Can't Stop Won't Stop (75 page)

Chalfant, Henry, and Martha Cooper.
Subway Art
. London: Thames and Hudson, 1984.

Fernando, S. H.
The New Beats: Exploring the Music, Culture and Attitudes of Hip-Hop
. New York: Anchor, 1994.

Goldstein, Richard. “This Thing Has Gotten Completely Out of Hand.” In
New York Magazine
. March 26, 1973.

Hazzard-Gordon, Katrina.
Jookin': The Rise of Social Dance Formations in African-American Culture
. Philadelphia: Temple University Press, 1992.

Hurston, Zora Neale.
Folklore, Memoirs, and Other Writings
. New York: Library of America, 1995.

Miller, Ivor.
Aerosol Kingdom: Subway Painters of New York City
. Jackson, Miss.: University Press of Mississippi, 2002.

Rap Pages
. “Don't Stop The Body Rock: The Dance Special.” Guest editors, Cristina Verán and Ben Higa. September 1996.

———. “Play That Beat: The DJ Special.” Guest editors Chairman Mao. (Jeff Mao) and DJ Zen (Jeff Chang). April 1996.

———. “Out for Fame: Graf Pages Special.” Guest editors, Rock A. Party (Sacha Jenkins) and Ben Higa. February 1996.

Rose, Tricia.
Black Noise: Rap Music and Black Culture in Contemporary America
. Hanover: Wesleyan University Press, 1994.

Stearns, Marshall and Jean.
Jazz Dance: The Story of American Vernacular Dance
. Cambridge, Mass.: DaCapo Press, 1994.

Image

The Freshest Kids: A History of the B-Boy From The Boogie Down Bronx and Beyond
. DVD. Israel, director. 2002.

DMC B-Boy Foundations
. Hosted by Popmaster Fabel. Featuring Trac-2, Mr. Freeze and B-Boy Fever One. VHS. Jorge FABEL Pabon, director. 1999.

Scratch
. 2-DVD. Doug Pray, director. 2002. Originally released 2001.

Stations of the Elevated
. VHS. Manny Kirchheimer, director. 1980.

Sound

Grandmaster Flash and the Furious Five. “The Adventures of Grandmaster Flash on the Wheels of Steel.” 12-inch single. Sugar Hill, 1981.

———. “Flash It to the Beat,” b/w “Fusion Beats, Volume 2.” 12-inch single. Bozo Meko, 1982.

Mandalit Del Barco. “Origins of Breakdancing.” Aired on National Public Radio, October 14, 2002.
http://www.npr.org/programs/morning/features/patc/breakdancing
/

7. The World Is Ours: The Survival and Transformation of Bronx Style.

Word

Austin, Joe.
Taking the Train: How Graffiti Art Became an Urban Crisis in New York City
. New York: Columbia University Press, 2001.

Castleman, Craig.
Getting Up: Subway Graffiti in New York
. Cambridge, Mass.: The MIT Press, 1982.

Chalfant, Henry, and Jim Prigoff.
Spraycan Art
. London: Thames and Hudson, 1987.

Fricke, Jim and Charlie Ahearn, eds.
Yes Yes Y'all: The Experience Music Project Oral History of Hip-Hop's First Decade
. Cambridge, Mass.: Da Capo Press, 2002.

Glazer, Nathan. “On Subway Graffiti in New York.” In
Public Interest
. Winter 1979.

Wilson, James Q. and George Kelling. “Broken Window: The Police and Neighborhood Safety.” In
Atlantic Monthly
. March 1982.
http://www.theatlantic.com/politics/crime/windows.htm

Image

Roots of Rap: Sugar Hill Records
. VHS. Rhino, 1998.

Sound

The Best of Enjoy! Records
. 2-LP. Hot Productions, 1990.

Chic. “Good Times.” 12-inch single. Atlantic, 1979.

Fatback Band. “You're My Candy Sweet” b/w “King Tim III Personality Jock.” 12-inch single. Spring, 1979.

Grandmaster Flash and The Furious Five. “Superappin'.” 12-inch single. Enjoy, 1979.

Jimmy Castor. “It's Just Begun.” 12-inch single. Salsoul, 1983.

The Jimmy Castor Bunch.
It's Just Begun
. LP. RCA, 1972.

Kurtis Blow.
Kurtis Blow
. LP. Phonogram, 1980.

MFSB.
TSOP
. LP. CBS, 1975.

The Sugar Hill Gang. “Rapper's Delight.” 12-inch single. Sugar Hill, 1979.

The Sugar Hill Records Story. 5-CD. Rhino, 1997.

Ultimate Breaks and Beats
, SB-506. LP. Street Beat Records, 1986.

Ultimate Breaks and Beats
, SB-524. LP. Street Beat Records, 1990.

8. Zulus on a Time Bomb. Hip-Hop Meets the Rockers Downtown.

Word

Banes, Sally. “To the Beat Y'all: Breaking Is Hard to Do.” In
The Village Voice
. April 22–28, 1981. Also available in
And It Don't Stop: The Best American Hip-Hop Journalism of the Last 25 Years
, edited by Raquel Cepeda. New York: Faber & Faber, 2004.

———. “Breakdancing: A Reporter's Story.” In
Folklife Annual
. 1986. Includes photos by Martha Cooper.

Bromberg, Craig.
The Wicked Ways of Malcolm McLaren
. New York: HarperCollins, 1989.

Coming from the Subway: New York Graffiti Art
. France: VBI, 1992.

Cooper, Martha, with interviews by Akim Walta.
The Hip-Hop Files: Photographs 1979–1984
. Germany: From Here to Fame, 2004.

Goldstein, Richard. “The Fire Down Below.” In
The Village Voice
. December 24–28, 1980.

Hess, Elizabeth. “Graffiti R.I.P.: How The Art World Loved ‘Em and Left ‘Em.” In
The Village Voice
. December 22, 1987.

New York Graffiti @ 149 St. website
http://www.at149st.com

Witten, Andrew ZEPHYR, and Michael White.
Dondi White Style Master General
. New York: Regan Books, 2001.

Zephyr Graffiti website.
http://www.zephyrgraffiti.com

Image

Downtown 81
. DVD. Edo Bertoglio, director. Patrick Montgomery and Glen O'Brien, co-producers. Originally released 1981.

Duck Rock
. VHS. Malcolm McLaren, producer and director, 1983.

Style Wars
. Tony Silver, director. Tony Silver and Henry Chalfant, producers. 1983.

Westway to the World
. DVD. Don Lefts, director. 2001. Includes “Clash on Broadway” filmed in 1981.

Sound

The Clash.
The Clash
. LP. U.S. Version. Epic, 1979.

———.
Sandinista!
3-LP. Epic, 1981.

ESG.
A South Bronx Story
. 2-LP. Soul Jazz, 2000.

“Live Convention ‘81.” 12-inch single. Disco Wax, 1981.

“Live Convention ‘82.” 12-inch single. Disco Wax, 1982.

Malcolm McLaren.
Duck Rock
. LP. Island, 1983.

Soweto Never Sleeps
. LP. Shanachie, 1986.

9. 1982: Rapture in Reagan's America.

Word

Futura 2000.
Futura
. London: Booth-Clibborn Editions, 2000.

George, Nelson, Sally Banes, Susan Flinker, and Patty Romanowski.
Fresh: Hip Hop Don't Stop
. New York: Random House/Sarah Lazin, 1985.

Hershkovits, David. “London Rocks, Pans Bums, and the B-Boys Break a Leg.” In
And It Don't Stop: The Best American Hip-Hop Journalism of the Last 25 Years
, edited by Raquel Cepeda. New York: Faber & Faber, 2004. Originally published in
Sunday News Magazine,
April 3, 1983.

Jenkins, Sacha, Elliott Wilson, Chairman Mao, Gabriel Alvarez, and Brent Rollins.
Ego Trip's Book of Rap Lists
. New York: St. Martin's Griffin, 1999.

Shabazz, Jamel.
Back in the Days
. New York: powerHouse, 2001.

Image

Graffiti Rock and Other Hip-Hop Delights
. DVD. 2002. Originally aired 1984.

Wild Style
. DVD. Charlie Ahearn, director. 2002. Originally released 1982.

Sounds

Black Uhuru.
Red
. LP. Island, 1981.

Blondie. “Rapture.” 12-inch single. Chrysalis, 1981.

DJ Charlie Chase.
DJ Charlie Chase Presents Cold Crush Brothers Vs. Fantastic Romantic 5 From Harlem World 1981
. 2-LP. Charlie Chase Entertainment/Slammin' Records, 1998.

Fab 5 Freddy and B-Side. “Change the Beat.” 12-inch single. Celluloid, 1982.

Grandmaster Flash.
The Message
. LP. Sugar Hill, 1982.

Kurtis Blow.
I'm Tough
. EP. Mercury. 1982.

The Perfect Beats
,
Volumes 1–4
. CD. Tommy Boy/Timber!, 1998.

Phase 2. “The Roxy.” 12-inch single. Celluloid, 1982.

Steinski.
Beg, Borrow, & Steal: A Steinski Archive
. CD. Unreleased CD-R, 2002.

Timezone. “The Wildstyle.” 12-inch single. Celluloid, 1983.

Tommy Boy Greatest Beats
. 2-LP. Tommy Boy, 1985. This is the original all electro set.

Tom Tom Club. “Genius of Love.” 12-inch single. Sire, 1981.

Trouble Funk.
Drop the Bomb
. LP. Sugar Hill, 1982.

Wild Style Soundtrack
. CD. Rhino, 1997, with bonus tracks. Originally released 1983.

10. End of Innocence: The Fall of the Old School

Word

Banes, Sally. “Breaking Changing.” In
The Village Voice
. June 12, 1984.

Cockburn, Alexander, and Jeffrey St. Clair.
White Out: The CIA, Drugs, and The Press
. New York: Verso, 1998.

Dawson, Alexander, “Art and Soul: FUTURA 2000.” In
Wax Poetics
. Issue 6, Fall 2003.

Glueck, Grace. “Gallery View: On Canvas, Yes, But Still Eyesores,” In the
New York Times
. December 25, 1983.

Goldstein, Richard. “The Future of Graffiti.” In
The Village Voice
. December 13, 1983.

Hargreaves, Clare.
Snowfields
. New York: Holmes & Meier Publishers, 1992.

Jonnes, Jill, Hep Cats, Narcs, and Pipe Dreams:
A History of America's Romance with Illegal Drugs
. New York: Scribner, 1996.

Lusane, Clarence.
Pipe Dream Blues
. Boston: South End Press, 1991.

McCoy, Alfred.
The Politics of Heroin: CIA Complicity in the Global Drug Trade
. Chicago: Lawrence Hill Books, 1991.

Marshall, Richard, et al.
Jean-Michel Basquiat
. New York: Harry Abrams, 1993.

Scott, Peter Dale, and Jonathan Marshall.
Cocaine Politics: Drugs, Armies, and the CIA in Central America
. Berkeley: University of California Press, 1991.

Sidney Janis Gallery.
Post-Graffiti
. New York, 1983.

Sussman, Elizabeth, et al.
Keith Haring
. New York: Whitney Museum of American Art, 1997.

Streatfield, Dominic,
Cocaine: An Unauthorized Biography
. New York: Thomas Dunne Books, 2001.

Watkins, S. Craig.
Representing: Hip Hop Culture and the Production of Black Cinema
. Chicago: University of Chicago Press, 1998

Webb, Gary.
Dark Alliance: The CIA, the Contras, and the Crack Cocaine Explosion.
New York: Seven Stories Press, 1998.

Image

Beat Street
. VHS. Stan Lathan, director. Harry Belafonte, producer. 1984.

Breakin'
. VHS. Joel Silberg, director. 1984.

Flashdance
. VHS. Adrian Lyne, director. 1983.

Run-DMC: The Video
. VHS. 1987.

Sounds

Afrika Bambaataa.
Looking for the Perfect Beat 1980–1985
. CD. Tommy Boy, 2001.

Afrika Bambaataa and Soulsonic Force. “Renegades of Funk” b/w “Renegades Chant.” 12-inch single. Tommy Boy, 1983.

Dillinger. “Cokane in My Brain” b/w “Buckingham Palace/Ragnampiza.” 12-inch single. Mango, 1977.

Ego Trip's The Big Playback
. CD. Rawkus, 2000.

Ice T. “Dog N' The Wax Ya Don't Quit Part II” b/w “6 in the Morning.” 12-inch single. TechnoHop, 1986.

Manu Dibango.
Makossa Man
. LP. Atlantic, 1974. Originally released 1973.

Run DMC.
Raising Hell
. LP. Profile, 1986.

———.
Run DMC
. LP. Profile, 1983.

Schoolly D.
Schoolly
. LP. Schoolly-D Records, 1985. Reissued as
The Adventures of Schoolly D
, Rykodisc.

Willie Colon.
The Big Break/La Gran Fuga
. LP. Fania, 1976.

LOOP 3. The Message: 1984–1992.

11. Things Fall Apart: The Rise of the Post–Civil Rights Era

Word

Alexander, Amy, ed.
The Farrakhan Factor
. New York: Grove, 1998.

Baker, Pauline.
The United States and South Africa: The Reagan Years
. New York: Ford Foundation and the Foreign Policy Association, 1989.

Barlett, Donald L., and James B. Steele.
America: Who Really Pays Taxes?
New York: Touch-stone, 1994.

Clegg III, Claude A.
An Original Man: The Life and Times of Elijah Muhammad
. New York: St. Martin's Press, 2000.

Collins, Chuck, and Felice Yeskel, with United for a Fair Economy.
Economic Apartheid in America
. New York: The New Press, 2000.

Culbertson, Donald.
Contesting Apartheid US Activism
, 1967–1980. Boulder, Colo.: Westview Press, 1999.

Evanzz, Karl.
The Messenger: The Rise and Fall of Elijah Muhammad
. New York: Random House, 1999.

Gardell, Mattias.
In the Name of Elijah Muhammad: Louis Farrakhan and the Nation of Islam
. Durham, N.C.: Duke University Press, 1996.

Lincoln, C. Eric.
The Black Muslims in America
, third edition. Grand Rapids, Mich.: William B. Eerdmans and Africa World Press, 1994.

Magida, Arthur.
Prophet of Rage: A Life of Louis Farrakhan and His Nation
. New York: Harper-Collins, 1996.

Marable, Manning.
Beyond Black and White: Transforming African American Politics
. New York: Verso, 1995.

Massey, Douglas, and Nancy A. Denton.
American Apartheid. Segregation and the Making of the Underclass
. Cambridge, Mass.: Harvard University Press, 1993.