Authors: Richard Ford
Vicki made all her own choices: pastel poof-drapes, sunburst mirror, bright area rugs with abstract designs, loveseat with a horse-and-buggy print, a maple mini-dining room suite, a China-black enamel coffee table, all brown appliances and a whopper Sony. All Wade Arcenault had to do was write a big check and set his little girl’s life back on track after the bad events with husband Everett.
Each time I’m inside, all is precisely as it was the time before, as if riveted in place and clean as newsprint: a fresh
Nurse
magazine, a soap opera archive and
TV Guide
shingling the piecrust table. A shiny saxophone on its stand unused since high school band days. The guest bathroom spotless. Dishes washed and put away. Everything reliable as the newly-wed suite in the Holiday Inn.
My own house represents other aims, with its comfortable, overstuffed entities, full magazine racks, faded orientals, creaky sills and the general residue of mid-life eclecticism—artifacts of a prior life and goals (many unmet), yet evidence that does not announce a life’s real quality any more eloquently than a new Barca Lounger or a Kitchen Magician, no matter what you’ve heard. In fact, I have become a committed no-muss, no-fuss fellow. And the idea appeals to me of starting life over in such a new and genial place with an instant infusion of colorful, fresh and impersonal furnishings. I might’ve done the same if it hadn’t been for Paul and Clarissa, and if I hadn’t believed I wasn’t so much starting a new life as raising the ante on an old one. And if I hadn’t felt our house was still a sound investment. All of which has worked out well, and most nights I drift off to sleep (wherever I am—a St. Louis, an Atlanta, a Milwaukee or even a Pheasant Meadow) convinced I have come away, as they say, with the best of both worlds—the very thing we all crave.
Vicki has dowsed her cigarette and begun pinching at her sausage curls in the visor mirror. “Doesn’t it seem strange to you we’d be takin a trip together?” She squinches up her nose, first at her own face then at mine, as if she didn’t expect to hear a word she could believe.
“This is what grownups do—go on trips together, stay in hotels, have wonderful times.”
“Rilly?”
“Really.”
“Well. I guess.” She takes a bobby pin out of her blouse cuff and puts it in her mouth. “It just never seemed like anything I’d be doin. Everett and me went to Galveston sometimes. I been to Mexico, but just to cross over.” She removes the pin and buries it deep in her black hair. “What
are
you, anyway, by the way?”
“I’m a sportswriter.”
“Yes, I know that. I read things you wrote.” (This is news to me! What things?) “I mean, are you Libra or the Twins. You said your birthday wasn’t but less than a month from now. I want to figure you out.”
“I’m the Taurus.”
“What does that one mean?” She watches me keenly now out the side of her eye while she finishes with her hair.
“I’m pretty intelligent. I’m not cynical, but I’m intuitive about people, and that might make me seem cynical.” All this comes straight from Mrs. Miller, my palmist. It is part of her service to give information like this if I ask her for it, in addition to speculating on the future. I try to see her at least every two weeks. “I’m also pretty generous.”
“I’ll admit that, at least you been that with me. I wonder if that stuff’ll make your dreams come true. I don’t know much about it. I guess I could learn more.”
“What dreams of yours have come true?”
She folds her arms under her breasts like a high school girlfriend and stares straight ahead for miles. It is possible to think of her as being sixteen and chaste instead of thirty and divorced; as never having witnessed a single bad or unhappy thing, despite the fact she attends death and mayhem nearly every day. “Well, look,” she says, staring up the Turnpike. “Did you know I always wanted to go to Detroit?” She pronounces Detroit so as to rhyme with knee-joint.
“No.”
“Well then all right. I did though. I almost fell over when you asked me.” She puts her chin down as though deep in serious thought and makes a little clucking sound with her tongue. “If you’d asked me to go to Washington, D.C., or Chicago, Illinois, or Timbuktu, I probably would’ve said no. But when I was a little girl my Daddy used to always say, ‘Detroit makes, the world takes.’ And that was just such a puzzle to me I figured I
had to
see it. It seemed so unusual, you know, to me. And romantic. He’d gone up there to work after the Korean War, and when he came back he had a picture postcard of a great big tire stood up on its tread. And that’s what I wanted to see, but I never got to. I got married instead on the way to no place special. Then I met you.”
She smiles up at me sweetly and puts her hand inside my thigh in a way she hasn’t quite done before, and I have to keep from swerving and causing a big pile-up. We are just now passing Exit 9, New Brunswick, and I take a secret look over along the line of glass booths, only two of which are lighted OPEN and have cars pulling through. Indistinct, gray figures lean out and lean back, give directions, make change, point toward surface roads for weary travelers. What could be more fortuitous or enticing than to pass the toll booth where the toll-taker’s only daughter is with you and creeping up on your big-boy with tender, skillful fingers?
“Do you like my name?” She keeps her hand close up on my leg, her built-on fingernails doing a little audible skip-dance.
“I think it’s great.”
“Is that right?” She squinches her nose again. “I never liked it, but thanks. I don’t mind Arcenault. I like that. But Vicki sounds like a name you’d see on a bracelet at Walgreen’s.” She glances at me, then back toward the wide estuary and wetlands of the Raritan, stretching like wheat to the tip of Staten Island and the Amboys. “Looks like someplace the world died out there, doesn’t it?”
“I like it out there,” I say. “Sometimes you can imagine you’re in Egypt. Sometimes you can even see the World Trade Center.”
She gives my leg a friendly pinch and turns me loose to sit up straight. “Egypt, huh? You probably
would
like that. You’re in from the nut department, too. Tell me what that little boy of yours died of?”
“Reye’s.”
She shakes her head as though mystified. “Boy-shoot. What’d you do when he died?”
This is a question I’m not interested in exploring, though I know she wouldn’t ask if she weren’t concerned about me and felt some good could come out of it. She is as much a literalist in these matters as I am, and much more savvy about men than I am about women.
“We were both sitting beside his bed. It was early in the morning. Before light. We may have been asleep, really. But a nurse camé in and said, ‘I’m sorry, Mr. Bascombe, Ralph has expired.’ We both just sat there a few minutes, stunned, though we knew it was going to happen. And then she cried a while and I did, too. And then I went home and cooked up some bacon and toast, and ended up watching television. I had a tape of great NBA championships, and I watched that until it got light.”
“Death’ll make you nutty, won’t it?” Vicki rests her head on the seat back, pulls her feet up, and hugs her shiny black knees. Far ahead I see a plane—a great jet—floating earthward where I know Newark airport to be; it is a promising sign. “You know what
we
did when my Mama died?” She glances up, as if to see if I’m still here.
“No.”
“We all went out and ate Polynesian. It wasn’t a big surprise or anything, either. She had everything you can have and I was working right in Texas Shriners and knew everything from talking to the doctors, which I don’t think is really that good. Everett and Daddy, Cade and me, though, went out to the Garland Mall in the middle of the hot afternoon and ate poo-poo pork. We just wanted to eat. I think you want to eat when someone dies. Then we just went and spent money. I bought a gold add-a-bead necklace I didn’t need. Daddy bought a three-piece suit at Dillards’ and a new wristwatch. Cade bought something. And Everett bought a new-used red Corvette he probably still owns, I guess. He
did
have it.” She extends her lower lip over the other one and focuses down beetle-browed on the visible memory of Everett’s Corvette, which stands out now more than death. Her nature is to put her faith in objects more than essences. And in most ways that makes her the perfect companion.
Her story, however, has left me with an unexpected gloominess. Some aspects of hidden-life-revealed have a certain bedrock factuality I don’t like. I’d be a braver soldier if the story had someone discovering they had Lou Gehrig’s disease or a brain tumor on the eve of his last track meet, and deciding to run anyway. But in this I am unprotected from the emotions—vivid ones—of true death, and I suddenly feel, whipping along the girdered Turnpike, exactly as I did that morning I described: bereaved and in jeopardy of greater bereavement sweeping me up.
Women have always
lightened
my burdens, picked up my faltering spirits and exhilarated me with the old anything-goes feeling, though anything doesn’t go, of course, and never did.
Only this time the solace-spirit has been sucked out of the car by a vagrant boxcar wind, leaving my stomach twitching and my mouth grimmed as though the worst were happening. I have slipped for a moment out onto that plane where women can’t help in the age-old ways (this, of course, is something X said this morning and I passed off). Not that I’ve lost the old yen, just that the old yen seems suddenly defeatable by facts, the kind you can’t sidestep—the essence of a small empty moment.
Vicki eyes me in little threatening glances, her brows arched. “What’s the matter, did a bug bite you?”
If we were as far north as the Vince Lombardi Rest Area, I’d pull in and spend a half-hour admiring Vince’s memorabilia—the bronze bust, the picture of the Five Blocks of Granite, the famous gabardine overcoat. We have plenty of time today. But Vince’s Area is all the way past Giant’s Stadium, and we are here down among the flaming refineries, without a haven.
“Would you just give me a big hug,” I say. “You’re a wonderful girl.”
And instantly she throws an armlock around me with a neck-crunching ferocity. “Oh, oh, oh,” she sighs into my ear, and as easy as that (I was not wrong) rapture rises in me. “Does it make you happy to have me here?” She is patting my cheek softly and staring straight at it.
“We’re going to have us some fun, you better believe what I say.”
“Oh, boy blue,” she murmurs, “boy, boy blue.” She kisses my ear until my legs tingle, and I want to squeeze my eyes shut and give up control. This is enough to bring us back up to ground level, and send us to the airport with all my old hopes ascendant.
I am easily rescued, it’s true.
A
t this moment it may be of interest to say a word about athletes, whom I have always admired without feeling the need to be one or to take them at all seriously, and yet who seem to me as literal and within themselves as the ancient Greeks (though with their enterprises always hopeful).
Athletes, by and large, are people who are happy to let their actions speak for them, happy to be what they do. As a result, when you talk to an athlete, as I do all the time in locker rooms, in hotel coffee shops and hallways, standing beside expensive automobiles—even if he’s paying no attention to you at all, which is very often the case—he’s never likely to feel the least bit divided, or alienated, or one ounce of existential dread. He may be thinking about a case of beer, or a barbecue, or some man-made lake in Oklahoma he wishes he was waterskiing on, or some girl or a new Chevy shortbed, or a discothèque he owns as a tax shelter, or just simply himself. But you can bet he isn’t worried one bit about you and what
you’re
thinking. His is a rare selfishness that means he isn’t looking around the sides of his emotions to wonder about alternatives for what he’s saying or thinking about. In fact, athletes at the height of their powers make literalness into a mystery all its own simply by becoming absorbed in what they’re doing.
Years of athletic training teach this; the necessity of relinquishing doubt and ambiguity and self-inquiry in favor of a pleasant, self-championing one-dimensionality which has instant rewards in sports. You can even ruin everything with athletes simply by speaking to them in your own everyday voice, a voice possibly full of contingency and speculation. It will scare them to death by demonstrating that the world—where they often don’t do too well and sometimes fall into depressions and financial imbroglios and worse once their careers are over—is complexer than what their training has prepared them for. As a result, they much prefer their own voices and questions or the jabber of their teammates (even if it’s in Spanish), And if you are a sportswriter you have to tailor yourself to their voices and answers: “How are you going to beat this team, Stu?” Truth, of course, can still be the result—“We’re just going out and play our kind of game, Frank, since that’s what’s got us this far”—but it will be
their
simpler truth, not your complex one—unless, of course, you agree with them, which I often do. (Athletes, of course, are not
always
the dummies they’re sometimes portrayed as being, and will often talk intelligently about whatever interests them until your ears turn to cement.)
An athlete, for example, would never let a story like the one Vicki just told me get to him, even though the same feelings might strike him in the heart. He is trained not to let it bother him too much or, if it bothers him more than he can stand, to go outside and hit five hundred balls off the practice tee or run till he drops, or bash himself head-on into a piece of complicated machinery. I admire that quality more than almost any other I can think of. He knows what makes him happy, what makes him mad, and what to do about each. In this way he is a true adult. (Though for that, it’s all but impossible for him to be your friend.)