The Official Essex Sisters Companion Guide (22 page)

W

West, Mr. Benjamin—
Much Ado About You

Mr. West (1738–1820) was a famous Anglo-American portrait artist during the Regency period. Before marrying Tess, Lucius Felton bought beautiful homes for himself, replete with portraits of other people’s ancestors. Mr. West’s painting of a Lady Boothby hangs in his bedchamber.

                       
“A Lady Boothby. I am not certain of her first name. The portrait was by Benjamin West and dates to the 1780s.”

                            
Tess blinked at Lady Boothby. “She’s probably still alive,” she pointed out.

                            
“I quite like her,” Lucius said.

                            
“So do I,” Tess agreed. “But I am not quite certain that I wish to share my chambers with Lady Boothby.”

Much Ado About You

Whittingham, Lady—
Kiss Me, Annabel

At Lady Mitford’s garden party, Lady Whittingham strolls toward Imogen with her feckless husband; Imogen smiles. Lady Whittingham turns her head and walks on. For a moment Imogen pauses as if she’d been struck in the stomach, but then she too walks on, Lady Whittingham’s snub forgotten.

Willis, Mr.
—
Kiss Me, Annabel

Imogen mentions Mr. Willis’s exclusive establishment, Almack’s, as being dusty. She must have been time-traveling, because Almack’s Assembly Rooms wasn’t bought by Mr. Willis until 1871.

Willoughby, Lady Griselda “Grissie”
—née Lady Griselda Langham, Griselda Darlington—
Much Ado About You, Kiss Me, Annabel, The Taming of the Duke, Pleasure for Pleasure

Griselda is the older sister of Garret Langham, the Earl of Mayne. She looks like a china shepherdess with a complexion as creamy as a milkmaid’s and bright blue eyes. The life of a giddy widow has left her plenty of time to chaperone the Essex sisters through the maze of the London social season. She is very witty—which helps to bring Darlington to her feet—and at one point compares her husband of one year to a small dog named Milo.

                       
“Both of them thought about food before anything else. Both would get a painfully eager look in their eye and a little anticipatory wiggle in their bodies when it was time for a meal. . . . The only difference was that I did not wait to find out whether Milo killed himself overeating, the way Willoughby did. I gave Milo away.”

The Taming of the Duke

Poor Willoughby died facedown in a plate of jellied fowl. Eloisa notes that the overeating dog is modeled on her son Luca’s twenty-seven pound Chihuahua, Milo, whose gourmand tendencies are chronicled in Eloisa’s memoir,
Paris in Love
.

Windingham, Lady Catrina
—
A Gentleman Never Tells

Known as “Cat” to her family, Lady Windingham is the daughter of a wealthy sheep farmer and was labeled the “Wooly Breeder” when she debuted. After being sent home in disgrace, she returned for her second season, where she met the widowed Lord
Windingham. They danced together once and he asked for her hand in marriage the next day. She is happily married with two small boys and a stepdaughter.

Wintersall, Mr. William
—
The Taming of the Duke

This pompous, overzealous suitor issues an arrogant and disastrous marriage proposal to Gillian Pythian-Adams, which includes his mother’s views of marriage, a hymn of self-praise, and a litany of insults. He then proceeds to assault her, expecting her to respond with gratitude, if not slavish adulation. Truly the worst marriage proposal ever!

Wintersall, Mrs.
—
The Taming of the Duke

Mr. William Wintersall’s opinionated and mean-spirited mother. She is of the opinion that Gillian Pythian-Adams is long in the tooth and difficult to bring to the bridle, and that private theatricals are rather risqué.

Wisley
—
Pleasure for Pleasure

Wisley is a member of Darlington’s group of friends from Rugby. His bride is pretty, even though he married for money. She informs him that if she hears of him at the Convent tavern again, he’ll be barred from her company. This leads to the breakup of Darlington’s clique, a good thing for all concerned, except Thurman, perhaps.

Woodliffe, Lady
—
Pleasure for Pleasure

Labeled the oh-so-righteous Lady Woodliffe, she is recently widowed. She apparently ordered all her petticoats in pale gray silk so that they will suit whatever garment she wears. She intends to stay in half mourning for her darling Percy for the rest of her life. Most of society considers this rather ridiculous, given that the man died in the arms of a strumpet.

Y

Yates
—
The Taming of the Duke

Rafe tells Lady Griselda during a conversation that he has received a remarkably tedious letter from his old friend Mr. Yates about a performance of
Lovers’ Vows
. This is a reference to Jane Austen’s
Mansfield Park
. In
Mansfield Park
, the young Mr. Yates convinces everyone to put on the inappropriate play
Lovers’ Vows
. To Mr. Yates’s dismay, plans for the play are terminated when the baron returns home.
Mansfield Park
was published in 1814, and
The Taming of the Duke
begins in 1817, so Rafe could indeed have received a somewhat belated wail from Mr. Yates.

York, Duke of
—
Much Ado About You, Pleasure for Pleasure

Prince Frederick (1763–1827) held the title of Duke of York and Albany during the Essex Sisters series and is mentioned several times in the series. This flamboyant royal was the second eldest child and second son of King George III. Eloisa depicts him as fat and lusty; in
Pleasure for Pleasure
, the duke encounters Griselda with his hand “plumply” encased in that of an actress from the Adelphi Theatre. He is wearing his commander-in-chief uniform, fringe and gold braid everywhere, with his ceremonial sword dangling at his side. He plays a somewhat larger role in a later novel, Eloisa’s
Desperate Duchesses
, when he encounters one of his former lovers in a boat on the River Thames.

“I would prefer to take supper on a tray.” Lizzie didn’t look up from her book, because meeting her sister’s eyes would only encourage her.

She should have known Catrina wouldn’t back down. “Lizzie Troutt, your husband died over a year ago.”

“Really?” Lizzie murmured, turning a page. “How time flies.” In fact, Adrian had died eighteen months, two weeks, and four days ago.

In his mistress’s bed.

“
Lizzie
,” Cat said ominously, sounding more like an older sister—which she was—with every word, “if you don’t get out of that bed, I shall drag you out. By your hair!”

Lizzie felt a spark of real annoyance. “You already dragged me to your house for this visit. The least you could do is to allow me to read my book in peace.”

“Ever since you arrived yesterday, all you’ve done is read!” Cat retorted.

“I like reading. And forgive me if I point out that Tolbert is not precisely a hotbed of social activity.” Cat and her husband, Lord Windingham, lived deep in Suffolk, in a dilapidated manor house surrounded by fields of sheep.

“That is precisely why we gather friends for dinner. Lord Dunford-Dale is coming tonight, and I need you to even the numbers. That means getting up, Lizzie. Bathing. Doing your hair. Putting on a gown that hasn’t been dyed black would help. You look like a dispirited crow, if you want the truth.”

Lizzie didn’t want the truth. In fact, she felt such a stab of anger that she had to fold her lips tightly together or she would scream at Cat.

It wasn’t her sister’s fault. It wasn’t anyone’s fault except her late husband’s, and he was definitely late—i.e., dead.

“I know you feel ashamed to be in company,” her sister continued, energetically digging her own grave, as far as Lizzie was concerned. “Unfortunately, most people are aware the circumstances of your marriage, not to mention the fact that Adrian was so imprudent as to die away from home.”

That was one way of putting it.

Imprudent.

“You make it sound as if he dropped a teacup,” Lizzie observed, unable to stop herself. “I would call the fact that Adrian died in the act of tupping Sadie Sprinkle inconsiderate in the extreme.”

“I refuse to allow you to wither away in bed simply because your husband was infatuated with Shady Sadie,” Cat said, using the term by which the gossip rags had referred to Adrian’s mistress. “You must put all that behind you. Sadie has another protector, and you are out of mourning. It’s time to stop hiding.”

“I am not hiding,” Lizzie said, stung. “I take fresh air and moderate exercise every day. I simply like reading in bed. Or in a chair.”

Or anywhere else, to tell the truth. Reading in a peaceful garden was an excellent way to take fresh air.

“Moderate exercise,” her sister said with palpable loathing. “You used to ride every day, for pleasure. We would practice archery on a fine day like this, or roam about the countryside, not sit inside reading.”

“Adrian’s stables were part of the entail, and went to his cousin,” Lizzie said, turning the page. She hadn’t read a word, but she was hoping that a show of indifference would drive her sister from the room.

“Not the mare that Papa gave you when you turned fourteen!” Her sister gasped.

Showing masterly control, Lizzie didn’t roll her eyes. “A wife has no true possessions,” she said flatly. “Under the law, they belong to her husband and Perdita was, therefore, transferred to the heir.”

“Oh, Lizzie,” Cat said, her voice woeful.

“It wasn’t so terrible,” Lizzie said, meaning it. “I went to the auction, and Perdita went to a family with a young girl. I’m certain that she is well cared for and happy.”

“Do you realize that by staying home and wearing mourning, you give the illusion that you are grieving for your husband?”

Lizzie’s hands tightened around her book. “Do you know what being a widow entails, Cat?”

“Wearing ugly black dresses for the rest of your natural life?”

“It means that I never again need put myself under the control of a man—
any
man. So, no, I have no interest in joining you at dinner. I know perfectly well that Lord
Dimble-Dumble has been summoned to audition as my next husband. I don’t want him. I’d be more likely to come to dinner if you had invited the butcher.”

“I couldn’t do that,” Cat said, in a sudden digression. “Mr. Lyddle has developed a most unfortunate addiction to strong ale, and he’s regularly found lying about in the gutter singing, rather than butchering meat.”

“Who does the butchering now?” Lizzie asked, instantly deciding to take a walk to the village and see this interesting musical event herself.

“His wife. My housekeeper says that she gets better cuts at a lower price. You’re trying to distract me with talk of singing drunkards,” Cat said, unfairly. “Let’s discuss your future.”

“Let’s not.”

“We might begin with the fact that you were never in love with Adrian.” Cat began walking around the bedchamber, waving her hands as she waxed eloquent about her late brother-in-law’s flaws.

She was preaching to the choir, so Lizzie stopped listening and just watched Cat pace back and forth. How could it be that her older sister was positively frothing with life and energy and passion, while Lizzie felt like a tired, pale shadow?

Her hand crept toward her book. It wasn’t the most interesting novel in the world, but it had the inexpressible charm of being new.

Over the last eighteen months, Lizzie had read every novel she owned three times over. She would be quickly bankrupted if she bought more than two books a week, so one of the best things about visiting Telford Manor was access to her sister’s library.

Cat appeared to be hopeless at arranging a refurbishment of the manor—which desperately needed it—but she was very good at ordering novels. And clothing. If Lizzie looked like a black crow, Cat was a chic French peacock.

Lizzie raised her knees, surreptitiously propped her book against them, and slipped back in the story of Eveline, a sixteen-year-old girl being forced to marry an old man. She herself had been twenty when she walked down the aisle.

On the shelf.

Beggars can’t be choosers, her father had told her.

Her book suddenly vanished. “No reading!”

Cat was holding the novel above her head, for all the world as if they were children again. Lizzie used to hope that someday she’d grow up to be as commanding as her sister, but she had given up that idea long ago.

It wasn’t just a question of height. Her sister was the type of person who gathered everyone in a room around her, and Lizzie was the type of person whom they walked over on their way to be with Cat.

That sounded resentful, but Lizzie didn’t actually feel bitter. She would hate to be the center of attention. She wound her arms around her knees and propped her chin on them. “Cat, may I have my book back, please? It was a hard journey, and I’m tired.”

“What do you mean, a hard journey? It can’t have taken more than a day and a half!”

“My coach is over twenty years old and the springs are worn out. It bounced so hard on the post road that I couldn’t keep my eyes on the page, and my tailbone still hurts.”

“If your jointure won’t extend to a new vehicle, Joshua or Papa would be happy to buy you a coach.”

Lizzie turned her head, putting her right cheek on her knees, and closed her eyes. “No.”

She heard her sister drop into the chair by the side of the bed. Then she heard a sigh. “Papa is getting old, Lizzie. He made a terrible mistake, and he knows it. He misses you. If you would just pay him a visit . . .”

“No.”

Why would she visit the father who had turned her away when she ran to him in desperation? The father who had known precisely what a disaster her marriage would be, but didn’t bother to warn her?

An hour or so after their wedding ceremony, Adrian had brought Lizzie, still wrapped in her bridal veil, to his mother’s faded, musty house, and informed her that he had no intention of living with her.

Not only that, but he was late to meet his lover for tea.

It had happened almost six years ago, but she could still remember her stupefaction. She’d been such a silly goose.

“But where do you live?” she had stammered.

“I bought Sadie a house, and we live there,” Adrian had said casually. When she frowned in confusion, he had added impatiently, “
Sadie
. Didn’t your father tell you her name?”

“Sadie?”

For the first time—and in her experience, the last time—her husband had been a little defensive, even a trifle ashamed. “I never lied. He knows perfectly well that we shall lead separate lives.”

“Perhaps you should explain to me,” Lizzie had said, “because my father unaccountably forgot to mention it. As did you, I might add.”

Adrian had unemotionally laid out the terms of her marriage. It seemed her father had paid a great deal of money for the title of Lady Troutt. For his part, Adrian had wed her for her dowry, and because he needed someone to care for his mother.

“The estate is entailed,” he had told her, glancing around the dark sitting room. “It goes to some distant cousin, along with the title, of course. I told your father that I wouldn’t be adverse to trying for a child, once we’ve had time to get used to each other.”

Lizzie had just gaped at him.

“But we can’t bother with that now,” Adrian had told her briskly. “Sadie is upset about this mess, naturally enough. I promised her I’d be home by four. My mother takes her luncheon on a tray. There are a couple of maids, but it would be good if you could bring it in yourself. She complains of being lonely.”

After that, he left.

A few minutes later, Lizzie left as well. She went home.

Only to be sent back to her husband’s house.

There was no point in revisiting her father’s line of reasoning. Suffice it to say that no woman—even one who had abundant sensuality and beauty, which Lizzie did not—was capable of seducing a man who didn’t return to the house for a fortnight.

A man who doesn’t bother to consummate his marriage until he’s suffered a heart seizure and has, as the vulgar might put it, been given notice to quit.

A man who despises his lower-class wife, and never bothers to hide it.

This novella will be available June 28, 2016

Click
here
to preorder!

[9780062573063]