The Last Gospel (30 page)

‘Shit.’

‘You couldn’t put that in a horror movie, could you? Nobody would believe you.’

‘I think I’m getting the jitters about this place, Jack.’

‘It’s all still there, under our feet,’ Jack said. ‘The Boudican destruction layer, charred earth and smashed pottery, human bone. Then masses of rubble from the old medieval church destroyed in 1666, cleared and buried to make way for Sir Christopher Wren’s new structures. And then another layer of destruction debris from the Blitz, with reconstruction work still going on.’

‘Any unexploded ordnance?’ Costas said hopefully. ‘That’d make me happy. You owe me one. That stuff you wouldn’t let me touch on the sea bed off Sicily.’

Jack gave Costas a look, and then walked briskly over Guildhall Yard. ‘Remember where we are, the lie of the amphitheatre,’ he said as he stepped over the curved line in the pavement. He pointed to the western wall of St Lawrence Jewry, about eight metres away. ‘And remember the proximity of the church.’ They reached the church entrance and went inside. The lunchtime concert was about to begin, and Jeremy led them quickly through the nave packed with seated people to a small wooden door off the west aisle. He opened it, ducked inside and beckoned. Costas followed him, then Jack. As Jack shut the door the music began. The concert was a selection of Bach’s reconstructed violin concertos, and Jack recognized the Concerto in D Minor for solo violin, strings and basso profundo. The music was bold, confident, joyous, the strident Baroque beat giving order to confusion, structure to chaos. Jack lingered, and for a moment he thought of slipping back and sitting anonymously in the audience. He had always loved the reconstructed concertos, the result of a kind of musical archaeology that seemed to mirror his own processes of discovery, small fragments of certainty put together by scholarship, by guesswork and intuition, suddenly fusing into an explosion of clarity, of euphoria. At the moment, he felt he needed the reassurance, uncertain whether the pieces they had found would meld, whether the trail they were following would lead to a conclusion that was greater than the sum of the parts.

‘Come on, Jack,’ Costas said from below. Jack followed him down the steps, into an undercroft beneath the level of the nave. The music was still there, but now just a background vibration. He saw an open door, and followed them down into another chamber, smaller and darker. It was old, much older than the masonry structure of Wren’s church, and looked as if it had been recently cleaned. A bare bulb hung from the brick vault. Once they were all inside, Jeremy closed and bolted the door at the bottom of the steps, then ran his hand along the masonry wall. ‘It’s a medieval burial chamber, a private crypt. It was found during the recent excavation work. This is as near as anyone’s got to the southern edge of the amphitheatre arena.’

‘This must be it,’ Jack said. ‘Jeremy?’

‘I agree. Absolutely.’

Costas eyed them. ‘Okay, Jack. I want a damn good explanation for what we’re doing here.’

Jack nodded, then squatted back against the wall, his khaki bag hanging from his left side. He was excited, and took a deep breath to steady himself. ‘Okay. When we worked out that riddle in Rome, when the location clicked, I immediately thought of Sir Christopher Wren and this church. When I was a boy I used to come here a lot, visit the old bomb sites and help with the excavations. My grandmother was a volunteer, drawn back to the place where she had watched helplessly decades before, trying to atone by helping with the reconstruction work. She took me along for my first excavation, and somehow her description of the inferno in 1940 brought the Boudican revolt to life for me, brought the true horror home, the colour of fire and blood and the terrible noises of human suffering. I’ve been fascinated by the Boudican revolt ever since, by all the attempts to find Boudica’s last place of refuge and her tomb. It became my grandmother’s passion too, and when she was dying it was the last thing we spoke about. I made her a promise I thought I’d never be able to fulfil. Later, as a student, having seen myself what the bombing and clearance had revealed of the Roman city, I became fascinated by the other great inferno, by what Wren might have come across in the prehistoric and Roman layers exposed after the Great Fire of 1666. That was before archaeology had begun as a discipline, when most artifacts were never even recognized, let alone recorded.’

‘With a few exceptions,’ Jeremy murmured.

Jack nodded. ‘Wren himself had an antiquarian interest, and mentioned finding Roman artefacts under St Paul’s. That’s what really fired me up. Then I discovered that the Church of St Lawrence Jewry had been owned by Balliol College, Oxford. One of my uncles was a Fellow of the College, and he arranged for me to visit the archive, to see whether there was any record of finds made here after 1666. That visit was years ago, when I was being drawn away by diving and shipwrecks, and I didn’t take detailed notes. That’s what I asked Jeremy to check out.’

‘And Jeremy came up trumps,’ Costas said.

‘Jack remembered it was just a scrap of loose paper in an old book, part of the master mason’s diary, but I found it,’ Jeremy replied, pulling a notepad out of his coat pocket. ‘It’s fantastic. It was when they were clearing the rubble and burned timbers after the fire, trying to find holes underground to bury the stuff away: disused wells, cesspits, old vaults. One of the workmen broke into a crypt which must be this chamber. The mason described going through into another crypt, then seeing a line of large pottery pipes with handles, upright in a row against the earth wall on one side. He thought they might be drainage pipes, possibly the lining of a well, so they left them intact. They stuffed as much debris as they could into a space off to one side and then bricked it up. They then came back out, and bricked up the entrance from the first crypt also.’ Jeremy gestured towards the crumbling wall on the far side of the chamber, opposite the side with the entrance door. ‘Over there. That must be it. The brickwork looks hasty, and it’s definitely post-medieval. It looks like it hasn’t been disturbed since.’

Costas looked perplexed. ‘Okay. Drainage pipes. So where does that get us?’

Jack took out a photograph from his bag, and handed it to Costas. ‘Where it gets us,’ he said excitedly, ‘is back to the time of Boudica.’

‘Ah,’ Costas murmured. ‘Got you. Not drainage pipes. Roman amphoras.’

‘More than just amphoras,’ Jack said excitedly. ‘Much more. Intact amphoras by themselves would be a fantastic find, but it’s the context that counts. Think of where we are.’

‘The Roman amphitheatre?’ Costas said. ‘A bar, an ancient tavern like the one we saw at Herculaneum?’

‘Good guess,’ Jack said. ‘But that picture’s from a place called Sheepen. It shows the amphoras exactly as archaeologists found them. Intact wine amphoras, five of them in a row, along with drinking cups and other goods. They were in a grave.’

‘A Roman grave?’ Costas said.

Jack shook his head. ‘Not Roman. Remember what I said about the Celtic taste for wine? Imported wine had prestige value, a sign of wealth and status. No, the Sheepen amphoras were in the grave of a Celtic nobleman, a warrior.’ Jack suddenly felt exuberant. ‘All those years ago, when I was a boy, I knew I was on to something really big when I came to the Guildhall site. I just had a hunch. I thought it was the amphitheatre, when they found it years later. But now this, something else, maybe even more extraordinary. I wish my grandmother were here now. Wherever else this trail leads us, this could be another dream of mine realised.’

Costas looked at the photo, then at the bricked-up wall in front of them. He started to speak, but suddenly stopped, transfixed. He looked at the photo again, then at Jack. ‘Holy cow,’ he said weakly.

Jack looked at him, and nodded. ‘Yes.’

‘That goddess. Andraste,’ Costas whispered.

Jack nodded, wordlessly.

‘What do we do now?’ Jeremy said.

Jack looked at his watch. ‘If everything goes according to schedule, the van with the equipment should be outside in an hour. By then the concert upstairs will be over and we’ll be able to get all the gear in discreetly, if the church people agree.’

‘I’ve just got one more guy to talk to, but we’ll be good to go,’ Jeremy said, eyeing Costas, who gave a thumbs-up.

‘We’re not taking any chances,’ Jack said. ‘Full kit. We might be going below the water table, and who knows what else is down there. I’m not even going to tackle that wall until we’re ready. Meanwhile, I might just go up and listen to the music.’

‘No you don’t,’ Costas said. ‘I still need to get a few things straight. A few big things. Like how Christianity fits into all this warrior queen stuff.’

‘Okay,’ Jeremy said, pushing up his spectacles and peering at Costas. ‘If it’s early Christianity in Britain, it’s one of my areas of interest. Fire away.’

‘Before meeting you this morning we went to the British Library,’ Costas said. ‘Jack needed to check some source material on this church, and while he was busy I visited the display of ancient manuscripts. Incredible stuff. I saw one of the Bibles brought by St Augustine to Britain, in AD 597. That’s almost two hundred years after the Romans left Britain. That’s where I’m confused. I thought Augustine was the one who brought Christianity to Britain. I thought, hold on, how can there be Christians in Roman Britain?’

Jeremy leaned forward from where he was sitting against the wall. ‘That’s a common misconception. And it’s what the Anglo-Saxon Church historians would have liked you to believe, even the big names like Bede.’

‘I don’t get it.’

‘The Church of England, the
Ecclesia Anglicana
, was really the Church of the Anglo-Saxons. It traced its origins to the mission of Augustine, who supposedly brought Christianity to the pagan population of Britain well after the Romans had left. It was a political tool, intimately bound up with Anglo-Saxon kingship and with the power of Rome. But even the Anglo-Saxon historians knew there had been Christianity in Britain before that, when the Romans had ruled.’

‘The
Ecclesia Britannorum
,’ Jack murmured. ‘The Church of the Britons. The Celtic Church.’

‘To get a handle on it, you have to go to Gildas,’ Jeremy said. ‘A British monk who lived in the early sixth century, about a hundred years after the Romans left, a couple of generations before Augustine arrived. Gildas is just about the only Briton we know about who may have been alive at the time of King Arthur, probably a British warlord fighting the Anglo-Saxon invaders at that time.’

‘Sounds like the original Friar Tuck,’ Costas murmured.

‘His book’s called
De Excidio Britonum, The Ruin of Britain
. It was written in Latin, but I’ve got a translation.’ Jack delved into his bag, and brought out a scuffed blue and grey book with a chi-rho symbol on the front. ‘It’s a rant about how the kings who ruled Britain after the Romans had failed in their Christian duty. I’ve got it because Gildas mentions Boudica. It was a present from my grandmother when I was a boy.’

‘Gildas called Boudica a deceitful lioness,’ Jeremy said, grinning.

‘That’s all he says, but it suggests that the memory of her rebellion lingered on, even in a churchman who knew virtually nothing of Roman history, and little of Christian history for that matter.’

‘But he gives us the first ever account of the founding of the British Church, the Celtic Church in the time of the Romans,’ Jeremy said.

Jack nodded, and turned the page. ‘Here it is.’ He read it aloud: ‘ “Meanwhile, to an island numb with chill ice and far removed, as in a remote nook of the world, from the visible sun, Christ made a present of his rays, that is, his precepts, Christ the true sun, which shows its dazzling brilliance to the entire earth, not from the temporal firmament merely, but from the highest citadel of heaven, that goes beyond all time. This happened first, as we know, in the last years of the emperor Tiberius, at a time when Christ’s religion was being propagated without hindrance; for, against the wishes of the Senate, the emperor threatened the death penalty for informers against soldiers of God.” ’

‘At least he got the weather right,’ Costas grumbled. ‘So what’s he on about? The emperor Tiberius?’

‘The Roman emperor at the time of the crucifixion,’ Jeremy said.

Jack closed the book. ‘Tiberius was Claudius’ uncle, ruled Rome from AD 14 to 37. Gildas seems to think that Tiberius was himself a Christian, at odds with a pagan Senate. It’s all pretty garbled and probably an anachronism, referring to the problems the Christian emperors had with the pagan Senate in the fourth century AD, after Constantine the Great had made Christianity the state religion. There’s no other indication anywhere that Tiberius was a Christian. But what we’ve found in the last few days, in Herculaneum, in Rome, has set me thinking.’

‘About others in Rome who knew of Jesus of Nazareth,’ Jeremy murmured.

‘The British Church, the Celtic Church of the Roman period, has left no written records,’ Jack replied. ‘If there ever were any, they would almost certainly have been destroyed by the Anglo-Saxons. But was Gildas recounting a distant truth, a folk memory perhaps, a secret passed on by word of mouth among followers of the British Church for more than five centuries? Was he telling us that there had indeed been a Christian emperor very early on, or an emperor well disposed towards Christians? Not Tiberius, but another emperor who had been alive at the time of Christ?’

‘Claudius!’ Costas exclaimed.

‘It’s just possible.’ Jack was animated, and gesticulated as he spoke. ‘By the time of Gildas, centuries later, the true identity of the emperor could have been confused. Claudius would have been remembered as the invader of Britain, as the deified emperor worshipped in the temple at Colchester. A pretty unlikely Christian. But Gildas would have known of Tiberius from the Gospels, as the emperor who had presided over the death of Jesus. To Gildas, it might have seemed the ultimate triumph of Christianity to suggest that Tiberius himself was a convert. A pretty extravagant fiction, but Gildas lived at a time when many fanciful additions were being made to the story of events surrounding the life of Christ.’