Read The Pioneers Online

Authors: James Fenimore Cooper

The Pioneers (7 page)

Immediately on the bank of the lake and at its foot stood the village of Templeton. It consisted of some fifty buildings, including those of every description, chiefly built of wood, and which, in their architecture, bore no great marks of taste, but which also, by the unfinished appearance of most of the dwellings, indicated the hasty manner of their construction. To the eye, they presented a variety of colors. A few were white in both front and rear, but more bore that expensive color on their fronts only, while their economical but ambitious owners had covered the remaining sides of the edifices with a dingy red. One or two were slowly assuming the russet of age; while the uncovered beams that were to be seen through the broken windows of their second stories showed that either the taste or the vanity of their proprietors had led them to undertake a task which they were unable to accomplish. The whole were grouped in a manner that aped the streets of a city, and were evidently so arranged by the directions of one who looked to the wants of posterity rather than to the convenience of the present incumbents. Some three or four of the better sort of buildings, in addition to the uniformity of their color, were fitted with green blinds, which, at that season at least, were rather strangely contrasted to the chill aspect of the lake, the mountains, the forests, and the wide fields of snow. Before the doors of these pretending dwellings were placed a few saplings, either without branches, or possessing only the feeble shoots of one or two summers' growth, that looked not unlike tall grenadiers on post near the threshold of princes. In truth, the occupants of these favored habitations were the nobles of Templeton, as Marmaduke was its king. They were the dwellings of two young men who were cunning in the law; an equal number of that class who chaffered to the wants of the community under the title of storekeepers; and a disciple of Aesculapius, who, for a novelty, brought more subjects into the world than he sent out of it. In the midst of this incongruous group of dwellings rose the mansion of the Judge, towering above all its neighbors. It stood in the center of an enclosure of several acres, which were covered with fruit trees. Some of the latter had been left by the Indians and began already to assume the moss and inclination of age, therein forming a very marked contrast to the infant plantations that peered over most of the picketed fences of the village. In addition to this show of cultivation were two rows of young Lombardy poplars, a tree but lately introduced into America, formally lining either side of a pathway, which led from a gate that opened on the principal street to the front door of the building. The house itself had been built entirely under the superintendence of a certain Mr. Richard Jones, whom we have already mentioned, and who from his cleverness in small matters, and an entire willingness to exert his talents, added to the circumstance of their being sisters' children, ordinarily superintended all the minor concerns of Marmaduke Temple. Richard was fond of saying that this child of his invention consisted of nothing more nor less than what should form the groundwork of every clergyman's discourse; viz. a firstly, and a lastly. He had commenced his labors, in the first year of their residence, by erecting a tall, gaunt edifice of wood, with its gable towards the highway. In this shelter, for it was little more, the family resided three years. By the end of that period, Richard had completed his design. He had availed himself, in this heavy undertaking, of the experience of a certain wandering eastern mechanic, who, by exhibiting a few soiled plates of English architecture, and talking learnedly of friezes, entablatures, and particularly of the composite order, had obtained a very undue influence over Richard's taste, in everything that pertained to that branch of the fine arts. Not that Mr. Jones did not affect to consider Hiram Doolittle a perfect empiric in his profession, being in the constant habit of listening to his treatises on architecture with a kind of indulgent smile; yet, either from an inability to oppose them by anything plausible from his own stores of learning, or from secret admiration, Richard generally submitted to the arguments of his coadjutor. Together, they had not only erected a dwelling for Marmaduke, but they had given a fashion to the architecture of the whole county. The composite order, Mr. Doolittle would contend, was an order composed of many others, and was intended to be the most useful of all, for it admitted into its construction such alterations as convenience or circumstances might require. To this proposition Richard usually assented; and when rival geniuses, who monopolize not only all the reputation, but most of the money of a neighborhood, are of a mind, it is not uncommon to see them lead the fashion, even in graver matters. In the present instance, as we have already hinted, the castle, as Judge Templeton's dwelling was termed in common parlance, came to be the model, in some one or other of its numerous excellences, for every aspiring edifice within twenty miles of it.
The house itself, or the “lastly,” was of stone; large, square, and far from uncomfortable. These were four requisites on which Marmaduke had insisted with a little more than his ordinary pertinacity. But everything else was peaceably assigned to Richard and his associate. These worthies found the material a little too solid for the tools of their workmen, which, in general, were employed on a substance no harder than the white pine of the adjacent mountains, a wood so proverbially soft, that it is commonly chosen by the hunters for pillows. But for this awkward dilemma, it is probable that the ambitious tastes of our two architects would have left as much more to do in the way of description. Driven from the faces of the house by the obduracy of the material, they took refuge in the porch and on the roof. The former, it was decided, should be severely classical, and the latter a rare specimen of the merits of the composite order.
A roof, Richard contended, was a part of the edifice that the ancients always endeavored to conceal, it being an excrescence in architecture that was only to be tolerated on account of its usefulness. Besides, as he wittily added, a chief merit in a dwelling was to present a front, on whichever side it might happen to be seen; for as it was exposed to all eyes in all weathers, there should be no weak flank for envy or unneighborly criticism to assail. It was therefore decided that the roof should be flat, and with four faces. To this arrangement, Marmaduke objected the heavy snows that lay for months, frequently covering the earth to a depth of three or four feet. Happily, the facilities of the composite order presented themselves to effect a compromise, and the rafters were lengthened, so as to give a descent that should carry off the frozen element. But unluckily, some mistake was made in the admeasurement of these material parts of the fabric: and as one of the greatest recommendations of Hiram was his ability to work by the “square rule,” no opportunity was found of discovering the effect until the massive timbers were raised on the four walls of the building. Then, indeed, it was soon seen, that, in defiance of all rule, the roof was by far the most conspicuous part of the whole edifice. Richard and his associate consoled themselves with the belief that the covering would aid in concealing this unnatural elevation, but every shingle that was laid only multiplied objects to look at. Richard essayed to remedy the evil with paint, and four different colors were laid on by his own hands. The first was a sky blue, in the vain expectation that the eye might be cheated into the belief it was the heavens themselves that hung so imposingly over Marmaduke's dwelling; the second was what he called a “cloud color,” being nothing more nor less than an imitation of smoke; the third was what Richard termed an invisible green, an experiment that did not succeed against a background of sky. Abandoning the attempt to conceal, our architects drew upon their invention for means to ornament the offensive shingles. After much deliberation and two or three essays by moonlight, Richard ended the affair by boldly covering the whole beneath a color that he christened “sunshine,” a cheap way, as he assured his cousin, the Judge, of always keeping fair weather over his head. The platform, as well as the eaves of the house, were surmounted by gaudily painted railings, and the genius of Hiram was exerted in the fabrication of divers urns and moldings that were scattered profusely around this part of their labors. Richard had originally a cunning expedient, by which the chimneys were intended to be so low, and so situated, as to resemble ornaments on the balustrades; but comfort required that the chimneys should rise with the roof in order that the smoke might be carried off, and they thus became four extremely conspicuous objects in the view.
As this roof was much the most important architectural undertaking in which Mr. Jones was ever engaged, his failure produced a correspondent degree of mortification. At first, he whispered among his acquaintances that it proceeded from ignorance of the square rule on the part of Hiram; but as his eye became gradually accustomed to the object, he grew better satisfied with his labors, and instead of apologizing for the defects, he commenced praising the beauties of the mansion house. He soon found hearers; and, as wealth and comfort are at all times attractive, it was, as has been said, made a model for imitation on a small scale. In less than two years from its erection, he had the pleasure of standing on the elevated platform and of looking down on three humble imitators of its beauty. Thus it is ever with fashion, which even renders the faults of the great subjects of admiration.
Marmaduke bore this deformity in his dwelling with great good nature and soon contrived, by his own improvements, to give an air of respectability and comfort to his place of residence. Still there was much of incongruity, even immediately about the mansion house. Although poplars had been brought from Europe to ornament the grounds, and willows and other trees were gradually springing up nigh the dwelling, yet many a pile of snow betrayed the presence of the stump of a pine; and even in one or two instances, unsightly remnants of trees that had been partly destroyed by fire were seen rearing their black, glistening columns twenty or thirty feet above the pure white of the snow. These, which in the language of the country are termed stubs, abounded in the open fields adjacent to the village, and were accompanied, occasionally, by the ruin of a pine or a hemlock that had been stripped of its bark, and which waved in melancholy grandeur its naked limbs to the blast, a skeleton of its former glory. But these and many other unpleasant additions to the view were unseen by the delighted Elizabeth, who, as the horses moved down the side of the mountain, saw only in gross the cluster of houses that lay like a map at her feet; the fifty smokes that were curling from the valley to the clouds; the frozen lake as it lay imbedded in mountains of evergreen, with the long shadows of the pines on its white surface, lengthening in the setting sun; the dark riband of water that gushed from the outlet, and was winding its way towards the distant Chesapeake—the altered, though still remembered, scenes of her childhood.
Five years had wrought greater changes than a century would produce in countries where time and labor have given permanency to the works of man. To the young hunter and the Judge the scene had less novelty, though none ever emerge from the dark forests of that mountain and witness the glorious scenery of that beauteous valley as it bursts unexpectedly upon them without a feeling of delight. The former cast one admiring glance from north to south and sank his face again beneath the folds of his coat; while the latter contemplated, with philanthropic pleasure, the prospect of affluence and comfort that was expanding around him, the result of his own enterprise and much of it the fruits of his own industry.
The cheerful sound of sleigh bells, however, attracted the attention of the whole party, as they came jingling up the sides of the mountain at a rate that announced a powerful team and a hard driver. The bushes which lined the highway interrupted the view, and the two sleighs were close upon each other before either was seen.
CHAPTER IV
How now? whose mare's dead? what's the matter?—
FALSTAFF
 
A LARGE lumber sleigh, drawn by four horses, was soon seen dashing through the leafless bushes which fringed the road. The leaders were of gray, and the pole horses of a jet black. Bells innumerable were suspended from every part of the harness where one of the tinkling balls could be placed; while the rapid movement of the equipage, in defiance of the steep ascent, announced the desire of the driver to ring them to the utmost. The first glance at this singular arrangement acquainted the Judge with the character of those in the sleigh. It contained four male figures. On one of those stools that are used at writing desks, lashed firmly to the sides of the vehicle, was seated a little man, enveloped in a greatcoat fringed with fur, in such a manner that no part of him was visible excepting a face of an unvarying red color. There was a habitual upward look about the head of this gentleman, as if dissatisfied with its natural proximity to the earth; and the expression of his countenance was that of busy care. He was the charioteer, and he guided the mettled animals along the precipice with a fearless eye and a steady hand. Immediately behind him, with his face towards the other two, was a tall figure, to whose appearance not even the duplicate overcoats which he wore, aided by the corner of a horse blanket, could give the appearance of strength. His face was protruding from beneath a woolen nightcap; and when he turned to the vehicle of Marmaduke as the sleighs approached each other, it seemed formed by nature to cut the atmosphere with the least possible resistance. The eyes alone appeared to create any obstacle, for from either side of his forehead their light, blue, glassy balls projected. The sallow of his countenance was too permanent to be affected even by the intense cold of the evening. Opposite to this personage sat a solid, short, and square figure. No part of his form was to be discovered through his overdress but a face that was illuminated by a pair of black eyes that gave the lie to every demure feature in his countenance. A fair, jolly wig furnished a neat and rounded outline to his visage, and he, as well as the other two, wore marten-skin caps. The fourth was a meek-looking, long-visaged man, without any other protection from the cold than that which was furnished by a black surtout, made with some little formality, but which was rather threadbare and rusty. He wore a hat of extremely decent proportions, though frequent brushing had quite destroyed its nap. His face was pale, and withal a little melancholy, or what might be termed of a studious complexion. The air had given it, just now, a slight and somewhat feverish flush. The character of his whole appearance, especially contrasted to the air of humor in his next companion, was that of habitual mental care. No sooner had the two sleighs approached within speaking distance, than the driver of this fantastic equipage shouted aloud:

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