Authors: Edward Hirsch
that hurries pedestrians home
and follows a fading breath of ashes
out of the faded commuter stations.
Slowly the bridges open their arms
over the river and the cars
fan out in the mist like a peacock’s
feathers, or a deck of luminous cards
dealt into shadows. This is the hour
when the tugs slide into their cells
and the gates snap shut behind them, when
prisoners stare at their blank ceilings
and windows are bolted in factories.
Some of us remember the moon:
it is a tarnished silver ball worn
into our memories, a faint smudge
of light rubbed into the heavy fog.
In this city even the ginkgoes
turn up their collars in self-protection
while the buildings stiffen like hills
against the wind. And as we hurry home
in the cold, in our separate
bodies, it takes all our faith to believe
these black drapes, this curtain of ash
will ever rise again in the morning.
It’s that vague feeling of panic
That sweeps over you
Stepping out of the #7 train
At dusk, thinking,
This isn’t me
Crossing a platform with the other
Commuters in the worried half-light
Of evening,
that must be
Someone else
with a newspaper
Rolled tightly under his arm
Crossing the stiff, iron tracks
Behind the train, thinking,
This
Can’t be me
stepping over the tracks
With the other commuters, slowly crossing
The parking lot at the deepest
Moment of the day, wishing
That I were someone else, wishing
I were anyone else but a man
Looking out at himself as if
From a great distance,
Turning the key in his car, starting
His car and swinging it out of the lot,
Watching himself grinding uphill
In a slow fog, climbing past the other
Cars parked on the side of the road,
The cars which seem ominously empty
And strange,
and suddenly thinking
With a new wave of nausea
This isn’t me
sitting in this car
Feeling as if I were about to drown
In the blue air,
that must be
Someone else
driving home to his
Wife and children on an ordinary day
Which ends, like other days,
With a man buckled into a steel box,
Steering himself home and trying
Not to panic
In the last moments of nightfall
When the trees and the red-brick houses
Seem to float under green water
And the streets fill up with sea lights.
The dead heat rises for weeks,
Unwanted, unasked for, but suddenly,
Like the answer to a question,
A real summer shower breaks loose
In the middle of August. So think
Of trumpets and cymbals, a young girl
In a sparkling tinsel suit leading
A parade down Fifth Avenue, all
The high school drummers in the city
Banging away at once. Think of
Bottles shattering against a warehouse,
Or a bowl of apricots spilling
From a tenth-floor window: the bright
Rat-a-tat-tat on the hot pavement,
The squeal of adults scurrying
For cover like happy children.
Down the bar, someone says it’s like
The night she fell asleep standing
In the bathroom of a dank tavern
And woke up shivering in an orchard
Of lemon trees at dawn, surprised
By the sudden omnipotence of yellows.
Someone else says it’s like spinning
A huge wheel and winning at roulette,
Or drawing four aces and thinking:
“It’s true, it’s finally happening.”
Look, I’m not saying that the pretty
Girl in the fairy tale really does
Let down her golden hair for all
The poor kids in the neighborhood—
Though maybe she does. But still
I am saying that a simple cloud
Bursts over the city in mid-August
And suddenly, in your lifetime,
Everyone believes in his own luck.
In the middle of the middle of the night
it is a dull tom-tom
thudding in your chest, a ghostly drumroll
of voices keening in the dark, words
vibrant with echoes, keeping you awake.
The body next to yours is already asleep.
Already you’ve lost it
to invisible caves, the slight stirring
of leaves in a wet field, the crescent
of another man’s face flaming in the trees.
Outside, the snow falls into yesterday’s snow,
tomorrow’s stormy rain.
But, inside, a moon shivers in the spaces
between your wife’s outstretched arms, between
her shoulders and her legs, between the skin
of water pulled over her watery lungs
and the white egg growing
larger and larger in her chest. This is
the same moon that shudders in darkness
inside of darkness, behind your eyes.
Last night you walked along a cold, snowy beach
and watched a flock of gulls
flapping into a drift of stars, a drift
of flakes thickening on the water
like a mist of empty hands. You paused,
but your dog loped hopelessly downbeach after
them, swallowed up by fog,
too far away to call. It was like this:
your legs walked a stark beach, but your hands
were at home fastened to your wife’s body.
All night you could feel them rising and falling
on the dim waves, helpless
in moonlight, wanting to be anchors, mouths,
wanting to be anything else but hands
drifting farther and farther out of reach.
Tonight you’re alive in your own dank forest.
And now the body
sleeping next to yours makes small gaping
noises, like birds flying overhead
with an alien upwards gesture.
But down here all your bones make music.
Down here in the middle
of the middle of the night, you’re awake
listening to the steady drumroll of a heart
ghostly with losses, your tribal chant.
Homage to Charles Ives
1
Officially, the parade begins at midnight
When the vice-president of sleep calls the assembly
To order while the sergeant-at-arms bangs
A drowsy gavel against the empty brown forehead
Of the podium and all the slumbering senators
Turn over at once, bleary-eyed, weary, and
Still a little drunk, though a few junior
Republicans from Idaho and Mississippi
Rise up in their plush seats to applaud
The honorable gentleman from Alabama calling
For a vote. The burly speaker announces
That the unanimous motion of sleep carries
And on the well-lit corners of Maple and Elm,
On Main Street in small towns and villages
All over America, the children of sleep stand
In plaid nightshirts, rubbing their eyes,
The veterans of sleep surround the flagpole
For that brave radiant moment when the first
Notes of the National Anthem of Night float
Over the bandshell like balloons and then
Drift across the bleachers of the high-school
Football stadium where the janitor and
The assistant principal are preparing to fire
A cannon and spangle the sky with stars.
And now the mayor of sleep shakes hands
With the owner of sleep and the newly elected
President of the Chamber of Commerce, and maybe
He even pecks his wife on her fat cheek.
This is the signal for the prom queen to hop
Into the back seat of a ghostly blue convertible
Driven by her blond boyfriend who is already
Dreaming of the moment when he can park
The triumphant car by the lagoon and slip
His arm around her naked white shoulders.
Because at night in even the smallest towns
Desire spreads through the body like a stain.
2
That’s why his cousin with the thick glasses,
Braces and skinny blue legs is sobbing
Into her pillow, refusing to dry her eyes
Or comb her hair, refusing to listen
To her mother in pink curlers and a silky
Gray nightgown, even refusing to look up
At her beloved father in maroon pajamas.
Later, she will watch the night parade on
Television, like hotel clerks, night-watchmen,
Prison guards, waitresses in all-night diners,
And—like insomniacs all over the country—
She will stroke the cat and gulp warm milk.
But she won’t see the new junior executive
In the established firm of Bradley & Bradley
Slipping from a motel room in Miami Beach
Registered in Mrs. Bradley’s name; she won’t
See the Young Democrats in massage parlors
Or the Communists and the born-again Christians
Handing out fervent leaflets to pedestrians
Who smile and nod; and she will never see
Naked men touching themselves in dark theaters,
Or whores adjusting their uniforms, or drunk
Conventioneers rubbing pink lipstick out of
Their white collars, muttering excuses.
The greatest moments of the night parade
Take place under the open tent where muscular
Sleepwalkers tiptoe across tightropes, carefully
Holding up umbrellas, and two married acrobats
Float through miles and miles of empty space
Just to hold hands on a wooden platform
Hammered into the air. Everyone laughs
When the clowns of sleep mimic the lions,
Tower over the midgets, and pinch the backsides
Of beautiful bareback riders. And everyone
Drifts home slowly when the half-moon dims
And confetti falls from the sky like applause.
3
The televisions are droning at the Hotel Insomnia
Where every room is identical and no one feels
Like seeing a parade on a black-and-white screen.
It’s boredom that keeps the businessmen watching
A rerun of the seven o’clock evening news and
The housewives restlessly switching channels
Between a dull soap opera and a musical comedy
About a rich Italian who falls in love with a poor
Girl from southern Iowa. The movie finally ends
And everyone listens to “The Star-Spangled Banner,”
Waiting for the message of blankness that follows
The message of patriotism at the end of every day.
And so all the televisions whiten at dawn,
The radios blur with static. The stragglers
At the town hall and the junior-college gym
Pull down the last orange and black streamers
And snap off the skulls of the last beers
Buried in the cooler. Happy musicians, baton
Twirlers, professional pool players, and
Even the hit men for the syndicate of sleep
All clamp instruments into heavy black cases
While the sheriff leans back in his dark chair
And the sentry dozes off at his dark post
And the custodian of wind vanishes like smoke.
The cedars and pines stand in an ashen trance.
At this hour even the staunchest insomniac
Falls through a gaping hole opening up
In his body like a flower or a fresh grave.
And now the long arm of exhaustion reaches
Across the rooftops to douse the candles.
That’s why no one ever sees the pale trains
Pulling out of subways and abandoned stations
All over the country; no one sees the ghostly
Trucks and gaunt steamers loaded with bodies;
No one sees the blind searchlights or hears
The foghorns bellowing in the early morning.
No one remembers him anymore, a boy
who carried his mattress through the town at dusk
searching for somewhere to sleep, a wild-eyed
relic of the Old World shrieking at a cow
in an open pasture, chattering with the sheep,
sitting alone on the front steps of the church,
gnawing gently at his wrist. He was tall
and ungainly, an awkward swimmer who could swim
the full length of the quarry in an afternoon,
swimming back on his back in the evening, though
he could also sit on the hillside for days
like a dim-witted pelican staring at the fish.
Now that he is little more than a vague memory,
a stock character in old stories, another bewildering
extravagance from the past—like a speckled seal
or an auk slaughtered off the North Atlantic rocks—no
one remembers the day that the village children
convinced him to climb down into an empty well
and then showered him for hours with rocks and mud,
or the night that a drunken soldier slit his tongue
into tiny shreds of cloth, darkened with blood.
He disappeared long ago, like the village itself,
but some mornings you can almost see him again
sleeping on a newspaper in the stairwell, rummaging
through a garbage can in the alley. And some nights
when you are restless and too nervous to sleep
you can almost catch a glimpse of him again
staring at you with glassy, uncomprehending eyes
from the ragged edges of an old photograph
of your grandfather, from the corner of a window
fogging up in the bathroom, from the wet mirror.