"But what does that mean, really?" Stephen interrupted.
"I just thought she was ugher than me," Walden said.
When they got to Libby's apartment—a basic two-bedroom in a high-rise on Third Avenue that she shared with her cousin—she opened the refrigerator and took out a beer. When she bent over in the refrigerator light, he saw that she was a httle on the heavy side.
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She turned around and unscrewed the cap and handed the bottle to him. "I just want you to know," she said. "I really want to have sex with you."
A pretty girl wouldn't have said that, he thought, as he put down his beer and began undressing her. He bit her neck and pulled down the top of her bra without unhooking it. He peeled off her pantyhose. She wasn't wearing underwear. They went into the bedroom.
"I found myself very uninhibited," Walden said. "Because she wasn't pretty. The stakes were lower, the emotion higher. There wasn't any pressure because I knew I couldn't date her." He fell asleep with his arms around her.
"The next morning," Walden said, "I woke up and I felt at ease.
Very relaxed. I'd been feeling tormented for some time, and, with Libby, I suddenly felt peaceful. It was the first honest emotional connection I'd had in a while. So I immediately panicked and had to leave."
He walked home with his hands in his pockets. It was winter and he'd left his gloves at her place.
"It's always winter when these things happen," Stephen said.
"ACTUAL FRIENDS"
Walden didn't see her again for a few months. He went back to his torment. If she was better-looking, he would have gone out with her. Instead, he waited two months, then he called her for lunch. He'd been fantasizing about her. They had lunch, and then they blew off the afternoon and went back to her place and had sex. They began seeing each other a couple of times a week. They lived in the same neighborhood; they'd go to local places for dinner or she'd cook. "I found it incredibly easy to talk about my emotions," Walden said. "I could cry in front of her. I told her my deepest sexual fantasies and we'd act them out. We talked about having a threesome with one of her friends.
"She'd tell me her fantasies, which were tremendously elaborate," Walden continued. "She asked me to spank her. She had secrets, but she was incredibly practical. I've always wondered if it was because she wasn't datable that she'd constructed this complicated inner life. You know, if you're not in the beauty Olympics, you can become a very interesting person."
In the meantime, Libby was being pursued by, in Walden's words, "some shlumpy guy." Walden didn't feel threatened.
He met all her friends but wouldn't introduce her to his. He never spent a whole weekend with her—or even a whole day. They never went to a party together. "I didn't want her to get the wrong idea,"
he said.
But she never protested, never made demands. One time she asked him if the reason he kept her hidden was because she wasn't pretty enough. "I lied and said no," Walden said. "You know, if I closed my eyes, there was no way she didn't satisfy me in every way."
Walden ordered another drink. "She used to make me wonder if I felt ugly inside, and that was the bond."
"Well, every man secretly hates pretty girls because they're the ones who rejected him in high school," Stephen said. He had a similar story.
Ellen's grandfather was famous in TV. A real big deal. Stephen met her at a work party. They'd both gone outside on the balcony to smoke cigarettes and started talking. She was funny. A real firecracker, a wiseacre. She was dating somebody else. After that, file://D:\Bushnell, Candace - Sex and the City.htm 2008.09.06.
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she and Stephen would run into each other at work events.
"We became actual friends," said Stephen, "which for me is rare with women. I had no sexual designs on her. I could go out with her and shoot the shit hke a guy. She could talk about movies, Letterman, she knew TV—and most women don't understand TV. If you try to talk about TV with a pretty girl, her eyes glaze over."
They went to the movies, but "just as friends." She might have been secretly angling for him; but if she was, Stephen didn't notice.
They'd talk about their relationships. Their dissatisfactions. Stephen was seeing someone who had gone to Europe for three months, and he was writing her forced, unenthusiastic letters.
One afternoon, they were having lunch, when Ellen began describing a recent sexual encounter with her boyfriend. She had given him a hand job using Vaseline. Stephen suddenly popped a woody. "I began to see her as a sexual being," he said. "The thing about these girls who aren't beauties—they have to put sex on the table. They can't nuance it."
Ellen broke up with her boyfriend, and Stephen began dating lots of women. He would tell Ellen about these women. One night they were at a restaurant, having dinner, and Ellen leaned over and gave him a tongue kiss in his ear that got him thumping his foot.
They went to her place and had sex. "It was great," Stephen said.
"I performed, on an objective basis, better than I had with other women. I was going back for seconds and thirds. I was giving her the forty-five-minute fuck." The "relationship" progressed from there. They would watch TV in bed and then have sex with the TV
on. "A pretty woman would never let you have the TV on during sex," Stephen said. "But it's relaxing somehow, with the TV on.
You're not the focus. Women hke Ellen allow you to be yourself."
Stephen admitted that from Ellen's point of view, their relationship probably wasn't so great. "During the six months we went out, well, we had probably gone to more movies back when we were friends. Our dates became the worst kind of dates—takeout food and videos. I felt tremendously guilty. I felt shallow. She wasn't quite up to snuff in the looks department, and I felt shallow for thinking of her looks. She was a great girl."
Ellen started in with the pressure. "'When are you going to meet my grandfather,' she kept asking me. 'He really wants to meet you.'"
"I wanted to meet her grandfather," Stephen said. "He was a huge deal. But I couldn't. When you meet someone's grandparents, it means the relationship is real."
To solve his problem, Stephen began pimping for Ellen, trying to fix her up with guys. They would talk about guys she could date.
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one of Stephen's friends. But the guy wasn't interested in her and she got upset. She went to Stephen's place and they had sex.
A couple of weeks later, Stephen met a girl, a babe, late one night at a party in a grungy loft in TriBeCa. He introduced her to his parents almost immediately, even though he had none of the kinds of conversations with her that he had with Ellen. He continued to sleep with both girls, taking what he had learned from sex with Ellen and applying it to the new girl. Ellen wanted to hear all about it. What they did. What the new girl was like in bed, what she felt like, what they talked about.
Then she broke. She went to Stephen's apartment on a Sunday afternoon. They had a screaming fight. She was punching him,
"literally raining down punches on me," Stephen said. She left but called two weeks later.
"We made up on the phone," Stephen said, "and I went to her house for the usual. But when we got to the crucial moment, she kicked me out of bed. I didn't get mad at her.
I was too angry with myself for that, but I respected her, too. I thought, Good for you."
Walden put a knee up against the bar. "About six months after I stopped seeing Libby, she got engaged. She called me and said she was getting married."
"I was in love with Ellen but I never told her," Stephen said.
"I was in love, too," Walden said. "In love in an utterly mundane way."
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There are worse things than being thirty-five, single, and female in New York. Like: Being twenty-five, single, and female in New York.
It's a rite of passage few women would want to repeat. It's about sleeping with the wrong men, wearing the wrong clothes, having the wrong roommate, saying the wrong thing, being ignored, getting fired, not being taken seriously, and generally being treated like shit. But it's necessary. So if you've ever wondered how thirty-five-year-old, single, New York women get to be, well, thirty-five-year-old, single, New York women, read on.
A couple of weeks ago, Carrie ran into Cici, a twenty-five-year-old assistant to a flower designer, at the Louis Vuitton party. Carrie was trying to say hello to five people at once when Cici materialized out of the semidarkness. "Hiiiiii," she said, and when Carrie glanced over at her, she said, "Hiiiii,'' again. Then she just stared.
Carrie had to turn away from a book editor she was talking to.
"What, Cici?" she asked.
"What is it?"
"I don't know. How are you?" "I'm fine. Fabulous," Carrie said. "What
have you been up to?"
"The usual." The book editor was about to talk to someone else.
"Cici, I . . ."
"I haven't seen you for so long," Cici said. "I miss you. You know I'm your biggest fan. Other people say you're a bitch, but I say, 'No, she's one of my best friends and she's not hke that.' I defend you."
"Thanks."
Cici just stood there, staring. "How are
you?"
Carrie asked.
"Great," Cici said. "Every night I get all dressed up and I go out and no one pays attention to me and I go home and cry."
"Oh, Cici," Carrie said. Then: "Don't worry about it. It's just a phase. Now listen, I have to . . ."
"I know," Cici said. "You don't have time for me. It's okay. I'll talk to you later." And she walked away.
Cici York and her best friend, Carolyne Everhardt, are two twenty-five year olds who, like most now thirty-five year olds, came to New York to have careers.
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concerned about it—at least not to the point that she'd ever let you think she was.
Cici is the opposite of Carolyne—blond, bone-thin, with one of those oddly elegant faces that most people don't notice because she isn't convinced that she is beautiful. Cici works as an assistant to Yorgi, the acclaimed yet reclusive flower designer.
Cici came to New York a year and a half ago from Philadelphia.
"Back then, I was hke a httle Mary Tyler Moore," she says. "I actually had white gloves stashed in my purse. For the first six months, I didn't even go out. I was too scared about keeping my job."
And now? "We're not nice girls. Nice is not a word you would apply to us," Cici says, in an East Coast drawl that manages to be sexy and apathetic.
"We mortify people all the time," Carolyne says.
"Carolyne is known for her
temper tantrums,"
Cici says.
"And Cici doesn't talk to people. She just gives them dirty looks."
Carolyne and Cici are best friends through the usual conduit of bonding female friendship in New York: Over some jerky guy.
Before she met Cici, Carolyne met Sam, forty-two, an investment banker. Carolyne kept running into him every time she went out. Sam had a girlfriend—a Swiss girl who was trying to get into broadcasting. One night, Sam and Carolyne saw each other at Spy and they were drunk, and they started making out. They ran into each other another night and went back to Sam's place and had sex. This happened a couple more times. Then his girlfriend got deported.
Nevertheless, the "relationship" continued along the same lines.
Every time Carolyne and Sam ran into each other, they would have sex. One night, she saw him at System and gave him a hand job in the corner. Then they went outside and had sex behind a Dumpster in an alleyway. Afterward, Sam zipped up his pants, kissed her on the cheek, and said, "Well, thanks a lot. I'll see you later." Carolyne started throwing trash at him. "I'm not through with you, Samuel,"
she said.
A couple of weeks later, Cici was at Casa La Femme, when she saw two guys she knew. A third guy was with them. He was dark and he was wearing a thin, white, button-down shirt and khakis; Cici could tell that he had a great body. He seemed shy, and Cici began flirting with him. She'd just gotten her hair cut, and she kept bmshing her bangs out of her eyes and
looking up at him while sipping a glass of champagne. They were all going to some girl's birthday party at a loft in SoHo; they asked Cici to go with them. They walked. Cici kept giggling and bumping into the guy, and at one point he put his arm around her. "How old are you?" he asked.
"Twenty-four."
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