The Serpent of Venice (6 page)

“A fine plan, I suppose, had he lived. I might have at least guided his choice.”

“It was all properly drawn up by lawyers.”

“Father and his lawyers. Who was it that said, ‘First, kill all the lawyers’?”

“I believe it was the little English fool so favored by the doge.”

“Oh, well, it’s true anyway.”

“Then he said, ‘And after the lawyers, a proper thinning of you poxy nobles.’ ”

“So annoying.”

“Yet comely, in his jittering way.”

“You know, Nerissa, that enormous codpiece he wears is stuffed with scrap silk.”

“That is not how he carries himself.”

“Bowlegged, you mean?” Portia giggled.

“No, like he fears nothing. The fool stands steady among merchants turned jelly-spined for fear a wrong word might affect their fortunes. Steady anyway, before he was struck down by grief. Oh, to be loved so much that a man might ruin himself for my loss. That, milady, is a lover.”

“He’s an insolent fool, Nerissa, and tiny, too; I forbid you to fancy him.”

“I don’t fancy him, but I admire his boldness. Well, I admired it. They say he left in the middle of the night, took his monkey and his giant simpleton, and sailed back to France on a merchantman. Is that the bell at the dock?”

Portia stood, composed herself, and looked over the railing at where her needlepoint might have sailed. She turned and looked surprised as the doorman entered.

“Madame, Signor Antonio Donnola, a merchant of Venice, with two associates, Signors Gratiano and Bassanio, to pay their respects to the lady.”

“Oh, I remember Signor Bassanio,” said Portia, a crinkle of a smile sparkling in her gray-blue eyes. “Fetch refreshment, and bring some flowers for this dreary table. And, Nerissa, fetch those three daggers in their leather harness we found among father’s things. Antonio will know which of Father’s friends left them.”

“Yes, madame.”

CHORUS:
And so, chained in the dark, naked and bedeviled by a hellish creature unknown, after five changings of the tides, the fool went mad.

I am not mad!

CHORUS:
Fear did twist the jester’s tiny mind—stretch it past the limits of sanity until it snapped—and shivering and pale, he went mad.

I am not mad!

CHORUS:
Stark, raving mad. Bonkers. Drooling, frothing, barking mad.

I am not bloody mad, you berk!

CHORUS:
You’re shouting at a disembodied voice in the dark.

Oh, fuckstockings. Good point. Well, a bit knackered, perhaps, but not bloody mad. Although who could blame me, really, if I had taken a stroll down Barking at the Moon Lane, what with the poisoning, the thirst and starvation, the wounds, the pervasive darkness, and the fearsome creature lurking in the water, waiting to rend me to bloody shreds, and so forth. Enough, really, to put even the most sturdy bloke off his regimen, and I, a wan and wispy crafter of japes, what chance did I have to cling to sanity’s silken tether?

I kept my mind busy during low tides, like now, by plotting intricate tortures and revenges upon my captor, between sobbing and moaning piteously over my lost Cordelia, my freedom, and my exile from light and warmth. Between bouts of soul-crushing despair, I busy myself slurping sips of water from my arm. A small triumph, the steady dripping from above that clapped on the ledge by my hand, like the tick of my life’s clock running down, has turned out to be my life blood. It is freshwater, you see, no doubt leaking from some cistern above, and if I am determined, and I position my chains just so, I can drink enough as it runs down the chains and my arm to quell the thirst. Sometimes I busy myself by singing a song, or shrieking until my voice breaks. But when the tide is high and the chamber fills with warm seawater, then she comes, and this dark hell is a different place.

I do not know how long I have been here. I counted the changing of the tides for a while, but with no way to mark them, I lost count. It seems a lifetime, but it could be only days. I try to imagine Brabantio and his family moving in the manse above me, and I think I can hear voices, or the ringing of a bell, but I can’t be sure. The sounds I hear in my head, the voices of the dead, are as real to me as anything I might hear from outside.

I talk to them, the dead, who come to me in the dark, and if I squint, I can see them, those phantoms of my past, blue-gray against the blackness. Lovers, friends, enemies, tossers, walleys, lick-spittles, catch-farts, slags, hags, and bum-snipers. People who I don’t remember ever having seen before pass by, pause, look at me, their eyes as black and empty as everything else. I don’t know if I dream them, or if I even sleep. The tide takes the weight off my chains and I drift. Just drift.

I always scream when she comes, sliding in by my knees, around the chamber, back behind my legs. Even if I have been waiting, anticipating, even if I am aware of her in the chamber, in that moment when she touches me, I am startled, terrified, and I can hear my pulse pound like a battle drum in my neck. My chains rattle and I fall, crucified in my shackles before her.

She will not harm me, until she does, but I am given to that. That first time, when the Montressor’s poison and fear were still high in my blood, I felt it was a shark or a great eel in the room, saw in my mind’s eye the saw teeth tearing pieces from me. And when claws or spines fastened into my loins and something soft—ever so soft—like honey in water, wrapped upon my manhood, my mind could find no picture to put on the creature. What thing of the vasty deep was soft, gentle, yet strong, spiny? I had seen octopi alive in buckets of seawater in the fish market in Venice, and a fishmonger had dared me to touch one, and yes, it was soft, and disgusting, little more than a tripe with a purpose. “You fucking Venetians will eat anything the sea pukes up, won’t you? This looks like something shat out by something too disgusting to be allowed near a kitchen, and I am from a race of avowed offal eaters.” The fishmonger laughed.

This thing in the water, in the dark, was not an octopus, though. What did I know? But it worked away at me and after some time settled, curled around my feet, and stayed there. If it was to kill me, so be it. My legs were constrained, wrapped in coils of unrelenting strength up to my hips. I could not fight it, nor kick at it, and I had used all of my breath in shrieking at it. I fainted or surrendered, or was constricted until I choked, I don’t know, but when I was conscious again, the tide was out and I was alone in my chamber.

When thirst moved me to try to arrange my chains to channel water down my arm, my hand landed on something alive and I shrieked. (Yes, I do a lot of shrieking here in the dark. There is little else to do between the terror and the suffering—perhaps the disembodied tosser voice is right. Perhaps I have gone mad? Oh, well, how can you tell in the dark?) But it wasn’t alive, what was on the ledge—recently alive, perhaps. I ran my hand over it gently, feeling the spines, the fins, the eyes—a fish. Dead, but recently so—as long as my forearm and as big around. And the flesh had been scored, I could feel the cuts through the scales. I assumed the posture of prayer, where both of my hands could meet, and I ate the fish’s flesh, willing myself to slow down, not to swallow the scales or bones. It was the finest food I had ever eaten, and I felt my very being envelop it, making it part of me as if I were absorbing nourishment from the very dark itself.

The creature in the dark had left the fish for me, scored it for me, saved me from hunger if not delirium. What rough beast knows charity? What shark’s cold eye shines with kindness? None! These are human things, but even as a man can act a beast, can a monster show the character of a man? A woman?

She came to me on the next high tide and I yipped when roused from my reverie, but I did not kick at her as she brushed by me, again and again, rubbing against me as she passed, the way a cat will. Then, again, the creature wrapped around my legs, and I waited, again, for the bite that might take my leg, as the great slick coils of muscle constricted me. The claws came again, piercing my haunches. I shrieked, but these were not the tearing slashes that had scored the fish, but only just broke the skin, then the pleasant drift and I felt her soft parts begin to assail my manhood.

It was that second time that I realized what was in the water, was able to put a picture in my mind’s eye to the sensation, began to think of the creature as female. The calm drifting feeling that overcame me was not exhaustion, or terror, or the residual effect of the Montressor’s poison, but the venom of the mermaid. Had I not seen a hundred such sirens portrayed in signs of alehouses and on the prows of ships? The mermaid was as common as the lion of St. Mark in the statues around Venice, and here, in my dark chamber, open to the sea, I had been seduced by one.

I let the venom and the passionate attentions of the mermaid take me until I was spent, then I collapsed into a floaty daze of a briny after-bonk, the mermaid curled around my legs, taking my weight off the chains.

And so, once again, as when I was a boy locked in the cupboard, I made friends with the dark. The tide would come in, and with it the mermaid, her dreamy venom then a sea-frothing shag and a slippery cuddle to wake to a breakfast of raw fish, sometimes two. Drink water and drowse in the dark until the tide comes in again.

What magical creature, what wonder had found me there, in my most desperate time? Why had no one written of this, why was this tale of the mermaid not told? Did she—did they—only come to the doomed? Perhaps I am already dead? Perhaps I am a ghost, bound to these chains to haunt this dark chamber evermore, and be tortured by the bawdy ministries of a fish-girl.

You know there’s always a bloody ghost. Perhaps I am he?

When you think of ghosts wailing and suffering, you don’t think of it as constant and eternal, do you? Bit of wailing around midnight, chain rattling and a cold breeze, grab an ankle on the stairs now and again to really get them shitting themselves, then you’re on about your day, aren’t you? Floating about, lots of naps, perhaps some tennis—stop by the abbey to have a laugh at the vicar’s expense, wouldn’t you? You don’t really think about bloody eternity chained to a damp wall, revenge grinding at your conscience like a rotten tooth, regrets and grief and shivering filling in the meantimes. There
is
the shrieking, which, as I said, I do a fair amount of. Composing the occasional song lyric of a thousand couplets or so, to make sure you’ve not gone bloody barking. The future gets rather abstract for a ghost—revenge fantasies really more of a mental game you play to keep yourself busy. But I don’t think so. There’s an end. I can feel it. Maybe not far on.

She’s more fierce each time she comes to me. Her claws, or spines, whatever they are seem to go deeper—she veritably ravages me, and I’ve been nipped on other parts of my body, although not, thankfully, on my manly bits. I’ve awakened from the venom’s stupor to feel blood running down my legs from the wounds she makes on my flanks. If she does not kill me outright, I fear I may succumb to weakness from blood loss or infection of my wounds. Sometimes crabs find their way into the chamber and I can hear them scuttling around in the dark. I kick them away when they get close, but what will happen when I can’t? I actually prefer the future when it’s more abstract, I think. Dark. Yes, I’ve made friends with the dark. More than friends. I’ve learned to fuck the dark. We are one.

And now, she comes. Past my legs, around the chamber, a splash from a fin or tail, the water swirls with her gravity. Behind my legs—she seems bigger, wider, the picture in my head changes, and it’s harder to hold the winsome, flaxen-haired maiden perched on a rock in my mind’s eye. She is power, she is the dark.

She slides up the front of me, smooth, slick, and I brace myself for the claws. This is the worst of it, before the venom takes me away, when I’m still sore and raw from the last high tide. I try not to scream but scream I do and she works her claws in, like a fisherman setting a hook.

“Fuck’s sake! Easy, Viv!”

I’ve named her Vivian, after some poxy English legend of the Lady of the Sodding Lake. It didn’t seem polite, her having me off every turn of the moon, me not knowing her name.

But she doesn’t ease into the sex like usual. She’s pulling at me, yanking at me. Her mouth or whatever soft part of her that does me, locks on, hard, the suction hurting. I’m pulled straight out from the wall, the chains taut. My wrists are ripped against the shackles, then my shoulders feel as if they will come out of the sockets. There’s crackling noise from the wall. The chains slip, and slip again, each time my wrists are scored, her claws sink deeper. Her tail is thrashing the water in the chamber so violently I can barely hear myself scream, and I scream and I scream, and the chains let go—

CHORUS:
And so, his chains ripped from the ancient wall, the mad fool was dragged by his hellish lover down—down into the dark depths of the Venetian lagoon.

SIX

The Players

A
ntonio hurried from the Rialto as the bells of St. Mark’s tolled for the noon prayers. He was followed by an entourage of four young protégés dressed in business finery, a certain uniformity to their dark togs that identified them to others as members of the merchant class, but each wearing a swath of brightly colored silk, a broach, or a bold feather in his cap that advertised his specialness. “I am one of you, maybe one better” was the message. They tumbled along behind Antonio like puppies after a mother hound with her teats on the move.

“Why the urgency?” asked Gratiano, the tallest of the four and as broad shouldered as a dock slave, as they were about to mount the Rialto Bridge. “If it were important business, we should be headed to the Rialto, not to lunch, should we not?”

Antonio turned, and was about to point out, once again, the youth’s talent for ignoring context and often the blindingly obvious, when he collided with a short, gray-bearded man in a long coat who had been thumbing through a folio of documents as he descended the steps of the bridge.