The Stardance Trilogy (80 page)

Jay did not want to hear about french-fried brains and PR men’s problems before coffee. “Who was he?” he interrupted. “Anybody I’d know?”

“Nah—just checked in yesterday. Some old rock rat who struck it rich, and decided to spend his fortune and the last minutes of his life making mine miserable. Why the hell couldn’t the inconsiderate bastard have poached his brains out there in the Belt somewhere, where it wouldn’t have been my problem?”

Alcoholic memory stirred. “Wait a minute. Chinese guy? Wang something?”

“How the hell did you know?” Martin sounded suspicious.

“I ran into him at Jake’s last night. He was telling us all some yarn about a white Stardancer.”

“Jesus Christ—keep that quiet, will you? It’s gonna be hard enough sitting on this, and those bastards love anything with a Stardancer hook, gives ’em great visuals to cut to. ‘White Stardancer,’ my ass—the old fart’s probably been sautéing his cerebrum for weeks now, and only just finished the job this morning. Hey, that’s it—if he was already brain-damaged when he got here, we got no liability at all—”

This triggered Jay’s gag reflex. “I’ll keep the cameras off tonight, Ev,” he said, and cut the connection. Getting back to sleep was out of the question now, so he called for coffee, unstrapped himself from his sleepsack, and began his day.

Twelve extremely hectic hours later, he met Rand and his family at their suite and journeyed with them to the Nova Dance Theatre. All were dressed in their finest, and the adults were as nervous as if they were about to go onstage themselves. They chattered along the way, and fiddled with their seams and fastenings, and inspected each other for unseen flaws in costume or makeup. Only Colly seemed to take it all in stride; money and power did not impress her, since she did not use the former and had all she presently wanted of the latter.

They had to pass a checkpoint to reach the foyer, manned by six very serious-looking guards, each wearing different-colored armbands. No weapons were visible, but it was clear that they were available. Jay noticed with amusement that the guards seemed to watch each other as carefully and constantly as they did the civilians. Five private security forces, plus the Shimizu security, and none of them trusted any of the others.

And indeed, when they had passed thumbprint and retina checks and entered the foyer, Nika, the tech director, approached them before Jay could even begin trying to spot the uips. “Boss,” she said, “how the hell am I supposed to call the show with a six-pack of gorillas looking over my shoulder, frowning every time I touch something?”

“Jesus,” Jay muttered. “They’re even back in the tech hole?”

“They seem to think it’s their fucking command center,” she said bitterly. “And there’s more six-packs at every entrance and exit to this area, plus one at each stage wing. I don’t care about them, as long as none of the dancers crash into them when they exit, but can’t you get me a little elbow room in the hole?”

Jay thought about it. “I don’t think so, Nika. They’re right; that area has to be secured. If I were an assassin, backstage is the way I’d come in. Do the best you can, okay? At least Rand and I won’t be in there with all of you; we’re watching this one from the house. Just tell the goons not to touch anything while the concert’s running.”

“None of them would dare. The other five would shoot him. They get nervous every time
I
touch a control. Honest to God, I never saw such a paranoid bunch in my life.”

“If you needed bodyguards, wouldn’t you want them to be paranoid? I have to go—”

Nika jaunted off, frowning, and Jay caught up with Rand and his family. They were just being presented to the honored guests by Katherine Tokugawa.

“Mr. Imaro Amin…Pandit Chatur Birla…Honorable Chen Ling Ho…Ms. Victoria Hathaway…Citizen Grijk Krugnk…please permit me to present the Shimizu’s Co-Artistic Directors: our resident choreographer, Mr. Jay Sasaki, and our resident Shaper, Rand Porter.” All bowed. Jay was amused again. Kate had solved an impossible protocol problem in the only way she could—by introducing the five uips to her vips in alphabetical order…

“We bid you welcome to Nova Dance Theatre, lady and gentlemen,” Rand said smoothly. “It gives me great pride to present my wife, the author Rhea Paixao, and our daughter, Colly.”

More bows all around. “I read your last book, AND CALL HER BLESSED, with great pleasure, Ms. Paixao,” Birla said.

“So did I,” Hathaway said, “and it was wonderful. Even better than THE FREE LUNCH.”

“I would have to agree,” Birla said, “although it is a close call. I have conversations with characters of yours all the time.”

Rhea thanked them, turning a fetching shade of pink. The compliments had to be genuine: the uips had not expected to meet her, and had no reason to stroke her if they had. Jay was stunned to learn that people as rich as this read fiction for pleasure—two of them, anyway. And while Rhea had a good and growing literary reputation, she had never yet had a top-ten bestseller: you had to
care
about good books to know of her work. Interesting. Uips were not automatically philistines. Rand caught his eye and grinned, and Jay knew precisely what he was thinking:
if they like Rhea’s stuff, they’ll like ours.

While the conversational pleasantries flowed back and forth, Jay studied these five people who could make Kate Tokugawa snap to attention. He had never met a whole handful of trillionaires before.

Amin was a Kikuyu financier from Kenya, said to be the only African trillionaire. Of average height and mass, he was in his early forties and looked thirty, except for his eyes; he was the most obviously vicious of the five. His hair was straightened, but paradoxically his skin tone was artificially
darkened
, to a Bantu black which did not match his nose and cheek structure. His fortune was based on Earth-to-orbit shipping. He ignored the arbitrary local vertical which everyone else had adopted—the Terrans from habit, the spacers out of politeness—and just let himself drift free.

Birla, a swarthy Marwari from Rajputna, was the talker of the group, which made him seem more trivial than he could possibly have been. He was a hundred and twenty—four years older than Eva!—and looked forty. According to the bio Jay had scanned, he was ostensibly a devout Hindu, but he seemed in no hurry at all to reincarnate. The friendly twinkle in his eyes had to be fake, but it was a good fake. He owned as large a proportion of the Terran and orbital media as the
UN
would let him, and influenced even more; Evelyn Martin hovered near him solicitously, ready to open a vein on request.

Chen Ling Ho, a Mandarin from Beijing, was fifty and looked fifty. He was short to the point of tininess, smaller than Kate, and looked as benign and childlike as Colly. Jay had read that his enemies called him The Krait. He was also the Zen Buddhist at whose request Reb Hawkins had been invited to the Shimizu. That interested Jay: there were many Chinese Buddhists, but few who followed the Soto path, which had originated in twelfth-century Japan. Chen was a grandson of the legendary Chen Ten Li, the twentieth-century statesman who had been present at the creation of the Starmind; heavy (and early) family investment in nanotechnology had made Ten Li rich beyond measure. In defiance of tradition, it had been the
second
generation—his son Chen Hsi Feng—who had nearly succeeded in destroying the family name and fortune, by becoming an antiStardancer fanatic and launching a treacherous and doomed attack on the Starmind. Ling Ho, the third generation, had miraculously managed to salvage most of the wreckage, largely thanks to adroit fence-mending with the Starmind. That doubtless accounted for his conversion to Reb Hawkins’s faith. Jay wondered how many trillionaire Zen students there were.

Victoria Hathaway was a
WASP
from New York; calendar age eighty-seven, apparent age just under thirty. She looked like holo stars wished they looked—but there was a coldness in her eyes and mouth that made Jay think of her as a long sleek shiny pair of scissors, with a carefully trimmed little tuft of pubic hair just at the place where the blades joined. Most of her money was said to be in real estate, on and off Terra, and she was famous for both her ruthlessness and her absolute lack of any vestige of a sense of humor—though no one dared mention the latter quality to her face.

Grijk Krugnk was by far the ugliest of the lot, a Slav of some kind from Votoskojek who was sixty-six and looked fiftyish. He was built like a power plant, but not as pretty, so obviously a brute that many had found him fatally easy to underestimate. His wealth sprang from power generation, most of it spaceborne. Oddly, he was the only one of the five whose English was utterly unaccented, like a cronkite’s. He handled himself in free-fall as well as Amin, but made less of a point of it. His complexion must have been ruddy on earth; in zero gee his face looked like a tomato.

Each of the five had a personal bodyguard, and all but Chen had an additional companion as well. These latter were introduced, but Jay didn’t bother to remember any of the names; they were obviously
AI
s with a pulse. The killers were not introduced, as it might have distracted them. Chen’s bodyguard seemed to be the only one with any extensive space experience: Jay noticed that he watched feet as well as hands. That made his boss the smartest of the five uips.

“Is there anything you would like to tell us about the work we are about to see, Mr. Sasaki? Mr. Porter?” Birla asked, snapping Jay out of his reverie. Rand let him take it.

“No, sir,” he said. “If it doesn’t speak for itself, then nothing I could say will help. Shall we go in?”

Perhaps taking their cue from Tokugawa’s introduction, the five uips entered the theater in alphabetical order. Once inside, things got briefly complicated again.

This piece,
Spatial Delivery
, had been staged for proscenium performance, rather than in the sphere. That is, it was designed so that the audience used only half of the available “seating” area, strapping their backs to a common hemisphere, and the piece was performed against the backdrop of the other half. This cut audience capacity in half, but was a lot easier to choreograph and shape than a spherical piece which had to look good from all possible angles at once.

But if five people sit against a hemisphere, and keep pretending that there is a local vertical, then some of them must sit “above” others.

After a few seconds of backing and filling, the five decided face was more important than up and down, and solved the problem by making a puffball, like a two-dimensional version of Colly’s beloved angelfish. Lesser mortals filled in the gaps between them in whatever orientation suited them. Jay sat with Rand and his family in the center. He saw Eva nearby, and waved; she waved back.

The house lights dimmed, Rand’s overture began, and Jay forgot anything as trivial as trillionaires.

The first half went very well. Emerging from his warm fog to the realization that he must make small talk during the intermission was like being dumped from a snug bed into an icy vacuum.

And indeed it developed that the intermission chatter of uips was every bit as inane and clumsy as that of the mere vips Jay was used to. They all liked it so far, of course, and said so—but for all the wrong reasons, some that Jay would never have thought of in a million years. Intermissions always made Jay wish he had taken up engineering, or any trade where the customer’s wishes were possible to fathom. Talking to civilians usually reminded him forcefully that no artist ever succeeds save by dumb luck. Since he believed the purpose of art was to communicate, this tended to depress him slightly.

Five minutes before the end of the interval, he excused himself from the gathering, saying that he needed to check something with his technician backstage. Rand seized the opportunity to accompany him, ignoring his wife’s brief look of dismay, and they jaunted back into the empty theater together.

There were four “wings,” short cylindrical tunnels of invisibility created by Rand’s shaping gear, at the four cardinal points of the terminator that divided audience from stage. Dancers seemed to materialize as they entered, vanish as they exited. Knowing that two of the wings would be blocked by knots of dancers nerving themselves up to go on for the second act, Jay and Rand picked one of the other two at random.

And nearly got themselves shot by trigger-happy guards. “Jesus, folks, relax,” Jay said. “There won’t even be anybody out there to protect for another five minutes yet. Why don’t you safety those damned things until then? I don’t want you drilling one of my dancers on their way to the can.” Shaking his head, he passed on until he came to the tech hole, which was located at the farthest point of the theater, so that its one-way glass looked out past the dancers toward the audience. In fact, he and Rand had nothing to accomplish here; Nika had this piece on tracks by now. The tech hole was simply the nearest place to hide for a few minutes.

Not wanting to risk being shot again, he paused at the door and touched the intercom button. “It’s me and Rand, Nika,” he said. “Coming in.”

The door opened on horror.

Five bodies, drifting limp in free-fall crouch. Jack-in-the-box effect made them move toward him as the door swung open. Nika was one of them. A barely perceptible bitter odor preceded them; Jay could not identify it but knew it was trouble. “Oh,
shit
,” Rand said behind him.

“Hold your breath,” he snapped, and leaped into the hole. The room’s air system had already scavenged up most of the bitter gas, but who knew how much it took to immobilize a man?

He did not have time to find out if any of the floating bodies were alive; more urgently he needed to know who was missing. Sure enough, the worst possible: the Shimizu’s man. His brain raced. The assassin had planned to kill from here, firing through the one-way glass into the house. At Jay’s announcement he had bolted out one of the other two doors from the hole—seconds ago. His only move now was to cut through another six-pack somehow, enter the theater through one of the four wings, leave by the audience entrance, and try to kamikaze whomever his intended victim was out in the foyer. But
which wing?
Presumably he knew which two were mobbed with dancers; he had been hanging out in the hole. And if Nika had had her mikes hot…he knew which wing was guarded by a six-pack
who had just been told to safety their weapons.
By Jay! The son of a bitch could have circled around behind them while they were gaping in the open door of the hole…