Delphi Complete Works of Anton Chekhov (Illustrated) (349 page)

BOOK: Delphi Complete Works of Anton Chekhov (Illustrated)
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“A-a-a . . .” said Crutch, wondering as he listened to Lipa. “A-a! . . . We-ell!

“I am very fond of jam, Ilya Makaritch,” said Lipa. “I sit down in my little corner and drink tea and eat jam. Or I drink it with Varvara Nikolaevna, and she tells some story full of feeling. We have a lot of jam -- four jars. ‘Have some, Lipa; eat as much as you like.’ “

“A-a-a, four jars!”

“They live very well. We have white bread with our tea; and meat, too, as much as one wants. They live very well, only I am frightened with them, Ilya Makaritch. Oh, oh, how frightened I am!”

“Why are you frightened, child?” asked Crutch, and he looked back to see how far Praskovya was behind.

“To begin with, when the wedding had been celebrated I was afraid of Anisim Grigoritch. Anisim Grigoritch did nothing, he didn’t ill-treat me, only when he comes near me a cold shiver runs all over me, through all my bones. And I did not sleep one night, I trembled all over and kept praying to God. And now I am afraid of Aksinya, Ilya Makaritch. It’s not that she does anything, she is always laughing, but sometimes she glances at the window, and her eyes are so fierce and there is a gleam of green in them -- like the eyes of the sheep in the shed. The Hrymin Juniors are leading her astray: ‘Your old man,’ they tell her, ‘has a bit of land at Butyokino, a hundred and twenty acres,’ they say, ‘and there is sand and water there, so you, Aksinya,’ they say, ‘build a brickyard there and we will go shares in it.’ Bricks now are twenty roubles the thousand, it’s a profitable business. Yesterday at dinner Aksinya said to my father-in-law: ‘I want to build a brickyard at Butyokino; I’m going into business on my own account.’ She laughed as she said it. And Grigory Petrovitch’s face darkened, one could see he did not like it. ‘As long as I live,’ he said, ‘the family must not break up, we must go on altogether.’ She gave a look and gritted her teeth. . . . Fritters were served, she would not eat them.”

“A-a-a! . . .” Crutch was surprised.

“And tell me, if you please, when does she sleep?” said Lipa. “She sleeps for half an hour, then jumps up and keeps walking and walking about to see whether the peasants have not set fire to something, have not stolen something. . . . I am frightened with her, Ilya Makaritch. And the Hrymin Juniors did not go to bed after the wedding, but drove to the town to go to law with each other; and folks do say it is all on account of Aksinya. Two of the brothers have promised to build her a brickyard, but the third is offended, and the factory has been at a standstill for a month, and my uncle Prohor is without work and goes about from house to house getting crusts. ‘Hadn’t you better go working on the land or sawing up wood, meanwhile, uncle?’ I tell him; ‘why disgrace yourself?’ ‘I’ve got out of the way of it,’ he says; ‘I don’t know how to do any sort of peasant’s work now, Lipinka.’ . . .”

They stopped to rest and wait for Praskovya near a copse of young aspen-trees. Elizarov had long been a contractor in a small way, but he kept no horses, going on foot all over the district with nothing but a little bag in which there was bread and onions, and stalking along with big strides, swinging his arms. And it was difficult to walk with him.

At the entrance to the copse stood a milestone. Elizarov touched it; read it. Praskovya reached them out of breath. Her wrinkled and always scared-looking face was beaming with happiness; she had been at church to-day like anyone else, then she had been to the fair and there had drunk pear cider. For her this was unusual, and it even seemed to her now that she had lived for her own pleasure that day for the first time in her life. After resting they all three walked on side by side. The sun had already set, and its beams filtered through the copse, casting a light on the trunks of the trees. There was a faint sound of voices ahead. The Ukleevo girls had long before pushed on ahead but had lingered in the copse, probably gathering mushrooms.

“Hey, wenches!” cried Elizarov. “Hey, my beauties!”

There was a sound of laughter in response.

“Crutch is coming! Crutch! The old horseradish.”

And the echo laughed, too. And then the copse was left behind. The tops of the factory chimneys came into view. The cross on the belfry glittered: this was the village: “the one at which the deacon ate all the caviare at the funeral.” Now they were almost home; they only had to go down into the big ravine. Lipa and Praskovya, who had been walking barefooted, sat down on the grass to put on their boots; Elizar sat down with them. If they looked down from above Ukleevo looked beautiful and peaceful with its willow-trees, its white church, and its little river, and the only blot on the picture was the roof of the factories, painted for the sake of cheapness a gloomy ashen grey. On the slope on the further side they could see the rye -- some in stacks and sheaves here and there as though strewn about by the storm, and some freshly cut lying in swathes; the oats, too, were ripe and glistened now in the sun like mother-of-pearl. It was harvest-time. To-day was a holiday, to-morrow they would harvest the rye and carry the hay, and then Sunday a holiday again; every day there were mutterings of distant thunder. It was misty and looked like rain, and, gazing now at the fields, everyone thought, God grant we get the harvest in in time; and everyone felt gay and joyful and anxious at heart.

“Mowers ask a high price nowadays,” said Praskovya. “One rouble and forty kopecks a day.”

People kept coming and coming from the fair at Kazanskoe: peasant women, factory workers in new caps, beggars, children. . . . Here a cart would drive by stirring up the dust and behind it would run an unsold horse, and it seemed glad it had not been sold; then a cow was led along by the horns, resisting stubbornly; then a cart again, and in it drunken peasants swinging their legs. An old woman led a little boy in a big cap and big boots; the boy was tired out with the heat and the heavy boots which prevented his bending his legs at the knees, but yet blew unceasingly with all his might at a tin trumpet. They had gone down the slope and turned into the street, but the trumpet could still be heard.

“Our factory owners don’t seem quite themselves . . .” said Elizarov. “There’s trouble. Kostukov is angry with me. ‘Too many boards have gone on the cornices.’ ‘Too many? As many have gone on it as were needed, Vassily Danilitch; I don’t eat them with my porridge.’ ‘How can you speak to me like that?’ said he, ‘you good-for-nothing blockhead! Don’t forget yourself! It was I made you a contractor.’ ‘That’s nothing so wonderful,’ said I. ‘Even before I was a contractor I used to have tea every day.’ ‘You are a rascal . . .’ he said. I said nothing. ‘We are rascals in this world,’ thought I, ‘and you will be rascals in the next. . . .’ Ha-ha-ha! The next day he was softer. ‘Don’t you bear malice against me for my words, Makaritch,’ he said. ‘If I said too much,’ says he, ‘what of it? I am a merchant of the first guild, your superior -- you ought to hold your tongue.’ ‘You,’ said I, ‘are a merchant of the first guild and I am a carpenter, that’s correct. And Saint Joseph was a carpenter, too. Ours is a righteous calling and pleasing to God, and if you are pleased to be my superior you are very welcome to it, Vassily Danilitch.’ And later on, after that conversation I mean, I thought: ‘Which was the superior? A merchant of the first guild or a carpenter?’ The carpenter must be, my child!”

Crutch thought a minute and added:

“Yes, that’s how it is, child. He who works, he who is patient is the superior.”

By now the sun had set and a thick mist as white as milk was rising over the river, in the church enclosure, and in the open spaces round the factories. Now when the darkness was coming on rapidly, when lights were twinkling below, and when it seemed as though the mists were hiding a fathomless abyss, Lipa and her mother who were born in poverty and prepared to live so till the end, giving up to others everything except their frightened, gentle souls, may have fancied for a minute perhaps that in the vast, mysterious world, among the endless series of lives, they, too, counted for something, and they, too, were superior to someone; they liked sitting here at the top, they smiled happily and forgot that they must go down below again all the same.

At last they went home again. The mowers were sitting on the ground at the gates near the shop. As a rule the Ukleevo peasants did not go to Tsybukin’s to work, and they had to hire strangers, and now in the darkness it seemed as though there were men sitting there with long black beards. The shop was open, and through the doorway they could see the deaf man playing draughts with a boy. The mowers were singing softly, scarcely audibly, or loudly demanding their wages for the previous day, but they were not paid for fear they should go away before to-morrow. Old Tsybukin, with his coat off, was sitting in his waistcoat with Aksinya under the birch-tree, drinking tea; a lamp was burning on the table.

“I say, grandfather,” a mower called from outside the gates, as though taunting him, “pay us half anyway! Hey, grandfather.”

And at once there was the sound of laughter, and then again they sang hardly audibly. . . . Crutch, too, sat down to have some tea.

“We have been at the fair, you know,” he began telling them. “We have had a walk, a very nice walk, my children, praise the Lord. But an unfortunate thing happened: Sashka the blacksmith bought some tobacco and gave the shopman half a rouble to be sure. And the half rouble was a false one” --Crutch went on, and he meant to speak in a whisper, but he spoke in a smothered husky voice which was audible to everyone. “The half-rouble turned out to be a bad one. He was asked where he got it. ‘Anisim Tsybukin gave it me,’ he said. ‘When I went to his wedding,’ he said. They called the police inspector, took the man away. . . . Look out, Grigory Petrovitch, that nothing comes of it, no talk. . . .”

“Gra-ndfather!” the same voice called tauntingly outside the gates. “Gra-andfather!”

A silence followed.

“Ah, little children, little children, little children . . .” Crutch muttered rapidly, and he got up. He was overcome with drowsiness. “Well, thank you for the tea, for the sugar, little children. It is time to sleep. I am like a bit of rotten timber nowadays, my beams are crumbling under me. Ho-ho-ho! I suppose it’s time I was dead.”

And he gave a gulp. Old Tsybukin did not finish his tea but sat on a little, pondering; and his face looked as though he were listening to the footsteps of Crutch, who was far away down the street.

“Sashka the blacksmith told a lie, I expect,” said Aksinya, guessing his thoughts.

He went into the house and came back a little later with a parcel; he opened it, and there was the gleam of roubles -- perfectly new coins. He took one, tried it with his teeth, flung it on the tray; then flung down another.

“The roubles really are false . . .” he said, looking at Aksinya and seeming perplexed. “These are those Anisim brought, his present. Take them, daughter,” he whispered, and thrust the parcel into her hands. “Take them and throw them into the well . . . confound them! And mind there is no talk about it. Harm might come of it. . . . Take away the samovar, put out the light.”

Lipa and her mother sitting in the barn saw the lights go out one after the other; only overhead in Varvara’s room there were blue and red lamps gleaming, and a feeling of peace, content, and happy ignorance seemed to float down from there. Praskovya could never get used to her daughter’s being married to a rich man, and when she came she huddled timidly in the outer room with a deprecating smile on her face, and tea and sugar were sent out to her. And Lipa, too, could not get used to it either, and after her husband had gone away she did not sleep in her bed, but lay down anywhere to sleep, in the kitchen or the barn, and every day she scrubbed the floor or washed the clothes, and felt as though she were hired by the day. And now, on coming back from the service, they drank tea in the kitchen with the cook, then they went into the barn and lay down on the ground between the sledge and the wall. It was dark here and smelt of harness. The lights went out about the house, then they could hear the deaf man shutting up the shop, the mowers settling themselves about the yard to sleep. In the distance at the Hrymin Juniors’ they were playing on the expensive concertina. . . . Praskovya and Lipa began to go to sleep.

And when they were awakened by somebody’s steps it was bright moonlight; at the entrance of the barn stood Aksinya with her bedding in her arms.

“Maybe it’s a bit cooler here,” she said; then she came in and lay down almost in the doorway so that the moonlight fell full upon her.

She did not sleep, but breathed heavily, tossing from side to side with the heat, throwing off almost all the bedclothes. And in the magic moonlight what a beautiful, what a proud animal she was! A little time passed, and then steps were heard again: the old father, white all over, appeared in the doorway.

“Aksinya,” he called, “ are you here?”

BOOK: Delphi Complete Works of Anton Chekhov (Illustrated)
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