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Authors: Jack McDevitt

Thunderbird

Novels by Jack McDevitt

Ancient Shores

Thunderbird

 

The Hercules Text

Eternity Road

Moonfall

Infinity Beach

Time Travelers Never Die

 

WITH
M
IKE
R
ESNICK

The Cassandra Project

The Priscilla Hutchins Novels

The Engines of God

Deepsix

Chindi

Omega

Odyssey

Cauldron

Starhawk

The Alex Benedict Novels

A Talent for War

Polaris

Seeker

The Devil's Eye

Echo

Firebird

Coming Home

Collections

Standard Candles

Ships in the Night

Outbound

Cryptic: The Best Short Fiction of Jack McDevitt

An imprint of Penguin Random House LLC

375 Hudson Street, New York, New York 10014

This book is an original publication of Penguin Random House LLC.

Copyright © 2015 by Cryptic, Inc.

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

ACE and the “A” design are trademarks of Penguin Random House LLC.

For more information, visit
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.

eBook ISBN: 978-0-698-18534-0

Library of Congress Cataloging-in-Publication Data

McDevitt, Jack.

Thunderbird / by Jack McDevitt.

pages ; cm

ISBN 978-0-425-27919-9 (hardcover)

I. Title.

PS3563.C3556T48 2015

813'.54—dc23

2015023789

FIRST EDITION:
December 2015

Cover illustration by Tony Mauro.

Cover design by Rita Frangie.

Title page art: Circuit Board © Askold Romanov/iStock.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

Version_1

For Merry McDevitt, beloved daughter

ACKNOWLEDGMENTS

Thanks to Walt Cuirle, Michael Fossel, Scott Ryfun, Frank Manning, and Les Johnson for advice and technical assistance. To Ginjer Buchanan and Diana Gill, editors past and present. To my agent, Chris Lotts, who asked the right questions. To copy editor Sara Schwager. To my wife, Maureen, and my son Chris, who made major contributions. And to the Spirit Lake Sioux, who, years ago, welcomed me onto the reservation and made it, for a brief period, my home.

CONTENTS

How cruelly sweet are the echoes that start
When memory plays an old tune on the heart.

—Eliza Cook,
Lays of a Wild Harp
, 1835

Great Spirit, fill us with the light.
Give us the strength to understand
And eyes to see.

—Mni Wakan Oyate prayer

PROLOGUE

J
ERI
T
ULLY
WAS
eight years old. Mentally, she was about three, and the experts cautioned her parents against hoping for any serious improvement. No one knew what had gone wrong with Jeri. There was no history of mental defects on either side of her family and no apparent cause. She had two younger brothers, both of whom were quite normal.

Her father was a border patrolman, her mother a former legal secretary who had given up all hope of a career when she followed her husband to Fort Moxie.

Jeri went to school in Walhalla, which conducted the only local special-education class. She enjoyed the school, where she made numerous friends and where everyone seemed to make a fuss over her. Mornings in the Tully household were underscored by Jeri's enthusiasm to get moving.

Walhalla was thirty-five miles away. The family had an arrangement with the school district, which was spread out over too vast an area to operate buses for the special-education kids: The Tullys provided their own transportation, and the district absorbed the expenses.

Jeri's mother had actually grown to enjoy the daily round-trip. The child loved to ride, and she was never happier than when in the car. The other half of the drive, when Mom was alone, served as a quiet time, when she could just watch the long fields roll by, or plug an audio book into the system.

Jeri's father worked the midnight shift that night, and his wife was waiting for him when he got home in the morning with French toast, bacon, and coffee. While they were at breakfast, an odd thing happened. For the only time in her life, Jeri wandered away from home. It seemed, later, that she had decided to go to school and, having no concept of distance, had begun walking.

Unseen by anyone except a two-year-old brother, she put on her overshoes and her coat, let herself out through the porch door, walked up to Route 11, and turned right. Her house was on the extreme western edge of town, so she got past the demolished Dairy Queen and across the interstate overpass within minutes. The temperature, which is exceedingly erratic in April, had fallen back into the teens.

Three-quarters of a mile outside Fort Moxie, Route 11 curves sharply south and almost immediately veers west again. Had the road been free of snow, Jeri would probably have stayed with the highway and been picked up within a few minutes. But a light snowfall had dusted the highway. She wasn't used to paying attention to details and, at the first bend, she walked straight off the road. When, a few minutes later, the snow got deeper, she angled right and got still farther away.

Jeri's parents had by then discovered she was missing. A frightened search was just getting started, but it was limited to within a block or so of her home.

Jim Stuyvesant, the editor and publisher of the
Fort Moxie News
, was on his way to the Roundhouse. Rumors that an apparition had come through from the other side were going to be denied that morning in a press conference, and Jim planned to be there. He was just west of town when he saw movement out on Josh McKenzie's land to his right: A small whirlwind was gliding back and forth in a curiously regular fashion. The
wind phenomenon was a perfect whirlpool, narrow at the base, wide at the top. Usually, these things were blurred around the edges, and they floated erratically across the plain. But this one looked almost solid, and it moved methodically back and forth along a narrow track.

Stuyvesant pulled off the road and stopped to watch.

It was almost hypnotic. A stiff blast of air rocked the car, enough to blow the small whirlwind to pieces. But it remained intact.

Stuyvesant never traveled without his video camera, which he had used on several occasions to get material he'd subsequently sold to
Ben at Ten
or to one of the other local TV news shows. (He had, for example, got superb footage of the Thanksgiving Day pileup on I-29, and the blockade of imported beef at the border port by angry ranchers last summer.) The floater continued to glide back and forth in its slow, unwavering pattern. He turned on the camera, walked a few steps into the field, and started to record.

He used the zoom lens to get close and got a couple of minutes' worth before the whirlwind seemed to pause.

It started toward him.

He kept filming.

It approached at a constant pace. There was something odd in its manner, something almost deliberate.

A sudden burst of wind out of the north ripped at his jacket but didn't seem to have any effect on the thing. Stuyvesant's instincts began to sound warnings, and he took a step back toward the car.

It stopped. Remained still in the middle of the field.

Amazing. As if it had responded to him.

He stood, uncertain how to proceed. It began to move again, laterally. It retreated a short distance, then came forward again to its previous position.

He watched it through the camera lens. The red indicator lamp glowed at the bottom of the picture.

You're waiting for me.

It approached again, and a sudden burst of wind tugged at his collar and his hair.

He took a step forward. And it retreated.

Like everyone else in the Fort Moxie area, Stuyvesant had been deluged with fantastic tales and theories since the Roundhouse had been uncovered, with its pathways to other worlds. Now, without prompting, he wondered whether a completely unknown type of life-form existed on the prairie and was revealing itself to him. He laughed at the idea. And began to wonder what he really believed.

He started forward.

It withdrew before him, matching his pace.

He kept going. The snow got deeper, filled his shoes, and froze his ankles.

It hovered before him. He hoped he was getting the effect on camera.

It whirled and glittered in the sun, maintaining its distance. He stopped, and it stopped. He started again, and it matched him.

Another car was slowing down, pulling off the highway. He wondered how he would explain this, and immediately visualized next week's headline in the
News
:
MAD EDITOR P
UT UNDER GUARD
.

But it was a hunt without a point. The fields went on, all the way to Winnipeg. Far enough, he decided. “Sorry,” he said, aloud. “This is as far as I go.”

And the thing withdrew another sixty or so yards. And collapsed.

When it did, it revealed something dark lying in the snow.

Jeri Tully.

That was the day Stuyvesant got religion.

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