Calloustown (5 page)

Every window in the house was open. It didn't take abnormal auditory skills to hear her voice. When she opened every window it seemed as though we resided, quiet and baleful, inside a screen room. I looked in a number of directions, thinking that she spoke to another outdoor person, a person lounging in our backyard. We didn't have neighbors back then. The adjacent land hadn't sold, and the developers hadn't horseshoed a subdivision around us.

I reminded myself to fetch the ledger and mark down that she spoke first.

“You want a beer or anything?” I said. “While I'm in here, do you want something?”

She shook her head. My wife held one hand up. In the other she kept our garden hose shoved straight into the ground. Our soil, for what it's worth, makes red clay seem like heated petroleum jelly. One time I planted sweet potatoes back there and when I pulled the tubers up 110 days later they looked like I'd harvested flat, flat lip plates. “I don't want to lose my focus. I need to concentrate. And I need your assistance,” my wife said.

I picked one of my Nikons up off an end table.

Unfortunately I had never fully documented the causes of our silence. It went both ways, of course. Sometimes Didi said I drank too much and got verbally abusive. There were matters of finance, especially after I “retired early,” at the age of thirty-nine, from my position as photography instructor at Graywood County Community College, in order to “specialize” in wedding portraits, graduation photos, and annual arts and crafts show entries that offered prize money. We argued as to who bought the dog food last, who fed the dogs last, who paid for vet bills, who cleaned up after the dogs last. I couldn't count how many times I closed my mouth, intending muteness until one of the dogs chewed on a lens cap, because Didi “made a decision” about our telephone service provider, the arrangement of furniture, laundry detergent choices, how much money to send her nephews and nieces on birthdays even though they never sent thank-you notes, how come the car's engine threw a rod when Didi'd lied about taking the thing over to our mechanic for an oil change.

She didn't like it when I holed up in the darkroom, listening to Ray Charles. “I hate Ray Charles,” she said about daily—or at least when we were on speaking terms.

My name happens to be Ray Charles.

It's a gift to have such a moniker, to be able to own Ray Charles Photography. I'll admit that I didn't love third-rate community college students saying, “How hard could it be to make a A from Ray Charles?” or “How would Ray Charles know if he was in a darkroom or somewhere else?” or “What kind of crazy zoom lens does Ray Charles need?”

Ray Charles, photographer. One time the local paper wrote a human interest piece about me. I'd just received a first-place prize at the Mule Days festival for a photo I'd taken of a Civil War reenactor sitting beneath a cypress tree, holding a Happy Meal box. The newspaper guy titled his piece “Ray Charles Shoots and Scores.”

Didi said he made fun of me. And then she went silent.

“I've had our garden hose shoved down here since eleven o'clock,” Didi said. “It's on full blast, and it's not coming back up. There's no end.” She wore her gardening attire: Bermuda shorts and a gray sweatshirt advertising Ortho.

I said, “Water's not free,” because it's the first thing that came into my head. “There's also a train of thought that goes something like, ‘Hey, let's be environmentally correct and not waste water. Let's conserve it.'”

Didi didn't ask about my earlier pilgrimage. She didn't spit out, “So I take it you've been sitting down at Worm's bar wasting what could've been our vacation money,” which only meant that Didi stood there focused, obsessed, and infatuated. My wife said, “If the snake's size has anything to do with the length of its lair, we might need to be concerned.”

I stared at her. What was she saying? Did Didi break the unspoken truce? I looked down and said, “It's because of the drought, that's why we're supposed to conserve water.”

“It has to be coming out somewhere. There's no way I could be filling up an underground cavern. Walk around in circles, Ray, and see if this is bubbling out somewhere I can't see from here. Do snakes have back doors? What about voles?”

“You better hope it's not a yellow jacket nest,” I said. “Is this your way of telling me I'm too fat and need some exercise, walking around in circles?”

Didi remained half-hunched, steady with the nozzle below. “If I thought that, then I'd say it flat out, Ray. Now start circling me. You know, maybe a stride farther out each lap.”

I did. And I took a photo of my wife from behind with each lap until I stood in the road. The best picture, near dusk, looked like she had a tail between her legs. I thought about telling her, but we seemed to get along so well with this, a mysterious chasm, in our midst.

If we had well water I'd've gone to the spigot and shut Didi's experiment down. Having a dry well, like a dry socket in one's jaw, is a painful situation with the inherent endless bad consequences of anticipation. Even way out here where Didi and I lived in Calloustown, we had “city” water provided by Lower Piedmont Sandhills Water. They say that if ten thousand more people move to within the town limits, maybe they'll make a sewer treatment plant, dig sewers, and get all of us Calloustowners connected. Only ninety-five hundred to go, or thereabouts.

Our water bill would go up, sure, but to be honest the mystery tunnel had me wanting an answer too. Was there a Chinese man on the other side of the planet cursing Mandarin because of an artesian well sprung up on his property? Or maybe he praised Buddha for filling up a rice paddy more so. Were there fishermen on the Congaree River wondering how come the current took their boats downstream without warning?

If my wife filled up the septic tank—or our neighbors' tanks down the road—how long a silence would I be able to muster after saying, “I told you”?

Didi said, “I don't expect you to keep walking circles at night, but I don't want to slack up what I've started.”

“I can redirect the floodlights,” I said. “Hell, with floodlights you can stand there waiting for water to bubble back up at you all night long.” Because I didn't want to precipitate another communication malfunction I said, “That can't be all that great for your back. Let me take over for a while. You can go pee, get something to eat, do whatever you need.”

My wife looked at me as if I'd disrespected her ancestors. Our longest “fight” occurred two weeks after she'd gotten on the computer and joined that Ancestry.com ruse. Didi emerged from our “study,” opened up my darkroom door without knocking, and said, “I knew it! My great-great-great-great-great grandfather was an Indian. He married a woman who's listed as ‘Unknown Indian,' and they had a son who married a white woman!” She went on and on. “And then my great-great grandfather had a wife whose father started up a silk mill, and they had a child who lived just two days and another son who was retarded somehow. Anyway, my great-great grandfather married a Jewish woman, and she had a brother—what kind of uncle does that make him to me?—who worked for a man whose father was born in Istanbul and later became a diplomat of one kind or another!”

There was more. I listened to it all. I didn't say anything about how she could've ruined some rolls of film I had of the Cosby-Coleman wedding if she'd barged in five minutes later. I said, “Who cares? Maybe you should worry about making a mark in history your own self, so that knobheads in the future can look on Ancestry.com and say, ‘I had a great-great-great-great-great aunt who led the anti–Second Amendment movement in America,' instead of, ‘My great-great-great-great-great aunt sat around hoping to find importance in herself because of what her ancestors supposedly achieved.' Do you see what I mean? If not the anti–Second Amendment, then at least something like ‘I wrote a novel' or ‘I won the lottery and gave half the money to an orphanage.' I mean, the whole reason I have Ray Charles Photography is so future generations can understand the importance of marriage and debutante balls, among other things.”

Didi locked herself in the study for six days. I'm pretty sure that she peed in a jug the whole time and only ate and used the bathroom otherwise when I left to make women's trains and veils appear more spectacular than they really were, to keep a viewer's eye on the dress instead of the look of condemnation that plastered the bride's face.

_______

There exist a number of inexplicable veins that traverse planet Earth. The best one I've found, in all my research, when Didi let me use the “study,” occurs in Turkmenistan. It's a flaming pit of natural gas called the “Door to Hell” and measures almost a football field in diameter. No one knows how deep the pit distends, or where the gas begins.

There are strange holes in the bottom of oceans, with gasses and such leaking out. People believe in portals, like in the movie
Being John Malkovich
, a film that Didi abhorred. She wasn't president of the
Eraserhead
fan club, either. Willing suspension of disbelief didn't show up anywhere on her family tree, evidently. If you put a freakish baby or a workplace with four-foot ceilings in a movie, Didi didn't care about buying a movie ticket.

I took over atop the hole at nine P.M. on that first night. I thought about pulling out my Zippo to see if, perhaps, the “Door to Hell” had its back entrance in my yard, all the way underneath the Caspian Sea, the Mediterranean, the Atlantic Ocean, and so on. But I didn't. What if it shot up a flame and burned my eyeballs useless? How many times would Ray Charles Photography get mentioned on all those TV shows then?

I sniffed and listened and waited only ten minutes before Didi returned, a bag of pimiento sandwiches in hand. “I don't want to say I don't trust your being able to keep a nozzle in the hole, Ray, but I don't trust your being able to keep a nozzle in the hole. Go on back inside and take care of the dogs. I'll call if I need you.”

I let go of the hose when she latched on. I said, “Hey, I got an idea. Maybe this endless vein holds gas. I'll leave my lighter with you in case you want to check it out.”

That night I didn't sleep, same as I didn't when we lived together tongueless. The explosion never occurred. My wife didn't return inside, needful to relate the narrow tunnel's limit. Back to back to back to back I watched
Down by Law, Barton Fink, Harold and Maude
, and
Deliverance
on two of those indie film networks that Didi tried to talk our cable provider into dropping.

“Watching these kinds of movies helps me ‘see' better portraits,” I always told her.

“It helps you see freakish people in a relentless world,” Didi shot back. And then, more often than not, we'd stare through one another before walking off to separate rooms in the house.

That stuff I said about furthering humanity instead of living off past do-gooder capitalistic ancestors? Didi studied studio art in college. Somewhere along the line she gave it up and took up framing. She spent her time in a frame shop, and five generations from now some kind of insecure relative-to-be will tell everyone how she's related to a misunderstood and unjustly sentenced woman who suffered a series of miscarriages quietly. I don't think it's fair. Somebody should at least notice how Didi can use a miter box.

I'm not the only photographer named Ray Charles. There's another one in Baton Rouge, Louisiana. Maybe there are others. The singer Ray Charles was born as Ray Charles Robinson back in 1930 or thereabouts. I've never typed “Ray Robinson photographer” into a search engine, but if there is one, then there's no way he gets the ribbing or double-takes that the Baton Rouge guy and I get, I doubt.

Here are some fun facts: There's a photographer in Georgia named Willie McTell, and two photographers who go by Doc Watson—one in Pittsburgh, the other in Riverside, California. Those last two men might be professors in an art department, thus the “Doc” title.

I'd be willing to bet that more than a few professional photographers have “Homer” for a name, but who in America remembers how that old poet couldn't see?

Do not doubt how much I loved my wife for the quirks she forgave of me. Back in the bad days, I went off a-drinking about daily, took a uniform along with me—some days I was a soldier, others a police officer—and changed my clothes before driving home even though it wasn't more than ten miles and the sheriff's deputies knew me anyway. I had this notion. I believed that a cop wouldn't think a man in uniform irresponsible enough to drink hard in a place like Worm's then get behind the wheel. Didi never said, “So you're a member of the Oxford, Mississippi, police force today,” or “Where exactly is the Army-Navy store where you're spending good money on these uniforms?”

We had met at the frame shop, a place known by the odd, existentially challenging demand Hang Me Here. At the time, I'd been considering a series of photographs that involved an interesting-looking woman—somewhere between a woman with an ineffable port-wine stain birthmark that covered exactly half of her face and a supermodel with a desperate look in her eyes—half-clothed, standing amid vacant, rundown, out-of-business cotton mills throughout the southeast. Half-clothed leaning against idle, rusted spinning frames and looms! It would be symbolic!

Upon my job offer Didi said, “I don't like to have my picture taken.” She said, “I've read up on how men say they're photographers, and then the next thing you know these girls are working escort services in Tokyo, Bangkok, and Dallas.”

I said, “I understand your trepidation. If you should ever reconsider”—I pulled out one of my newly printed business cards—“give me a call. I promise I'm not some kind of pederast, or human trafficker, or Republican.”

Didi wasn't supermodel or birthmark material, understand, but I couldn't not stare at her. Her green eyes hinted at thyroid problems. She stood six-one and weighted about 130, but didn't seem malnourished. Didi didn't bother waxing her eyebrows, which a less-sophisticated aesthetician might consider as looking like two fragile misplaced moustaches on perfectly porcelain skin. And that hair of hers—as soft and brown as a common field rat's.