The Hunger Games (27 page)

Peeta? No, it’s not about Peeta. It’s about the Capitol and the Gamemakers and the audience. Although I do not yet understand Cinna’s design, it’s a reminder the Games are not quite finished. And beneath his benign reply, I sense a warning. Of something he can’t even mention in front of his own team.

We take the elevator to the level where we trained. It’s
customary for the victor and his or her support team to rise from beneath the stage. First the prep team, followed by the escort, the stylist, the mentor, and finally the victor. Only this year, with two victors who share both an escort and a mentor, the whole thing has had to be rethought. I find myself in a poorly lit area under the stage. A brand-new metal plate has been installed to transport me upward. You can still see small piles of sawdust, smell fresh paint. Cinna and the prep team peel off to change into their own costumes and take their positions, leaving me alone. In the gloom, I see a makeshift wall about ten yards away and assume Peeta’s behind it.

The rumbling of the crowd is loud, so I don’t notice Haymitch until he touches my shoulder. I spring away, startled, still half in the arena, I guess.

“Easy, just me. Let’s have a look at you,” Haymitch says. I hold out my arms and turn once. “Good enough.”

It’s not much of a compliment. “But what?” I say.

Haymitch’s eyes shift around my musty holding space, and he seems to make a decision. “But nothing. How about a hug for luck?”

Okay, that’s an odd request from Haymitch but, after all, we are victors. Maybe a hug for luck is in order. Only, when I put my arms around his neck, I find myself trapped in his embrace. He begins talking, very fast, very quietly in my ear, my hair concealing his lips.

“Listen up. You’re in trouble. Word is the Capitol’s furious about you showing them up in the arena. The one thing
they can’t stand is being laughed at and they’re the joke of Panem,” says Haymitch.

I feel dread coursing through me now, but I laugh as though Haymitch is saying something completely delightful because nothing is covering my mouth. “So, what?”

“Your only defense can be you were so madly in love you weren’t responsible for your actions.” Haymitch pulls back and adjusts my hairband. “Got it, sweetheart?” He could be talking about anything now.

“Got it,” I say. “Did you tell Peeta this?”

“Don’t have to,” says Haymitch. “He’s already there.”

“But you think I’m not?” I say, taking the opportunity to straighten a bright red bow tie Cinna must have wrestled him into.

“Since when does it matter what I think?” says Haymitch. “Better take our places.” He leads me to the metal circle. “This is your night, sweetheart. Enjoy it.” He kisses me on the forehead and disappears into the gloom.

I tug on my skirt, willing it to be longer, wanting it to cover the knocking in my knees. Then I realize it’s pointless. My whole body’s shaking like a leaf. Hopefully, it will be put down to excitement. After all, it’s my night.

The damp, moldy smell beneath the stage threatens to choke me. A cold, clammy sweat breaks out on my skin and I can’t rid myself of the feeling that the boards above my head are about to collapse, to bury me alive under the rubble. When I left the arena, when the trumpets played, I was supposed to be safe. From then on. For the rest of
my life. But if what Haymitch says is true, and he’s got no reason to lie, I’ve never been in such a dangerous place in my life.

It’s so much worse than being hunted in the arena. There, I could only die. End of story. But out here Prim, my mother, Gale, the people of District 12, everyone I care about back home could be punished if I can’t pull off the girl-driven-crazy-by-love scenario Haymitch has suggested.

So I still have a chance, though. Funny, in the arena, when I poured out those berries, I was only thinking of outsmarting the Gamemakers, not how my actions would reflect on the Capitol. But the Hunger Games are their weapon and you are not supposed to be able to defeat it. So now the Capitol will act as if they’ve been in control the whole time. As if they orchestrated the whole event, right down to the double suicide. But that will only work if I play along with them.

And Peeta…Peeta will suffer, too, if this goes wrong. But what was it Haymitch said when I asked if he had told Peeta the situation? That he had to pretend to be desperately in love?

“Don’t have to. He’s already there.”

Already thinking ahead of me in the Games again and well aware of the danger we’re in? Or…already desperately in love? I don’t know. I haven’t even begun to separate out my feelings about Peeta. It’s too complicated. What I did as part of the Games. As opposed to what I did out of anger at the Capitol. Or because of how it would be viewed back
in District 12. Or simply because it was the only decent thing to do. Or what I did because I cared about him.

These are questions to be unraveled back home, in the peace and quiet of the woods, when no one is watching. Not here with every eye upon me. But I won’t have that luxury for who knows how long. And right now, the most dangerous part of the Hunger Games is about to begin.

The anthem booms in my ears, and then I hear Caesar Flickerman greeting the audience. Does he know how crucial it is to get every word right from now on? He must. He will want to help us. The crowd breaks into applause as the prep teams are presented. I imagine Flavius, Venia, and Octavia bouncing around and taking ridiculous, bobbing bows. It’s a safe bet they’re clueless. Then Effie’s introduced. How long she’s waited for this moment. I hope she’s able to enjoy it because as misguided as Effie can be, she has a very keen instinct about certain things and must at least suspect we’re in trouble. Portia and Cinna receive huge cheers, of course, they’ve been brilliant, had a dazzling debut. I now understand Cinna’s choice of dress for me for tonight. I’ll need to look as girlish and innocent as possible. Haymitch’s appearance brings a round of stomping that goes on at least five minutes. Well, he’s accomplished a first. Keeping not only one but two tributes alive. What if he hadn’t warned me in time? Would I have acted differently? Flaunted the moment with the berries in the Capitol’s face? No, I don’t think so. But I could easily have been a lot less convincing than I need to be now. Right now. Because I can feel the plate lifting me up to the stage.

Blinding lights. The deafening roar rattles the metal
under my feet. Then there’s Peeta just a few yards away. He looks so clean and healthy and beautiful, I can hardly recognize him. But his smile is the same whether in mud or in the Capitol and when I see it, I take about three steps and fling myself into his arms. He staggers back, almost losing his balance, and that’s when I realize the slim, metal contraption in his hand is some kind of cane. He rights himself and we just cling to each other while the audience goes insane. He’s kissing me and all the time I’m thinking,
Do you know? Do you know how much danger we’re in?
After about ten minutes of this, Caesar Flickerman taps on his shoulder to continue the show, and Peeta just pushes him aside without even glancing at him. The audience goes berserk. Whether he knows or not, Peeta is, as usual, playing the crowd exactly right.

Finally, Haymitch interrupts us and gives us a good-natured shove toward the victor’s chair. Usually, this is a single, ornate chair from which the winning tribute watches a film of the highlights of the Games, but since there are two of us, the Gamemakers have provided a plush red velvet couch. A small one, my mother would call it a love seat, I think. I sit so close to Peeta that I’m practically on his lap, but one look from Haymitch tells me it isn’t enough. Kicking off my sandals, I tuck my feet to the side and lean my head against Peeta’s shoulder. His arm goes around me automatically, and I feel like I’m back in the cave, curled up against him, trying to keep warm. His shirt is made of the same yellow material as my dress, but Portia’s put him in long black pants. No sandals, either, but a pair of sturdy
black boots he keeps solidly planted on the stage. I wish Cinna had given me a similar outfit, I feel so vulnerable in this flimsy dress. But I guess that was the point.

Caesar Flickerman makes a few more jokes, and then it’s time for the show. This will last exactly three hours and is required viewing for all of Panem. As the lights dim and the seal appears on the screen, I realize I’m unprepared for this. I do not want to watch my twenty-two fellow tributes die. I saw enough of them die the first time. My heart starts pounding and I have a strong impulse to run. How have the other victors faced this alone? During the highlights, they periodically show the winner’s reaction up on a box in the corner of the screen. I think back to earlier years…some are triumphant, pumping their fists in the air, beating their chests. Most just seem stunned. All I know is that the only thing keeping me on this love seat is Peeta—his arm around my shoulder, his other hand claimed by both of mine. Of course, the previous victors didn’t have the Capitol looking for a way to destroy them.

Condensing several weeks into three hours is quite a feat, especially when you consider how many cameras were going at once. Whoever puts together the highlights has to choose what sort of story to tell. This year, for the first time, they tell a love story. I know Peeta and I won, but a disproportionate amount of time is spent on us, right from the beginning. I’m glad though, because it supports the whole crazy-in-love thing that’s my defense for defying the Capitol, plus it means we won’t have as much time to linger over the deaths.

The first half hour or so focuses on the pre-arena events, the reaping, the chariot ride through the Capitol, our training scores, and our interviews. There’s this sort of upbeat soundtrack playing under it that makes it twice as awful because, of course, almost everyone on-screen is dead.

Once we’re in the arena, there’s detailed coverage of the bloodbath and then the filmmakers basically alternate between shots of tributes dying and shots of us. Mostly Peeta really, there’s no question he’s carrying this romance thing on his shoulders. Now I see what the audience saw, how he misled the Careers about me, stayed awake the entire night under the tracker jacker tree, fought Cato to let me escape and even while he lay in that mud bank, whispered my name in his sleep. I seem heartless in comparison—dodging fireballs, dropping nests, and blowing up supplies—until I go hunting for Rue. They play her death in full, the spearing, my failed rescue attempt, my arrow through the boy from District 1’s throat, Rue drawing her last breath in my arms. And the song. I get to sing every note of the song. Something inside me shuts down and I’m too numb to feel anything. It’s like watching complete strangers in another Hunger Games. But I do notice they omit the part where I covered her in flowers.

Right. Because even that smacks of rebellion.

Things pick up for me once they’ve announced two tributes from the same district can live and I shout out Peeta’s name and then clap my hands over my mouth. If I’ve seemed indifferent to him earlier, I make up for it now, by finding him, nursing him back to health, going to the feast
for the medicine, and being very free with my kisses. Objectively, I can see the mutts and Cato’s death are as gruesome as ever, but again, I feel it happens to people I have never met.

And then comes the moment with the berries. I can hear the audience hushing one another, not wanting to miss anything. A wave of gratitude to the filmmakers sweeps over me when they end not with the announcement of our victory, but with me pounding on the glass door of the hovercraft, screaming Peeta’s name as they try to revive him.

In terms of survival, it’s my best moment all night.

The anthem’s playing yet again and we rise as President Snow himself takes the stage followed by a little girl carrying a cushion that holds the crown. There’s just one crown, though, and you can hear the crowd’s confusion—whose head will he place it on?—until President Snow gives it a twist and it separates into two halves. He places the first around Peeta’s brow with a smile. He’s still smiling when he settles the second on my head, but his eyes, just inches from mine, are as unforgiving as a snake’s.

That’s when I know that even though both of us would have eaten the berries, I am to blame for having the idea. I’m the instigator. I’m the one to be punished.

Much bowing and cheering follows. My arm is about to fall off from waving when Caesar Flickerman finally bids the audience good night, reminding them to tune in tomorrow for the final interviews. As if they have a choice.

Peeta and I are whisked to the president’s mansion for the Victory Banquet, where we have very little time to
eat as Capitol officials and particularly generous sponsors elbow one another out of the way as they try to get their picture with us. Face after beaming face flashes by, becoming increasingly intoxicated as the evening wears on. Occasionally, I catch a glimpse of Haymitch, which is reassuring, or President Snow, which is terrifying, but I keep laughing and thanking people and smiling as my picture is taken. The one thing I never do is let go of Peeta’s hand.

The sun is just peeking over the horizon when we straggle back to the twelfth floor of the Training Center. I think now I’ll finally get a word alone with Peeta, but Haymitch sends him off with Portia to get something fitted for the interview and personally escorts me to my door.

“Why can’t I talk to him?” I ask.

“Plenty of time for talk when we get home,” says Haymitch. “Go to bed, you’re on air at two.”

Despite Haymitch’s running interference, I’m determined to see Peeta privately. After I toss and turn for a few hours, I slip into the hall. My first thought is to check the roof, but it’s empty. Even the city streets far below are deserted after the celebration last night. I go back to bed for a while and then decide to go directly to his room, but when I try to turn the knob, I find my own bedroom door has been locked from the outside. I suspect Haymitch initially, but then there’s a more insidious fear that the Capitol may be monitoring and confining me. I’ve been unable to escape since the Hunger Games began, but this feels different, much more personal. This feels like I’ve been imprisoned for a crime and I’m awaiting sentencing. I quickly get back
in bed and pretend to sleep until Effie Trinket comes to alert me to the start of another “big, big, big day!”

I have about five minutes to eat a bowl of hot grain and stew before the prep team descends. All I have to say is, “The crowd loved you!” and it’s unnecessary to speak for the next couple of hours. When Cinna comes in, he shoos them out and dresses me in a white, gauzy dress and pink shoes. Then he personally adjusts my makeup until I seem to radiate a soft, rosy glow. We make idle chitchat, but I’m afraid to ask him anything of real importance because after the incident with the door, I can’t shake the feeling that I’m being watched constantly.

The interview takes place right down the hall in the sitting room. A space has been cleared and the love seat has been moved in and surrounded by vases of red and pink roses. There are only a handful of cameras to record the event. No live audience at least.

Caesar Flickerman gives me a warm hug when I come in. “Congratulations, Katniss. How are you faring?”

“Fine. Nervous about the interview,” I say.

“Don’t be. We’re going to have a fabulous time,” he says, giving my cheek a reassuring pat.

“I’m not good at talking about myself,” I say.

“Nothing you say will be wrong,” he says.

And I think,
Oh, Caesar, if only that were true. But actually, President Snow may be arranging some sort of “accident” for me as we speak.

Then Peeta’s there looking handsome in red and white,
pulling me off to the side. “I hardly get to see you. Haymitch seems bent on keeping us apart.”

Haymitch is actually bent on keeping us alive, but there are too many ears listening, so I just say, “Yes, he’s gotten very responsible lately.”

“Well, there’s just this and we go home. Then he can’t watch us all the time,” says Peeta.

I feel a sort of shiver run through me and there’s no time to analyze why, because they’re ready for us. We sit somewhat formally on the love seat, but Caesar says, “Oh, go ahead and curl up next to him if you want. It looked very sweet.” So I tuck my feet up and Peeta pulls me in close to him.

Someone counts backward and just like that, we’re being broadcast live to the entire country. Caesar Flickerman is wonderful, teasing, joking, getting choked up when the occasion presents itself. He and Peeta already have the rapport they established that night of the first interview, that easy banter, so I just smile a lot and try to speak as little as possible. I mean, I have to talk some, but as soon as I can I redirect the conversation back to Peeta.

Eventually though, Caesar begins to pose questions that insist on fuller answers. “Well, Peeta, we know, from our days in the cave, that it was love at first sight for you from what, age five?” Caesar says.

“From the moment I laid eyes on her,” says Peeta.

“But, Katniss, what a ride for you. I think the real excitement for the audience was watching you fall for him.
When did you realize you were in love with him?” asks Caesar.

“Oh, that’s a hard one…” I give a faint, breathy laugh and look down at my hands. Help.

“Well, I know when it hit me. The night when you shouted out his name from that tree,” says Caesar.

Thank you, Caesar!
I think, and then go with his idea. “Yes, I guess that was it. I mean, until that point, I just tried not to think about what my feelings might be, honestly, because it was so confusing and it only made things worse if I actually cared about him. But then, in the tree, everything changed,” I say.

“Why do you think that was?” urges Caesar.

“Maybe…because for the first time…there was a chance I could keep him,” I say.

Behind a cameraman, I see Haymitch give a sort of huff with relief and I know I’ve said the right thing. Caesar pulls out a handkerchief and has to take a moment because he’s so moved. I can feel Peeta press his forehead into my temple and he asks, “So now that you’ve got me, what are you going to do with me?”

I turn in to him. “Put you somewhere you can’t get hurt.” And when he kisses me, people in the room actually sigh.

For Caesar, this is a natural place to segue into all the ways we did get hurt in the arena, from burns, to stings, to wounds. But it’s not until we get around to the mutts that I forget I’m on camera. When Caesar asks Peeta how his “new leg” is working out.

“New leg?” I say, and I can’t help reaching out and pulling up the bottom of Peeta’s pants. “Oh, no,” I whisper, taking in the metal-and-plastic device that has replaced his flesh.

“No one told you?” asks Caesar gently. I shake my head.

“I haven’t had the chance,” says Peeta with a slight shrug.

“It’s my fault,” I say. “Because I used that tourniquet.”

“Yes, it’s your fault I’m alive,” says Peeta.

“He’s right,” says Caesar. “He’d have bled to death for sure without it.”

I guess this is true, but I can’t help feeling upset about it to the extent that I’m afraid I might cry and then I remember everyone in the country is watching me so I just bury my face in Peeta’s shirt. It takes them a couple of minutes to coax me back out because it’s better in the shirt, where no one can see me, and when I do come out, Caesar backs off questioning me so I can recover. In fact, he pretty much leaves me alone until the berries come up.