From the Fifteenth District (6 page)

“Oh, I’d never weed a grave,” said the clergyman. “I am like that, too.”

“Well, Padre, we choose our lives,” said Mr. Unwin. “I gave up believing in mine.”

“Forget about believing in your life,” said the younger man.
“Think about the sacraments – whether you believe in them or not. You might arrive in a roundabout way. Do you see?”

“Arrive where?” said Mr. Unwin. “Arrive at what? I never get up in the morning without forcing myself to get out of bed, and without tears in my eyes. I have had to stop shaving sometimes because I could not see for tears. I’ve watched the sun rising through the tears of a child left in his first school. If ever I had taken a day in bed nothing would have made me get up again. Not my children, not my life, not my country. How I have envied Carmela, here – hearing her singing at her work.”

“Well, and how about you, Carmela?” said the clergyman, quite glad to turn his attention to her, it seemed.

Carmela put her spoon down and said simply, “I have just eaten my way into heaven.”

“Then I haven’t entirely failed,” the clergyman said.

Mr. Unwin laughed, then blew his nose. “Let me give you a lift, Padre,” he said. “Think twice about staying. If I were you I would get on that coal boat with the others.”

T
hey left Carmela at what they both seemed to think was a bus stop. Mr. Unwin set her case down and pressed money into her hand without counting it, as he had done last August.

“The children will miss you,” he said, which must have been the Unwins’ way of saying goodbye.

As soon as the car was out of sight she began to walk. There
was
a bus, but it was not here that it stopped for passengers. In any case it would not be along until late afternoon, and it did not go as far as Castel Vittorio. Within half an hour she was in a different landscape – isolated, lonely, and densely green. A
farmer gave her a ride on a cart as far as Dolceacqua. She passed a stucco hotel where people sometimes came up from the coast in August to get away from the heat. It was boarded up like the villas she had left behind. After Dolceacqua she had to walk again. The villages along the valley were just as they’d been a year ago. She had forgotten about them. She did not want to lose the taste of the ices, but all she had kept was the look of them – the pink-orange, the pale green, the white with flecks of vanilla, like pepper. She shifted her cardboard suitcase with its rope strap from hand to hand. It was not heavy but cumbersome; certainly much lighter than one of the twins. Sometimes she stopped and crouched beside it in a position of repose she had also forgotten but now assumed naturally. This was a warm clear June day, with towering clouds that seemed like cream piled on a glass plate. She looked up through invisible glass to a fantastic tower of cream. The palms of the coast had given way to scrub and vineyards, then to oaks and beeches and Spanish chestnut trees in flower. She remembered the two men and their strange conversation; they were already the far past. A closer memory was the schoolhouse, and Dr. Barnes and Mussolini and the King in wooden frames. Mr. Unwin weeping at sunrise had never been vivid. He faded first. His tears died with him. The clergyman blushed like a girl and wished Mr. Unwin would stop talking. Both then were lost behind Dr. Chaffee in his dark suit stumbling up the hill. He lifted his hand. What she retained, for the present, was one smile, one gesture, one man’s calm blessing.

I
n the south of France, in the business room of a hotel quite near to the house where Katherine Mansfield (whom no one in this hotel had ever heard of) was writing “The Daughters of the Late Colonel,” Netta Asher’s father announced that there would never be a man-made catastrophe in Europe again. The dead of that recent war, the doomed nonsense of the Russian Bolsheviks had finally knocked sense into European heads. What people wanted now was to get on with life. When he said “life,” he meant its commercial business.

Who would have contradicted Mr. Asher? Certainly not Netta. She did not understand what he meant quite so well as his French solicitor seemed to, but she did listen with interest
and respect, and then watched him signing papers that, she knew, concerned her for life. He was renewing the long lease her family held on the Hotel Prince Albert and Albion. Netta was then eleven. One hundred years should at least see her through the prime of life, said Mr. Asher, only half jokingly, for of course he thought his seed was immortal.

Netta supposed she might easily live to be more than a hundred – at any rate, for years and years. She knew that her father did not want her to marry until she was twenty-six and that she was then supposed to have a pair of children, the elder a boy. Netta and her father and the French lawyer shook hands on the lease, and she was given her first glass of champagne. The date on the bottle was 1909, for the year of her birth. Netta bravely pronounced the wine delicious, but her father said she would know much better vintages before she was through.

Netta remembered the handshake but perhaps not the terms. When the lease had eighty-eight years to run, she married her first cousin, Jack Ross, which was not at all what her father had had in mind. Nor would there be the useful pair of children – Jack couldn’t abide them. Like Netta he came from a hotelkeeping family where the young were like blight. Netta had up to now never shown a scrap of maternal feeling over anything, but Mr. Asher thought Jack might have made an amiable parent – a kind one, at least. She consoled Mr. Asher on one count, by taking the hotel over in his lifetime. The hotel was, to Netta, a natural life; and so when Mr. Asher, dying, said, “She behaves as I wanted her to,” he was right as far as the drift of Netta’s behavior was concerned but wrong about its course.

The Ashers’ hotel was not down on the seafront, though boats and sea could be had from the south-facing rooms.

Across a road nearly empty of traffic were handsome villas, and behind and to either side stood healthy olive trees and a large lemon grove. The hotel was painted a deep ochre with white trim. It had white awnings and green shutters and black iron balconies as lacquered and shiny as Chinese boxes. It possessed two tennis courts, a lily pond, a sheltered winter garden, a formal rose garden, and trees full of nightingales. In the summer dark,
belles-de-nuit
glowed pink, lemon, white, and after their evening watering they gave off a perfume that varied from plant to plant and seemed to match the petals’ coloration. In May the nights were dense with stars and fireflies. From the rose garden one might have seen the twin pulse of cigarettes on a balcony, where Jack and Netta sat drinking a last brandy-and-soda before turning in. Most of the rooms were shuttered by then, for no traveller would have dreamed of being south except in winter. Jack and Netta and a few servants had the whole place to themselves. Netta would hire workmen and have the rooms that needed it repainted – the blue card-room, and the red-walled bar, and the white dining room, where Victorian mirrors gave back glossy walls and blown curtains and nineteenth-century views of the Ligurian coast, the work of an Asher great-uncle. Everything upstairs and down was soaked and wiped and polished, and even the pictures were relentlessly washed with soft cloths and ordinary laundry soap. Netta also had the boiler overhauled and the linen mended and new monograms embroidered and the looking glasses resilvered and the shutters taken off their hinges and scraped and made spruce green again for next year’s sun to fade, while Jack talked about decorators and expert gardeners and even wrote to some, and banged tennis balls against the large new garage. He also read books and translated poetry for its own sake and
practiced playing the clarinet. He had studied music once, and still thought that an important life, a musical life, was there in the middle distance. One summer, just to see if he could, he translated pages of St. John Perse, which were as blank as the garage wall to Netta, in any tongue.

Netta adored every minute of her life, and she thought Jack had a good life too, with nearly half the year for the pleasures that suited him. As soon as the grounds and rooms and cellar and roof had been put to rights, she and Jack packed and went travelling somewhere. Jack made the plans. He was never so cheerful as when buying Baedekers and dragging out their stickered trunks. But Netta was nothing of a traveller. She would have been glad to see the same sun rising out of the same sea from the window every day until she died. She loved Jack, and what she liked best after him was the hotel. It was a place where, once, people had come to die of tuberculosis, yet it held no trace or feeling of danger. When Netta walked with her workmen through sheeted summer rooms, hearing the cicadas and hearing Jack start, stop, start some deeply alien music (alien even when her memory automatically gave her a composer’s name), she was reminded that here the dead had never been allowed to corrupt the living; the dead had been dressed for an outing and removed as soon as their first muscular stiffness relaxed. Some were wheeled out in chairs, sitting, and some reclined on portable cots, as if merely resting.

That is why there is no bad atmosphere here, she would say to herself. Death has been swept away, discarded. When the shutters are closed on a room, it is for sleep or for love. Netta could think this easily because neither she nor Jack was ever sick. They knew nothing about insomnia, and they made love every day of their lives – they had married in order to be able to.

Spring had been the season for dying in the old days. Invalids who had struggled through the dark comfort of winter took fright as the night receded. They felt without protection. Netta knew about this, and about the difference between darkness and brightness, but neither affected her. She was not afraid of death or of the dead – they were nothing but cold, heavy furniture. She could have tied jaws shut and weighted eyelids with native instinctiveness, as other women were born knowing the temperature for an infant’s milk.

“There are no ghosts,” she could say, entering the room where her mother, then her father had died. “If there were, I would know.”

Netta took it for granted, now she was married, that Jack felt as she did about light, dark, death, and love. They were as alike in some ways (none of them physical) as a couple of twins, spoke much the same language in the same accents, had the same jokes – mostly about other people – and had been together as much as their families would let them for most of their lives. Other men seemed dull to Netta – slower, perhaps, lacking the spoken shorthand she had with Jack. She never mentioned this. For one thing, both of them had the idea that, being English, one must not say too much. Born abroad, they worked hard at an Englishness that was innocently inaccurate, rooted mostly in attitudes. Their families had been innkeepers along this coast for a century, even before Dr. James Henry Bennet had discovered “the Genoese Rivieras.” In one of his guides to the region, a “Mr. Ross” is mentioned as a hotel owner who will accept English bank checks, and there is a “Mr. Asher,” reliable purveyor of English groceries. The most trustworthy shipping agents in 1860 are the Montale brothers, converts to the Anglican Church, possessors of a British
laissez-passer
to Malta and Egypt. These families, by now plaited like hair, were connections of Netta’s and Jack’s and still in business from beyond Marseilles to Genoa. No wonder that other men bored her, and that each thought the other both familiar and unique. But of course they were unalike too. When once someone asked them, “Are you related to Montale, the poet?” Netta answered, “What poet?” and Jack said, “I wish we were.”

There were no poets in the family. Apart from the great-uncle who had painted landscapes, the only person to try anything peculiar had been Jack, with his music. He had been allowed to study, up to a point; his father had been no good with hotels – had been a failure, in fact, bailed out four times by his cousins, and it had been thought, for a time, that Jack Ross might be a dunderhead too. Music might do him; he might not be fit for anything else.

Information of this kind about the meaning of failure had been gleaned by Netta years before, when she first became aware of her little cousin. Jack’s father and mother – the commercial blunderers – had come to the Prince Albert and Albion to ride out a crisis. They were somewhere between undischarged bankruptcy and annihilation, but one was polite: Netta curtsied to her aunt and uncle. Her eyes were on Jack. She could not read yet, though she could sift and classify attitudes. She drew near him, sucking her lower lip, her hands behind her back. For the first time she was conscious of the beauty of another child. He was younger than Netta, imprisoned in a portable-fence arrangement in which he moved tirelessly, crabwise, hanging on a barrier he could easily have climbed. He was as fair as his Irish mother and sunburned a deep brown. His blue gaze was not a baby’s – it was too challenging.
He was naked except for shorts that were large and seemed about to fall down. The sunburn, the undress were because his mother was reckless and rather odd. Netta – whose mother was perfect – wore boots, stockings, a longsleeved frock, and a white sun hat. She heard the adults laugh and say that Jack looked like a prizefighter. She walked around his prison, staring, and the blue-eyed fighter stared back.