Read Waking Storms Online

Authors: Sarah Porter

Waking Storms

Table of Contents

Title Page

Table of Contents

Copyright

Dedication

Epigraph

Each to Each

The Voice on the Cliff

The Paper Boat

The Diver

The Rowboat

A Glass of Water

The Queen

The Jacket

Little Ditties

The Beckoning Wind

Nausicaa

Enough

The Grays

Darkness

Prisoners

Departures

Ice

The Lost Island

Voices Remembered

Something Real

Forgetting

Being Human

Breaking Voices

Strange Queens

Till Human Voices Wake Us

Acknowledgments

Sample Chapter from THE TWICE LOST

Buy the Book

Read More from the Lost Voices trilogy

About the Author

Copyright © 2012 by Sarah Porter

 

All rights reserved. For information about permission to reproduce selections from this book, write to Permissions, Houghton Mifflin Harcourt Publishing Company, 215 Park Avenue South, New York, New York 10003

 

Lyrics for “Pensacola”:
Words and Music by Michael Doughty, Sebastian Steinberg, Mark Degliantoni, Yuval Gabay, and Ava Chin.

Copyright © 1998 WB Music Corp.
Published by Our Pal Dolores, and Ava Chin.
All rights on behalf of Published by Our Pal Dolores.
Administered by WB Music Corp.
All rights reserved.
Used by permission.

 

Harcourt is an imprint of Houghton Mifflin Harcourt Publishing Company.

 

www.hmhbooks.com

 

THE LIBRARY OF CONGRESS HAS CATALOGED THE PRINT EDITION AS FOLLOWS:
Porter, Sarah, 1969–
Waking storms / by Sarah Porter.
p. cm.
Sequel to: Lost voices.

Summary: As a mermaid versus human war looms on the horizon, Luce falls in love with her sworn enemy Dorian and assumes her rightful role as queen of the mermaids.

ISBN 978-0-547-48251-4 [1. Mermaids—Fiction. 2. Supernatural—Fiction. 3. Love—Fiction.] I. Title. PZ7.

P8303 Wak 2012 [Fic]—dc23
2011027322

 

eISBN 978-0-547-82273-0
v2.0513

 

 

 

 

For Jennifer Lemper,
land mermaid

 

 

 

 

Oh pride is not a sin,
And that’s why I have gone
On down to Walmart with
My checkbook, just to get you some
.
Like waves in which you drown me, shouting...
Soul Coughing, “Pensacola”

1

Each to Each

The last words he had absorbed were the ones about Lazarus, come back from the dead to tell everyone ... everything. That was all wrong, bogus. If you’ve seen death from the inside, Dorian thought, you keep your mouth shut. You don’t say a word to anybody. They wouldn’t understand you anyway.

“Dorian? Can you continue?”

He looked up, blank. Images of plummeting bodies still streaked through his head.

“‘Shall I part...’” Mrs. Muggeridge prompted. Dorian pulled himself up from terrible daydreams and forced his eyes to focus on the page in front of him. Acting normal was a way to buy himself the privacy to think not so normally. He found the line and cleared his throat.

“‘Shall I part my hair behind? Do I dare to eat a peach?’” His voice sounded too flat. He tried to squeeze more emotion into it, though the words seemed uninteresting. “‘I shall wear white flannel trousers, and walk upon the beach.’” Now Dorian saw what was coming in the next line and started to panic. He struggled to suppress the memory of those dark eyes looking at him from the center of a wave, the gagging taste of salt, that unspeakable music. Did Mrs. Muggeridge have any idea what she was doing to him? “‘I have heard the mer...’” He choked a little. “‘The
mermaids
singing, each to each.’” Now there was an audible tremor in his voice, and something rising in his throat that felt like a throttled scream.

“Please read to the end.”

“‘I do not think that they will sing to me!’” Dorian spat it out aggressively and dropped the book with a crash. The rest of the students in the tiny class were staring, too shocked to laugh. But what did they know, anyway? “This poem is garbage! It’s all lies!”

“Dorian...”

“If he’d heard the mermaids singing, he wouldn’t be blathering on like this! He would be
dead!
Is this poem just trying to pretend that people
don’t have to die?”

Mrs. Muggeridge didn’t even look angry. Somewhere between alarmed and amused.

“If you could read on to the end, Dorian, I think you’ll see that T. S. Eliot isn’t trying to evade intimations of mortality.” Students started snickering at that. She always used such weird words. It was a mystery to him how Mrs. Muggeridge had wound up in this town. She was even more out of place than he was, with her dragging black clothes and odd ideas.

“No!” Dorian didn’t remember getting out of his chair, but he was standing now. His legs were shaking violently, and the room seemed unsteady. Mrs. Muggeridge looked at him carefully.

“Maybe you should step out of the room for a few minutes?” He couldn’t understand why she had to react so
calmly.
It wasn’t fair, not when she’d made him read those horrible lines. He stalked out of class, leaving his English anthology with its pages splayed and crushed against the floor. In the hallway he pressed his forehead against the cold tile wall. His breathing was fast and hungry, as if he’d just come up from under the deep gray slick of the ocean.

He could hear Mrs. Muggeridge serenely reading on. “‘We have lingered in the chambers of the sea, by sea-girls wreathed with seaweed red and brown. Till human voices wake us, and we drown.’”

He felt like he was going to faint. But at least the poem got something right. Maybe he’d survived the sinking of the
Dear Melissa,
but he still felt like he was drowning all the time. Every time his alarm clock went off, he lunged bolt upright in bed, gasping for air.

When the class finally poured out into the hall, he straightened himself and trailed after them to chemistry. It was such a suffocating, sleepy, ragtag school, with only sixty students and three teachers. His high school in the Chicago suburbs had been twenty times the size of this place. Everything felt crushingly small.

Other students turned to stare at the two men in dark suits standing near a drinking fountain, but Dorian didn’t notice them. He was concentrating on fighting the wobbly sensation of the floor.

The men noticed him, though. Their eyes tracked him intently as he walked away, sometimes leaning on the row of lockers. A few minutes later Mrs. Muggeridge emerged, gray corkscrew curls bobbing absurdly above her head as she chattered to another teacher, the scarlet frames of her glasses flashing like hazard lights. “I suppose I’m behind the times. Apparently now it’s politically incorrect to make your students read poems with mermaids that don’t kill people. What a thing to get so upset about!”

The suited men glanced at each other and followed her.

***

Dorian kept trying to draw the girl he’d seen. If he could set the memory down in black ink, slap it to the paper once and for all, then maybe he could finally get her out of his head. He drew exceptionally well, but every time he finished a new picture he couldn’t escape the feeling that something was missing. The drawing he was working on now showed a towering wave with a single enormous eye gazing out from under the crest. The eyelashes merged with curls of seafoam.

He couldn’t understand why he hadn’t been afraid at the time. The fear had come much later, after he was obviously safe, and the fits of nauseous terror that seized him were infuriatingly senseless. But when the ship was actually crashing, wrenching up under his feet, and people were dying all around him, he’d felt perfectly composed and confident.

He also didn’t know where the instincts that had saved him had come from. If he’d done even one thing differently, he knew, he wouldn’t be the sole surviving passenger of the
Dear Melissa.
He’d be as dead as the rest of them, as dead as his whole family. If he hadn’t faced down that girl in the waves—or that thing that wasn’t a girl, not really, but a monster with a beautiful girl’s head and torso—if he hadn’t sung her own devastating song right back at her, then it would have been all over. She would have murdered him without a second thought. But sitting under the cold fluorescent lights of the chemistry lab, he knew that singing in the middle of a shipwreck had been a bizarre impulse. Inexplicable. How had he known?

Who would have ever guessed that the way to stop a mermaid from killing you was to
sing
at her?

She’d dragged him out from the wreckage, swimming away with him clasped in one arm. They’d raced at such speed that the blood had shrieked in his head. The foam-striped water had rushed across his staring eyes. He’d struggled not to inhale it, and he’d failed again and again. Salt burned his lungs, and the cold water in his chest swelled into a bursting ache. But every time he’d thought that he was really going to drown, she’d pulled him up above the surface and let the water hack out of him, fountaining down his chin. She’d let him
live.
Only him, out of all the hundreds who’d set sail together.

She’d even spoken, once. Now that he had time to think it over, he realized one of the weirdest things about it all was the fact that she’d used English instead of talking in some kind of mermaid gibberish.
Take a really deep breath, okay? We have to dive under again.
Her voice was gentle and much too innocent-sounding for something so utterly evil.

He hadn’t answered. He’d been too pissed off to speak to her, though now looking back, he realized that he hadn’t felt nearly furious enough. He’d felt the kind of anger that would have made sense if he’d been having a fight with a friend, say. As if that monster with the silvery green tail was just a girl he knew from school or something. Worse, as if she was someone he
liked.

She’d belonged to the pack that murdered his mother and father; his sweet six-year-old sister, Emily; his aunt and her husband; and all three of his cousins. He should hate that mermaid girl more than anything in the world. He should dream about dismembering her with his bare hands.

Instead he dreamed about her dark eyes watching him as he sprawled on the shore gagging up a flood of sour, brackish liquid. She hadn’t swum off right away after she’d shoved him up onto the beach, and he’d had time to memorize her pale face and dark jagged hair set like a star in a gray-green curl of sea.

He dreamed about her song.

***

“Charlotte Muggeridge? We were wondering if we could speak to you for a few minutes.” The taller of the two men folded back his suit lapel to show her his badge. Mrs. Muggeridge goggled at him in absolute confusion.

“Anyone can speak to me!” She was alone with the men in the teachers’ lounge. The grubby vomit orange sofas sagged in patches like rotting fruit. Inspirational posters urging them to strive for their dreams had faded to anemic tints of jade green and beige. No one sat down. Instead she swayed a little, staring from one glossy, polite face to the other. Both the suited men met her gaze with bland determination. Both had empty blue eyes and freshly shaved cheeks. “You can’t actually be FBI! That is, of course you can speak to me, but ... I couldn’t possibly have anything to say that you might find interesting...” She trailed off, then glanced up at them with new sharpness. “I hope none of our students is in trouble.”

“No one is in any trouble, ma’am.” Mrs. Muggeridge’s eyes were darkening with a feeling of aversion for the tall man, though she couldn’t justify her dislike. He was perfectly well-mannered. “There was an incident in your third-period English class?”

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