Then a disaster occurred: Flor’s sleeping tablets disappeared. She took the bed apart and rolled back the carpet. Doris helped, unexpectedly silent. It was a disaster because without the pills in the room she was unable to sleep. Her desire for sleep and dreams took the shape of a boat. Every day it pulled away from shore but was forced to return. She had left the doorkey under the mat so that Doris could come in when she wanted, after a warning ring. She got up early one day and took the key inside. She heard a ring and didn’t answer. The ring was repeated, and Doris knocked as well, but Flor lay still, her eyes closed. Once the imperative ring surprised her in the kitchen, where she was distractedly looking
around for something to eat. There were empty cans everywhere, which Doris had opened for her, and dirty cups, and a spilled box of crackers. She found cornflakes and some sour milk in a jug and a sticky packet of dates. In a store cupboard there were more tins. She opened a tin of mushrooms and ate them with her fingers and went back to bed. This scene had the air of a robbery. It was midday, but the light was on; the kitchen was shuttered, like every other room. Flor’s quest for food was stealthy and uncertain, partly because the kitchen was not her province and she seldom entered it. When Doris rang, she stood frozen, in her nightgown, her head thrown back, her heart beating in hard, painful, slow thumps. She had a transient fear that Doris possessed a miraculous key and could come in whenever she wanted to. She felt the warmth and weight of her thick hair. Her neck was damp with fear.
The ringing stopped. That afternoon she slept and half slept and had her first real dream, which was of floating, sailing, going away. It was pleasant, brightly lit, and faintly erotic. There emerged the face of a Russian she and her mother had once talked to in a hotel. She remembered that in the presence of a whirlwind you defied Satan and made the sign of the cross. She opened her eyes with interest and wonder. She had followed someone exorcising a number of rooms. She was not in the least frightened, but she was half out of bed.
The building was empty now. She heard the concierge cleaning on the stairs. In the daytime there was light through the shutters. She was happiest at night, but her plans were upset by the loss of the pills. Once her husband telephoned and she replied and spoke quite sensibly, although she could not remember afterward what she had said. She turned her room upside down again, but the pills were gone. Well, the pills might turn up. There were other things to be done: cupboards to be shut, drawers tidied, stockings put away. She knew she would be unable to lie in peace until everything was settled, and August was wearing away. Every day she did one useful thing. There were the gold sandals Bonnie wanted repaired: she had left them on a chest in the hall so that Flor would see them on her way out. These sandals did not belong in the hall. The need to find a place for the broken sandals drove
her out of bed one afternoon. She carried the sandals all around the flat, from shuttered room to room. There was no sound from the street. In her mother’s bedroom she forgot why she had come. She let the sandals fall on a chair; that was how Bonnie found them, one on the chair, one on the floor, with its severed strap like a snapped twig some inches away.
Once she had told Dr. Linnetti that her husband was her mother’s lover. She had described in a composed voice the scene of discovery: he came home very late and instead of going into his own room went into Bonnie’s. She knew it was he, for she knew his step, and the words this man used were his. She heard her mother whisper and her mother laugh. “Then,” said Flor, “he tried to come to me, but I wouldn’t have it. No, never again.” A month later she said, “That wasn’t true, about Bob and my mother.” “I know,” said Dr. Linnetti.
“How do you know?” said Flor, trembling, in Bonnie’s room. “How do you know?”
She saw herself in a long glass, in the long loose butterfly-covered nightdress. She looked like a pale rose model in a fashion magazine, neat, sweet, a porcelain figure, intended to suggest that it suffices to be desirable—that the dream of love is preferable to love in life.
“You might cut your hair,” said Bonnie.
“Yes,” said Flor. “You’d love that, wouldn’t you?”
Bonnie’s windows were closed and the oyster-silk fringed curtains pulled together. But still light came into the room, the milky light of August, in which Flor, the dreamer, floated like a seed. Bonnie had not entirely removed herself to Deauville, for her scent clouded the room—the cat’s-fur Spanish-servant-girl scent she bought for herself in expensive bottles. Flor moved out of the range of the looking glass and could no longer be witnessed. She opened a mothproof closet and looked at dresses without touching them. She looked at chocolates from Holland in a tin box. She looked desultorily for her pills. She forgot what she was doing here and returned to bed.
She knew that time was going by and the city was emptying, and still she hadn’t achieved the dreams she desired. One day she opened the shutters of her bedroom and the summer afternoon
fell on her white face and tangled hair. There was the feeling of summer ending; it had reached its peak and could only wane. Nostalgia came into the room—for the past, for the waning of a day, for a shadow through a blind, for the fear of autumn. It was a season not so much ending as already used up, like a love too long discussed or a desire deferred. An accumulation of shadows and seasons ending led back to some scene: maids dancing in Aunt Dottie’s kitchen? She held the shutters out and apart with both hands, frozen, as if calling for aid. None came, and she drew in her thin arms and brought the shutters to.
She was interrupted by the concierge, who brought letters, and said, “Are you still not better?” She left unopened the letters from her husband because she knew he was not saying anything to her. She opened all the letters from Dr. Linnetti, those addressed to herself, and to her mother and her husband as well. She had long ago intercepted and destroyed the first letter to Bob: “Her hostility to me was expected …” (Oh, she had no pride!) “but she is in need of help.” She gave the name of another doctor and said that this doctor was a man.
Flor had no time for doctors. She had to finish sewing a dress. She became brisk and busy and decided to make one dress of two, fastening the bodice of one to the skirt of the other. For two days she sewed this dress and in one took it apart. She unpicked it stitch by stitch and left the pieces on the floor. She was quite happy, humming, remembering the names of songs. She wandered into Bonnie’s room. The mothproof closet was open, as she had left it. She took down a heavy brocaded cocktail dress and with Bonnie’s nail scissors began picking the seams apart. There was a snowdrift of threads on the parquet. The carpet had been taken away. When she went back to bed, she could sleep, but she was sleeping fitfully. There were no dreams. It was days since she had looked into the notebook. The plants were dying without water and the kitchen light left burning night and day. For the first time in her memory she was frightened of the dark. When she awoke at night it was to a whirling world of darkness and she was frightened. Then she remembered that Bonnie had taken the prescription for the sleeping tablets and she found it easily in the jewel case, lower tray.
She dressed and went down the stairs, trembling like an invalid, holding the curving rail. The concierge put letters in her hand, saying something Flor could not hear. She went out into the empty city. The quarter was completely deserted and there was no one in the park. She saw from the fit of her dress that she had lost pounds. It was the last Sunday of August, and every pharmacy she came to was closed. The air was heavy and still. There was no variation in the color of the sky. It might have been nine in the morning or four in the afternoon. The city had perished and everyone in it died or gone away: she had perceived this on a July day, crossing the Pont Neuf. It was more than a fancy, it was true. The ruin was incomplete. The streets lacked the crevices in which would appear the hellebore, the lizards, the poppies, the ivy, the nesting birds. High up at one of the windows was a red geranium, the only color on the gray street. It flowered, abandoned, on its ledge, like the poppies and the cowslips whose seeds are carried by the wind and by birds to the highest point of a ruin.
There were no cars. She was able to cross every street. The only possible menace came from one of the letters the concierge had put in her hand. She came to a café filled with people, huddled together on the quiet avenue. She sat down and opened the letter. It was nearly impossible to read, but one sentence emerged with clarity: “I am writing to Dr. Linnetti and telling her I think it is
unprofessional
to say the least,” and one page she read from the start to the end: “I want this man to see you. It is something entirely new. Everything we think of as mental comes from a different part of your body and it is only a matter of getting all these different parts under control. You have always been so strong-minded darling it should be easy for you. It is
not
that Swiss and
not
that Russian but someone quite new, and he had helped thousands. When he came into the room darling we all got to our feet, it was as if some unseen force was pulling us, and although he said very little every word counted. He is most attractive darling but of course above and outside all that. I asked him what he thought of The Box and he said it was all nonsense so you see darling he isn’t a fake. When I explained about The Box and how you put a drop of blood on a bit of blotting paper and The Box makes a diagnosis he was absolutely horrified so you see love he isn’ta
fake at all. I remember how you were so scornful when The Box diagnosed my liver trouble (that all the doctors thought was heart) so it must be an assurance for you that he doesn’t believe in it too. Darling he was so interested in hearing about you. I am going to ask Dr. Linnetti why you must pay even if away and why you must have sessions in August. He is coming to Paris and you must meet. He doesn’t have fees or fixed hours, you come when you need him and you give what you can to his Foundation.”
She became conscious of a sound, as a sound in the fabric of a dream. Florence looked away from Bonnie’s letter and saw that this sound was real. At one of the café tables, a laughing couple were pretending to give a child away to a policeman. The policeman played his role well, swinging his cape, pretending to be fierce. “She is very naughty,” said the mother, when she could stop laughing enough to speak, “and I think prison is the best solution.” All the people in the café laughed, except Flor. They opened their mouths in the same way, eyes fixed on the policeman and the child. The child cried out that it would be good, now, but everyone was too excited to pay attention. The child gave one more promise and suddenly went white and stiff in the policeman’s grasp. He gave her back to her parents, who sat her on a chair. “She’ll be good now,” the policeman said.
The closed face of Paris relaxed. This was Paris: this was France. Oh, it was not only France. Her mother’s mother’s gardener had broken the necks of goldfinches. “If you tell you saw, you’ll get hit by lightning,” he had said.
“It’s because of things like that,” said Florence earnestly, retracing her steps home, “I’m not afraid of bombs.”
She unlocked the empty apartment and the element she recognized and needed but that had evaded her until now rushed forward to meet her, and she knew it was still August, that she was still alone, and there was still time. “I only need a long sleep,” she said to the empty air. The unopened letters from Bob she put on the chest in the hall. Her advancing foot kicked something along and it was a trodden, folded letter that had been pushed under the door. It was dirty and had been walked on and was greasy with city dust. She carried this letter—three sheets folded one over the other—around the flat. She closed all the doors except the door of
the kitchen and the door of her bedroom. The passage was a funnel. Her sleep had been a longer and longer journey away from shore. She lay down on the bed, having been careful to remove her shoes. The letter spoke to her in peaked handwriting. She had no idea who it was from.
“I have stupid ideas,” said this pointed hand, “and you are right to have nothing to do with me. You are so beautiful and clever.” It groveled on like this for lines. Who is the writer of this letter? Her husband loves her but has gone away with another woman. “The girl knows I know, and it doesn’t work, we are all unhappy, he has his work, and I can’t just make a life of my own as he suggests. I thought you would help me but why should you? You are right not to let anyone hang on your skirts. The important thing is that I have made a decision, because I understood when you locked me out that what is needed is not slow suffering or hanging on to someone else, but a solution. I went out on the street that day and wanted to die because you had locked me out and I realized that there was a solution for me and the solution was a decision and so now I am going home. I am not going
away
but going
home
. He can follow, or he can stay, or he can do what he likes, but I have made a decision and I have cabled my father and he is cabling the money and I am going home. I’m leaving on the sixteenth and I’ll wait for you every evening, come down if you want to say goodbye. I won’t bother you again. All I want to tell you is I hid your sleeping pills and now I know I had no right to do that, because every person’s decision is his own. I know I was silly because you’re young and pretty and have everything to live for and you wouldn’t do what I was afraid you would. I can’t even write the word. You may have been wanting those pills and I’m sorry. They’re in the kitchen, inside the white tin box with ‘Recipes’ written on it. Don’t be angry with my interference and please Florence come and say goodbye. Florence, another thing. Everybody makes someone else pay for something, I don’t know why. If you are as awful to your mother as she says you are, you are making her pay, but then, Florence, your mother could turn around and say, ‘Yes, but look at my parents,’ and they could have done and said the same thing, so you see how pointless it is to fix any blame. I think my husband is making me pay, but I don’t
know what for or why. Everyone does it. We all pay and pay for someone else’s troubles. All children eventually make their parents pay, and pay, and pay. That’s the way I see it now, although I may come to change my mind when I have children of my own. Florence, come once and say goodbye.”