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Authors: Marc Weingarten

Tags: #Language Arts & Disciplines, #Literary, #Journalism, #Fiction, #Mailer; Norman - Criticism and Interpretation, #American, #Literary Criticism, #Wolfe; Tom - Criticism and Interpretation, #Didion; Joan - Criticism and Interpretation, #Biography & Autobiography, #American Prose Literature - 20th Century - History and Criticism, #General, #Capote; Truman - Criticism and Interpretation, #Reportage Literature; American - History and Criticism, #Journalism - United States - History - 20th Century

The Gang That Wouldn't Write Straight: Wolfe, Thompson, Didion, Capote, and the New Journalism Revolution (51 page)

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12. FUN WITH DICK AND GEORGE

 
“In twenty-eight papers”: Hunter S. Thompson,
Fear and Loathing on the Campaign Trail ’72
(San Francisco: Straight Arrow Books, 1973), 92.
 
“It was as if the changing”: Theodore H. White,
The Making of the President 1960
(New York: Atheneum, 1961), 65.
 
“I went in with the same attitude”: Craig Vetter, “The
Playboy
Interview: Hunter S. Thompson,”
Playboy
, November 1974.
Page 257
“Say … ah … I hate to mention this”: Ibid., 73.
 
“When Big Ed [Muskie] arrived”: Ibid., 122-23.
 
“Not much has been written about”: Ibid., 151.
 
“Even some of the reporters”: Vetter, “The
Playboy
Interview.”
 
“kissing [White House press secretary] Ron Zeigler’s ass”: Thompson,
Fear and Loathing on the Campaign Trail ’72
, 403-4.
 
“I am growing extremely weary”: Ibid., 219.
 
“a shallow, contemptible”: Ibid., 209.
 
“that same void of charisma”: Norman Mailer,
St. George and the Godfather
(New York: Arbor House, 1983), 23.
 
“complacent innocence”: Ibid., 33.
 
“Phi Beta Kappas”: Ibid., 66.
 
“a bland drone”: Ibid., 177.
 
“shameless dingbats”: Thompson,
Fear and Loathing on the Campaign Trail ’72
, 319.
 
“smiling freak … was giving”: Ibid., 319.
 
“Recognize that a man”: Mailer,
St. George and the Godfather
, 75.
 
“had connotations of”: Ibid., 76.
 
“With the exception of the Vietnam”;“They were hopelessly disorganized”: Thompson,
Fear and Loathing on the Campaign Trail ’72
, 382.
 
“I looked up and shuddered”: Ibid., 355.
 
“This may be the year”: Ibid., 413-14.
 
“massive campaign”: Timothy Crouse,
The Boys on the Bus
(New York: Ballantine, 1973), 306.
 
“‘Ominous’ is not quite the right word”: Thompson,
Fear and Loathing on the Campaign Trail ’72
, 417-18.
 
“Richard Nixon is one …”: Mailer, “A Conversation Between Norman Mailer and John Ehrlichmann,”
Chic
, December 1976.

13. VULGARIAN AT THE GATE

 
Background of the takeover
of New York
by Rupert Murdoch: Sheehy, “A Fistful of Dollars”; David Gelman (with Betsy Carter, Ann Ray Martin, Nancy Stadtman, Tony Clifton, Nicholas Proffitt, and Ronald Kaye), “Press Lord Captures Gotham,”
Newsweek
, January 17, 1977; interviews with Clay Felker, Milton Glaser, Shelly Zalaznick, Pete Hamill, Ken Auletta, Jack Nessel, and Byron Dobell.
 
“Whatever the Third Great Awakening”: Tom Wolfe, “The Me Decade and the Third Great Awakening,”
Mauve Gloves and Madmen, Clutter and Vine
(New York: Bantam, 1977), 144.
 
over seventy imitators: Gail Sheehy, “A Fistful of Dollars,”
Rolling Stone
, July 14, 1977.
 
Felker came to her aid: Carolyn G. Heilbrun,
The Education of a Woman: The Life of Gloria Steinem
(New York: Dial Press, 1995), 217-19.
 
Occasionally she would be accompanied:“The Hooker’s Boswell,”
Newsweek
, December 4, 1972.
 
“voluptuous figure of a man”: Gail Sheehy, “Wide Open City, Part II: Redpants and Sugarman,”
New York
, July 26, 1971.
 
“That’s $7.75, pal”: Ibid.
Page 275
“gives you such a rich”: Gail Sheehy,
Hustling: Prostitution in Our Wide-Open Society
(New York: Dell, 1973), 31.
 
“the original Redpants made an appointment”:“The Hooker’s Boswell.”
 
“New Journalism is rising”: Ibid.
 
“Amy reached out and took hold”: Aaron Latham, “An Evening in the Nude with Gay Talese,”
New York
, July 9, 1973.
 
But one passage: Aaron Latham, “Waking Up with Sally Quinn,”
New York
, July 1, 1973.
 
“I’ve never read anything like this”: Mary Breasted, “Two Interviews and Their Aftermath,”
New York Times
, July 23, 1973.
 
Biographical background of Rupert Murdoch: Gelman et al., “Press Lord Captures Gotham”; Jerome Tuccille,
Rupert Murdoch
(New York: Donald J. Fine, 1989).
 
“I was brought up in a publishing home”: Tuccille,
Rupert Murdoch
, 11.
 
“They’re passionate about some things”:“The Odd Couple,”
Time
, June 17, 1974.
 
six hundred thousand shares: Ibid.
 
“The Favorite Recipes”: Ibid.
 
First-quarter earnings for 1975:“The Voice of Felker,”
Newsweek
, June 23, 1975.
 
“pinpricks on all her Ungaro’s”: Julie Baumgold, “Carterandamanda: Learning the
New York
Lesson,”
New York
, January 19, 1970.
 
tooling around L.A. in leased Alfa Romeos: Gelman et al., “Press Lord Captures Gotham.”
 
an attendance bill: Sheehy, “A Fistful of Dollars.”
 
“What you ought to do”: Ibid.
 
“Despite recent developments”: Ibid.
 
“Clay has been very good to me”: Ibid.
 
“Bob,” Felker barked: Ibid.
 
“He [Murdoch] knows what you are”: Ibid.
 
“Clay, I think you’re an editorial genius”: Ibid.
 
“I haven’t been thinking about”: Ibid.

EPILOGUE: AFTER THE BALL

 
losing roughly $5 million: N. R. Kleinfield, “Owners Still Gamble on
Esquire,” New York Times
, April 9, 1981.
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TV AND RADIO DOCUMENTARIES

Copans, Richard, and Stan Neumann. Mailer on Mailer, an American Masters documentary (Thirteen/WNET, Reciprocal Films, Films d’Ici, and France 2,New York 2000).

Kalish, John, producer. Jimmy Breslin: The Art of Climbing Tenement Stairs (KCRW, Santa Monica 2004).

Pollak, Amanda and Steven Ives, producers. Ives, Steven, director. Ferrari, Michelle, writer. Reporting America at War (D.C.: Insignia Films and WETA, Washington, 2003).

ARCHIVES

Harold Hayes Collection, Rare Book and Manuscripts Department, Z. Smith Reynolds Library, Wake Forest University, Winston-Salem, North Carolina.

Esquire and Arnold Gingrich Collections, Michigan Historical Collections, Bentley Historical Library, University of Michigan, Ann Arbor.

INTERVIEWS
Marco Acosta
Marshall Fishwick
George Plimpton
Ken Auletta
“Mouldy” Marvin Gilbert
Bert Prelutsky
Ken Babbs
Ralph Ginzburg
Alan Rich
Ralph “Sonny” Barger
Milton Glaser
Hugh Romney
Julie Baumgold
George Goodman
Lillian Ross (via email)
Jim Bellows
Pete Hamill
Ron Rosenbuam
John Berendt
Christopher Lehmann-
Mort Sahl
Burl Bernard
      Haupt
Lawrence Schiller
Patricia Bosworth
George Hirsch
Robert Semple
Stewart Brand
Clifford Hope
Robert Sherrill
Jimmy Breslin
David Horowitz
Jim Silberman
David Broder
William Kennedy
Ralph Steadman
Brock Brower
Robert Kotlowitz
Gloria Steinem
Bill Brown
Michael Kramer
Gay Talese
Art Buchwald
Paul Krassner
Hunter S. Thompson
David Burgin
Zane Kesey
Nicholas von Hoffman
John Burks
George Lois
Dan Wakefield
Midge Decter
Frank Mankiewicz
Richard Wald
Ed de Grazia
Martin Mayer
George Walker
David Dellinger
Charles McAtee
Bernard Weinraub
Byron Dobell
Ed McClanahan
Jann Wenner
Elaine Dundy
Larry McMurtry
Les Whitten
Clay Felker
Thomas B. Morgan
Jules Witcover
David Felton
Lynn Nesbit
Tom Wolfe
Tom Ferrell
Jack Nessel
Sheldon Zalaznick
Timothy Ferris
Charles Perry
 
BOOK: The Gang That Wouldn't Write Straight: Wolfe, Thompson, Didion, Capote, and the New Journalism Revolution
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