Read The Devil's Workshop Online

Authors: Alex Grecian

The Devil's Workshop

ALSO BY ALEX GRECIAN

The Yard

The Black Country

G. P. PUTNAM’S SONS

Publishers Since 1838

Published by the Penguin Group

Penguin Group (USA) LLC

375 Hudson Street

New York, New York 10014

USA • Canada • UK • Ireland • Australia • New Zealand • India • South Africa • China

penguin.com

A Penguin Random House Company

Copyright © 2014 by Alex Grecian

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Library of Congress Cataloging-in-Publication Data

Grecian, Alex.

The Devil’s Workshop / Alex Grecian.

p. cm. — (Scotland Yard’s Murder Squad; 3)

ISBN 978-1-101-63639-8

1. Police—England—London—Fiction. 2. Escaped prisoners—Fiction. 3. London (England)—History—19th century—Fiction. 4. Mystery fiction. 5. Title.

PR6107 R426D48 2014 2013050430

823'.92—dc23

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Version_1

For my father

CONTENTS

Also by Alex Grecian

Title Page

Copyright

Dedication

Epigraph

 

Prologue

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

Epilogue

 

Acknowledgments

Push me down and shut my box,

And twist my arm about.

And listen to my merry tune.

I’ll soon be coming out.

 

Push me down again, Dear Childe,

I’m safely hid away.

But I’m not gone; it won’t be long

Till Jack comes out to play.

—R
UPERT
W
INTHROP
, “J
ACK
IN
THE
B
OX
,”
FROM
Londontown Rhymes for the Nursery
(1893)

Karstphanomen | kärst • 'fän • o • men |
noun

1. A geological phenomenon of underground limestone formations that have selectively eroded and are consequently riddled with fissures, sinkholes, and cavities.

2. A secret society made up of prominent London citizens who believed that criminal punishment should more directly match the actions of the criminals themselves. The society operated throughout the Victorian era, but is thought to have disbanded by the early twentieth century.


FROM
Fulton’s Guide to Unfamiliar Words
(1923)

PROLOGUE

L
ONDON

L
ATE
A
PRIL
1890

The canvas hood covered his nose and eyes and ears, but there was a slit near the bottom of it for his mouth. He could hear muffled sounds, low voices when his captors entered his cell, direct questions when they were spoken close to his ear. When they asked him things, he could feel their hot breath through the canvas, on his cheek and on his scalp, and it raised goose bumps along his arms and the back of his neck, an almost sexual thrill. He could see floating halos of light whenever they brought a lantern into the room, a pale orange haze. They had cut off his long black beard where it curled out from under the edge of the hood. He had been proud of that beard, and the loss of
it hurt him almost as much as the abuse his captors heaped on him. He could breathe through his nose, but inhaling caused the canvas to snug up against his face unless he kept his breath shallow. When he breathed through his mouth, through the hole in the canvas, his tongue dried out, and when he tried to swallow he felt an unpleasant clicking sensation at the back of his throat. They never gave him enough water. Food came once a day, barely enough to keep him alive. He couldn’t smell it, could barely taste it. They fed him, poking chunks of bread through the slit in the hood and into his mouth. It was dry and hard, but he choked it down. They spooned broth through the slit and past his lips, spilling it onto the rough fabric and dripping it down his naked chest. The heat from it made his skin itch. He still tried to scratch himself, and tried to reach for those men when they came, but his wrists were chained to the wall behind him and his ankles were shackled. The irons bit into him, but the wounds had scabbed over and had bonded with the shackles so that they seemed to be a part of him now. It was this last detail that had convinced him they were never going to let him go. If they tried to remove those shackles, they’d have to rip them out of his skin. He accepted that they meant to keep him here, wherever this was, for the rest of his life. But he didn’t want to die. Even here, in the dark and the silence, he still wanted to live. So he ate their bread and drank their broth and he sipped at the ladleful of water they gave him twice a day, and he tried not to think about his absent beard.

He didn’t know how long he’d been there. A month? A year? More? The men came every day in shifts, sometimes one at a time, sometimes three or four at once. Always men; never a woman. He had long ago
decided that he must be in a small room made of stone, no more than ten feet across and ten feet deep. The ceiling was low, not even six feet, but the shackles prevented him from standing anyway, and so it presented no great hardship for him. Some of the men who came had to stoop as they moved around him. He had learned to recognize the voices of all the men by now. He listened to the way they moved, to the pace of their shoes on the stone. He would know any of them if he met them in the street, even on the darkest of nights. Two of the men were familiar to him from his life before, when he had been a free man. He was sure of it. Something in their voices, something in the way they walked. They had pursued him and he had led them on a merry chase, but in the end he had been careless and they had captured him before he could finish his grand design, his nasty business.

And now they kept him in a box.

Sometimes, in the stillness, he found peace. He couldn’t tell if his eyes were open or closed. The darkness was absolute. He sat without moving, partially suspended by the chains that held him fast. He was a spider, made helpless in its own web, unable to seek prey.

He was part of an old story, a story that spanned many centuries and many cultures. He was Loki chained in the Netherworld, Prometheus on the rock. He was a god and these men were mortals. They could hurt him, but they had not killed him yet. Perhaps they could not kill him. He was more than a man. He was an idea and was, therefore, immortal.

He heard them coming long before they reached his cell. Their hard-soled shoes struck the cobblestones and packed earth, and their footsteps rang out ahead of them. They stopped nearby, out there somewhere in
front of him, and there was the faint splintery scrape of metal on metal before a door swung open on rusty hinges and they entered. There were two of them today.

He moved his tongue, tore it free from his teeth. It rasped against the roof of his mouth. He tried to muster some moisture, but there was none. He tried to laugh at the men, but the only sound he could make was a low dry rumble somewhere behind his sternum.

He heard the clunk of the ladle against the inside of a wooden bucket and then felt a welcome splash of water on his chin as the ladle was pressed against the hood and emptied in the general vicinity of his mouth. He gobbled at the air, at the meager stream of water, sucking in as much liquid as he could, but felt most of it dribble away. The canvas hood absorbed some of the water, and it spread upward through the fabric against his face. It was wonderfully cool.

The ladle was taken away and there was a long moment of silence. He knew what was coming and he tensed. His senses were hypervigilant, but he willed his muscles to relax. There was nothing he could do to prevent the coming trauma.

Far in the distance, beyond the confines of the cell, there came the hard, fast rapping of boots on stones. It came nearer and slowed, and he heard a man panting as he entered the cell.

“Exitus probatur.”
The man’s voice was low and halting as he gasped for breath.

“Ergo
acta
probantur,”
said another voice, another man.

This was a greeting he had not heard before, and he presumed it must be something formal, a way in which his tormentors identified themselves to one another, or a part of some ritual. This man must have been late, missed some scheduled rendezvous with the others.
They rarely spoke when they were near him. How many of them were there? Where did they meet before they paid him their daily visits?

Now he heard the snap of a clasp, the creak of leather on leather. The one with the bag was here. He was the worst of them. Was he the one who had been late? Had he brought the bag or did he always leave it here in the cell?

“Use the iron?”

“No,” one of the men said. “I told you. He didn’t use it, we don’t use it.”

There was a grunt, a faint guttural protest from the other men, but no further argument.

Two metal instruments touched each other, a soft clink as the man took them from the bag. Silence again. Then a hand on the back of his head. The man with the bag grabbed his hair through the hood and yanked his chin up, exposing his throat. He felt metal against the stubble of his old beard and he closed his eyes. Then a blade dug in, deep, but not so deep that he would bleed to death there in the small stone cell. It was a careful cut, and he felt a brief flash of admiration for the skill involved before pain turned the insides of his eyelids red. A moment to let him recover, then the blade sunk in on the other side of his throat. Two cuts. He felt the tickle of blood running down his neck and pooling in the hollow of his collarbone.

They had cycled back to Chapman.

He had learned to recognize the rhythmic pattern of their violence. Every few days, he was being made to experience the pain of one of his victims, at least the victims these men were aware of. They only knew about five of the women, and so they rotated their torture, giving him the wounds of each of those five victims, one after another, then back
to the beginning. Again and again. They would hurt him and then go away and, when he had begun to heal, they would return and hurt him again. He took strength from the cycle. Ritual was life.

He knew what came next, but gasped anyway when he felt the scalpel enter his abdomen and slash sideways. He waited for his guts to spill out on the floor, but they didn’t. They never did. The men knew what they were doing. They had cut just deep enough to hurt, to bleed, but not deep enough to kill. They were reenacting the injuries to Annie Chapman’s body, but not going so far as he had. How could they? They didn’t understand the drama. They were only mimics.

Blood ran down his thighs, and he heard it splash on the floor. What terrors would sprout from that blood, he wondered, if it took root in the earth?

His pulse pounded in his ears, and when it began to settle he could hear the men packing their evil bag and leaving. They swung the door shut again and he heard them lock it. They walked away down the tunnel, leaving him in silence once more.

Only when he was sure they were gone did he finally allow himself to scream. It was a waste of strength and energy, he knew, heard by no one except the rats and worms that surrounded him in the dark. But he screamed anyway. It wasn’t a scream born of pain or helplessness or fear. It was pure anger.

Under the streets of London, Jack the Ripper screamed bloody murder.

Other books

There Will Always Be a Max by Michael R. Underwood
Evil in the 1st House by Mitchell Scott Lewis
The Darkling's Desire by Lauren Hawkeye
Identity Crisis by Bill Kitson
A Stir of Echoes by Richard Matheson
Hard to Trust by Wendy Byrne
Uncontrollable by Shantel Tessier


readsbookonline.com Copyright 2016 - 2024