The Girl in the Glass (25 page)

I'd had a feeling that things would come to this, but I wanted to put off thinking about it as long as possible. If she went away and I didn't go with her, I knew I would never see her again. But if I left Antony and Schell and the promise of college behind, I would be writing off that part of my life. All I said to her was, "When you're ready to go, tell me." She smiled and said nothing more about it, and I wasn't sure if she thought I was promising I'd follow or if she knew I couldn't decide, but I didn't have the courage to contemplate the choice any further.

Back at the house, we found Antony sitting at the kitchen table, cleaning the Mauser. He was bent over the gun, whistling, amid all manner of rods, brushes, and solvents laid out.

"I haven't cleaned this damn thing in years," he said, "and it's not in bad shape—a little copper fouling, that's about it."

"Are you getting an itchy trigger finger?" I asked.

"Not me," he said. "This is by order of the boss."

"Is he expecting gunplay?"

"Beats me," said Antony. "I just clean the gun, drive the car, get strangled by the bad guys, and make the dinners around here." He started whistling again and went back to his work. Schell and Morgan only appeared at dinnertime. I didn't inquire what they'd been up to all afternoon. During the meal, Isabel asked Schell when he thought it would be safe for her to leave the house.

"Give it a few more days," said Schell. "Where are you thinking of going?"

"Mexico," she said.

"I'll give you some money," he said.

"I couldn't take your money," she told him.

"Well, it's going to take you a long time to walk there," he said.

"Take his money," said Antony. "I would."

"We could drive you over to Jersey and put you on a bus," Schell said. "Once you get to Mexico, send the dough back to me if you want, or not. I don't care."

"Why not a train?" asked Morgan.

"More people traveling on trains read newspapers than people on the bus," said Schell.

"Don't sweat it, hon," Antony said to Isabel. "It's going to work out." I quickly changed the conversation to the upcoming presidential election, which was only weeks away. With the exception of Antony expressing his hopes for the repeal of Prohibition, the topic soon died from overall disinterest, but it was enough to divert the discussion away from Isabel's departure. Later that night, once Isabel was asleep, I went in search of Schell. I wanted to talk to him about my possibly leaving. Luckily, he'd not gone to bed but was sitting on the couch in the Bugatorium. Morgan, stretched out next to him, had fallen asleep with her head resting on a pillow propped against his thigh. As I entered the room, he looked over at me, and I said, "Sorry," and began to leave, but he waved me back. I walked over and sat down across from him.

Before I could speak, he whispered to me, "I've been meaning to talk to you." I was going to tell him the same, but his expression was one of perplexity, as if he'd made himself weary from too much thought.

"What is it?" I asked.

"I've been thinking about the butterflies," he said.

"That's not exactly unusual," I said, smiling.

"No," he said, shaking his head. "I think once this present group dies out in a few weeks, I'll discontinue the Bugatorium."

"Why?"

"Recent developments have left me with a bad taste for the idea of breeding in any capacity. It's never struck me before, but now the whole thing"—here he lifted his hands in the air, the same motion he used to release butterflies during the séances—"seems to me wrought with vanity; the most self-serving affectation."

"But the study of butterflies excited you," I said.

"I think I conned myself into the excitement."

"I always enjoyed them," I said.

"Did I ever tell you how I got started?"

"No," I said.

"It was my first con," he said. "My father, the great Magus Jack, would bet on anything. He'd bet me on things and never lose—coin flips, horse races, how many times a woman at the mailbox on the corner would open and close the little door after putting her letter in. When I'd lose, he'd laugh at me. It got to the point where all I wanted to do was beat him—if only just once.

"One morning, before the sun was even up, one of the few days he ever spent with me, we were walking through the park—he was going to show me some scam—and I spotted a butterfly, closed, on a flower. I bet him I could wiggle the flower and the butterfly wouldn't fly away. He laughed his condescending laugh at me and took the bet. I got down, grabbed the flower by the stalk, and moved it back and forth, a good six or seven times. The butterfly hung on, wouldn't budge. He didn't laugh then but paid me in silver with a grim look on his face."

"Why didn't it fly away?" I asked.

"It was something Morty had read to me one of the nights I'd stayed with him. Out in the wild, a butterfly can't fly until it's warmed by the sun. It needs the heat to move its blood up into the wings. I never forgot that con. Butterflies became my good luck charm."

"You never told me that before," I said.

"Yes," he said, nodding. "It feels like a lot of things are about to change." He looked up then and followed the flight of some white specimen whose name I didn't know. As if snapping out of a daydream, he again focused on me. "Was there something you wanted to talk about?" he asked.

"No," I said. "I just came in to say good night."

"Okay," he said and leaned back, closing his eyes. His left hand descended to rest on Morgan's shoulder.

SNOW

W
hen I woke in the middle of the night this time, it wasn't to the sound of a phone ringing but something a hundred times louder and far more ominous. I sat bolt upright in bed just as the din died, and then I recalled where I'd heard it before—at cabin number six. A machine gun.

As Isabel came to, sitting up next to me, I grabbed her around the waist and pulled her onto the floor. She struggled to get free, saying, "What are you doing?" but I whispered in her ear to stay down and keep quiet. Remaining on all fours, I scrabbled across the bedroom and out into the hallway. There was another burst of gunfire, shorter this time, and then the sound of someone kicking in the front door. We'd left the light on in the living room, and its glow seeped back into the hall where I was and into part of the kitchen. On the other side of the living room entrance, hunkering down with his back to the kitchen wall, was Antony in his boxer shorts and an undershirt. He held the Mauser, his finger on the trigger, the barrel pointing toward the ceiling. Looking over, he saw me and motioned with his left arm for me to get back. I started to inch away, and the next thing I knew he was spinning on his heels, bringing the gun around in his right hand. He peered quickly out into the other room and squeezed the trigger. I don't know anything about guns, but the Mauser was obviously not a mere single-shot weapon. A barrage of gunfire spat out its end.

There was silence in the living room, and I was tempted to look. I felt Isabel's hand on my back and knew she had crawled out of the bedroom behind me. I cautiously moved to the corner of the wall, all the time Antony motioning me to go back. When I finally did take a quick glance, I saw a body lying just inside the door. I pointed for Antony to look and he did. As soon as he saw no one else in the doorway, he signaled for us to run across and join him.

We literally leaped across the open entrance into the kitchen. Antony stood up and grabbed me by the back of the neck, pulling me close to him. "I'm going to lay down some fire. Take Isabel, leave by the back door. If it looks clear, run your asses off for the woods. Stay there till I come for you." I just then realized I was shaking. He let go of my head and patted me on the cheek. "You with me?" he said.

I nodded, not even considering that all I wore was a pair of pajama pants and Isabel one of my dress shirts. That's when the back door burst in with a jarring crash, shattered glass and splinters of wood flying everywhere, the chain lock whipping the air. The phantom landed on Antony's back, knocked the gun out of his hand, and drove him forward, face-first, into the wall as Isabel and I were shoved to the side. There was a great cracking noise, and the lathing showed an imprint of the big man's head. I put my arm in front of Isabel and pushed her out of the way.

We watched helplessly as Antony staggered away from the wall and clamped his hands on the arms of the phantom, which were now around his neck. He turned and, in one fluid motion, bent and heaved the creature over his back onto the kitchen table, the legs of which broke under the impact.

"Get out," Antony said to us. The back exit was wide open, inviting us to flee, but I couldn't leave him. The phantom sprang up immediately, and before Antony could even turn again to face his attacker the thing had viciously punched him in the side of the head. Antony went sideways across the kitchen. We heard more men entering through the front door in the living room. The big man was dazed, nearly buckling from the force of the blow. The phantom advanced upon him and threw another punch. Antony ducked, and the white fist smashed into the wall.

"Diego, run," said Schell, who just then appeared in the kitchen, his robe billowing behind him. He raised his arm and threw something. Only when it struck the creature's right shoulder blade and sunk in halfway to the hilt did I see it was the switchblade. There was an ear-splitting howl, and the thing arched its back. Schell never stopped moving but went to his knees, scooped up the Mauser off the floor, and tossed it to me. I grabbed it, turned, and aimed for the phantom's misshapen head. It saw me at the last second, and when the gun went off with, for me, an unexpected kick and explosion, it ducked and I watched as the shots hit a man in a black suit who was just then entering the kitchen. More intruders were behind him, who caught his body as he fell backward.

I grabbed Isabel by the arm and we ran over the broken glass. A wild leap from the back steps and we were off across the yard toward the woods. At the tree line, I turned to look back and see if anyone was following us. Someone had flipped on the kitchen lights, and I saw Antony punch the phantom's muscled white form in the chest as two more men grabbed him from behind. Schell was completely out of sight. I let go of Isabel and started running back toward the house, but I'd not taken five steps before Antony dove headfirst through the doorway. He sailed over the steps and hit the ground, rolling head over heels. In a second he was on his feet and running at me. Two men ran out after him, but I brought the gun up and fired wildly. They ducked down long enough for Antony to reach me. He grabbed my arm, nearly lifting me off my feet, and pulled me toward the trees. As we passed Isabel, he took her arm too. Once in the woods, hiding in a thicket, we looked back and saw that no one was following us. Antony was out of breath, bent over with his hands on his knees, heaving. I was stunned, also gasping for breath, and Isabel asked the question I would have spoken had I been able to.

"What about Mr. Schell?" she whispered.

"We've got to go back," I finally was able to get out.

Antony straightened up, still breathing heavily. "Give me the gun," he said. I handed it to him, and he shook his head. "Schell thought they might be coming," he said. "That's why he had me take care of the gun. I just don't think he expected it to come so soon—or so strong."

"He's in trouble, though. We've got to do something," I said.

"He told me if anything happened I was to get you two clear and wait till things died down. So that's what I'm doing," he said.

"They'll kill him," I shouted.

Antony backhanded me across the side of the face. "Shut up," he said. "I don't get paid to second-guess him."

There was the sound of commotion in the house, coming from just about every room. "Get down," he said. "If we don't see them coming, we'll stay right here."

Antony crouched, and Isabel and I followed his lead. It was freezing out and I put my arm around her, the two of us shivering as much from fear as from the cold. It was torture waiting for the sound of another gunshot.

"What are they doing?" I asked.

"They're looking for Morgan," he said.

"¿Dónde está ella?" asked Isabel.

"Let's hope for Schell's sake they don't find her," he said.

Ten minutes passed, maybe fifteen, and then we heard the cars start up down by the road. Gravel crunched as the cars pulled away, and everything went perfectly quiet. Antony stood up.

"Okay, I'm going in to have a look around. Wait here until I give you the high sign." As he made his way through the trees and across the yard, dressed in his nightclothes, the gun held high, it started to snow; giant, wet flakes.

"Tengo mucho frío," said Isabel.

"A few minutes more," I said. In the time we'd waited for them to clear out of the house, I'd thought of nothing, but now my mind was on fire with images of what we might find in the house. I saw brief mind flashes of Schell and Morgan slaughtered on the kitchen floor. Finally I stood up and told Isabel, "I can't wait any longer."

As we headed out of the woods, Antony came to the back door, dressed in a shirt and trousers and signaled to us that the coast was clear. Before turning back inside, he called, "I don't see Schell or Morgan anywhere. They must have taken them."

The place was a complete wreck, Schell's once-orderly domain now a chaotic mess. The furniture was overturned, lamps and paintings were smashed, and dozens of butterflies had escaped the Bugatorium and floated above the debris, already perishing in the cold air rushing in through the open doorways. The first thing I did was find a blanket for Isabel and wrap it around her, but Antony warned, "No time for that. Get dressed. We're getting out of here in case they come back." After dressing, we helped Antony perform one more search of the house, but the others were nowhere to be found. Suddenly, the big man said, "Shit, I just remembered something." We followed him to Schell's bedroom, where he went directly to the already open closet, reached in, grabbed an armload of suits, and threw them on the bed. Leaning into the closet again, he put his hand up to the ceiling. "There's a button in here somewhere," he said, groping around. This was something I'd never known about. A moment later, a panel in the rear wall of the closet slid back to reveal a compartment filled with the form of Morgan Shaw dressed in a long white silk nightgown. Antony held his hand out to her and helped her into the bedroom.