Complete Works of Emile Zola (1367 page)

 * The Vatican suburb of Rome, called the
Civitas Leonina
,

   because Leo IV, to protect it from the Saracens and Arabs,

   enclosed it with walls in the ninth century. — Trans.

For a fortnight nothing else was talked of; people discussed the question, allowed their emotion rein, indulged in all sorts of hopes. The girl, for her part, did not enter into the political reasons, but simply listened to her heart, which she could not bestow since it was hers no more. From morn till night, however, she had to encounter her mother’s prayers entreating her not to refuse the fortune, the life which offered. And she was particularly exercised by the counsels of her confessor, good Abbe Pisoni, whose patriotic zeal now burst forth. He weighed upon her with all his faith in the Christian destinies of Italy, and returned heartfelt thanks to Providence for having chosen one of his penitents as the instrument for hastening the reconciliation which would work God’s triumph throughout the world. And her confessor’s influence was certainly one of the decisive factors in shaping Benedetta’s decision, for she was very pious, very devout, especially with regard to a certain Madonna whose image she went to adore every Sunday at the little church on the Piazza Farnese. One circumstance in particular struck her: Abbe Pisoni related that the flame of the lamp before the image in question whitened each time that he himself knelt there to beg the Virgin to incline his penitent to the all-redeeming marriage. And thus superior forces intervened; and she yielded in obedience to her mother, whom the Cardinal and Donna Serafina had at first opposed, but whom they left free to act when the religious question arose.

Benedetta had grown up in such absolute purity and ignorance, knowing nothing of herself, so shut off from existence, that marriage with another than Dario was to her simply the rupture of a long-kept promise of life in common. It was not the violent wrenching of heart and flesh that it would have been in the case of a woman who knew the facts of life. She wept a good deal, and then in a day of self-surrender she married Prada, lacking the strength to continue resisting everybody, and yielding to a union which all Rome had conspired to bring about.

But the clap of thunder came on the very night of the nuptials. Was it that Prada, the Piedmontese, the Italian of the North, the man of conquest, displayed towards his bride the same brutality that he had shown towards the city he had sacked? Or was it that the revelation of married life filled Benedetta with repulsion since nothing in her own heart responded to the passion of this man? On that point she never clearly explained herself; but with violence she shut the door of her room, locked it and bolted it, and refused to admit her husband. For a month Prada was maddened by her scorn. He felt outraged; both his pride and his passion bled; and he swore to master her, even as one masters a colt, with the whip. But all his virile fury was impotent against the indomitable determination which had sprung up one evening behind Benedetta’s small and lovely brow. The spirit of the Boccaneras had awoke within her; nothing in the world, not even the fear of death, would have induced her to become her husband’s wife.* And then, love being at last revealed to her, there came a return of her heart to Dario, a conviction that she must reserve herself for him alone, since it was to him that she had promised herself.

 * Many readers will doubtless remember that the situation as

   here described is somewhat akin to that of the earlier part

   of M. George Ohnet’s
Ironmaster
, which, in its form as a

   novel, I translated into English many years ago. However,

   all resemblance between
Rome
and the
Ironmaster
is confined

   to this one point. — Trans.

Ever since that marriage, which he had borne like a bereavement, the young man had been travelling in France. She did not hide the truth from him, but wrote to him, again vowing that she would never be another’s. And meantime her piety increased, her resolve to reserve herself for the lover she had chosen mingled in her mind with constancy of religious faith. The ardent heart of a great
amorosa
had ignited within her, she was ready for martyrdom for faith’s sake. And when her despairing mother with clasped hands entreated her to resign herself to her conjugal duties, she replied that she owed no duties, since she had known nothing when she married. Moreover, the times were changing; the attempts to reconcile the Quirinal and the Vatican had failed, so completely, indeed, that the newspapers of the rival parties had, with renewed violence, resumed their campaign of mutual insult and outrage; and thus that triumphal marriage, to which every one had contributed as to a pledge of peace, crumbled amid the general smash-up, became but a ruin the more added to so many others.

Ernesta died of it. She had made a mistake. Her spoilt life — the life of a joyless wife — had culminated in this supreme maternal error. And the worst was that she alone had to bear all the responsibility of the disaster, for both her brother, the Cardinal, and her sister, Donna Serafina, overwhelmed her with reproaches. For consolation she had but the despair of Abbe Pisoni, whose patriotic hopes had been destroyed, and who was consumed with grief at having contributed to such a catastrophe. And one morning Ernesta was found, icy white and cold, in her bed. Folks talked of the rupture of a blood-vessel, but grief had been sufficient, for she had suffered frightfully, secretly, without a plaint, as indeed she had suffered all her life long.

At this time Benedetta had been married about a twelvemonth: still strong in her resistance to her husband, but remaining under the conjugal roof in order to spare her mother the terrible blow of a public scandal. However, her aunt Serafina had brought influence to bear on her, by opening to her the hope of a possible nullification of her marriage, should she throw herself at the feet of the Holy Father and entreat his intervention. And Serafina ended by persuading her of this, when, deferring to certain advice, she removed her from the spiritual control of Abbe Pisoni, and gave her the same confessor as herself. This was a Jesuit father named Lorenza, a man scarce five and thirty, with bright eyes, grave and amiable manners, and great persuasive powers. However, it was only on the morrow of her mother’s death that Benedetta made up her mind, and returned to the Palazzo Boccanera, to occupy the apartments where she had been born, and where her mother had just passed away.

Immediately afterwards proceedings for annulling the marriage were instituted, in the first instance, for inquiry, before the Cardinal Vicar charged with the diocese of Rome. It was related that the Contessina had only taken this step after a secret audience with his Holiness, who had shown her the most encouraging sympathy. Count Prada at first spoke of applying to the law courts to compel his wife to return to the conjugal domicile; but, yielding to the entreaties of his old father Orlando, whom the affair greatly grieved, he eventually consented to accept the ecclesiastical jurisdiction. He was infuriated, however, to find that the nullification of the marriage was solicited on the ground of its non-consummation through
impotentia mariti
; this being one of the most valid and decisive pleas on which the Church of Rome consents to part those whom she has joined. And far more unhappy marriages than might be imagined are severed on these grounds, though the world only gives attention to those cases in which people of title or renown are concerned, as it did, for instance, with the famous Martinez Campos suit.

In Benedetta’s case, her counsel, Consistorial-Advocate Morano, one of the leading authorities of the Roman bar, simply neglected to mention, in his memoir, that if she was still merely a wife in name, this was entirely due to herself. In addition to the evidence of friends and servants, showing on what terms the husband and wife had lived since their marriage, the advocate produced a certificate of a medical character, showing that the non-consummation of the union was certain. And the Cardinal Vicar, acting as Bishop of Rome, had thereupon remitted the case to the Congregation of the Council. This was a first success for Benedetta, and matters remained in this position. She was waiting for the Congregation to deliver its final pronouncement, hoping that the ecclesiastical dissolution of the marriage would prove an irresistible argument in favour of the divorce which she meant to solicit of the civil courts. And meantime, in the icy rooms where her mother Ernesta, submissive and desolate, had lately died, the Contessina resumed her girlish life, showing herself calm, yet very firm in her passion, having vowed that she would belong to none but Dario, and that she would not belong to him until the day when a priest should have joined them together in God’s holy name.

As it happened, some six months previously, Dario also had taken up his abode at the Boccanera palace in consequence of the death of his father and the catastrophe which had ruined him. Prince Onofrio, after adopting Prada’s advice and selling the Villa Montefiori to a financial company for ten million
lire
,* had, instead of prudently keeping his money in his pockets, succumbed to the fever of speculation which was consuming Rome. He began to gamble, buying back his own land, and ending by losing everything in the formidable
krach
which was swallowing up the wealth of the entire city. Totally ruined, somewhat deeply in debt even, the Prince nevertheless continued to promenade the Corso, like the handsome, smiling, popular man he was, when he accidentally met his death through falling from his horse; and four months later his widow, the ever beautiful Flavia — who had managed to save a modern villa and a personal income of forty thousand
lire
* from the disaster — was remarried to a man of magnificent presence, her junior by some ten years. This was a Swiss named Jules Laporte, originally a sergeant in the Papal Swiss Guard, then a traveller for a shady business in “relics,” and finally Marchese Montefiore, having secured that title in securing his wife, thanks to a special brief of the Holy Father. Thus the Princess Boccanera had again become the Marchioness Montefiori.

 * 400,000 pounds.

 ** 1,800 pounds.

It was then that Cardinal Boccanera, feeling greatly hurt, insisted on his nephew Dario coming to live with him, in a small apartment on the first floor of the palazzo. In the heart of that holy man, who seemed dead to the world, there still lingered pride of name and lineage, with a feeling of affection for his young, slightly built nephew, the last of the race, the only one by whom the old stock might blossom anew. Moreover, he was not opposed to Dario’s marriage with Benedetta, whom he also loved with a paternal affection; and so proud was he of the family honour, and so convinced of the young people’s pious rectitude that, in taking them to live with him, he absolutely scorned the abominable rumours which Count Prada’s friends in the white world had begun to circulate ever since the two cousins had resided under the same roof. Donna Serafina guarded Benedetta, as he, the Cardinal, guarded Dario, and in the silence and the gloom of the vast deserted mansion, ensanguined of olden time by so many tragic deeds of violence, there now only remained these four with their restrained, stilled passions, last survivors of a crumbling world upon the threshold of a new one.

When Abbe Pierre Froment all at once awoke from sleep, his head heavy with painful dreams, he was worried to find that the daylight was already waning. His watch, which he hastened to consult, pointed to six o’clock. Intending to rest for an hour at the utmost, he had slept on for nearly seven hours, overcome beyond power of resistance. And even on awaking he remained on the bed, helpless, as though he were conquered before he had fought. Why, he wondered, did he experience this prostration, this unreasonable discouragement, this quiver of doubt which had come he knew not whence during his sleep, and which was annihilating his youthful enthusiasm of the morning? Had the Boccaneras any connection with this sudden weakening of his powers? He had espied dim disquieting figures in the black night of his dreams; and the anguish which they had brought him continued, and he again evoked them, scared as he was at thus awaking in a strange room, full of uneasiness in presence of the unknown. Things no longer seemed natural to him. He could not understand why Benedetta should have written to Viscount Philibert de la Choue to tell him that his, Pierre’s, book had been denounced to the Congregation of the Index. What interest too could she have had in his coming to Rome to defend himself; and with what object had she carried her amiability so far as to desire that he should take up his quarters in the mansion? Pierre’s stupefaction indeed arose from his being there, on that bed in that strange room, in that palace whose deep, death-like silence encompassed him. As he lay there, his limbs still overpowered and his brain seemingly empty, a flash of light suddenly came to him, and he realised that there must be certain circumstances that he knew nothing of that, simple though things appeared, they must really hide some complicated intrigue. However, it was only a fugitive gleam of enlightenment; his suspicions faded; and he rose up shaking himself and accusing the gloomy twilight of being the sole cause of the shivering and the despondency of which he felt ashamed.

In order to bestir himself, Pierre began to examine the two rooms. They were furnished simply, almost meagrely, in mahogany, there being scarcely any two articles alike, though all dated from the beginning of the century. Neither the bed nor the windows nor the doors had any hangings. On the floor of bare tiles, coloured red and polished, there were merely some little foot-mats in front of the various seats. And at sight of this middle-class bareness and coldness Pierre ended by remembering a room where he had slept in childhood — a room at Versailles, at the abode of his grandmother, who had kept a little grocer’s shop there in the days of Louis Philippe. However, he became interested in an old painting which hung in the bed-room, on the wall facing the bed, amidst some childish and valueless engravings. But partially discernible in the waning light, this painting represented a woman seated on some projecting stone-work, on the threshold of a great stern building, whence she seemed to have been driven forth. The folding doors of bronze had for ever closed behind her, yet she remained there in a mere drapery of white linen; whilst scattered articles of clothing, thrown forth chance-wise with a violent hand, lay upon the massive granite steps. Her feet were bare, her arms were bare, and her hands, distorted by bitter agony, were pressed to her face — a face which one saw not, veiled as it was by the tawny gold of her rippling, streaming hair. What nameless grief, what fearful shame, what hateful abandonment was thus being hidden by that rejected one, that lingering victim of love, of whose unknown story one might for ever dream with tortured heart? It could be divined that she was adorably young and beautiful in her wretchedness, in the shred of linen draped about her shoulders; but a mystery enveloped everything else — her passion, possibly her misfortune, perhaps even her transgression — unless, indeed, she were there merely as a symbol of all that shivers and that weeps visageless before the ever closed portals of the unknown. For a long time Pierre looked at her, and so intently that he at last imagined he could distinguish her profile, divine in its purity and expression of suffering. But this was only an illusion; the painting had greatly suffered, blackened by time and neglect; and he asked himself whose work it might be that it should move him so intensely. On the adjoining wall a picture of a Madonna, a bad copy of an eighteenth-century painting, irritated him by the banality of its smile.