Delphi Complete Works of Anton Chekhov (Illustrated) (258 page)

BOOK: Delphi Complete Works of Anton Chekhov (Illustrated)
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Kovrin went on reading the articles, but he understood nothing of them, and flung them aside. The same pleasant excitement with which he had earlier in the evening danced the mazurka and listened to the music was now mastering him again and rousing a multitude of thoughts. He got up and began walking about the room, thinking about the black monk. It occurred to him that if this strange, supernatural monk had appeared to him only, that meant that he was ill and had reached the point of having hallucinations. This reflection frightened him, but not for long.

“But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations,” he thought; and he felt happy again.

He sat down on the sofa and clasped his hands round his head. Restraining the unaccountable joy which filled his whole being, he then paced up and down again, and sat down to his work. But the thought that he read in the book did not satisfy him. He wanted something gigantic, unfathomable, stupendous. Towards morning he undressed and reluctantly went to bed: he ought to sleep.

When he heard the footsteps of Yegor Semyonitch going out into the garden, Kovrin rang the bell and asked the footman to bring him some wine. He drank several glasses of Lafitte, then wrapped himself up, head and all; his consciousness grew clouded and he fell asleep.

IV

 

Yegor Semyonitch and Tanya often quarrelled and said nasty things to each other.

They quarrelled about something that morning. Tanya burst out crying and went to her room. She would not come down to dinner nor to tea. At first Yegor Semyonitch went about looking sulky and dignified, as though to give every one to understand that for him the claims of justice and good order were more important than anything else in the world; but he could not keep it up for long, and soon sank into depression. He walked about the park dejectedly, continually sighing: “Oh, my God! My God!” and at dinner did not eat a morsel. At last, guilty and conscience-stricken, he knocked at the locked door and called timidly:

“Tanya! Tanya!”

And from behind the door came a faint voice, weak with crying but still determined:

“Leave me alone, if you please.”

The depression of the master and mistress was reflected in the whole household, even in the labourers working in the garden. Kovrin was absorbed in his interesting work, but at last he, too, felt dreary and uncomfortable. To dissipate the general ill-humour in some way, he made up his mind to intervene, and towards evening he knocked at Tanya’s door. He was admitted.

“Fie, fie, for shame!” he began playfully, looking with surprise at Tanya’s tear-stained, woebegone face, flushed in patches with crying. “Is it really so serious? Fie, fie!”

“But if you knew how he tortures me!” she said, and floods of scalding tears streamed from her big eyes. “He torments me to death,” she went on, wringing her hands. “I said nothing to him . . . nothing . . . I only said that there was no need to keep . . . too many labourers . . . if we could hire them by the day when we wanted them. You know . . . you know the labourers have been doing nothing for a whole week. . . . I . . . I . . . only said that, and he shouted and . . . said . . . a lot of horrible insulting things to me. What for?”

“There, there,” said Kovrin, smoothing her hair. “You’ve quarrelled with each other, you’ve cried, and that’s enough. You must not be angry for long -- that’s wrong . . . all the more as he loves you beyond everything.”

“He has . . . has spoiled my whole life,” Tanya went on, sobbing. “I hear nothing but abuse and . . . insults. He thinks I am of no use in the house. Well! He is right. I shall go away to-morrow; I shall become a telegraph clerk. . . . I don’t care. . . .”

“Come, come, come. . . . You mustn’t cry, Tanya. You mustn’t, dear. . . . You are both hot-tempered and irritable, and you are both to blame. Come along; I will reconcile you.”

Kovrin talked affectionately and persuasively, while she went on crying, twitching her shoulders and wringing her hands, as though some terrible misfortune had really befallen her. He felt all the sorrier for her because her grief was not a serious one, yet she suffered extremely. What trivialities were enough to make this little creature miserable for a whole day, perhaps for her whole life! Comforting Tanya, Kovrin thought that, apart from this girl and her father, he might hunt the world over and would not find people who would love him as one of themselves, as one of their kindred. If it had not been for those two he might very likely, having lost his father and mother in early childhood, never to the day of his death have known what was meant by genuine affection and that naïve, uncritical love which is only lavished on very close blood relations; and he felt that the nerves of this weeping, shaking girl responded to his half-sick, overstrained nerves like iron to a magnet. He never could have loved a healthy, strong, rosy-cheeked woman, but pale, weak, unhappy Tanya attracted him.

And he liked stroking her hair and her shoulders, pressing her hand and wiping away her tears. . . . At last she left off crying. She went on for a long time complaining of her father and her hard, insufferable life in that house, entreating Kovrin to put himself in her place; then she began, little by little, smiling, and sighing that God had given her such a bad temper. At last, laughing aloud, she called herself a fool, and ran out of the room.

When a little later Kovrin went into the garden, Yegor Semyonitch and Tanya were walking side by side along an avenue as though nothing had happened, and both were eating rye bread with salt on it, as both were hungry.

V

 

Glad that he had been so successful in the part of peacemaker, Kovrin went into the park. Sitting on a garden seat, thinking, he heard the rattle of a carriage and a feminine laugh -- visitors were arriving. When the shades of evening began falling on the garden, the sounds of the violin and singing voices reached him indistinctly, and that reminded him of the black monk. Where, in what land or in what planet, was that optical absurdity moving now?

Hardly had he recalled the legend and pictured in his imagination the dark apparition he had seen in the rye-field, when, from behind a pine-tree exactly opposite, there came out noiselessly, without the slightest rustle, a man of medium height with uncovered grey head, all in black, and barefooted like a beggar, and his black eyebrows stood out conspicuously on his pale, death-like face. Nodding his head graciously, this beggar or pilgrim came noiselessly to the seat and sat down, and Kovrin recognised him as the black monk.

For a minute they looked at one another, Kovrin with amazement, and the monk with friendliness, and, just as before, a little slyness, as though he were thinking something to himself.

“But you are a mirage,” said Kovrin. “Why are you here and sitting still? That does not fit in with the legend.”

“That does not matter,” the monk answered in a low voice, not immediately turning his face towards him. “The legend, the mirage, and I are all the products of your excited imagination. I am a phantom.”

“Then you don’t exist?” said Kovrin.

“You can think as you like,” said the monk, with a faint smile. “I exist in your imagination, and your imagination is part of nature, so I exist in nature.”

“You have a very old, wise, and extremely expressive face, as though you really had lived more than a thousand years,” said Kovrin. “I did not know that my imagination was capable of creating such phenomena. But why do you look at me with such enthusiasm? Do you like me?”

“Yes, you are one of those few who are justly called the chosen of God. You do the service of eternal truth. Your thoughts, your designs, the marvellous studies you are engaged in, and all your life, bear the Divine, the heavenly stamp, seeing that they are consecrated to the rational and the beautiful -- that is, to what is eternal.”

“You said ‘eternal truth.’ . . . But is eternal truth of use to man and within his reach, if there is no eternal life?”

“There is eternal life,” said the monk.

“Do you believe in the immortality of man?”

“Yes, of course. A grand, brilliant future is in store for you men. And the more there are like you on earth, the sooner will this future be realised. Without you who serve the higher principle and live in full understanding and freedom, mankind would be of little account; developing in a natural way, it would have to wait a long time for the end of its earthly history. You will lead it some thousands of years earlier into the kingdom of eternal truth -- and therein lies your supreme service. You are the incarnation of the blessing of God, which rests upon men.”

“And what is the object of eternal life?” asked Kovrin.

“As of all life -- enjoyment. True enjoyment lies in knowledge, and eternal life provides innumerable and inexhaustible sources of knowledge, and in that sense it has been said: ‘In My Father’s house there are many mansions.’ “

“If only you knew how pleasant it is to hear you!” said Kovrin, rubbing his hands with satisfaction.

“I am very glad.”

“But I know that when you go away I shall be worried by the question of your reality. You are a phantom, an hallucination. So I am mentally deranged, not normal?”

“What if you are? Why trouble yourself? You are ill because you have overworked and exhausted yourself, and that means that you have sacrificed your health to the idea, and the time is near at hand when you will give up life itself to it. What could be better? That is the goal towards which all divinely endowed, noble natures strive.”

“If I know I am mentally affected, can I trust myself?”

“And are you sure that the men of genius, whom all men trust, did not see phantoms, too? The learned say now that genius is allied to madness. My friend, healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present -- that is, the common herd.”

“The Romans used to say:
Mens sana in corpore sano.

“Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy -- all that distinguishes prophets, poets, martyrs for the idea, from the common folk -- is repellent to the animal side of man -- that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd.”

“Strange that you repeat what often comes into my mind,” said Kovrin. “It is as though you had seen and overheard my secret thoughts. But don’t let us talk about me. What do you mean by ‘eternal truth’?”

The monk did not answer. Kovrin looked at him and could not distinguish his face. His features grew blurred and misty. Then the monk’s head and arms disappeared; his body seemed merged into the seat and the evening twilight, and he vanished altogether.

“The hallucination is over,” said Kovrin; and he laughed. “It’s a pity.”

He went back to the house, light-hearted and happy. The little the monk had said to him had flattered, not his vanity, but his whole soul, his whole being. To be one of the chosen, to serve eternal truth, to stand in the ranks of those who could make mankind worthy of the kingdom of God some thousands of years sooner -- that is, to free men from some thousands of years of unnecessary struggle, sin, and suffering; to sacrifice to the idea everything -- youth, strength, health; to be ready to die for the common weal -- what an exalted, what a happy lot! He recalled his past -- pure, chaste, laborious; he remembered what he had learned himself and what he had taught to others, and decided that there was no exaggeration in the monk’s words.

Tanya came to meet him in the park: she was by now wearing a different dress.

“Are you here?” she said. “And we have been looking and looking for you. . . . But what is the matter with you?” she asked in wonder, glancing at his radiant, ecstatic face and eyes full of tears. “How strange you are, Andryusha!”

“I am pleased, Tanya,” said Kovrin, laying his hand on her shoulders. “I am more than pleased: I am happy. Tanya, darling Tanya, you are an extraordinary, nice creature. Dear Tanya, I am so glad, I am so glad!”

He kissed both her hands ardently, and went on:

“I have just passed through an exalted, wonderful, unearthly moment. But I can’t tell you all about it or you would call me mad and not believe me. Let us talk of you. Dear, delightful Tanya! I love you, and am used to loving you. To have you near me, to meet you a dozen times a day, has become a necessity of my existence; I don’t know how I shall get on without you when I go back home.”

BOOK: Delphi Complete Works of Anton Chekhov (Illustrated)
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