Authors: William Shakespeare
POLIXENES
    O, not by much.
PAULINA
    So much the more our carver's excellence.
      Which lets go by some sixteen years and makes her
     Â
As
37
she lived now.
LEONTES
    As now she might have done,
     Â
So much to my good comfort, as it is
      Now piercing to my soul. O, thus she stood,
      Even with such life of majesty, warm life,
      As now it coldly stands, when first I wooed her!
      I am ashamed. Does not the stone rebuke me
      For being more
stone
44
than it? O royal piece,
      There's magic in thy majesty, which has
      My evils conjured to remembrance and
      From thy
admiring
47
daughter took the
spirits
,
      Standing like stone with thee.
Kneels before the statue
PERDITA
    And give me leave,
      And do not say 'tis
superstition
50
, that
      I kneel and then implore her blessing.â Lady,
      Dear queen, that ended when I but began,
      Give me that hand of yours to kiss.
Prevents Perdita from touching Perdita stands?
PAULINA
    O, patience!
      The statue is but newly
fixed
55
; the colour's
          not dry.
CAMILLO
    My lord, your sorrow was too
sore
56
laid on,
      Which sixteen winters cannot blow away,
     Â
So many summers dry
58
. Scarce any joy
      Did ever so long live; no sorrow
      But killed itself much sooner.
POLIXENES
    Dear my brother,
      Let him that was the
cause
62
of this have power
      To take off so much grief from you as he
      Will
piece up in
64
himself.
PAULINA
    Indeed, my lord,
      If I had thought the sight of my poor image
      Would thus have
wrought
67
you â for the stone is mine â
      I'd not have showed it.
LEONTES
    Do not draw the curtain.
PAULINA
    No longer shall you gaze on't, lest your
fancy
70
      May think anon it moves.
LEONTES
    Let be, let be.
      Would I were dead, but that methinks already â
      What was he that did make it?â See, my lord,
      Would you not deem it breathed? And that those veins
      Did
verily
76
bear blood?
POLIXENES
    Masterly done.
      The very life seems warm upon her lip.
LEONTES
    The
fixture
79
of her eye has
motion
in't,
      As we are mocked with art.
PAULINA
    I'll draw the curtain.
      My lord's almost so far
transported
82
that
      He'll think anon it lives.
LEONTES
    O, sweet Paulina,
      Make me to think so twenty years together!
      No
settled senses
86
of the world can match
      The pleasure of that madness.
Let't
87
alone.
PAULINA
    I am sorry, sir, I have thus far stirred you, but
      I could afflict you farther.
LEONTES
    Do, Paulina,
      For this affliction has a taste as sweet
      As any
cordial
92
comfort. Still, methinks
      There is an
air comes from her
93
. What fine chisel
      Could ever yet cut breath? Let no man mock me,
      For I will kiss her.
PAULINA
    Good my lord, forbear:
      The
ruddiness
97
upon her lip is wet.
      You'll
mar
98
it if you kiss it, stain your own
      With oily painting. Shall I draw the curtain?
LEONTES
    No, not these twenty years
PERDITA
    So long could I
      Stand by, a looker-on.
PAULINA
    Either
forbear
103
,
      Quit
presently
104
the
chapel
, or
resolve you
      For more amazement. If you can behold it,
      I'll make the statue move indeed, descend
      And take you by the hand. But then you'll think â
      Which I protest against â I am assisted
      By
wicked powers
109
.
LEONTES
    What you can make her do,
      I am content to look on. What to speak,
      I am content to hear, for 'tis as easy
      To make her speak as move.
PAULINA
    It is required
      You do awake your faith. Then all stand still.
     Â
On
116
: those that think it is unlawful business
      I am about, let them depart.
LEONTES
    Proceed:
      No foot shall stir.
Hermione comes down Music
To Hermione
PAULINA
    Music; awake her:
strike
120
!
      'Tis time: descend: be stone no more: approach:
      Strike all that look upon with marvel. Come,
      I'll
fill your grave up
123
. Stir. Nay, come away.
      Bequeath to death your numbness, for from
him
124
      Dear life redeems you.â You perceive she stirs.
      Start not. Her actions shall be holy as
      You hear my spell is lawful. Do not shun her
      Until you see her die again,
for then
      You kill her double
128
. Nay, present your hand:
      When she was young you wooed her, now in age
     Â
Is she become the suitor?
131
LEONTES
    O, she's warm!
Touches her
      If this be magic, let it be an art
      Lawful as eating.
POLIXENES
    She embraces him.
CAMILLO
    She hangs about his neck.
      If she
pertain to life
137
let her speak too.
POLIXENES
    Ay, and
make it manifest
138
where she has lived,
      Or how stol'n from the dead.
PAULINA
    That she is living,
      Were it but told you, should be
hooted
141
at
      Like an old tale. But it appears she lives,
      Though yet she speak not. Mark a little while.â
      Please you to interpose, fair madam. Kneel
To Perdita
      And pray your mother's blessing.â Turn,
To Hermione
          good lady,
      Our Perdita is found.
HERMIONE
    You gods, look down
      And from your sacred vials pour your graces
      Upon my daughter's head!â Tell me, mine own.
      Where hast thou been
preserved
150
? Where lived? How found
      Thy father's court? For thou shalt hear that I,
      Knowing by Paulina that the oracle
      Gave hope thou wast
in being
153
, have preserved
      Myself to see the
issue
154
.
PAULINA
    There's time enough for that,
      Lest
they desire upon this push to trouble
      Your joys with like relation
156
. Go together,
      You precious winners all. Your exultation
     Â
Partake
159
to every one. I, an old
turtle
,
      Will wing me to some withered bough and there
      My
mate
161
, that's never to be found again,
      Lament till I am
lost
162
.
To Hermione, then also Polixenes
LEONTES
    O, peace, Paulina!
      Thou shouldst a husband take by my consent,
      As I by thine a wife. This is a
match
165
,
     Â
And made
between's
166
by vows. Thou hast found mine â
      But how, is to be questioned, for I saw her,
      As I thought, dead, and have in vain said many
      A prayer upon her grave. I'll not seek far â
     Â
For
170
him, I partly know his mind â to find thee
      An honourable husband.â Come, Camillo,
      And take her by the hand, whose worth and honesty
      Is richly noted and here
justified
173
      By us, a pair of kings.â Let's from this place.â
      What? Look upon my brother.â Both your
          pardons,
      That e'er I put between your holy looks
      My ill suspicion. This your son-in-law,
      And son unto the king, whom, heavens directing,
      Is
troth-plight
179
to your daughter.â Good Paulina,
      Lead us from hence, where we may leisurely
      Each one
demand
181
, and answer to his part
      Performed in this wide gap of time since first
      We were
dissevered
183
. Hastily, lead away.
Exeunt
F = First Folio text of 1623, the only authority for the play
F2 = a correction introduced in the Second Folio text of 1632
Ed = a correction introduced by a later editor
SH = speech heading (i.e. speaker's name)
F includes list of parts (“The Names of the Actors”) at end of text
1.2.3
burden
spelled
Burthen
in
F
126
And
= F2. F = A
188
do
= Ed. F = do's
241
they say
= F2. F = say
318
hobby-horse
= Ed. F = Holy-Horse
2.1.6
SH FIRST LADY
= Ed. F =
Lady
2.3.45
What
= F2. F = Who
3.2.10
Silence
= Ed. F
prints as a stage direction
3.3.71
bairn
spelled
barne
in
F
114
made
= Ed. F = mad
4.3.1
SH AUTOLYCUS
= Ed.
Not in
F
35
counters
spelled
Compters
in
F
53
offends
= F2. F = offend
4.4.13
Digest it
= F2. F = Digest
14
swoon
= Ed. F = sworne
113
your
= F2. F = you
184
out
= Ed. F = on't
241
SH AUTOLYCUS
= Ed.
Not in
F
264
kiln
spelled
kill
in
F
358
square
spelled
squire
in
F
459
acknowledged
= F2. F = acknowledge
463
who
= F2. F = whom
469
shalt see
= Ed. F = shalt neuer see
480
hoop
= Ed. F = hope
550
whom
= F2. F = who
710
flayed
spelled
fled
in
F
806
or
= F2. F = at
5.1.93 SH
PAULINA
= Ed.
Assigned to Cleomenes in
F
5.3.21 Lonely
= Ed. F = Louely
1. This engraving, the frontispiece to Francis Kirkman's
The Wits
(1672â73), depicts a number of famous dramatic characters, with Sir John Falstaff and the Hostess in the foreground, but it is most interesting for showing what a curtained “discovery space” at the back of the stage may have looked like: Hermione posed as the statue would have been revealed when Paulina drew the curtain. The space would also have been used when Prospero “discovers” Miranda and Ferdinand playing chess at the climax of
The Tempest
.