Complete Works of Emile Zola (1364 page)

BOOK: Complete Works of Emile Zola
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But what a strange affair was this new incursion of the papacy into the field sown by the French Revolution, an incursion conducting it perhaps towards the domination, which it has striven for with a will that has upheld it for centuries! For now it stands alone before the people. The kings are down. And as the people is henceforth free to give itself to whomsoever it pleases, why should it not give itself to the Church? The depreciation which the idea of liberty has certainly undergone renders every hope permissible. The liberal party appears to be vanquished in the sphere of economics. The toilers, dissatisfied with 1789 complain of the aggravation of their misery, bestir themselves, seek happiness despairingly. On the other hand the new
regimes
have increased the international power of the Church; Catholic members are numerous in the parliaments of the republics and the constitutional monarchies. All circumstances seem therefore to favour this extraordinary return of fortune, Catholicism reverting to the vigour of youth in its old age. Even science, remember, is accused of bankruptcy, a charge which saves the
Syllabus
from ridicule, troubles the minds of men, and throws the limitless sphere of mystery and impossibility open once more. And then a prophecy is recalled, a prediction that the papacy shall be mistress of the world on the day when she marches at the head of the democracy after reuniting the Schismatical Churches of the East to the Catholic, Apostolic, and Roman Church. And, in Pierre’s opinion, assuredly the times had come since Pope Leo XIII, dismissing the great and the wealthy of the world, left the kings driven from their thrones in exile to place himself like Jesus on the side of the foodless toilers and the beggars of the high roads. Yet a few more years, perhaps, of frightful misery, alarming confusion, fearful social danger, and the people, the great silent multitude which others have so far disposed of, will return to the cradle, to the unified Church of Rome, in order to escape the destruction which threatens human society.

Pierre concluded his book with a passionate evocation of New Rome, the spiritual Rome which would soon reign over the nations, reconciled and fraternising as in another golden age. Herein he even saw the end of superstitions. Without making a direct attack on dogma, he allowed himself to dream of an enlargement of religious feeling, freed from rites, and absorbed in the one satisfaction of human charity. And still smarting from his journey to Lourdes, he felt the need of contenting his heart. Was not that gross superstition of Lourdes the hateful symptom of the excessive suffering of the times? On the day when the Gospel should be universally diffused and practised, suffering ones would cease seeking an illusory relief so far away, assured as they would be of finding assistance, consolation, and cure in their homes amidst their brothers. At Lourdes there was an iniquitous displacement of wealth, a spectacle so frightful as to make one doubt of God, a perpetual conflict which would disappear in the truly Christian society of to-morrow. Ah! that society, that Christian community, all Pierre’s work ended in an ardent longing for its speedy advent: Christianity becoming once more the religion of truth and justice which it had been before it allowed itself to be conquered by the rich and the powerful! The little ones and the poor ones reigning, sharing the wealth of earth, and owing obedience to nought but the levelling law of work! The Pope alone erect at the head of the federation of nations, prince of peace, with the simple mission of supplying the moral rule, the link of charity and love which was to unite all men! And would not this be the speedy realisation of the promises of Christ? The times were near accomplishment, secular and religious society would mingle so closely that they would form but one; and it would be the age of triumph and happiness predicted by all the prophets, no more struggles possible, no more antagonism between the mind and the body, but a marvellous equilibrium which would kill evil and set the kingdom of heaven upon earth. New Rome, the centre of the world, bestowing on the world the new religion!

Pierre felt that tears were coming to his eyes, and with an unconscious movement, never noticing how much he astonished the slim Englishmen and thick-set Germans passing along the terrace, he opened his arms and extended them towards the
real
Rome, steeped in such lovely sunshine and stretched out at his feet. Would she prove responsive to his dream? Would he, as he had written, find within her the remedy for our impatience and our alarms? Could Catholicism be renewed, could it return to the spirit of primitive Christianity, become the religion of the democracy, the faith which the modern world, overturned and in danger of perishing, awaits in order to be pacified and to live?

Pierre was full of generous passion, full of faith. He again beheld good Abbe Rose weeping with emotion as he read his book. He heard Viscount Philibert de la Choue telling him that such a book was worth an army. And he particularly felt strong in the approval of Cardinal Bergerot, that apostle of inexhaustible charity. Why should the Congregation of the Index threaten his work with interdiction? Since he had been officiously advised to go to Rome if he desired to defend himself, he had been turning this question over in his mind without being able to discover which of his pages were attacked. To him indeed they all seemed to glow with the purest Christianity. However, he had arrived quivering with enthusiasm and courage: he was all eagerness to kneel before the Pope, and place himself under his august protection, assuring him that he had not written a line without taking inspiration from his ideas, without desiring the triumph of his policy. Was it possible that condemnation should be passed on a book in which he imagined in all sincerity that he had exalted Leo XIII by striving to help him in his work of Christian reunion and universal peace?

For a moment longer Pierre remained standing before the parapet. He had been there for nearly an hour, unable to drink in enough of the grandeur of Rome, which, given all the unknown things she hid from him, he would have liked to possess at once. Oh! to seize hold of her, know her, ascertain at once the true word which he had come to seek from her! This again, like Lourdes, was an experiment, but a graver one, a decisive one, whence he would emerge either strengthened or overcome for evermore. He no longer sought the simple, perfect faith of the little child, but the superior faith of the intellectual man, raising himself above rites and symbols, working for the greatest happiness of humanity as based on its need of certainty. His temples throbbed responsive to his heart. What would be the answer of Rome?

The sunlight had increased and the higher districts now stood out more vigorously against the fiery background. Far away the hills became gilded and empurpled, whilst the nearer house-fronts grew very distinct and bright with their thousands of windows sharply outlined. However, some morning haze still hovered around; light veils seemed to rise from the lower streets, blurring the summits for a moment, and then evaporating in the ardent heavens where all was blue. For a moment Pierre fancied that the Palatine had vanished, for he could scarcely see the dark fringe of cypresses; it was as though the dust of its ruins concealed the hill. But the Quirinal was even more obscured; the royal palace seemed to have faded away in a fog, so paltry did it look with its low flat front, so vague in the distance that he no longer distinguished it; whereas above the trees on his left the dome of St. Peter’s had grown yet larger in the limpid gold of the sunshine, and appeared to occupy the whole sky and dominate the whole city!

Ah! the Rome of that first meeting, the Rome of early morning, whose new districts he had not even noticed in the burning fever of his arrival — with what boundless hopes did she not inspirit him, this Rome which he believed he should find alive, such indeed as he had dreamed! And whilst he stood there in his thin black cassock, thus gazing on her that lovely day, what a shout of coming redemption seemed to arise from her house-roofs, what a promise of universal peace seemed to issue from that sacred soil, twice already Queen of the world! It was the third Rome, it was New Rome whose maternal love was travelling across the frontiers to all the nations to console them and reunite them in a common embrace. In the passionate candour of his dream he beheld her, he heard her, rejuvenated, full of the gentleness of childhood, soaring, as it were, amidst the morning freshness into the vast pure heavens.

But at last Pierre tore himself away from the sublime spectacle. The driver and the horse, their heads drooping under the broad sunlight, had not stirred. On the seat the valise was almost burning, hot with rays of the sun which was already heavy. And once more Pierre got into the vehicle and gave this address:

“Via Giulia, Palazzo Boccanera.”

II.

THE Via Giulia, which runs in a straight line over a distance of five hundred yards from the Farnese palace to the church of St. John of the Florentines, was at that hour steeped in bright sunlight, the glow streaming from end to end and whitening the small square paving stones. The street had no footways, and the cab rolled along it almost to the farther extremity, passing the old grey sleepy and deserted residences whose large windows were barred with iron, while their deep porches revealed sombre courts resembling wells. Laid out by Pope Julius II, who had dreamt of lining it with magnificent palaces, the street, then the most regular and handsome in Rome, had served as Corso* in the sixteenth century. One could tell that one was in a former luxurious district, which had lapsed into silence, solitude, and abandonment, instinct with a kind of religious gentleness and discretion. The old house-fronts followed one after another, their shutters closed and their gratings occasionally decked with climbing plants. At some doors cats were seated, and dim shops, appropriated to humble trades, were installed in certain dependencies. But little traffic was apparent. Pierre only noticed some bare-headed women dragging children behind them, a hay cart drawn by a mule, a superb monk draped in drugget, and a bicyclist speeding along noiselessly, his machine sparkling in the sun.

 * The Corso was so called on account of the horse races held in

   it at carnival time. — Trans.

At last the driver turned and pointed to a large square building at the corner of a lane running towards the Tiber.

“Palazzo Boccanera.”

Pierre raised his head and was pained by the severe aspect of the structure, so bare and massive and blackened by age. Like its neighbours the Farnese and Sacchetti palaces, it had been built by Antonio da Sangallo in the early part of the sixteenth century, and, as with the former of those residences, the tradition ran that in raising the pile the architect had made use of stones pilfered from the Colosseum and the Theatre of Marcellus. The vast, square-looking facade had three upper stories, each with seven windows, and the first one very lofty and noble. Down below, the only sign of decoration was that the high ground-floor windows, barred with huge projecting gratings as though from fear of siege, rested upon large consoles, and were crowned by attics which smaller consoles supported. Above the monumental entrance, with folding doors of bronze, there was a balcony in front of the central first-floor window. And at the summit of the facade against the sky appeared a sumptuous entablature, whose frieze displayed admirable grace and purity of ornamentation. The frieze, the consoles, the attics, and the door-case were of white marble, but marble whose surface had so crumbled and so darkened that it now had the rough yellowish grain of stone. Right and left of the entrance were two antique seats upheld by griffons also of marble; and incrusted in the wall at one corner, a lovely Renascence fountain, its source dried up, still lingered; and on it a cupid riding a dolphin could with difficulty be distinguished, to such a degree had the wear and tear of time eaten into the sculpture.

Pierre’s eyes, however, had been more particularly attracted by an escutcheon carved above one of the ground-floor windows, the escutcheon of the Boccaneras, a winged dragon venting flames, and underneath it he could plainly read the motto which had remained intact: “
Bocca nera, Alma rossa
” (black mouth, red soul). Above another window, as a pendant to the escutcheon, there was one of those little shrines which are still common in Rome, a satin-robed statuette of the Blessed Virgin, before which a lantern burnt in the full daylight.

The cabman was about to drive through the dim and gaping porch, according to custom, when the young priest, overcome by timidity, stopped him. “No, no,” he said; “don’t go in, it’s useless.”

Then he alighted from the vehicle, paid the man, and, valise in hand, found himself first under the vaulted roof, and then in the central court without having met a living soul.

It was a square and fairly spacious court, surrounded by a porticus like a cloister. Some remnants of statuary, marbles discovered in excavating, an armless Apollo, and the trunk of a Venus, were ranged against the walls under the dismal arcades; and some fine grass had sprouted between the pebbles which paved the soil as with a black and white mosaic. It seemed as if the sun-rays could never reach that paving, mouldy with damp. A dimness and a silence instinct with departed grandeur and infinite mournfulness reigned there.

Surprised by the emptiness of this silent mansion, Pierre continued seeking somebody, a porter, a servant; and, fancying that he saw a shadow flit by, he decided to pass through another arch which led to a little garden fringing the Tiber. On this side the facade of the building was quite plain, displaying nothing beyond its three rows of symmetrically disposed windows. However, the abandonment reigning in the garden brought Pierre yet a keener pang. In the centre some large box-plants were growing in the basin of a fountain which had been filled up; while among the mass of weeds, some orange-trees with golden, ripening fruit alone indicated the tracery of the paths which they had once bordered. Between two huge laurel-bushes, against the right-hand wall, there was a sarcophagus of the second century — with fauns offering violence to nymphs, one of those wild
baccanali
, those scenes of eager passion which Rome in its decline was wont to depict on the tombs of its dead; and this marble sarcophagus, crumbling with age and green with moisture, served as a tank into which a streamlet of water fell from a large tragic mask incrusted in the wall. Facing the Tiber there had formerly been a sort of colonnaded loggia, a terrace whence a double flight of steps descended to the river. For the construction of the new quays, however, the river bank was being raised, and the terrace was already lower than the new ground level, and stood there crumbling and useless amidst piles of rubbish and blocks of stone, all the wretched chalky confusion of the improvements which were ripping up and overturning the district.

BOOK: Complete Works of Emile Zola
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