Authors: Sydney Horler
The Traitor
The Traitor
Sydney Horler
With an Introduction
by Martin Edwards
Poisoned Pen Press
Originally published in London in 1936 by Collins
Copyright © 2015 Estate of Sydney Horler
Introduction copyright © 2015 Martin Edwards
Published by Poisoned Pen Press in association with the British Library
First E-book Edition 2015
ISBN: 9781464204982 ebook
All rights reserved. No part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the publisher of this book.
The historical characters and events portrayed in this book are inventions of the author or used fictitiously.
Poisoned Pen Press
6962 E. First Ave., Ste. 103
Scottsdale, AZ 85251
Contents
The Traitor
is a spy novel originally published in 1936. At first glance today, it seems a period piece, a reminder of vanished attitudes from a vanished world. But the book was a success in its day, earning praise from reviewers in the U.S. and Australia, and its author was one of Britain's most famous thriller writers, at the height of his fame. His sales were said to run into the millions.
“Horler for Excitement!” was the marketing slogan adorning the dust jackets of books by Sydney Horler. He knew his readers wanted a pacy narrative, vivid and varied settings (some of them overseas), and plenty of action, and
The Traitor
delivered. For anyone reading the book in the twenty-first century, there is a bonus. The story allows us a glimpse of the tensions and stresses within British society in the mid-1930s.
The First World War had been bloody and terrifying. Everyone knew someone who had been killed or wounded, and memories of the horrors of the trenches were slow to fade. As Hitler and Mussolini began to throw their weight about on the international stage, renewed international conflict became an increasing risk. Opinion was, however, divided as to how to deal with the aggressors. Some, like George Orwell and Winston Churchill, opposed appeasement, but others found it impossible to contemplate the calamity of another conflict; many were committed pacifists, and the Peace Pledge Union enjoyed massive support. Above all, the 1930s was a decade in which uncertainty and anxiety gradually gave way to fear of a formidable foe.
Against this backdrop, Horler crafted a story with two strands. The first, set in 1918, just before the end of the war, sees young Captain Alan Clinton in Paris, bewitched by the seductive agent Minna Braun, alias “Marie Roget.” He spends the night with her in the hotel Lion d'Or, and his act of folly leads to the loss of over five thousand British lives.
The second part of the story is set seventeen years later, in the turbulent present. Minna Braun has switched allegiance from Germany to Ronstadt, a “new state” of sixty million people ruled over by the supreme dictator Kuhnreich, a Jew-hating fanatic. Ronstadt is, of course, a thinly disguised Germany, and Kuhnreich is Hitler. As his chief of Secret Police tells Minna, “War is comingâand that means that our secret agents must get busy.” Europe has again become a battleground, and Minna is pressed into service once more.
Alan Clinton is now a colonel working for MI5. Other than his old friend Peter Mallory, however, it seems that nobody knows Clinton's shameful secret. Before long, it is not Alan Clinton but his equally gullible son Bobby who makes a trip to continental Europe and falls prey to Minna's seductive wiles. Will he betray Britain, and if so, what will be the consequences? The story rattles along to a climax at a military trial which takes place while Bobby's girlfriend races against time in a desperate attempt to prove that he is no traitor.
The long-term consequences of acts of cowardice or criminal stupidity during the First World War were a recurrent plot element in thriller and mystery fiction over the next twenty years, and featured in notable detective novels such as Philip MacDonald's
The Rasp
, Henry Wade's
The High Sheriff
, and the Agatha Christie classic
And Then There Were None
. But although in
The Traitor
, Horler offers a twist ending and a “least likely suspect” solution of the kind which became very familiar in whodunits written during the Golden Age of Murder, this was a time when sharp distinctions were drawn between thriller writers and detective novelists.
Edgar Wallace (whom Horler much admired), “Sapper,” and Horler himself were prolific and popular thriller writers, but even in the 1930s, their books were as patronised by the literati as they were loved by vast numbers of readers. Dorothy L. Sayersâa highly influential critic, as well as a prominent author of detective storiesâquestioned their quality, saying in one review: “People sometimes complain that I am harsh and high-hat about thrillersâ¦I give you my word that when I meet the least touch of real originality, or creepy-crawlery, or glamour, or humour, or sheer rollicking cut-and-thrust-and-have-at-'em combativeness in a thriller I hail it with cries of joy. But 99 times out of 100 I find only bad English, cliché, balderdash, and boredom.” She and Horler had no time for each other, and it is fair to say that, while her reputation has endured, and Horler's has plummeted since his death.
The reappearance of The Traitor does, however, give a new generation of spy fiction fans a chance to judge Horler afresh, making up their own minds rather than relying on preconceptions. This is, surely, the great service which the British Library has rendered in retrieving long-forgotten works of popular fiction from its vaults. As many readers will do, I came to this book without ever having read Horler before. I had, however, read plenty of criticism of his work by commentators with even less enthusiasm for his work than Sayers. And whilst the British Library makes no claims for Horler as a literary stylist, the dash and verve of this book give clues as to why he sold so well in his heyday.
Sydney Horler (1888â1954) was a journalist who published his first novel in 1920, and his first thriller,
The Mystery of No. 1
, five years later. The success of this book prompted him to become a full-time thriller writer, and more than one hundred novels followed. “Tiger” Standish, his most popular character, was a freelance secret agent. Horler was an industrious rather than innovative writer, but he developed the knack of keeping his readers gripped, and
The Traitor
exemplifies the type of British spy thriller that stayed in fashion until the likes of Eric Ambler and Graham Greene took the genre in a new direction.
Martin Edwards
The Messenger
The crossing had been particularly vile, the journey to Paris, if anything, worse, and Alan Clinton, as he stepped from the crowded carriage at the Gare du Nord and stretched his cramped limbs in an ecstasy of abandon, swore with corresponding gusto.
“To hell with this bloody war!” he cried, glaring about him.
“I quite agree with you, Clinton,” said a voice behind his left shoulder.
Who the devilâ? He turned quickly. Then he reassured himself with a forced smile. He had never particularly cared for Brian Fordinghame, especially since Fordinghame had apparently run to cover and got himself a safe and cushy job in the Home Branch of Military Intelligence. “M.I.”âit was to laugh: if these gentry who were so cursedly careful of their own skins had served with him in the trenches for the past three years and a half, they'd know a lot more about Military Intelligence than they did at present!
A man of about thirty, lean and fit-looking, with keen, quizzical grey eyes, stood regarding him with a slight smile. Thinking of what he himself was about to do, Clinton felt that those same grey eyes were boring into him; they seemed to have the faculty of looking right through his body into his very soul. It was disconcerting.
The man wearing the green tabs of an Intelligence staff captain now nodded.
“How are you, Clinton?” he asked.
It was perhaps because the sight of green tabs had, during the past twelve months at least, invariably irritated him that the other's reply was brusque.
“Oh, not so bad. And in any case”âill temper coming swiftly to the surface, “it's a lot
you
know about the war, Fordinghame.”
The other, disregarding the insult, refused to be ruffled. Instead, he smiled once again. It was an attractive smileâattractive in spite of its icy quality.
“Had a good crossing?” he asked.
“Lousy.”
“Where are you going now?”
“My hotel. I want some sleep.”
Fordinghame seemed determined to be friendlyâand hospitable.
“I heard you were on this train, and I thought I would come along to the station and ask you to have a bite of food with me.”
“Why?”
“Oh, no reason in particular,” was the non-committal answer; “I just thought I'd like to have your company for an hour.”
The words did something to soften the other's mood. Clinton's voice, as he spoke, contained an element of regret.
“Sorry, Fordinghame. I'd like toâbut, honestly, I'm dog-tired. I
must
get some sleep.”
“Where are you staying?”
“Ohâ” he paused. “A little place I know. Cheapâthat's a consideration, these days.”
“Yes, indeed,” agreed the staff captain. “Well, another time, perhaps. I shall be in Paris for a few days. When do you go up the line?”
“To-morrow, curse it!”
“Well, good-byeâand good luck!”
The man who had crossed to Paris with important dispatches raised his right hand in a corresponding salute and then walked quickly away to find some sort of a conveyance. In August, 1918, one was lucky to find a decent taxi-cab.
He wasn't luckyâand this increased his ill temper. The aged driver, who glared at him out of hideous, red-lidded eyes, was almost as much a derelict as the vehicle whichâafter a considerable argument, conducted with asperity on both sidesâcommenced to wheeze its way out of the crowded station.
Clinton flung himself back against the malodorous upholstery. The interior of the taxi smelt abominably, and, fresh from home, his nostrils had not yet become accustomed again to the vile stench of war. The fact was, he was thoroughly fed-upâif it hadn't been for Marie he didn't know but what.â¦But that, of course, was madness; and, especially now that he had his present job to do, the idea must not be seriously entertained. This did not prevent him, however, from wishing that a million miles separated him from everything connected with this cursed war. It was a hopeless ambition, for the end seemed as far off as ever. Even in London the never-ending horror had thrust itself upon him at every conceivable turn. In the theatres and music-halls one could not escape it; at the Service clubs the talk was of nothing else; even if one went out to a private dinner party one was pestered with questions about the trenches. The newspapers, the posters on the walls, the hoardings, even the shop-windowsâGod! How everything reeked of the beastliness!
And now, here he was back in the very centre of thingsâand within twenty-four hours he would be reporting himself.â¦That reminded him. With a swift clutch at the heart, his hand closed on the dispatch-case by his side. A wave of relief passed through him. He must be careful. Yes, he must be a damned sight more careful than he would be if he were actually in the trenches, forâif what that Major-General fellow at the W.O. had hinted at was correctâthousands of lives, instead of merely his own, depended on the contents of that case being handed over safely.
The reflection sobered him. And it brought the somewhat consoling knowledge that, if he were fed up himself, millions of other human beings were in the same boat. He must carry on; the job was not yet finished. And, in any case, there was Marie.â¦
Twenty minutes later, the disreputable taxi drew up before a small but comfortable-looking hotel in a side street off the Boulevard des Capucines. Clinton had stayed at the Lion d'Or before; he had discovered this cosy hostelry some months previously, and he had a particular reason for choosing it now. So far as he had been able to ascertain, it was not frequented very much by Allied officersâa recommendation in itself.
The thought came, as he paid off the gargoyle of a driver, that Fordinghame might possibly have followed him to the place. Of course, the idea on the surface was ridiculousâbut he took a keen look around all the same. These espionage fellows took themselves damned seriously, and one couldn't be too careful. Not that he had anything to bother aboutâif every Allied officer who slept with a French girl now and then was to be cross-examinedâ¦! Yet, all the same, he couldn't very well get those searching eyes of the Intelligence officer out of his mind. Funny, that Fordinghame should have been at the station at the very moment that he got out of the train. Had he been waiting for himâand, if so, why?
He told himself the next moment not to be such a damned fool. Any one would think he had something to hideâthat he contemplated doing something shady.
Shrugging his shoulders, he walked into the hotel.
***
The dinner had been worth eatingâwhich was something to say, in these daysâand now Clinton was taking his ease. He was stretched out on a sofa in the private sitting-room he had engaged, when a distant siren brought him to his feet. Wrapped in the contemplation of his thoughts and the comfort induced by the meal, all sense of the war had temporarily slipped from him. But now the strident warning that enemy aircraft were paying another visit to the French capital brought him back to reality with a jerk. He cursed volubly.
The siren shrieked againâthis time so loudly that the picture of the Emperor Napoleon with the tricolour draped over it, which was the most prominent furnishing on the opposite wall, seemed to his excited fancy to quiver.
Throwing aside the copy of
La Vie Parisienne
, Clinton crossed the floor. As he did so, a knock sounded on the door.
“Come in,” he ordered irritably.
A waiter, wearing a much-stained suit, entered nervously.
“You rang, monsieur?”
Clinton remembered that he had touched the bell a few seconds before the first siren had sounded.
“Yes,” he returned, “and you've taken a pretty long time answering it.”
The man became obsequious.
“A thousand pardons, monsieur, but the hotel is so busy.”
“I dare say. Still,” pointing to the half-empty bottle of wine which had given him annoyance, “this wine's rottenâthat's why I rang. I want it changed.”
The waiter made a gesture of hopelessness.
“That will be difficult, monsieur. The war makes it very difficult to get good wine.” Another gesture of hopelessness. “All Paris knows that.”
“That may be, but this would take the first prize for muckâtake it away.”
The waiter, shrugging his shoulders once more, approached the small table, picked up the bottle and glass and prepared to leave the room.
“I will do my best, monsieur. I am sorryâ”
Clinton, looking at the forlorn wretchâthe waiter's sense of hopelessness had struck him during dinnerâchanged his tone.
“Oh, that's all right. Cut along now, and be back as soon as you can.”
“Yes, monsieur.” He walked to the door and then turned. A finger that shook pointed to a warning hanging on the wall. “It is necessary to remind you, monsieur, to read that notice. You must be very careful about keeping the curtains drawn. The law against showing any lights is very severe, with terrible penalties, and the siren has just sounded.”
“I heard it myselfâI don't happen to be deaf.”
The waiter seemed inclined to linger. “No doubt by this time you are used to the air bombs, monsieur?”
The British officer laughed. “Well, we've had just a few in London, you know, not to mention the trenches. So they're expecting those Zeppelins here to-night, are they?”
A look of hatred flashed into the sallow face.
“Yes, monsieur; on every night that there is no moon we expect them now. Ah!
ces sales Boches!
” A grimy fist was clenched and lifted up.
Clinton watched him with barely concealed amusement. These Gallic melodramatics!
“Well, cut along now,” he ordered again.
“Yes, monsieur.” But the man still stayed. “If I had a Boche here.⦔ This time both hands were raised, whilst their owner went through the motions of choking a man to death. “We have the raids so often now that every one in Paris gets to hear the noise of the engines in his sleep.” Some indistinct French which the British officer could not understand followed, and then the man spoke in English again. “The boom of those bombs on our poor city!”
By this time Clinton was getting sick of the fellow. Self-pity was all right in its wayâbut Paris was suffering from a surfeit of it. He looked at the fellow keenly.
“How have you managed to escape military service?”
The man put a hand to his breast.
“It is my heart, monsieur. Ah, but it is great sorrow for me. How gladly would I serve
la patrie
! How freely would I give it my life!” He threatened to become maudlin. The listener had the traditional English dislike of sentimentality. Besides, by now he was tired of the fellow's face.
“Well,” he said, “if you take my tip you'll hang on hereâand think yourself damned lucky to have got such a good billet.”
The waiter's face changed. Hatred convulsed its ugliness. Absurd as it was, Clinton thought for a moment that the man was actually going to attack him.
“You joke, monsieur,” cried the other angrily. “Every Frenchman loves his countryâand would gladly die for it.”
“A good many Englishmen have done thatâpoor devils! And let me tell youâby the way, what's your name?”
“Pierre, monsieur.”
“Let me tell you, Pierre, that the trenches aren't exactly drawing-rooms.”
“That I can well understand, monsieur; I have heard so many stories.â¦Yes, this war is terrible. And how will it end?”
“Oh, Jerry'll get whacked all right; don't you worry about that. He'll want some wearing downâbut we shall do it.”
“What a happy day that will be for France, monsieur!” (The speaker struck an attitude which, if Clinton had yielded to the impulse, would have made him double up with laughter.) “The tragedy of Sedan! The humiliation of Alsace-Lorraine! Ah, but they will all be wiped out upon the day that France enters Berlin in victory.”
“Yeh. But I'm afraid there's a long way to go yet.”
The waiter thrust his sallow face forward.
“Are you from the Somme front, monsieur?”
“No.” A sudden suspicion came. “Why do you ask that?”
The fellow was ready with his reply.
“My brother is thereâon the Somme front. He is with the artillery.”
“I see. Well, I don't envy him; the Somme isn't any too pleasant a place nowadays.”
“Don't I know?”
“How do you know?”
“I hear from my brother whenever he can write,” was the quick retort. “The Boche, does he not make theâwhat you say?âoffensive there,
n'est-ce-pas
?”
“I don't know. He's usually doing something of the sort.” Clinton's patience was exhausted. “Look here, what about that wine?”
The waiter crouched humbly.
“Pardon, monsieur. I think too much of the war, but it is because of my brother.” He turned and put a hand on the door. “But I go now.”
Yet he could not leave the room without turning round once more.
“Monsieur, a thousand pardons, I forget. There is another British officer in the hotel to-night; he has asked for you.”
Clinton took some time before replying. Marie was due in a few minutesâand he didn't want her seen by any one.
“A British officer?” he returned.
“Yes, monsieur.”
The next words were as though he were speaking to himself: “I don't know any one in Paris who is likely to ask for me. Do you know his name?”
“Capitaine Mallory.”
Relief came in an overwhelming flood. Clinton laughed. (“Peter Mallory,” he told himself. “Well I'm damned!”) And then, to the waiter: “Ask him to come up at once.”
“
Oui, monsieur
.” The fellow was smiling as he turned away.