Authors: Mary Kubica
Don't You Cry
New York Times
bestselling author of
The Good Girl
, Mary Kubica returns with an electrifying and addictive tale of deceit and obsession
In downtown Chicago, a young woman named Esther Vaughan disappears from her apartment without a trace. A haunting letter addressed to My Dearest is found among her possessions, leaving her friend and roommate Quinn Collins to wonder where Esther is and whether or not she's the person Quinn thought she knew.
Meanwhile, in a small Michigan harbor town an hour outside Chicago, a mysterious woman appears in the quiet coffee shop where eighteen-year-old Alex Gallo works as a dishwasher. He is immediately drawn to her charm and beauty, but what starts as an innocent crush quickly spirals into something far more dark and sinister than he ever expected.
As Quinn searches for answers about Esther, and Alex is drawn further under the stranger's spell, master of suspense Mary Kubica takes readers on a taut and twisted thrill ride that builds to a stunning conclusion and shows that no matter how fast and far we run, the past always catches up with us in the end.
Praise for
The Good Girl
and
Pretty Baby
“Raises the ante on the genre.”
â
LA Times
“Hypnotic.”
â
People
“Perfect.”
âNPR
“Suspense done well.”
â
New York
magazine
“Begs you to turn the page.”
â
InStyle
“Intricately wrought.”
â
Vulture
“A compelling reason to sit up all night.”
â
Kirkus Reviews
, starred review
“Superb.”
â
Publishers Weekly
, starred review
“Gripping.”
â
Chicago Book Review
“Fans of
Gone Girl
will embrace this evocative tale.”
âLisa Gardner
“Masterful.”
â
The Columbus Dispatch
“Cleverly constructed.”
â
Chicago Tribune
“Comparisons to
Gone Girl
are deserved.”
â
Huffington Post
Also by Mary Kubica
The Good Girl
Pretty Baby
Mary Kubica
is the
New York Times
bestselling author of
The Good Girl
and
Pretty Baby
. She holds a bachelor of arts degree in history and American literature from Miami University in Oxford, Ohio. She lives outside Chicago with her husband and two children. Follow Mary on Twitter,
@MaryKubica
.
For Pete
SUNDAY
Quinn
In hindsight, I should have known right away that something wasn't quite right. The jarring noise in the middle of the night, the open window, the empty bed. Later, I blamed a whole slew of things for my nonchalance, everything from a headache to fatigue, down to arrant stupidity.
But still.
I should have known right away that something wasn't right.
* * *
It's the alarm clock that wakes me. Esther's alarm clock hollering from two doors down.
“Shut it off,” I grumble, dropping the pillow to my head. I roll over onto my stomach and swim beneath a second pillow to smother the sound, throwing the covers up over my head, too.
No such luck. I still hear it.
“Dammit, Esther,” I snap as I kick the covers to the end of the bed and rise. Beside me there are rustles of complaint, blind eyes reaching out to reclaim the blanket, an aggravated sigh. Already the taste of last night's alcohol creeps up my insides, something called a cranberry smash, and a bourbon sour, and a Tokyo iced tea. The room whirls around me like a Hula-Hoop, and I have this sudden memory of twirling around a dirty dance floor with some guy named Aaron or Darren, or Landon or Brandon. The same guy that asked to split a cab with me on the way home, the one that's still lying on my bed when I nudge him and tell him he has to go, yanking the blanket from his hands. “My roommate,” I say, poking him in the ribs, “is awake. You have to go.”
“You have a roommate?” he asks, sitting up in bed, yet beset by sleep. He rubs at his eyes and it's then that I see it in the glimmer of a nearby streetlight that glares through the window and across the rumpled bed: he's twice my age. Hair that looked brown in the hazy burn of bar lightsâand under the influence of a healthy dose of alcoholâis now a pewter-gray. Dimples are not dimples at all, but rather laugh lines. Wrinkles.
“Dammit, Esther,” I say again under my breath, knowing that before long, old Mrs. Budny from downstairs will be pounding the ceiling with the hard end of her sponge mop to silence the rumpus.
“You have to go,” I say to him again, and he does.
I follow the trail of noise into Esther's room. The alarm clock, a droning noise like a cicada's song. I mutter under my breath as I go, one hand dragging along the wall as I make my way down the darkened halls. The sun won't rise for another hour. It's not yet 6:00 a.m. Esther's alarm screams at her like it does every Sunday morning. Time to get ready for church. Esther, with her silvery, soothing voice, has been singing in the church choir every Sunday morning at the Catholic church on Catalpa for as long as I can remember. Saint Esther, I call her.
When I enter Esther's bedroom, the first thing I notice is the cold. Drafts of frosty November air sail in from the window. A stash of paper on her deskâheld secure by a heavy college textbook:
Introduction to Occupational Therapy
âblows in the breeze, making a raucous noise. Frost covers the insides of the window, condensation running in streams down the panes of glass. The window is pushed up all the way. The fiberglass screen is removed, set to the floor with cause.
I lean out the window to see if Esther is there on the fire escape, but outside the worldâon our little residential block of Chicagoâis quiet and dark. Parked cars line the street, caked in the last batch of fallen leaves from nearby trees. Frost covers the cars and the yellowing grass, which fades fast; soon it will die. Plumes of smoke escape from roof vents on nearby homes, drifting into the morning sky. The whole of Farragut Avenue is asleep, except for me.
The fire escape is empty; Esther is not there.
I turn away from the window and see Esther's covers lying on the floor, a bright orange duvet with an aqua throw. “Esther?” I say as I make my way across the boxy bedroom, hardly big enough for Esther's double bed. I trip over a stash of clothes tossed to the floor, my feet getting tangled in a pair of jeans. “Rise and shine,” I say as I smack my hand against the alarm clock to shut it up. Instead, I wind up turning the radio on, and a cacophony of noise fills the room, morning talk against the drone of the alarm. “Dammit,” I swear, and then, losing patience, “Esther!”
I see it then as my eyes adjust to the darkness of the room: Saint Esther is not in her bed.
I finally manage to shut off the alarm clock and then turn on the light, grimacing as the bright light makes my head ache, the aftereffects of an overindulgent night. I do a double take to make sure I haven't somehow or other managed to miss Esther, checking under the heap of blankets lying on the floor. Ridiculous, I know, even as I'm doing it, but I do it nonetheless. I check in her closet; I check the single bathroom, my eyes scanning past the prolific collection of overpriced cosmetics we share, tossed at random on the vanity.
But Esther is nowhere.
Smart decisions aren't really my forte. They're Esther's. And so maybe that's why I don't call the cops right away, because Esther isn't here to tell me to do it. In all honesty, though, my first thought isn't that something
happened
to Esther. It isn't my second, third or fourth thought, either, and so I let the hangover get the best of me, close the window and go back to bed.
When I wake for the second time, it's after ten. The sun is up, and all along Farragut Avenue people scuttle to and from the coffee and bagel shops for breakfast, or lunch, or whatever it is that people eat and drink at 10:00 a.m. They're blanketed in puffer jackets and wool trench coats, hands forced into pockets, hats on head. It doesn't take a brainiac to know that it's cold.
I, however, sit on the small apartment sofaâthe color of rose petalsâin the living room, waiting for Saint Esther to arrive with a hazelnut coffee and a bagel. Because that's what she does every Sunday after singing in the church choir. She totes home a coffee and a bagel for me and we sit at the small kitchen table and eat, talking about everything from the children who cried their way through mass, to the choir director's lost sheet music, to whatever vapid thing I'd done the night before: drinking too much, bringing home some guy I barely knew, some faceless man who Esther never sees but only hears through the paper-thin walls of our apartment.
Last night I went out, but Esther didn't go with me. She had plans to stay home and rest. She was nursing a cold, she said, but now that I think of it, I saw no visible symptoms of illnessâno coughing, no sneezing, no watery eyes. She was on the sofa, buried beneath the blanket in her comfy, cotton pajamas.
Come with me
,
I'd begged of her. There was a new bar open on Balmoral that we'd been dying to go to, one of those chic, low-lit lounge types that only served martinis.
Come with me
,
I begged, but she said no.
I'd be a killjoy, Quinn
,
she said instead.
Go without me. You'll have more fun.
Want me to stay home with you?
I asked, but it was a halfhearted suggestion.
We'll order takeout
,
I said, but I didn't want to order takeout. I was in a new baby-doll dress and heels, my hair was done, my makeup was on. I'd gone so far as to shave my legs for the night; there was no way I was staying home. But at least I offered.
Esther said no, go without her and have fun.
And that's just what I did. I went out without her and I had fun. But I didn't go to that martini bar. No, I saved that for Esther and me to do together. Instead, I wound up at some shoddy karaoke bar, drinking too much and going home with a stranger.
When I came home for the night Esther was in bed, with her door closed. Or so I thought at the time.
But now I can't help but wonder as I sit on the sofa, considering this morning's turn of events: What in the world would make Esther disappear out the fire escape window?
I think and I think, but my thoughts only land on one thing: an image of Romeo and Juliet, the famous balcony scene, whereby Juliet professes her love for Romeo from the balcony of her home (which is more or less the only thing I remember from my high school education, that and the fact that a pen barrel makes the best artillery for shooting spitballs).
Is that what sent Esther clambering out the window in the middle of the night:
a guy
?
Of course at the end of that tale, Romeo poisons himself and Juliet stabs herself with a dagger. I read the book. Better yet, I saw the movie, the 1990s adaptation with Claire Danes and Leonardo DiCaprio. I know how it ends, with Romeo drinking his poison and Juliet shooting herself in the head with his gun. I think to myself: I just hope Esther's story has a better ending than that of Romeo and Juliet.
For now there's nothing to do but wait, and so I sit on the small rose-colored sofa, staring at the empty kitchen table, waiting for Esther to arrive home, regardless of whether she spent the night in her bed or crawled out the third-floor window of our walk-up instead. That doesn't matter. I still wait in my pajamasâa waffle henley and flannel boxer shorts, a pair of woolly slipper socks prettifying my feetâfor my coffee and bagel to arrive. But today they're a no-show and I blame Esther for it, for the fact that this day I'll go without breakfast and caffeine.
* * *
By the time noon rolls around, I do what any self-respecting adult might do: I order Jimmy John's. It takes a good forty-five minutes for my Turkey Tom to arrive, during which time I convince myself that my stomach has begun to digest itself. It's been a solid fourteen hours since I've had a thing to eat, and what with the surplus of alcohol, I'm quite certain I've got the whole stomach bloating thing going on like those starving kids you see on TV.
I have no energy. Death is imminent. I may die.
And then the buzzer beeps from the first floor and I rise quickly to my feet. Delivery! I greet the Jimmy John's guy at the door, handing him his tip, a few measly dollars I manage to find in an envelope Esther stuck in a kitchen drawer with the description
Rent
.
I eat my lunch hunched over an industrial iron coffee table, and then do what any self-respecting human might do when her roomie has gone AWOL. I snoop. I let myself into Esther's room without a hint of remorse, without a whisper of guilt.
Esther's room is the smaller of the two, about the same size as a large refrigerator box. Her double bed spans the room, popcorn wall to popcorn wall, leaving hardly anywhere to walk. That's what eleven hundred dollars a month will buy you in Chicago: popcorn walls and a refrigerator box.
I slip past the foot of the bed, tripping over the pile of bedding that's still left on the scratched wooden floors, and peer outside at the fire escape, a collection of ladders and platforms in steel gratings that adheres to Esther's window. We joked about it when I moved in years ago, how she got the smaller room, but by virtue of the conjoined fire escape to her window, she'd be the one to survive a blaze should the entire building one day go up in flames. I was okay with that. Still am, really, because not only do I have a bed and a desk and a dresser in my room, I have a papasan chair. And the building has never once caught on fire.
Once again, I find myself wondering what in the holy hell would make Esther climb out her fire escape in the middle of the night. What's wrong with the front door? It's not as if I'm worried because, really, I'm not. Esther's been on that fire escape before. We used to sit out there all the time, staring at the moon and the stars, sipping mixed drinks, as if it was a balcony, our feet dangling over a repugnant Chicago alleyway. It was sort of
our thing
, spreading out along the uncomfortable steel gratings of the dingy black fire escape, sharing our secrets and dreams, feeling the lattice grilles of the unforgiving metal dig into our skin until our backsides fell asleep.
But even if she was there last night, Esther certainly isn't on the fire escape now.
Where could she be?
I peer inside her closet. Her favorite boots are gone, as if she put on her shoes, opened the window and climbed outside with intent.
Yes, I tell myself. That's exactly what she did, an assumption that reassures me that Esther is just fine.
She's fine
, I tell myself.
But still. Why?
I stare out the window at the quiet afternoon. The morning's coffee blitz has given way to a caffeine downer; there's not a soul in sight. I imagine half of Chicagoland perched before the TV, watching the Bears claim another stunning defeat.
And then I turn away from the fire escape and begin my search of Esther's bedroom. What I find is an unfed fish. A heaping pile of dirty laundry spilling out of a plastic hamper in the closet. Skinny jeans. Leggings. Jeggings. Bras and granny underwear. A stack of white camisoles, folded and set beside the hamper with care. A bottle of ibuprofen. A bottle of water. Grad school textbooks piled sky-high beside her ready-to-assemble IKEA desk, in addition to the one that lies on top of it, holding random papers in place.
I set my hand on a desk drawer handle, but I don't look inside. That would be rude, somehow, more rude than riffling through the items left on top of the desk: her laptop, her iPod, her headphones and more.
Thumbtacked to the wall I find a photograph of Esther and me, taken last year. It was Christmas and together we stood before our artificial Fraser fir, snapping a selfie. I smile at the memory, remembering how Esther and I trekked together through mounds of snow to collect that tree. In the picture, Esther and I are pressed together, the boughs of the evergreen prodding our heads, the tinsel getting stuck to our clothing. We're laughing, me with a complacent smirk, and Esther with her gregarious smile. The tree is Esther's, one she keeps at a storage facility down the street, a ten-by-five box where, for sixty bucks a month, she keeps old guitars, a lute and whatever else she can't fit into her pint-size bedroom. Her bike. And, of course, the tree.