Authors: W. G. Sebald
Although I was amply occupied, during my several days in Kissingen and in Steinach (which retained not the slightest trace of its former character), with my research and with __the writing itself, which,
as always, was going laboriously, I felt increasingly that the mental impoverishment and lack of memory that marked the Germans, and the efficiency with which they had cleaned everything up, were beginning to affect my head and my nerves. I therefore decided to leave sooner than I had planned, a decision which was the easier to take since
my enquiries, though they had produced much on the general history of Kissingen's Jewry, had brought very little to light concerning the Lanzberg family. But I must still say something about the trip I took up to the salt-frames in a motor launch that was moored at the edge of the spa grounds. It was about one o'clock on the day before I left, at an hour when the spa visitors were eating their diet-controlled lunches, or indulging in unsupervised gluttony in gloomy restaurants, that I went down to the riverbank and boarded the launch. The woman who piloted the launch had been waiting in vain, till that moment, for even a single passenger. This lady, who generously allowed me to take her picture, was from Turkey, and had already been working for the Kissingen river authority for a number of years. In addition to the captain's cap that sat jauntily on her head, she was wearing a blue and white jersey dress which was reminiscent (at least from a distance) of a sailor's uniform, by way of a further concession to her office. It soon turned out that the mistress of the launch was not only expert at manoeuvring her craft on the narrow river but also had views on the way of the world that were worth considering. As we headed up the Saale she gave me a few highly impressive samples of her critical philosophy, in her somewhat Turkish but nonetheless very flexible German, all of which culminated in her oft-repeated point that there was no end to stupidity, and nothing as dangerous. And people in Germany, she said, were just as stupid as the Turks, perhaps even stupider. She was visibly pleased to find a sympathetic ear for her views, which she shouted above the pounding of the diesel engine and underlined with an imaginative repertoire of gestures and facial expressions; she rarely had the opportunity to talk to a passenger, she said, let alone one with a bit of sense. The boat ride lasted some twenty minutes. When it was over, we parted with a shake of hands and, I believe, a certain mutual respect. The salt-frames, which I had only seen in an old photograph before, were a short distance upriver, a little way off in the fields. Even at first glance, the timber building was an overwhelming construction, about two hundred metres long and surely twenty metres high, and yet, as I learnt from information displayed in a glass-fronted case, it was merely part of a complex that had once been far more extensive. There was currently no access - notices by the steps explained that the previous year's hurricane had made structural examinations necessary - but, since there was no one around who might have denied me permission, I climbed up to the gallery that ran along the entire complex at a height of about five metres.
From there one could take a close look at the blackthorn twigs that were bunched in layers as high as the roof. Mineral water raised by a cast-iron pumping station was running down them, and collecting in a trough under the frame.
Completely taken aback both by the scale of the complex and by the steady mineral transformation wrought upon the twigs by the ceaseless flow of the water, I walked up and down the gallery for a long time, inhaling the salty air, which the
slightest breath of air loaded with myriad tiny droplets. At length I sat down on a bench in one of the balcony-like landings off the gallery, and all that afternoon immersed myself in the sight and sound of that theatre of water, and in ruminations about the long-term and (I believe) impenetrable process which, as the concentration of salts increases in the water, produces the very strangest of petrified or crystallized forms, imitating the growth patterns of Nature even as it is being dissolved.
During the winter of 1990/91, in the little free time I had (in other words, mostly at the so-called weekend and at night), I was working on the account of Max Ferber given above. It was an arduous task. Often I could not get on for hours or days at a time, and not infrequently I unravelled what I had done, continuously tormented by scruples that were taking tighter hold and steadily paralysing me. These scruples concerned not only the subject of my narrative, which I felt I could not do justice to, no matter what approach I tried, but also the entire questionable business of writing. I had covered hundreds of pages with my scribble, in pencil and ballpoint. By far the greater part had been crossed out, discarded, or obliterated by additions. Even what I ultimately salvaged as a "final" version seemed to me a thing of shreds and patches, utterly botched. So I hesitated
t0
send Ferber my cut-down rendering of his life; and, as I hesitated, I heard from Manchester that Ferber had been taken to Withington Hospital with pulmonary emphysema. Withington Hospital was a one-time Victorian workhouse, where the homeless and unemployed had been subjected to a strict regime. Ferber was in a men's ward with well over twenty beds, where much muttering and groaning went on, and doubtless a good deal of dying. He clearly found it next to impossible to use his voice, and so responded to what I said only at lengthy intervals, in an attempt at speech that sounded like the rustle of dry leaves in the wind. Still, it was plain enough that he felt his condition was something to be ashamed of and had resolved to put it behind him as soon as possible, one way or another. He was ashen, and the weariness kept getting the better of him. I stayed with him for perhaps three quarters of an hour before taking my leave and walking the long way back through the south of the city, along the endless streets - Burton Road, Yew Tree Road, Claremont Road, Upper Lloyd Street, Lloyd Street North - and through the deserted Hulme estates, which had been rebuilt in the early Seventies and had now been left to fall down again. In Higher Cambridge Street I passed warehouses where the ventilators were still revolving in the broken windows.
I had to cross beneath urban motorways, over canal bridges and wasteland, till at last, in the already fading daylight, the facade of the Midland Hotel appeared before me, looking like some fantastic fortress. In recent years, ever since his income had permitted, Ferber had rented a suite there, and I too had taken a room for this one night. The Midland was built in the late nineteenth century, of chestnut-coloured bricks and chocolate-coloured glazed ceramic tiles which neither soot nor acid rain have been able to touch. The building runs to three basement levels, six floors above ground, and a total of no fewer than six hundred rooms, and was once famous throughout the land for its luxurious plumbing. Taking a shower there was like standing out in a monsoon. The brass and copper pipes, which were always highly polished, were so capacious that one of the bathtubs (three metres long and one metre wide) could be filled in just twelve seconds. Moreover, the Midland was renowned for its palm courtyard and, as various sources tell, for its hothouse atmosphere, which brought out both the guests and the staff in a sweat and generally conveyed the impression that here, in the heart of this northern city with its perpetual cold wet gusts, one was in fact on some tropical isle of the blessed, reserved for mill owners, where even the clouds in the sky were made of cotton, as it were. Today the Midland is on the brink of ruin. In the glass-roofed lobby, the reception rooms, the stairwells, the lifts and the corridors one rarely encounters either a hotel guest or one of the chambermaids or waiters who prowl about like sleepwalkers. The legendary steam heating, if it works at all, is erratic; fur flakes from out of the taps; the window panes are coated in thick grime marbled by rain; whole tracts of the building are closed off; and it is presumably only a matter of time before the Midland closes its doors and is sold off and transformed into a Holiday Inn.