The Seal of Karga Kul: A Dungeons & Dragons Novel (9 page)

Feeling was returning to Remy’s arm, and a bone-deep ache settled into his shoulder where the head of the axe had struck. He worked his fingers to get the blood moving and limber up the arm again. He thought he’d be able to use it if more of the hobgoblins appeared. In another half-hour, they emerged in a slot canyon in the wastes. Once a river had flowed there, but its sole remnant was a ribbon of sand on the canyon floor, churned by the booted feet of hobgoblins and their beasts and littered by their garbage.

“Now we know,” Lucan said after they had looked around to make sure they weren’t walking into yet another ambush. “Who’s going to report back to our charming host, Zegur?”

“I’ll go,” Kithri said. “It wasn’t so bad after all.”

They climbed out of the canyon and got their bearings. Crow Fork Market was away to the southwest. “We are not far from the road to the Bridge of Iban Ja,” Biri-Daar said. “Remy and I will go toward the road. Everyone else return to Crow Fork Market quickly. Report to Zegur, but do not
wait; if he will not see you right away, give the report to one of his secretaries. Gather the horses and supplies. Meet us before sundown.”

“At least we won’t have to hurry,” Lucan grumbled.

“Come on, Lucan,” Keverel said after a brief whispered consultation with Biri-Daar. “We have spent enough time as it is, and time is dear.”

Leaving Biri-Daar and Remy, the rest of the party wound their way back down into the canyon and disappeared into the caves. “Let us walk,” Biri-Daar said to Remy. “They will be back sooner than we think. The road is this way.”

They walked west through the wastes, almost immediately drawing the attention of carrion birds that drafted in sweeping arcs above them. “You would think they knew something,” Remy said.

“Carrion-eaters are forever optimistic,” Biri-Daar said. “And why not? Creatures are always dying.”

After that they walked in silence until they reached the road. It cut north and south, as straight as its makers could lay the stones. Remy and Biri-Daar found shade and sat where they could see the road and any approaching traveler could see them. After a while, Remy gave voice to the question that had been rattling around in his head since the canyon. “Why did you want me to stay?”

“You have a decision to make,” Biri-Daar said. “And I imagined you would want to ask another few questions before making it.”

“Here’s my first question: You could have refused Zegur, but you didn’t. Why not?”

“Because despite his base motives, what he said was true. I could not leave Crow Fork without putting right what problems our presence had caused.”

“Even though it delayed your …” Remy thought about how to continue. “What is it you’re doing in Karga Kul, anyway?”

“Saving the city from being overrun by demons.” Biri-Daar spoke matter-of-factly.

“Demons?” Remy repeated. “Then why are we worried about hobgoblins?”

“Bahamut demands much of his followers,” Biri-Daar said. “My pledge to him, and to the Knights of Kul, is not conditional. Crow Fork Market in its way is as important as any of the cities and settlements in the Dragondown. Each of them is a pocket of light striving against the darkness that pervades this world. I would be abandoning my oaths and all that I believe if I did not do my part to ensure its survival.”

She saw the look on his face and smiled—an unsettling expression on a dragonborn. “That might be too abstract. Put another way, how do you know the demons and hobgoblins aren’t working together? Remember the demon’s eye, and the imps we killed in the stable. Everything is connected here, Remy. And you are connected to it as well, because of what you carry.”

“What do you think it is?”

Biri-Daar shrugged. “I have no idea. But if demons are after it, I would very much like to know, and I do not think it would be wise to let it—or you—wander off into the wastes. That is why I think it’s important that you come to
Karga Kul and let the Mage Trust examine it. When the rest of our party arrives, you must make your final decision. I will say no more about it.”

She was true to her word, not speaking for the next two hours. Remy turned every possibility over in his mind, weighing his obligation against everything he had seen and learned since leaving Avankil. He was being hunted. Now he believed that. The sun tracked across the sky, and Biri-Daar silently offered him a drink of water. Remy thought of the Dragondown, the marvels that might await him if he went to Karga Kul—and the wrath of the vizier, who would certainly kill him if he did not go to Toradan.

Unless the vizier had been trying to kill him all along.

I could just leave the box in the sand, he thought at one point. Bury it, or throw it into a canyon. Let someone else find it. Let the hobgoblins have it.

But Biri-Daar’s resolute devotion to her code gave him pause. Could he really do that, not knowing what the box contained?

In the end, when the four riding figures appeared in the distance leading two other horses, Remy realized that he knew two things. One was that Philomen had put his life in danger. The other was that Biri-Daar and the rest of them had saved it.

“North or south?” Biri-Daar asked him when they had met the rest of the party and all six of them were in the saddle and waiting on the road.

Remy took a deep breath. “North,” he said.

BOOK II
THE BRIDGE

T
hey rode north on a road sometimes covered by sweeping drifts of sand. Remy looked over his shoulder, riding second to last with only Keverel behind him. The road seemed endless in both directions, and he felt as if he was leaving behind something of his former self the farther he rode into the unknown reaches of the Dragondown Coast. The world was his to take.

“Pretty clear which roads find travelers and which don’t, eh?” Lucan said. “Here we go into the real wilderness.”

“At least we’ll get out of this damned desert,” Iriani said.

Kithri waved toward the Serrata. “In the foothills, before we start the climb up into those,” she said, “the country is beautiful.”

“What about after?” Remy asked.

“After? You mean on the Crow Road?” Kithri shook her head. “Never been. Never wanted to go. But,” she sighed, “here I am, going. You can thank Biri-Daar for that.”

“There is no collar around your neck,” Biri-Daar said without looking back.

Kithri rolled her eyes. Around them, the flatness of Crow Fork was giving way to a more broken country. Monoliths of ancient rock stood angled against each other, product of no mortal’s work. The ground, flat enough to bowl on back near Crow Fork, was heaved and crosshatched with small gullies. The road cut through some of them and wound along the edges of others. The sand that maddened travelers on the road to Toradan disappeared and clumps of hardy scrub sprouted at the bases of rocks and in the shelter of gullies. Around them the landscape came to hard-bitten life.

And ahead of them, far ahead, the highest peaks of the Draco Serrata gleamed white in the morning sun.

“I thought the Crow Road was some kind of demon-infested gauntlet of horrors,” Remy said. “This isn’t terrible-looking country.”

Keverel made a sign in the air before touching his heart and his forehead. “Do not joke about it.”

“We’re not on the Crow Road yet,” Lucan said. “This is the road that leads to the Crow Road. It comes to an end at Iban Ja’s bridge. Once we cross that, then we’re on the Crow Road.”

“Who’s Iban Ja?” Remy asked. That was the third or fourth time someone had mentioned the name. “And why is it his bridge?”

The series of great wars between the dragonborn kingdom of Arkhosia and Bael Turath, that of the tieflings, brought down both empires in the end, but amid the blood and suffering shone acts of impossible heroism. Travelers knew these stories and traded them over mugs of ale and the picked-over bones of supper. Remy, who had traveled little and paid less attention to the events of the world beyond Avankil’s walls and docks, had yet to hear those stories. His five companions looked to each other with slight smiles at his naivete; by acclamation Iriani was chosen to tell the story.

“Why me?” he asked.

Kithri pointed to each of the party in turn. “Biri-Daar has no sense of romance and would only fume about the tieflings. Lucan is the only elf in the world who can’t sing, and he wouldn’t be fair because the story involves both Melora and Corellon. Keverel is a cleric and you should never have a cleric tell your stories. I know too many different versions of the story and am not honest enough to be trusted. Remy doesn’t know any versions of the story and is probably too honest to tell it well even if he did. That leaves you, Iriani, even though you have elf blood in you as well.”

“I’ll tell the story as it came to me,” Iriani said.

Kithri nodded. “So start telling. It’s a long way to the bridge.”

The Solstice War between Arkhosia and Bael Turath was not its own war at all, but a change in plans. Yet it was called its own war because of the periods of quiet on either side of it,
and because it decisively changed everything that came after. Both combatants were exhausted and winter was on the way; they fell back to their lines, entrenched, and got down to the business of preparing themselves for spring, when snow would retreat from the mountain passes and the gods would give their signals for the great war to begin again.

Then a midwinter thaw changed everything.

Later, the survivors would blame a dispute among the gods Melora, Corellon, and the Raven Queen. The Queen, it was said, was angry that the fighting had stopped so soon because the battlefields were so very good to her black-feathered subjects. But she loved winter too, and was torn between the pleas of the ravens and the immutable paths of the sun and stars.

“Melora,” she said. “The wilderness is yours to command and to love. What of this great bridge the Arkhosians have built across the Gorge of Noon?”

“The Arkhosians are builders,” Melora said. “I cannot interfere with their nature any more than a beaver’s.” In truth, though, her heart stormed at the thought of the bridge.

“But surely the gorge’s majesty would be restored by the destruction of the bridge,” the Raven Queen purred. “Surely you could bring this about. The Arkhosians and the forces of Bael Turath are camped not twenty miles apart, in the lower vales of the Serrata with the bridge between them. Neither force wants to move farther away lest the other claim the bridge and the only passage over the gorge for fifty leagues in either direction.

“In these lower vales, winter is not so bad,” she went on. “But it is still deep in snow, and the passes choke in avalanches. Here is what I need from you.”

Melora’s temper was as wild as the wilderness and seas that she commanded on the earth. She knew what the Raven Queen was doing when she leaned in a little too close and spoke with a husk in her voice. She knew what the Queen was offering and what she was asking in return.

And wild, untamed Melora thought it a workable bargain.

“All I ask of you,” the Raven Queen said, whispering into Melora’s ear as her heart leaped and tossed like the storm-driven surf, “is that you ask a little favor of Corellon …”

Corellon who could sing stones into life! Corellon who lent power to the singer’s voice and the artist’s eye, the mage’s spells and the sculptor’s chisel!

Corellon, who when the seasons were divided at the beginning of the world begged for spring and received it because along with it came the knowledge that everything must ultimately die, that the green abundance of spring is the flare of a candle cupped against the everlasting wind and dark of death. This knowledge is the fuel of art, of thoughts of beauty, of all sorceries light and dark. Corellon is the patron of those who know they will die but are determined that they will bloom and learn and love first.

It is said that Corellon lives in a castle whose rations and dimensions haunt the dreams of artists, adorned with tapestries telling stories the troubadors can never find tongue to repeat. Vine-haired and stone-toothed, Melora strode through the arches of this castle and found Corellon, eyes
closed, listening to the music made by dust motes dancing in sunlight.

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