The Art of Voice Acting: the art and business of performing for voice over (63 page)

BOOK: The Art of Voice Acting: the art and business of performing for voice over
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BEVERLY BREMERS
www.beverlybremers.com

Beverly Bremers entered the world of voiceover backwards. Her first VO job was the result of being a singer in the right place at the right time— with zero voiceover experience. She has since gone on to voice commercials and other projects for national clients like Nissan, Shell, Sony and hundreds more. She is also an excellent voice-acting coach and independent producer.

Helping Hands

A successful voice actor once quipped that if he didn’t have hands, he couldn’t do voiceovers. How true! Second to the ability to read well, the use of the hands is the most important physical tool a voice actor has. Use your hands to point to a person or thing, caress an adjective, or simply wave them around for emphasis. Voila! It’s like magic.

You can experiment with this concept easily. Record yourself saying “He searched all over the world,” first without using your hands, and then again, waving your hand in the air from left to right
on the word “all”. You’ll notice immediately that the sentence sounds more descriptive and engaging.

How can something so simple be so effective? I firmly believe that how you place your body reflects your emotions, moods, and attitudes. It’s a “mind extension.” That’s why you must always be aware of your body stance when doing a voiceover. Standing tall versus hunched over gives opposite emotional results. Continue that concept with your hand gestures, and you can communicate different emotional results. If you cross your arms, you reflect a guarded, doubting attitude toward your listener and subject. Hands on your hips show hostility, hands in pockets reflect casual cool, etc. Try reading something that’s supposed to be enthusiastic without using your hands and you’ll see how difficult it is to show that emotion. The hands help!

So remember to channel your inner Italian and talk with your hands. If you’re talking about a list of items, point them out. If you’re describing scenery, wave your hand in a sweeping motion. Hold the objects, demonstrate the verbs, caress the adjectives. Just like the old Yellow Pages slogan, “Let your fingers do the walking,” I recommend that you “Let your hands lend a hand.”

PENNY ABSHIRE (San Diego, CA)—CD/10, CD/25
www.pennyabshire.com
;
www.voiceacting.com

It has become a tradition that my business partner, Penny Abshire, closes this book with her words of wisdom. Penny has been a performer since the age of 7. She entered the world of voiceover at the tender age of 47 and never looked back. Since then, she has gained a reputation for her exceptional copywriting skills, her outstanding performance coaching and directing, her positive and motivational perspective on the business, and her skill in creating believable “real-people” characters.

If You Think You Can… or You Can’t… You’re Right!

I studied journalism and theater arts in college. My dream was a career in the theater. I was also a highly trained classical pianist and had aspirations of going on tour. But, alas, it was my heart that swayed me from that direction. I fell in love and put homemaking and motherhood ahead of those dreams. Mind you, I have never regretted that decision! I have been married to the same great guy for 41 years—have two amazing sons, two equally amazing daughters-in-law, one very handsome grandson, and three beautiful granddaughters! But as one does, as the years passed I often wondered what “could have been.”

When my kids got older, I went back into the work force as a secretary and then later as a paralegal. It was good, steady
money, it was safe and I was very good at it. But for the most part, I hated it! For a creative person, that kind of repetitive work is just a slow, lingering death. Please don’t misunderstand and think I don’t admire those who work as secretaries or paralegals—I certainly do! It just wasn’t where I was supposed to be. But because it was “safe,” I continued working and justified my unhappiness by saying to myself I was doing the responsible thing.

I went to my very first voiceover class at the ripe old age of 47. In fact, I went kicking and screaming! I didn’t want to go and a friend practically had to shove me through the door! Mostly, I think, it was because I was afraid of looking foolish or failing. I am so glad I did it anyway! I left that first three-hour class (taught by James Alburger)
knowing
that voice acting was what I would be doing the rest of my life. I can’t explain it, I just knew. This short introductory class literally changed the direction of my life! It seemed I had been asking God for so many years what my “real” purpose was in life and that night I got my answer.

Then, the “voices” started talking to me… “You’re too old, Penny! What’s wrong with you? This isn’t the type of career you start when you’re almost 50 years old! You idiot! You’re going to look ridiculous in class. Everyone there will be younger and more talented than you!

And on and on and on and on.

It was a continuous flow of negative thoughts. Like most people, those voices in my head were VERY loud and for almost a year, I let them win. My family would ask, “Are you ever going to take those voice classes, mom?” And I would reply, “Oh, yes… definitely. I’m definitely going to take them… someday!” One day, my youngest son asked me that question and when I replied with, “Someday…” he said, “Mom, admit it, if you weren’t scared to do it, you would have already done it!”

Out of the mouths of babes! OK… Well, he was 22 at the time, but still…

Anyway, I called Jim that day and signed up for classes. And it was hard to make that call. My “voices” were extremely loud! But because of my son, I finally had the courage to tell them to shut up! I finally found the courage to follow my dream. One of the things that got me “off my duff” was this thought: “In 10 years I will be 57. Do I want to look back in 10 years and say, ‘Darn, I wish I’d done that?’ Or do I want to look back and see all I have accomplished in the last 10 years doing what I love?”

It was pretty much a no-brainer in my book. But imagine my very conservative husband’s face when I announced I was quitting a good paying job with benefits to work as an actor! Fortunately, after 29 years of marriage, he understood me pretty well. But I’m sure at the time he thought I’d lost my mind! Now he can’t tell
enough people what I do and he brags about me and my accomplishments constantly. I love that!

That was 1998. Today I work full-time as a busy voice actor, director, copywriter and producer. I have written my first book. I am the co-executive producer of the only Voiceover Convention in the world—VOICE (VoiceOver International Creative Experience,
www.voice-international.com
) and I have hundreds of students who I now call dear friends! I have traveled all over the world and met some incredible people while teaching. My days are filled with excitement and anticipation—something I never experienced as a secretary! It’s something new every day. New projects, new scripts, new techniques, new teachers, and best of all, new people! And I work with the nicest guy on the planet, my first teacher and now my partner and best friend, James Alburger.

Yes, the years since I made that decision have been absolutely wonderful and I believe I’m only getting started. So, what is my goal for the next several years?

I want to help as many people as I possibly can to realize
their
dreams!

When another decade has passed, I know I will again look back and be excited about what’s been accomplished!

So, for any of you out there who think you’re too old (or any other excuse you’re currently using) to pursue your voice acting career, please don’t let your age be an obstacle. Age is only a number. I know I don’t feel like I’m 59 even though, as I write this, that’s what the calendar says. Actually, I’m darn proud of being my age and to be doing what I’m doing. Sadly, I’ve seen too many people hold themselves back from accomplishing their dreams because of what other people might think. At some point in your life, you just have to have the courage to say, “Ah, to heck with them!”

If you have a dream (and it is truly your heart’s desire) the ONLY person who can stop you from pursuing and attaining it is
you
.

You only have one life. Please choose to enjoy it while doing something you love!

Index
A

a/an, proper usage of,
87

88

A-B-C’s of voice acting

audience,
62

64

back story,
64

65

character,
66

desires,
67

energy,
68

70

focus,
71

72

forgetting who you are,
71

72

gambling,
72

73

overview,
74

Abshire, Penny,
168
,
174
,
188
,
222
,
390

392

accent it,
352

accents

in character voices,
184
,
186

in commercial demos,
229

reduction/minimization of,
44

45

2-4 shortcut,
95

account executives (AEs),
29
,
278

acoustic treatment,
322

acoustics,
323

325

acting classes,
18

ACTRA (Alliance of Canadian Cinema, Television, and Radio Artists),
23

Adam and Eve stance,
122

add life to it,
352

add some smile,
353

adding words,
98

Adobe Flash player,
211

ADR (Automated Dialogue Replacement),
4
,
204

207
,
350

adult education classes,
19

advertising agencies,
29
,
278

AEs (account executives),
29
,
278

after life (lead-out lines),
114

115

AFTRA (American Federation of

Television and Radio Artists),
11
,
23

27
,
295

agency demos,
344

agency producers (APs),
29
,
278

agents.
see
talent agents

agreements,
287
,
293

294

.aiff (audio information file format),
258
,
328

Aimerito, Sylvia,
369

370

air conditioning,
56

air quotes,
124

Airborne,
57

Alburger, James R.,
168
,
170
,
174

alcohol,
52

Alka Seltzer,
57

All in One Voice, LLC,
304

Allen, Jon,
167

allergies,
56

Alliance of Canadian Cinema, Television, and Radio Artists (ACTRA),
23

ambience,
103
,
205

207

American Federation of Television and Radio Artists (AFTRA),
11
,
23

27
,
295

analog audio mixers,
321

analog equipment, versus digital equipment,
242
,
319

320

animation

categories of,
3

4

character voices for,
183

184

demos for,
229

230

vocal range,
82

anime,
3

4
,
7
,
208

announcer vortex,
379

381

answering machines,
252

antihistamines,
55

apples,
55

APs (agency producers),
29
,
278

Are You My Type, Am I Your Type
(Baron/Wagele),
148

arms, relaxing,
47

articulation,
83

84
.
see also
diction

asking “what if …”,
113

at-ease stance,
122

attention stance,
122

attitude

changing context to find,
97

in character voices,
183

184
,
186

189

overview,
88

physical,
120

124

subtext and,
89

tone and,
90

Audacity,
321

audiences

determining,
15
,
129

listening to,
109

overview,
62

64

single-voice copy,
165

sociocultural awareness,
150

158

understanding,
14

audio books

demos for,
230

231

distribution of,
212

overview,
4
,
197

199

audio information file format (.aiff),
258
,
328

Audio TX web site,
325

Audiobook Publishers Association,
198

auditions,
329

344
,
388

389

afterward,
343

344

agency demos,
344

expectations from,
338

342

from home studio,
333

336

personnel,
29

preparing for,
336

338

process,
11
,
329

333

survival kit,
344

Ault, Janet,
365

367

Automated Dialogue Replacement (ADR),
4
,
204

207
,
350

Avery label printing software,
255

BOOK: The Art of Voice Acting: the art and business of performing for voice over
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