The Heroes' Welcome (2 page)

When he came back she was in bed, so he undressed. The previous times – before, during the war – they had blushed and fumbled and laughed and burned up and torn each other’s clothes off: the first time, in the field; the miraculous interlude in Victoria. He had never seen her in a nightgown before, in bed. His wife. Safe and sweet. Her hair had grown back a little over the winter, the wild dark curls starting to coil again. She’d brushed it.

She was smiling up at him – nervously? He didn’t want to make her nervous.

It was pretty clear to him that she couldn’t want him that way. Damaged as he was. How could she?

*

She was thinking:
Why did I say that, on the landing? ‘It doesn’t matter?’ What doesn’t matter?

She’d felt foolish even before the words came out. She thought:
I’m sure he would want me, if he was physically, um …
She was thinking:
I must not pressurise him … but he hasn’t – since – and he’s had so much morphine, over the past years …
She didn’t know, actually, if he was still taking it. There were areas of his life where his independence and his privacy were so important to him,
which was quite right
.
Quite right.
She had been watching him, cautiously. He did not seem to see himself as a patient, or a cripple, and she was not going to tell him that he was. She didn’t know if he was or not. Even if she had an opinion, it was not her decision.

She had been thinking about this moment for weeks. Something would change, now they were married. The most important thing (which she had borne in mind all winter, and was, she felt, doing well at integrating) was that, specially as she
had
been a nurse, she absolutely must not become
his
nurse. But this vital consideration made it difficult for her to, for example, enquire about whether the morphine had affected his … Hm.

To be blunt …

She didn’t know if he would be physically capable. She didn’t know how to ask. Or if she wanted to ask. She hadn’t wanted to spoil anything by asking. They had always been so magically immediate with each other, understanding, catching eyes. Since they were children they’d had that! Apart from the one great stupid error, his attack of spurious honour, of over-gentlemanliness, when he’d told her he had a girl in France, when in fact there was no girl, it was that he hadn’t wanted to inflict his wounds on her – oh, Lord, the kindness he had meant by that, and the
arrogance …
Apart from that,
that little thing
,
they’d never really had to ask
,
or explain, about anything. She didn’t want to ask now. She wanted the romantic. She wanted them to be magical, not to have to ask or explain. They
had
to be romantic. Because if they weren’t romantic, what were they? She was aware how their union could be seen. She was damned if she was going to be seen as his nurse, and him as some pathetic, incapacitated …

Stop it. Nobody thinks that. And who cares if they do?

And a woman is not meant to want it anyway …

Yes, but I’m not that kind of squashed, repressed Victorian woman – and I bet they did want it, they just didn’t dare say …

And …

He came back in his pyjama bottoms. His face, so extraordinary. His mouth. The beautiful upper lip, the battlefield below. The skin above smoothed ivory by morphine, the scars below carefully shaven, not hidden, not displayed, only the moustache worn a little long, like the hair of his head, so as not to frighten people too much. His beautiful grey eyes. Twenty-three years old, looking a hundred. She watched his arm reaching in the shadow to turn out the lamp: the long scar from the Somme streaked across the muscle, shining. The glow from the streetlight outside fell on his strong back, the shape of his shoulders, the curve of his spine. He reached for his pyjama top and she said, ‘Don’t.’ And saw him misunderstand it.

He pulled it up over his shoulders.

‘No,’ she said. ‘I didn’t mean …’ and as he came to lie by her she slid her arms inside the shirt, and he sighed.

*

And one thin layer of tension flew off him – but …

But what about my mouth?
he thought.
I don’t … She can’t …

They didn’t kiss. They lay entwined on the cool sheet. Awake. Unconsummated.

She doesn’t want it
,
he thought.
I mustn’t.

*

He’s not … He can’t
,
she thought.
And I can’t—

Well.

If that’s it …

I must respect that.

*

The proximity of flesh was irresistible. Riley bit his tongue, natural upper teeth to false lower, and rolled over, so his back was to her, so she would not notice.

Oh,
she thought.

After quite a long time, they went to sleep.

*

The day after the wedding, they went to Nadine’s parents’ house on Bayswater Road. She had not been home since the end of the war. Not for Christmas. Not at all. She had written bland letters to her mother saying she was all right, and less bland ones to her father saying she would come soon, but the fog of shock and exhaustion in which they had been dwelling at that time had prevented her from properly recognising the cruelty of staying away. Neither she nor Riley had even told their parents where they were living. It had been part of the silent arrangement. Nothing, till spring. Just a suspension between past and present which allowed them to attend to neither.

They stood on the steps in the front garden, their backs to Kensington Gardens, the door shiny before them, and each gave the other a brave look as Riley rang the bell. Nadine took Riley’s hand, and he felt the flow of feeling shared and supported by the physical union: two bodies stronger than one, two hearts more capacious. Being – becoming – more than the sum of their parts.

A maid answered, and he wondered what had become of Barnes:
perhaps he joined up after all. Perhaps he got killed. Or perhaps he got that guesthouse with Mrs Barnes. Let’s hope so. It’s been six months since the end.

Lady Waveney was home, and Sir Robert too, the maid said, Who could she say was calling?

‘I’m Nadine,’ said Nadine, and the girl blinked, and said: ‘Oh! She’s in there, Miss …’, and stared: the prodigal daughter returning, and with a wounded officer …

Riley knew the look, and what it meant:
Oh my word, oh poor thing, such nice eyes, and it’s not right to stare, but how can she bear him?
He didn’t stare back at the maid. And when he and his bride went into the beautiful, unchanged, unforgotten drawing room, all velvets and spring light and rather good paintings, he allowed his new mother-in-law a few moments, too, to look at his face, before he looked up at hers. His determination and habit was to wear his scars without apology but with kindness. The last time they had met (Jacqueline, Lady Waveney, what was he meant to call her?), he had had only his scar from Loos, the little dashing cut on his cheekbone, the clean, romantic, officer-in-a-duel-of-honour scar. So he would be a shock, with his reconstructed jaw, his twisted mouth, his slightly too-long hair lying only slightly effectively over the scars where the skin flaps had been taken from his scalp and brought down to cover his new chin. He was beginning to realise that he did not know what he looked like to anyone else. People said his surgeon, Major Gillies, had done a good job, and Major Gillies himself said it had healed well, and Riley chose to believe this was true. It would have been unhelpful to do otherwise. However. He had learnt that he had to be patient, and allow everyone who saw him their own response, and if necessary lead them through their shock and doubt to the fact that he had accepted his lot. This despite the fact that his speech was not entirely clear. Oh, and he had to let them understand that unclear speech did not equate to an unclear mind. This too was turning out to be part of his responsibility, every time he spoke to someone new. Or, indeed, someone from before. He hadn’t on the whole been meeting new people.

Jacqueline, wearing a luxurious old-fashioned kind of house-gown, her red hair piled up, was doing something with a plant by the long window at the back of the drawing room. She turned, and blinked three times. Once to see her daughter. Once to see her with Riley Purefoy. Once to see Riley Purefoy’s face. Then she lifted her hands – to open her arms? For an embrace? Riley couldn’t tell. It turned somehow into a shrug, which was visibly not what she had meant. She put down her secateurs.

‘Oh my dear,’ she said. ‘Oh my dear.’

‘Hello, Mother,’ said Nadine.

Neither of them advanced across the blocked-out distance between them. They seemed to him to be suspended. So he stepped forward, held out his hand to Jacqueline, and said, in his odd, quiet, bold voice, mangled a little through the straitened mouth: ‘Lady Waveney – I am pleased to see you. You look well.’

‘Captain Purefoy,’ she said, nothing more than another blink betraying any response. He was impressed.

‘Mr, I think, by now,’ he said.

‘Oh no,’ she said, with a little passion in her voice. ‘Always Captain. Always. Will you have tea?’

‘Thank you, Mother,’ said Nadine. ‘We will.’

The ‘we’ stopped Jacqueline in her movement towards the bell. She turned, looked, saw: gold ring.

‘Is Sir Robert at home?’ Riley said gently. ‘I need to speak to him. I have left it rather late already …’

‘So you have,’ said Jacqueline. She raised her eyes to stare at him, at her daughter, at him again. No one dropped from anyone else’s look.

‘Well, I …’ said Jacqueline.

Riley observed: Jacqueline covering shock with bred-in-the-bone manners, the calmly beautiful half-smile she wore whenever she didn’t know what to do. Nadine, still in her mother’s presence feeling thirteen years old, naughty, resentful and blank. He saw the careful breath with which Nadine prepared to start the speech she had for her mother.

‘I’ll just call your father,’ Jacqueline interrupted, undercutting her daughter at just the most effective moment. She crossed to ring the bell. The maid, standing agog in the hall, stepped into the room. ‘Call Sir Robert, Mary.’

And Nadine instead burst out: ‘I do hope, Mother, that you’re not going to make some stupid fuss about this, because it’s done, it’s right, and with or without your blessing Riley and I are—’

My brave fighting girl
, he thought.

‘Oh no,’ said Jacqueline faintly. ‘My dear. No.’

Nadine fell silent. Her mother looked, in a way, as if she was thinking about something else entirely. Silence drifted round the lovely room; the pale panelling, the dark velvets, the sea colours, the windows full of leaves and light.

What does she mean by that? No, what?

‘So, have we your blessing?’ Riley asked, cautiously. He was fairly sure that was not what she had meant.

Jacqueline looked up. ‘I invited you in here, Riley, all those years ago. Me. I thought you were sweet. I thought you needed drying off and feeding, and you responded, and look at you now. Look what you have made of being knocked into the Round Pond.’

He said nothing. It was not clear whether this was sneering or admiration. Or both.

‘You are an astonishing boy.’

He hadn’t been called a boy in a long time.
Ah – it makes her feel better about me. As if I’m not a man, and I haven’t – ah—

Well, madam, you’re closer than you know.

Sir Robert came down the stairs: a clattering, hurrying step, and a figure at the door.

‘What’s going on, my dear?’ he said, before he saw: and when he did the joy in his face was heart-melting, immediate, irresistible. There was no difficulty here. Riley wondered how much it hurt Jacqueline to see the bare-faced love Nadine gave her father, running to him, burying herself in him, visibly radiating the joy she took in the fatherly smell of him; his inky fingers, greyer hair, familiar voice. He held her away to look at her, held her back to his chest to embrace her, held her away again to admire her – and noticed Riley.

‘Purefoy!’ he exclaimed. ‘You cuckoo! Where’ve you been? Good Lord – excuse me, darling – my word.’ He stared, for a moment only, at the face, then gave a tiny sigh and a shake of the head. ‘Well, Purefoy—’ he said, and he strode over, attempted to shake hands, and couldn’t stop himself from embracing.

‘It seems—’ said Jacqueline, with a slightly twisted smile, but Riley broke in and said: ‘Might I have a word with you, sir? In private?’ So little had been correctly done. He
would
do it correctly. As far as possible.

Sir Robert couldn’t make out what Riley was saying. Riley repeated it.

‘Modern world, Purefoy,’ said Sir Robert, getting the words, but not the purpose of them. ‘No secrets here …’ But he sensed there was something, so he allowed himself to be manoeuvred out of the room, into the hall. The maid skittered from under their feet, and there they foundered for a moment. Riley did not know where to go. The library, he felt, from novels, was the correct location. There was no library.

‘What is it?’ Sir Robert said. ‘What’s on your mind that the ladies can’t hear?’

Riley grinned his sideways grin. No excuses. No avoidance. No modifying his vocabulary even.
Get it done.

He wanted to say that he had a
post facto
request, but he knew he would not be able to get it out clearly.

‘The horse has bolted, sir,’ he said. ‘I. I. I. Wanted to ask.’

This was hard.
All right. Pretend he’s a senior officer. All right
. Robert was looking curious, and civil.

‘For Nadine’s hand. To marry her, sir. But. We’re married already.’ Pause.
All right. Off we go.
Long sentence coming up.
‘Yesterday, sir, without your permission, because if anything had prevented our marrying now, we might not have been able to bear it, sir.’

Sir Robert was concentrating to make out the words, and utterly taken aback – silent – and then: ‘You cheeky little …’ he said. ‘You – it’s not even wartime! Explain yourself, man. Does Jacqueline know about this?’