there,

As They never find him there.

Grandmither, gie me your sightless eyes, that I may never see
His own a-burnin' full o' love that must not shine for me.
Grandmither, gie me your peaceful lips, white as the kirkyard snow,
For mine be red wi' burnin' thirst an' he must never know.
Grandmither, gie me your clay-stopped ears, that I may never hear
My lad a-singin' in the night when I am sick wi' fear;
A-singing when the moonlight over a' the land is white—
Aw God! I'll up an' go to him a-singin' in the night,

A-callin' in the night.

Grandmither, gie me your clay-cold heart that has forgot to ache
For mine be fire within my breast and yet it cannot break.
It beats an' throbs forever for the things that must not be,—
An' can ye not let me creep in an' rest awhile by ye?
A little lass afeard o' dark slept by ye years agone—
Ah, she has found what night can hold ‘twixt sunset an' the dawn!
So when I plant the rose an' rue above your grave for ye,
Ye'll know it's under rue an' rose that I would like to be,

That I would like to be.

A Likeness

Portrait Bust of an Unknown, Capitol, Rome

In every line a supple beauty—

The restless head a little bent—

Disgust of pleasure, scorn of duty,

The unseeing eyes of discontent.

I often come to sit beside him,

This youth who passed and left no trace

Of good or ill that did betide him,

Save the disdain upon his face.

 

The hope of all his House, the brother

Adored, the golden-hearted son,

Whom Fortune pampered like a mother;

And then—a shadow on the sun.

Whether he followed Cæsar's trumpet,

Or chanced the riskier game at home

To find how favor played the strumpet

In fickle politics at Rome;

 

Whether he dreamed a dream in Asia

He never could forget by day,

Or gave his youth to some Aspasia,

Or gamed his heritage away;

Once lost, across the Empire's border

This man would seek his peace in vain;

His look arraigns a social order

Somehow entrammelled with his pain.

 

“The dice of gods are always loaded”;

One gambler, arrogant as they,

Fierce, and by fierce injustice goaded,

Left both his hazard and the play.

Incapable of compromises,

Unable to forgive or spare,

The strange awarding of the prizes

He had no fortitude to bear.

 

Tricked by the forms of things material—

The solid-seeming arch and stone,

The noise of war, the pomp imperial,

The heights and depths about a throne—

He missed, among the shapes diurnal,

The old, deep-travelled road from pain,

The thoughts of men which are eternal,

In which, eternal, men remain.

 

Ritratto d'ignoto; defying

Things unsubstantial as a dream—

An Empire, long in ashes lying—

His face still set against the stream.

Yes, so he looked, that gifted brother

I loved, who passed and left no trace,

Not even—luckier than this other—

His sorrow in a marble face.

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