“I’m afraid a lot of elderly ladies turn up dead on a regular basis,” Scarpetta replies evasively. “Can you give me a few more details? What exactly did he say?”
Dr. Self recounts the story of the blighted citrus trees in the old woman’s yard, of her grief over the loss of her husband, of her threat to kill herself with her dead husband’s shotgun if the lawn-service man—Hog—had her trees destroyed. Benton walks into the living room with two coffees, and Scarpetta puts Dr. Self on speaker phone.
“Then he threatened to kill me,” Dr. Self says again. “Or said he was going to but changed his mind.”
“I’ve got someone with me who needs to hear this,” Scarpetta says, and she introduces Benton. “Tell him what you just told me.”
Benton sits on the couch as Dr. Self replies that she doesn’t understand why a forensic psychologist in Massachusetts would have any interest in a suicide that may or may not have happened in Florida. But he might have a valid opinion about a threat on her life, and she would love to have him on her show sometime. What sort of person would threaten her like that? Is she in danger?
“Does your studio keep track of the call-ins through caller ID?” Benton asks. “Are the numbers stored, even temporarily?”
“I would think so.”
“I’d like you to find that out right away,” he says. “Let’s see if we can determine where he was calling from.”
“I do know we don’t accept unidentified calls. You have to disable the caller ID block, because once I had this insane woman threaten to kill me on the air. It’s not the first time it’s happened. Her call came in as unidentified. No more.”
“Then you’re obviously capturing the numbers of whoever is calling in,” Benton says. “What I’d like is a printout of the numbers of everybody who called in during the show earlier this afternoon. What about when you talked to this lawn man the first time? You mentioned you had a phone conversation with him. When was that, and was the call local? Did you capture the number in a log?”
“Late Tuesday afternoon. I don’t have caller ID. I have an unlisted, unpublished number and don’t need it.”
“Did he identify himself?”
“As Hog.”
“He called your house?”
“My private office. I see patients in the office behind my house. It’s really a guest house-slash-pool house.”
“How might he have gotten the number?”
“I have no idea, now that you mention it. Of course, my colleagues, anybody I do business with, my patients have it.”
“Any possibility this man might be one of your patients?”
“I didn’t recognize his voice. I can’t think of anybody I see who might have been him. There’s something more going on here.” She gets pushy. “I think I have a right to know if there’s something more about this than meets the eye. In the first place, you haven’t confirmed whether there’s an old woman who committed suicide with a shotgun because of her blighted citrus trees.”
“Nothing quite like that.” It is Scarpetta who speaks. “But there is a very recent case that sounds similar to what you just described, an elderly woman whose trees were marked for eradication. A shotgun death.”
“My God. Did it happen after six p.m. this past Tuesday?”
“Probably before that,” Scarpetta says, fairly certain she knows why Dr. Self is asking.
“That’s a relief. Then she was already dead by the time the lawn man, Hog, called me. He called maybe five, ten minutes after six and asked to be on my show, told the story about the old woman threatening to kill herself. So she must have already done it. I wouldn’t want to think her death had something to do with him wanting to be on my show.”
Benton gives Scarpetta a look that says, What a narcissistic, insensitive bitch, and says to the speaker phone, “Right now we’re trying to figure out a lot of other things, Dr. Self. And it would be helpful if you could give us a little more information about David Luck. You prescribed Ritalin to him.”
“Are you now saying something horrible’s happened to him, too? I know he’s missing. Is there something new?”
“There’s reason to be greatly concerned.” Scarpetta repeats what she’s said in the past. “We have reason to be very concerned about him, his brother and the two sisters they lived with. How long have you been seeing David as a patient?”
“Since last summer. I think he first came to see me last July. It might have been late June. Both parents had been killed in an accident and he was acting out a lot, doing poorly in school. He and his brother were homeschooled.”
“You saw him how often?” Benton asks.
“Usually once a week.”
“Who brought him to his appointments?”
“Sometimes Kristin. Sometimes Ev. Now and then they both brought him, and on occasion I would meet with the three of them.”
“How was David referred to you?” It is Scarpetta who asks. “How did he end up in your care?”
“Well, it’s rather poignant. Kristin was a call-in. Apparently, she listens to my show a lot and decided maybe she could get hold of me that way. She called in to my radio show and said she was taking care of a South African boy who had just lost both his parents and he needed help, et cetera et cetera. It was quite a heartbreaking story, and I agreed on the air to see him. You would be amazed at the mail I got from my listeners after that. I still get mail, people wanting to know how the little South African orphan is doing.”
“Do you have a tape of the show you’re talking about?” Benton asks. “An audio clip?”
“We have tapes of everything.”
“How quickly could you get me that audio clip, and one from your television show earlier today? I’m afraid we’re snowed in up here—at the moment, anyway. We’re doing what we can remotely but are somewhat limited.”
“Yes, I hear you’ve had quite the storm up there. Hope you don’t lose power,” she says, as if they’ve just spent the past half-hour having a pleasant conversation. “I can call my producer right now, and he can get it to you by e-mail. I’m sure he’ll want to talk with you about being on my show sometime.”
“And the phone numbers of the callers,” Benton reminds her.
“Dr. Self?” Scarpetta says, looking out the window with dismay.
It is starting to snow again.
“What about Tony? David’s brother?”
“They fought a lot.”
“Did you see Tony, too?”
“I never met him,” she says.
“You said you know both Ev and Kristin. Did one of them have an eating disorder?”
“I wasn’t treating either one of them. They weren’t my patients.”
“I should think you could tell by looking at them. One of them was on a steady diet of carrots.”
“Based on her appearance, Kristin,” she replies.
Scarpetta looks at Benton. She had the Academy’s DNA lab contact Detective Thrush the instant she discovered the yellowish dura mater. DNA from the dead woman up here has been matched to DNA from yellowish stains on a blouse Scarpetta removed from Kristin’s and Ev’s house. The body in the Boston morgue most likely is Kristin, and Scarpetta has no intention of relaying this information to Dr. Self, who might very well talk about it on the air.
Benton gets up from the couch to put another log on the fire as Scarpetta gets off the phone. She watches the snow. It falls fast in the light of the lamps at Benton’s front gate.
“No more coffee,” Benton says. “My nerves have had it.”
“Does it do anything besides snow up here?”
“The main streets are probably already clear. They’re amazingly fast up here. I don’t think the boys have anything to do with this.”
“They have something to do with it,” she says, moving in front of the fire, sitting on the hearth. “They’re gone. It appears Kristin’s dead. Probably all of them are.”
Chapter 60
Marino calls Joe while Reba sits quietly nearby, engrossed in hell scenes.
“I’ve got a few things to go over with you,” Marino tells Joe. “There’s a problem.”
“What kind of problem?” he says cautiously.
“You need to hear about it from me. I’ve got to return a few calls in my office, take care of a few things. Where you going to be during the next hour?”
“Room one twelve.”
“You there now?”
“Walking that way.”
“Let me guess,” Marino says. “Working on another hell scene you stole from me?”
“If that’s what you want to talk to me about…”
“It’s not,” Marino says. “It’s a whole lot worse than that.”
“You’re really something,” Reba says to Marino, placing the file of hell scenes back on his desk. “They’re really good. They’re brilliant, Pete.”
“We’re going to do this in five, give him time to get into his office,” and now he has Lucy on the phone. “Lay it on me, what do I do?”
“You’re going to hang up, so am I, then hit the conference button on your desk phone and dial my cell phone. When I answer, hit conference again and dial your cell phone. Then you can either put your desk phone on hold to keep the line open or just leave it off the hook. If someone’s monitoring our call, he’s going to assume you’re in your office.”
Marino waits a few minutes, then does what she said. He and Reba walk out of the building while he and Lucy talk to each other on their cell phones. They have a real conversation while he hopes like hell that Joe is listening in. He and Lucy are lucky so far. The reception is good. She sounds as if she’s in the next room.
They chat about the new motorcycles. They chat about all sorts of things as Marino and Reba walk.
The Last Stand motel is a modified double-wide trailer that has been divided into three rooms that are used for mock crime scenes. Each section has a separate door with a number on it. Room 112 is in the middle. Marino notes that the curtain is drawn over the front window, and he can hear the air conditioner running. He tries the door and it’s locked, and he kicks it hard with his big, Harley-booted foot and the cheap door flies open and slams against the wall. Joe is sitting at the desk, the receiver to his ear, a tape recorder hooked up to the phone, his face shocked, then terrified. Marino and Reba look at him.
“Know why they call this the Last Stand motel?” Marino asks, walking over to Joe, grabbing him out of the chair as if he weighs nothing. “Because you’re as dead as Colonel Custer.”