Complete Works of Emile Zola (1263 page)

BOOK: Complete Works of Emile Zola
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When Charles had been brought to her the keeper had immediately installed him before the little table, in front of his great-great-grandmother. The girl kept a package of pictures for him — soldiers, captains, kings clad in purple and gold, and she gave them to him with a pair of scissors, saying:

“There, amuse yourself quietly, and behave well. You see that to-day grandmother is very good. You must be good, too.”

The boy raised his eyes to the madwoman’s face, and both looked at each other. At this moment the resemblance between them was extraordinary. Their eyes, especially, their vacant and limpid eyes, seemed to lose themselves in one another, to be identical. Then it was the physiognomy, the whole face, the worn features of the centenarian, that passed over three generations to this delicate child’s face, it, too, worn already, as it were, and aged by the wear of the race. Neither smiled, they regarded each other intently, with an air of grave imbecility.

“Well!” continued the keeper, who had acquired the habit of talking to herself to cheer herself when with her mad charge, “you cannot deny each other. The same hand made you both. You are the very spit-down of each other. Come, laugh a bit, amuse yourselves, since you like to be together.”

But to fix his attention for any length of time fatigued Charles, and he was the first to lower his eyes; he seemed to be interested in his pictures, while Aunt Dide, who had an astonishing power of fixing her attention, as if she had been turned into stone, continued to look at him fixedly, without even winking an eyelid.

The keeper busied herself for a few moments in the little sunny room, made gay by its light, blue-flowered paper. She made the bed which she had been airing, she arranged the linen on the shelves of the press. But she generally profited by the presence of the boy to take a little relaxation. She had orders never to leave her charge alone, and now that he was here she ventured to trust her with him.

“Listen to me well,” she went on, “I have to go out for a little, and if she stirs, if she should need me, ring for me, call me at once; do you hear? You understand, you are a big enough boy to be able to call one.”

He had looked up again, and made a sign that he had understood and that he would call her. And when he found himself alone with Aunt Dide he returned to his pictures quietly. This lasted for a quarter of an hour amid the profound silence of the asylum, broken only at intervals by some prison sound — a stealthy step, the jingling of a bunch of keys, and occasionally a loud cry, immediately silenced. But the boy must have been tired by the excessive heat of the day, for sleep gradually stole over him. Soon his head, fair as a lily, drooped, and as if weighed down by the too heavy casque of his royal locks, he let it sink gently on the pictures and fell asleep, with his cheek resting on the gold and purple kings. The lashes of his closed eyelids cast a shadow on his delicate skin, with its small blue veins, through which life pulsed feebly. He was beautiful as an angel, but with the indefinable corruption of a whole race spread over his countenance. And Aunt Dide looked at him with her vacant stare in which there was neither pleasure nor pain, the stare of eternity contemplating things earthly.

At the end of a few moments, however, an expression of interest seemed to dawn in the clear eyes. Something had just happened, a drop of blood was forming on the edge of the left nostril of the boy. This drop fell and another formed and followed it. It was the blood, the dew of blood, exuding this time, without a scratch, without a bruise, which issued and flowed of itself in the laxity of the degenerate tissues. The drops became a slender thread which flowed over the gold of the pictures. A little pool covered them, and made its way to a corner of the table; then the drops began again, splashing dully one by one upon the floor. And he still slept, with the divinely calm look of a cherub, not even conscious of the life that was escaping from him; and the madwoman continued to look at him, with an air of increasing interest, but without terror, amused, rather, her attention engaged by this, as by the flight of the big flies, which her gaze often followed for hours.

Several minutes more passed, the slender thread had grown larger, the drops followed one another more rapidly, falling on the floor with a monotonous and persistent drip. And Charles, at one moment, stirred, opened his eyes, and perceived that he was covered with blood. But he was not frightened; he was accustomed to this bloody spring, which issued from him at the slightest cause. He merely gave a sigh of weariness. Instinct, however, must have warned him, for he moaned more loudly than before, and called confusedly in stammering accents:

“Mamma! mamma!”

His weakness was no doubt already excessive, for an irresistible stupor once more took possession of him, his head dropped, his eyes closed, and he seemed to fall asleep again, continuing his plaint, as if in a dream, moaning in fainter and fainter accents:

“Mamma! mamma!”

Now the pictures were inundated; the black velvet jacket and trousers, braided with gold, were stained with long streaks of blood, and the little red stream began again to flow persistently from his left nostril, without stopping, crossed the red pool on the table and fell upon the ground, where it at last formed a veritable lake. A loud cry from the madwoman, a terrified call would have sufficed. But she did not cry, she did not call; motionless, rigid, emaciated, sitting there forgotten of the world, she gazed with the fixed look of the ancestress who sees the destinies of her race being accomplished. She sat there as if dried up, bound; her limbs and her tongue tied by her hundred years, her brain ossified by madness, incapable of willing or of acting. And yet the sight of the little red stream began to stir some feeling in her. A tremor passed over her deathlike countenance, a flush mounted to her cheeks. Finally, a last plaint roused her completely:

“Mamma! mamma!”

Then it was evident that a terrible struggle was taking place in Aunt Dide. She carried her skeleton-like hand to her forehead as if she felt her brain bursting. Her mouth was wide open, but no sound issued from it; the dreadful tumult that had arisen within her had no doubt paralyzed her tongue. She tried to rise, to run, but she had no longer any muscles; she remained fastened to her seat. All her poor body trembled in the superhuman effort which she was making to cry for help, without being able to break the bonds of old age and madness which held her prisoner. Her face was distorted with terror; memory gradually awakening, she must have comprehended everything.

And it was a slow and gentle agony, of which the spectacle lasted for several minutes more. Charles, silent now, as if he had again fallen asleep, was losing the last drops of blood that had remained in his veins, which were emptying themselves softly. His lily-like whiteness increased until it became a deathlike pallor. His lips lost their rosy color, became a pale pink, then white. And, as he was about to expire, he opened his large eyes and fixed them on his great-great-grandmother, who watched the light dying in them. All the waxen face was already dead, the eyes only were still living. They still kept their limpidity, their brightness. All at once they became vacant, the light in them was extinguished. This was the end — the death of the eyes, and Charles had died, without a struggle, exhausted, like a fountain from which all the water has run out. Life no longer pulsed through the veins of his delicate skin, there was now only the shadow of its wings on his white face. But he remained divinely beautiful, his face lying in blood, surrounded by his royal blond locks, like one of those little bloodless dauphins who, unable to bear the execrable heritage of their race, die of decrepitude and imbecility at sixteen.

The boy exhaled his latest breath as Dr. Pascal entered the room, followed by Felicite and Clotilde. And when he saw the quantity of blood that inundated the floor, he cried:

“Ah, my God! it is as I feared, a hemorrhage from the nose! The poor darling, no one was with him, and it is all over!”

But all three were struck with terror at the extraordinary spectacle that now met their gaze. Aunt Dide, who seemed to have grown taller, in the superhuman effort she was making, had almost succeeded in raising herself up, and her eyes, fixed on the dead boy, so fair and so gentle, and on the red sea of blood, beginning to congeal, that was lying around him, kindled with a thought, after a long sleep of twenty-two years. This final lesion of madness, this irremediable darkness of the mind, was evidently not so complete but that some memory of the past, lying hidden there, might awaken suddenly under the terrible blow which had struck her. And the ancestress, the forgotten one, lived again, emerged from her oblivion, rigid and wasted, like a specter of terror and grief.

For an instant she remained panting. Then with a shudder, which made her teeth chatter, she stammered a single phrase:

“The
gendarme
! the
gendarme
!”

Pascal and Felicite and Clotilde understood. They looked at one another involuntarily, turning very pale. The whole dreadful history of the old mother — of the mother of them all — rose before them, the ardent love of her youth, the long suffering of her mature age. Already two moral shocks had shaken her terribly — the first, when she was in her ardent prime, when a
gendarme
shot down her lover Macquart, the smuggler, like a dog; the second, years ago, when another
gendarme
shattered with a pistol shot the skull of her grandson Silvere, the insurgent, the victim of the hatred and the sanguinary strife of the family. Blood had always bespattered her. And a third moral shock finished her; blood bespattered her again, the impoverished blood of her race, which she had just beheld flowing slowly, and which lay upon the ground, while the fair royal child, his veins and his heart empty, slept.

Three times — face to face with her past life, her life red with passion and suffering, haunted by the image of expiation — she stammered:

“The
gendarme
! the
gendarme
! the
gendarme
!”

Then she sank back into her armchair. They thought she was dead, killed by the shock.

But the keeper at this moment at last appeared, endeavoring to excuse herself, fearing that she would be dismissed. When, aided by her, Dr. Pascal had placed Aunt Dide on the bed, he found that the old mother was still alive. She was not to die until the following day, at the age of one hundred and five years, three months, and seven days, of congestion of the brain, caused by the last shock she had received.

Pascal, turning to his mother, said:

“She will not live twenty-four hours; to-morrow she will be dead. Ah! Uncle Macquart, then she, and this poor boy, one after another. How much misery and grief!”

He paused and added in a lower tone:

“The family is thinning out; the old trees fall and the young die standing.”

Felicite must have thought this another allusion. She was sincerely shocked by the tragic death of little Charles. But, notwithstanding, above the horror which she felt there arose a sense of immense relief. Next week, when they should have ceased to weep, what a rest to be able to say to herself that all this abomination of the Tulettes was at an end, that the family might at last rise, and shine in history!

Then she remembered that she had not answered the involuntary accusation made against her by her son at the notary’s; and she spoke again of Macquart, through bravado:

“You see now that servants are of no use. There was one here, and yet she prevented nothing; it would have been useless for Uncle Macquart to have had one to take care of him; he would be in ashes now, all the same.”

She sighed, and then continued in a broken voice:

“Well, well, neither our own fate nor that of others is in our hands; things happen as they will. These are great blows that have fallen upon us. We must only trust to God for the preservation and the prosperity of our family.”

Dr. Pascal bowed with his habitual air of deference and said:

“You are right, mother.”

Clotilde knelt down. Her former fervent Catholic faith had revived in this chamber of blood, of madness, and of death. Tears streamed down her cheeks, and with clasped hands she was praying fervently for the dear ones who were no more. She prayed that God would grant that their sufferings might indeed be ended, their faults pardoned, and that they might live again in another life, a life of unending happiness. And she prayed with the utmost fervor, in her terror of a hell, which after this miserable life would make suffering eternal.

From this day Pascal and Clotilde went to visit their sick side by side, filled with greater pity than ever. Perhaps, with Pascal, the feeling of his powerlessness against inevitable disease was even stronger than before. The only wisdom was to let nature take its course, to eliminate dangerous elements, and to labor only in the supreme work of giving health and strength. But the suffering and the death of those who are dear to us awaken in us a hatred of disease, an irresistible desire to combat and to vanquish it. And the doctor never tasted so great a joy as when he succeeded, with his hypodermic injections, in soothing a paroxysm of pain, in seeing the groaning patient grow tranquil and fall asleep. Clotilde, in return, adored him, proud of their love, as if it were a consolation which they carried, like the viaticum, to the poor.

X.

Martine one morning obtained from Dr. Pascal, as she did every three months, his receipt for fifteen hundred francs, to take it to the notary Grandguillot, to get from him what she called their “income.” The doctor seemed surprised that the payment should have fallen due again so soon; he had never been so indifferent as he was now about money matters, leaving to Martine the care of settling everything. And he and Clotilde were under the plane trees, absorbed in the joy that filled their life, lulled by the ceaseless song of the fountain, when the servant returned with a frightened face, and in a state of extraordinary agitation. She was so breathless with excitement that for a moment she could not speak.

BOOK: Complete Works of Emile Zola
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