Don't Sing at the Table (19 page)

Enza placed the lap robe she had made of sturdy gold cotton on one side and brown suede on the other, on the passenger side of the cart. It would keep the paying customer warm.

“I don't think you should go, Papa.”

“It's the only job I've been offered all winter.”

“What if the hitch snaps?”

“It won't.”

“What if Cipi falls down?”

“He'll get back up.”

Marco checked the suspension on the cart. He took an oilcan and greased the springs.

“Here. Let me.” Enza took the oilcan from her father and slipped under the cart to oil the gears. She was careful to give a few extra squirts, so the cart could take sudden turns and jolts on the icy mountain road without toppling.

Marco helped her out from under the cart. “The snow is always the worst on the mountain. By the time I get to Vilminore di Scalve, it will be a dusting. There's probably no snow at all down in Bergamo.”

“What about the rain?”

Marco smiled. “You worry enough for your mother and me.”

“Somebody has to.”

“Enza.”

“Sorry, Papa. We have enough flour until spring. A little sugar. Lots of chestnuts. You don't have to take this job.”

“What about the rent?”

“Signor Arduini can wait. All he'll do with the money is buy more dresses for his daughter. Maria has enough.”

“Now you're going to tell the richest man in town how to spend his money?”

“I wish he'd ask me. I'd tell him plenty.”

Marco tried not to laugh. “I'm getting three lire to take the passenger down the mountain.”

“Three lire!”

“I know. Only a fool would turn down three lire.”

“Let me go with you. If you have any problems, I'll be there to help you.”

“Who will help your mother with the children?”

“Battista.”

“He's nine years old, and a bigger baby than Stella.”

“He just likes to have fun, Papa.”

“That's not a quality that gets you far in life.”

“Eliana is helpful.”

“She's not strong,” Marco reminded her. “But she's smart; that should account for something.”

“It does, but that doesn't help your mother with the chores. Vittorio and Alma are small, and Stella is nursing. Your mama needs you here.”

“All right. I'll stay. How long do you think you'll be gone?”

“One day down the mountain. I'll stay the night, and one day up the mountain.”

“Two whole days— ”

“For
three
lire,” Marco reminded her.

Marco was ambitious. He had drawn up plans to build a deluxe carriage with three benches to transport the summer tourists who craved the quiet of the mountain summers, with their cool nights and sunny days. The pristine alpine lakes were popular for swimming. Tourists could take the healing waters in Boario if they wished, sun on the beach of the Brembo River or take the mud baths of Trescore. The new carriage would take the tourists anywhere they wanted to go! Marco pictured a modern carriage with a canopy of bold black-and-white stripes with brass bindings, while silk-ball fringe along the edge would provide a touch of glamour. Giacomina and Enza would make corduroy cushions for the benches, turquoise blue.

Marco hoped to earn enough money to finally make the Arduinis an offer on the old stone house. The rent was high, but it was close to Cipi's barn, where the carriage and equipment were stored. The Ravanellis couldn't live in the barn. They needed the house.

Signor Arduini was getting older; soon his son would take over as padrone. The wooden box filled with folded parchments of surveyed land lots in Schilpario would be handed down and managed by the next generation of Arduinis. There had been signs that Marco should seriously consider buying the house. Sometimes after Marco delivered the rent, Signor Arduini would implore him to buy their house before his death, before his son took over and a potential sale might be off the table for good. It was Signore's desire to sell that had motivated Marco to expand his business; the present carriage would not provide the profit needed to buy the house.

Buying the house on Via Scalina was Marco's dream for his family.

Marco arrived in Vilminore on time. Across the piazza, he saw his customer waiting for him, a nun by her side. Resting on the ground next to her was a small brown duffel. Caterina's blue coat stood out against the pink and gray of winter. Marco was relieved that his customer had been waiting for him, as arranged. Lately, most of his fares had not honored their appointments, a sign of how dire the poverty in these mountains had become, as travelers attempted to pass on foot.

Marco guided Cipi across the piazza to the entrance of San Nicola, then jumped off his perch, greeted the nun, and helped Caterina Lazzari into the governess cart. He placed her suitcases inside the drop box by her feet and flipped the cover shut, draped the lap robe over her blue coat, and secured the canopy.

Sister Domenica handed him an envelope, which he tucked into his pocket. He thanked her before climbing into the cart on the driver's side. The nun went back inside the convent.

As Marco guided the horse across the piazza, he heard a boy calling out for his mother. Caterina Lazzari asked Marco to stop as Ciro, out of breath, ran up to the side of the carriage. She looked down at her son. “Go back inside, Ciro. It's cold.”

“Mama, don't forget to write to me.”

“Every week. I promise. And you must write to me.”

“I will, Mama.”

“Be a good boy and listen to the sisters. It won't be long until summer.”

Marco snapped the reins and guided Cipi down the main street to the mountain road. Ciro watched his mother go. He wanted to run after the cart, grab the handle, and hoist himself up on to the seat, but his mother did not look back at him, nor did she lean over the side, holding out her hand, beckoning him to join her, as she had done on every carriage ride, train trip, or swing as long as he could remember.

All Ciro could see was his mother's choice to ride away from him, to leave him there like a broken chair on the side of the road waiting for the junkman. As she rode off, he saw the frame of her collar and the back of her neck, straight as the stem of a rose. Soon she became a blue blur in the distance as the cart turned toward the entrance road to the Passo Presolana.

Ciro's chest heaved when she disappeared from view. He longed to open his mouth and cry out for his mother, but what good would that do? Ciro hadn't learned the difference between sadness and anger. He just knew that he would have liked to smash everything in sight— the statuary, the vendor's bin, and the windows in every shop on the colonnade.

Ciro was angry about every bad decision his mother had made since his father left, including selling everything Papa owned, including his gun and his belt buckle. He was angry that Eduardo was tolerant in the face of every setback and went along with everything their mother said. And now Ciro was furious that he had to live in a
convent
, which for him, was like asking
un pesce di abitare in un albero
(a fish to live in a tree). Nothing his mother had done made sense. Her explanations were not satisfactory. All he knew and had heard was that he must be good, and who decides what is good?

“Come inside, Ciro.” Eduardo held the door open.

“Leave me alone.”

“
Now
, Ciro.” Eduardo stepped outside, closing the door behind him. “I mean it.”

Eduardo's tone ignited Ciro's temper like a match to dry kindling. He was not Ciro's mother or father. Ciro turned to his brother and tackled him. Eduardo's head cracked against the bricks as Ciro pummeled him with his fists. Ciro heard the solid landing of the blows, but didn't hold back, only hit his brother harder in his rage. Eduardo curled up into a ball to protect his face and rolled from his back onto his knees, crying out, “It won't make her come back.”

Ciro's strength gave out, and he fell onto the ground next to his brother. Eduardo held his knees tight as Ciro knelt and placed his face in his hands. He didn't want Eduardo to see him cry. Ciro also knew if he began to weep, he wouldn't stop.

Eduardo stood and pulled down the short cuffs on his shirt. He smoothed his pants and lifted them up by the waist. He patted his hair back into place. “They'll throw us out if we fight.”

“Let them! I'm going to run away. I'm not going to stay here.” Ciro's eyes darted around as he planned his escape. There were at least six ways out of the piazza. Once he was free of this town, he could go way up the mountain to Monte Isola, or a few miles down the road to Lovere. Someone might take him in.

Eduardo hung his head and began to cry. “Don't leave me here alone.”

Ciro looked at his brother, the only family he had, and felt worse for him than he did for himself. “Stop crying,” he said.

The full morning sun was up, the shopkeepers were opening their doors, lifting their shades, and rolling their carts on to the colonnade. Vendors dressed in shades of flat gray, the color of the low stone wall that encased the village, pushed hand carts painted bright red, yellow, and white filled with bins of polished walnuts, silver pails filled with braids of fresh white cheese in clean, icy water, spools of colorful silk thread on wooden dowels, fresh loaves of bread in baskets, packets of herbs in linen sacks for poultice— all manner of needs for sale.

The presence of the others helped Eduardo gain control of his emotions. He dried his tears with his sleeve. He looked out to where the main road curved to connect to the pass, but it held no meaning for him; it wouldn't lead him or his brother out of their situation. The morning mist had lifted, and the air was so cold that Eduardo could barely breathe. “Where would we go?”

“We could follow Mama. We could change her mind.”

“Mama can't take care of us right now.”

“But she's our
mother
,” Ciro argued.

“A mother who can't take care of her children is useless.” Eduardo held the door open for Ciro. “Come on.”

Ciro entered the convent with his heart heavy with need for his mother's embrace and a deep shame for having hit his brother. After all, their tenure at San Nicola wasn't Eduardo's choice, and the events that had led them there were not his fault either.

Maybe these nuns could be of some use, Ciro thought. Maybe they could pray their mother back
before
the summer— Ciro would ask them to offer up their rosaries for her. But something told him that all the glass beads on the mountain wouldn't bring Caterina home. No matter how Eduardo might reassure him, Ciro was certain he would never see his mother again.

Ciro cried himself to sleep that night, and in the morning found Eduardo sleeping on the floor next to him, as the cots provided by the nuns were too small to hold both of them. Even when he grew to be a young man, Ciro would never forget this small act of kindness, which Eduardo would repeat night after night for months. Eduardo's love was the only security Ciro would ever know. Sister Teresa would feed them, Sister Domenica would assign them chores, and Sister Ercolina would teach them Latin, but it was Eduardo who would look out for Ciro's heart and try to make up for the loss of their mother.

Also by Adriana Trigiani

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Big Stone Gap

FOR YOUNG ADULT READERS

Viola in Reel Life

Viola in the Spotlight

NONFICTION

Cooking with My Sisters
(coauthor)

The Shoemaker's Wife excerpt
copyright ©
2012 by Adriana Trigiani, published by HarperCollins Publishers.

Don't Sing at the Table
copyright © 2010 by
Adriana Trigiani. All rights reserved.No part of this book may be used or reproduced
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Library of Congress Cataloging-in-Publication Data is available
upon request.
Epub edition copyright © April 2012 ISBN: 9780062020758

Version 09262012

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