Vernon God Little (24 page)

No dot appears at Houston, though. God, I love that girl.

Suddenly, the driver's kid runs out of a back room, and switches channel to some cartoons. I tremble off the floor and make my way to the bar, island-hopping between tables for support. Then I notice something familiar about the bartender. He wears my fucken shirt. And my jeans. I turn to see if it's true about my Nikes, my soul, now hanging from another man's cross. It's fucken true. I stare at the bartender, and he points to my trouser pocket. I look down at myself, past a T-shirt with ‘Guchi' printed on it, to some orange pants dangling loose above sandals with ole tires for soles. My body is a fucken shrine. I check the pants pockets. Two hundred pesos in local bills are stuffed inside. Vernon Gates Little, boy. Mexican Fate.

The boys serve up a shot they say will cure me. It stings, and as
I drink it, a sunbeam bursts into the room, a blinding shaft that frames the crucifix on the wall, and lights up memories of last night. Pelayo, the truck driver, is driving me south, to his home state of Guerrero. To the mud-flaps.

He lifts his kid into the truck as I stumble to the gas station to buy a phonecard. I check the mud-flaps as I pass. Heaven, boy. Between them are painted the words, ‘ME VES Y SUFRES.' My vesty surfers, or something. Wait till I tell Taylor.

She answers after five rings.

‘Tayla.'

‘Tay, hi, it's Vern.'

‘What, who? Wait up . . .' Bumping noises come down the line, a man's voice rumbles, then quiet, like she moved into a closet or something. ‘Yeah – who?'

‘Vern.'

Dead fucken quiet for around a decade, then she comes back, real close to the receiver. ‘Oh my
God
.'

‘Tay, listen . . .'

‘Like, I can't believe I'm talking to a
serial killer
.'

‘Shit, I ain't no killer . . .'

‘Yeah,
right
– they have bodies mounted up all the way to Victoria!'

‘Get outta town,' I say. ‘That can't be right.'

‘But, like, you killed
some
people, right?
Something
happened – right?'

‘Tay, please listen . . .'

‘Oh, babe. Poor tortured babe. Where
are
you?'

‘Mexico.'

‘God, have you seen back home? It's like Miami Beach, the whole town's wired for cameras, with live web access, twenty-four seven. The company that set it up floated shares and bought
Bar-B-Chew Barn
– my dad submitted a proposal for a sushi bar, right where the unisex used to be! If it comes off, I'm moving back to manage it – can you believe it?'

I watch credits drip off my card like ketchup off a local fly. ‘Tay, I'm at a public phone . . .'

Pulsating music and crowd noises break onto the line. You hear the man's voice, then Taylor yells back: ‘It's
my
friend from outta town –
okay
?!' The door slams. She takes a deep breath, like a backwards sigh. ‘Sorry, I'm, like, real vulnerable right now.'

‘Hell, I don't want to . . .'

‘You need cash, right? I have, like, six hundred put away for my vacation.'

‘It'd save my fucken life.'

She sniffles, then her voice drops a tone. ‘You talkin dirty to me, killer?' I swell in my new polyester pants. ‘But, hey – where to wire it? Did you stop somewhere? And what if they, like – you know . . .'

‘Shit, I guess that's right.'

‘Vern, call me from wherever, like a city, or a big hotel – I'll check with Western Union.'

Her Fate song rings in my ears as I put down the phone. Six hundred bucks will probably
buy
a fucken beach-house down here. I'm boosted up. I get smart, and decide to call Pam. The line clicks. I swat flies while she hoists a ton of arm-fat to her head.

‘He-llo?'

‘Pam, it's Vern . . .'

‘Oh my
God
–
Vernie
? We're
devastated
– where
are you
?'

I detect Mom in the background. I should've known it, they're probably on their nine-millionth burrito by now. Her sniffle wavers up to the phone, but Pam fends her off. ‘Are you eating properly? Don't tell me you're not
eating
, don't tell me
that
, oh Lord . . .'

Mom snatches the receiver. ‘Vernon, it's
Mommy
.' She immediately breaks into a runaway bawl. My eyes soak up with tears, which she feeds off, working up an even raunchier bawl. It's hard, this fucken moment in time.

‘Ma – I'm just real sorry.'

‘Well Vernon, the detectives say things'll be easier if you just come back.'

‘I don't think I can do that.'

‘But all this
death
Vernon, where
are
you? We know you were sighted near Marshall this morning . . .'

‘Ma, I didn't kill nobody, I ain't running for that. I just have to make good, see? I'll maybe go to Canada, or Surinam or somewhere.' Bad fucken move. Mothers automatically detect the missing word in any multiple choice situation.

‘Oh
Vernon
–
Mexico
? Oh my
God
, baby,
Mexico
?'

‘I said Canada or Surinam, Ma.'

‘Well but the longer you stay away, the more trouble will be waiting for you, don't you see that? Vernon? Mr Abdini says you have a defense, he's been poking around, he found some clues and all, and when Lalito moves back we can be a real family again, just like before.'

‘You ain't still waiting on Lally . . .'

‘Well but that old woman at the home never called back, so why not? Vernon? It's love, a woman
knows
these things.'

‘Mom – when did you last speak to Lally?'

‘Well he's very busy,
you
know that.'

I snort in an ironic kind of way. I guess it's ironic, when somebody passes off total bullshit as reality. Points drip off my phonecard as if they're points in my soul; I feel like I'll expire when they run out. I make a note to try and keep some points, in case they end up being cross-linked to my soul. Another learning about deep shit: you get real fucken superstitious.

‘Where
are
you? Just tell me that – Vernon?'

‘Ask him when he last
ate
, Doris.'

‘Mom, these credits are gonna run out – what's important is that I'm fine, and I'll call when I get settled.'

‘Oh
Vernon
.' She starts bawling again.

I badly want to leave her some cream pie, tell her about my beach-house, and her visit and all. But I just fucken can't. I just kill the call.

‘A
y, ay, ayeeeeeee,
Lu
-pita! Ay, ay ayeeeeeee . . .'

Tunes scratch out of the radio as we roll south in the truck, Pelayo, the kid, Jesus the Dead Mexican, and me. ‘A veritable hotch-potch,' as bastard Mr Nuckles would call us. You'll drop a load when you hear the local hoe-down music; big ole polkas with guitar, bass, and accordion, and all these guys going ‘Ay, ay, ay,' and shit. Even better is the station-breaks; announcers holler echoes like they're calling a fucken boxing match. I sit as high as a God on the passenger side of the truck, squinting through the slit of glass between an overgrown dashboard shrine of the Virgin, and a fringed curtain with baby soccer balls hanging off it. Pelayo's kid is in a game with me. His name is Lucas. Every time I look at him, he looks away real fast. So I keep him in the corner of my eye, train him to expect my eyes to move slow, until he's lulled into that pattern; then I suddenly cut back and catch him staring. Ha! He blushes like crazy, and buries his face into his shoulder. For some reason I get waves from this little game, I really do, a flock of butterflies in my heart and all. Don't get me wrong, I'm still an asshole. I haven't gone The Other Way, or anything. But, just honestly, it's like one of those Simple Things in Life, that folk always talk about, but you never know what they fucken mean. Imagine a regular ten-year-old doing this, back home. I don't fucken think so. He would've already primed some cusses, just
in case
you fucken looked at him.

We heave deep into the guts of Mexico, past Matehuala and San Luis Potosí, where greener scenery blends with my hangover to weave frosted dreams, of home, and of Taylor. I try to push away
the silken threads, the octopus flesh writhing, flashing purple and red, puffing tang-spray and honey, so I can air the musty, upholstered ole thoughts, lavender-smelling thoughts I get every day about the dead. Thoughts too big to even shiver at, thoughts just calmly there, to stay forever, like flounces on the satin in your casket. The thoughts combine with the climb into Mexico City to bring soundbites of everyone I know, crying behind their fly-screens, ‘Devastated, devastated, devastated, the nightly news, the ni-ghtly
newwws
, the
Nigh
-tly
Nooze
. . .' until in my mind, I'm chased through skies of churning bile by a black and putrid vortex that swirls across whole states, whole fucken countries, just to gash me, hook out my guts, pulsating, and stomp them with boots and spurs, like a nest of baby rattlers, ‘Get
that
end!
Stomp! Cut
that fuckin bastard, he's still movin!'

Vernon Godzilla Little.

By midnight on this foreign Friday in June, a permanent shiver hangs around me. I leave my flesh and bones at the northern edge of Mexico City, and just the noodles of my nervous system drive with me south. We only nearly get killed a dozen times. When we finally pop out of the city, we're in a dangerous condition to be driving. Just like everybody else around. Alpine forests we drive through, dodging humongous motorcoaches lit up like space shuttles, down to tropical places that give way to areas of rock and cactus, and empty noise on the radio. Everything adds up to make me edgy. I expect to see Dr Goosens's secretary out here, or the meatworks' marching band or something. I try to keep the dream weaving in my head, a thread of Taylor, a thread of beach, a thread of ‘Sailing'. But the weaving gets harder, the threads get matted and replaced by veins. ‘Devastated, devastated,
devastated
. . .'

We finally stop in a town where they must have a fly farm. I fight with some flies over a sweaty hot-dog, until one gets stuck in the mustard. Mexican flies are slow. I look around. The place is just like the TV-movie where these casino gamblers are in death's
lobby, waiting to see if the elevator's going up or down. You expect nightclub pianists' bones in a display case somewhere, I swear. There's Muzak, needless to say. Muzak, and evidence of rats. Then, when I step into the hot, dishwashy dawn, to take a leak before retiring to the truck, a fucken scorpion scuttles towards me. The omens just ain't clear anymore.

Acapulco spreads out in a pattern just like Martirio: saggy, colored underwear districts on the outskirts, sharpening through Y-front and sensible-shoe zones to the center, where silk speed shines tight. The edges show up as we climb the last hill before the coast. Pelayo has to leave his load in Acapulco before heading to his village, farther north. Smells tag our progress into town. We should soon reach the Medicated Pet Soap district, then travel through the Old Spice, and Herbal Essence zones, if it's anything like home. Right now we pass a zone where you just jam a finger up your ass and sniff it.

The road winds out of the hills until blue ocean unfolds in the distance. Acapulco is this huge round bay, with hotels and hotels and hotels. I have to find the biggest one, and call Taylor. I realize the risk of being recognized will grow, because I've heard about this place before, which means tourists will be here from home. Acapulco I've heard of, and Coon-Can, or wherever fucken Leona went one time. I start to feel the shiver breathing down on me. I scan the distance for the correct-looking hotel to call from, but deep in my soul I'm hoping I don't see it. That's how your mind operates, to avoid the shiver, fucken look at it. My face even acts like I'm scanning the bay, my eyes squint, and my lips push out with the concentration of looking for the correct hotel. I even play games with myself, like: if I see a blue sign on the street, I'll get Pelayo to stop. But I know if I see one, my brain will find some excuse why I can't stop. Then the game'll go: if I see a sign with the color green on it, I'll double-definitely stop. I just take the fucken cake, boy, fuck.

Pelayo solves it by pulling over at a little roadside bar, behind the main boulevard. We haven't eaten since our death-dog, and now Saturday is well underway. Pelayo stops on the sidewalk by the bar, and just looks at me. He senses I have to melt back into my dry-cleaned world awhile. He makes me understand that if I want a ride to his town, I should meet him here in two hours, after he's unloaded the truck. An awkward membrane grows between us as he says it. As if he knows my natural habitat is in one of these towers full of wealthy people. He knows he'd be like a fucken gardener in one of these places, if so much. His eyes grow shy from the truth of things, and for the moments past of our unusual friendship. He slaps my back, and turns to the bar with his invisible guns. Lucas turns too, with confused eyes. So much for Vernon Gonzalez Little.

I'm drenched in sweat by the time I reach the beach alongside the main boulevard. It's fancy. It doesn't cost anything to walk on the sand, so I take off my shirt, and my flappy ole Firestone sandals, and start to look American again. Two security guards watch me head for this massive hotel. They wave when I look at them, just another American dweebo, they must say. I spit back my hair and eyebrows, and strut into the hotel like I'm wearing guns, just like Pelayo learned me. The lobby is about the size of fucken Dallas–Fort Worth airport, marble floored, with beautiful lobster-people gliding around.
Awesome
place. A bellhop holds the elevator doors open for me, and I ain't even near them.