of charity.
But Miri was exceptional. She had bewitched the scrub on
her first day. They were equals in their plainness and their
endurance. Usually it was a less forgiving, more dogmatic host,
despising doubt and mocking faith at once, and favouring the
predatory, whatever their beliefs. It was even-handed in its
cruelties. It did not normally discriminate between the donkey
and the mule. It did not prefer the vulture to the crow. It did
not favour hennaed hair over blond. It did not hang its trees
with food or fill its hollows up with drink to make life easy for
its guests. The scrub required its passengers to take care of
themselves or go without. The scrub was economical, as well,
like some old man, and boundless in its barrenness and poverty.
Its air was thin; its earth was pale; its weeds were frayed; its
moods were fractious and despairing.
But there was also something rich, at times, about the scrub,
despite itself. Something sustaining, unselfish, fertile even. Perhaps this was because it made no claims. It did not promise anything, except, maybe, to replicate through its array of absences
the body's inner solitude and to free its tenants and its guests
from their addictions and their vanities. The empty lands - these
very caves, these paths, these desert pavements made of rock,
these pebbled flats, these badlands, and these unwatered river
beds - were siblings to the empty spaces in the heart. Why
else would scrubs have any holy visitors at all? Ten thousand
quarantiners had come to these parched hills and passed their
days, some delirious with illness; others feverish with god, and
guilt and lunacy, unravelled from themselves by visions of a
better and eternal world; the rest made mad by fasting. Yet, at
the end of their forty days, the scrub sent all of them away
enriched and dryly irrigated. Even Aphas. Even Shim.
2 1 9
But the chosen one or two, the very few, were rewarded for
their quarantines with sacred revelations. The scrub allowed
them up its steep and narrow tracks, and through the softened
silhouettes ofhills, to their attending gods. And there it stretched
its grey horizons to reveal what far-off armies were approaching
with their spangling phalanxes of spears, what distant kings
and preachers came with gifts and prophecies, how slow and
never-ceasing was the world. And there it gave its voyagers their
glimpse of paradise.
Jesus had achieved these sacred fields and seen horizons on
horizons without end. He was still there.
And Musa, too. Yes, even Musa - especially, Musa - had had
his glimpse of paradise and felt the fingers of his preacher king.
He would not go back with nothing to declare. The scrub would
not return him empty-handed to his market-places. What greater
generosity than that?
Miri was not interested in visions or prophecies, or in a god.
She'd never called on him for help, not even in the fist of the
storm when her mother's loom was breaking into pieces. But
she was praying now for Marta. She ran from cave to cave, and
then from bush to bush, in a panic, yelling for the woman,
anticipating all the joys of finding her, yet fearful that Marta was
already dead. She'd seen the death or something just as bad in
Musa's eyes.
It was a barking fox that finally led her to Marta's hiding place.
Something tasty must have tempted it to show itself in daylight.
Some easy carrion. Miri feared the worst. But it was only following the spots of watery blood which Marta had spat out as she ran for safety in the rocks when she'd seen Musa and the line of
mourners climbing to the caves.
Miri pulled her, trembling and limping, into the sunlight. Her
clothes were torn. Her wrists were bruised. Her lower lip was
split and swollen on one side, still bleeding. She had to brush
away the flies. That was an injury that Miri recognized. She'd
had a mouth like that herself. She still had the scar. Musa liked
to grip her lips between his teeth.
'What happened to you?'
Marta hadn't got the courage to speak.
'It's Musa, isn't it?'
She shook her head.
'Who then? There's no one else . . . I know it's him. It's him!'
22 1
Miri punched her hands together. 'That man's made fools of
everyone. Again! He wasn't even ill. All lies. He'll bring the
heavens down on all of us . . . '
'No . . . I fell.'
'Musa must have pushed you then. Look what he's done.'
'It was the wind . . .'
'The wind? How could the wind do that to you?'
'Threw stones and bits of stick at me. I fell . . . '
'It's him.'
'No. Don't make me say.'
'Listen, Marta. Give me your hand. Just say you didn't fall.
Be brave. Tell me. I know my husband, what he can do. He
leaves his thumbprint everywhere.'
'He doesn't know I'm here? Don't let him come.'
'It's over now. He's finished with you now. Just tell me what
the demon's done.'
'Can't tell. There's nothing left to tell . . .' She was sobbing,
pushing Miri away yet still holding tightly to her wrists. Her face
was dry. No tears. 'Don't make me say.'
Miri put a finger on the uninjured side of Marta's mouth.
Miri's cheeks were wet with tears. 'Don't say. I know what he
can do. You haven't got to say. Don't say.'
'What can I do?'
'You can't stay here. You have to come back to the caves . . . '
'I can't. '
'You must. You're safer there. There's five of us, and only
him. I'll take good care of you. He'll stay away, I know. What
can he do to you with us around? He's frightened of you
'
now.
'I'm scared . . . to go.'
'Come on. I need your help. The Gaily's dead. You saw the
body they were carrying?'
Now Marta could not stop the tears. 'The Gaily's dead?'
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'We've got to bury him. Come on. Be brave.'
Marta did as she was told. She followed Miri. Held on to her
arm. Entwined her fingers into hers until they reached the caves.
She'd find an opportunity to tell her sister what the wind had
really done.
Musa did not even look at them. He sat in conversation with
the men, facing across the valley, with no expression on his face,
his fat neck creased, a stack of twenty grimaces. He called to
Miri only once, without turning to face her. 'We're waiting.'
'What for?'
'For you to get the Gaily ready for the burial.'
Preparing bodies was women's work, in his opinion. The men
could sit and pray, while Miri and Marta - glad to be busy and
out of sight - gathered the leaves and bark of trees to make their
shrouding ointments. They picked morning star and hyssop, dill
pods, and the yellow spices from solanum stems to perfume the
body. Then they pulled back the smouldering fire and thorns,
lit cups of candle-fat, and took refuge inside the smoky cave
with Jesus.
They stood hand in hand in the ducking candlelight and the
plumes of clearing smoke looking at the wrapped body, uncertain
where to start. Only his hands and feet were visible, and so they
cleaned them first with water taken from his grave. His skin was
cold and dry. Despite the broken nails, the blisters and the sores,
his hands and feet were still beautiful, as polished and unyielding
as sculpted wood. The fast had thinned and lengthened his toes
and fingers, so that the bones and joints were round and ripe
like nuts in pods. The women unwrapped him from his curtain,
removed the poppy petals from his eyes, and stood back to let
the candles light his face. Marta gasped. She touched the Gaily's
cheeks and lips, and shook her head. She was almost smiling, for
the first time that day.
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'What's wrong?' said Miri. 'Are you all right? Sit down. I'll
do it by myself'
'No, let me help. I want to help.' Marta touched his cheeks
again. 'I'm not afraid of him. He's only skin and bone.'
The women covered Jesus's face with a cloth, to protect his
mouth against the devil and to protect themselves from the
dangers oflooking a dead man in the eye for too long. That was
the superstition, 'Dead eyes looking, Bad luck cooking.' But
neither of them felt ill at ease withJesus. Nor did they feel much
reverence for him. His body was too damaged and degraded.
Only his feet and hands had caused any wonder. The rest had
been more cruelly treated by the fast and was not beautiful. But
touching him was not distasteful. It felt more like a blessing than
a chore. They'd have good luck, not bad. Miri and Marta did
not talk while they were preparingJesus. Their task was far too
solemn and distressing. He was so young and disfigured. But
they were glad they could at least share and halve the task with
each other. They washed his body, wiped away the dried blood,
the film of dust and ash, and cleaned his eyes and mouth and
loins. They shut his eyes and pulled his lips over his teeth as best
they could. His gums were so badly swollen that his mouth
would not close. His grin was wide and mirthless. They anointed
him with the herbs and ointments they'd collected, and burnt
the seeds for incense in the candle cups. Finally they bandaged
his feet and hands, and wrapped him in the curtain once again.
They'd done as much as any woman could. Now it was men's
work to carry him down to the cistern, and bury him. No woman
should come near the grave. Miri and Marta stayed inside the
cave, watching candle flames while Jesus was interred.
'What was the matter, when you saw his body?' Miri asked.
'You gasped. You seemed surprised by him.'
'I knew his face,' Marta said. 'Dear lord, how well I knew his
face. That's how I always knew his face would be.'
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'How could you know his face? You never saw him. You
always said he wouldn't come out of his cave.'
'I know his face from dreams. If it was dreaming.'
'You dreamed his face?'
'A hundred times. Even this morning. Outside the cave . . .'
'He was dead this morning! You've seen yourself how dead
he was.'
' I watched somebody walking up. I hid. I thought it was your
. . . Don't make me even say his name. You know. Then I saw
him. I knew it had to be the Gally. The same dead face. Just skin
and bones. He was as near to me as you are now. I could have
touched him. But he touched me. He touched my cuts and
bruises. And then he kissed my feet.'
Miri laughed. 'That only happens in a woman's dreams.'
'He touched my stomach afterwards, like a priest. He said,
This is a son for Thaniel. How could he know my husband's
name? He said he'd given me a child, with just his fingertips.'
'That's something else that only happens in a woman's dreams.'