The Cruise of the Snark (11 page)

Abruptly the land itself, in a riot of olive-greens of a thousand hues, reached out its arms and folded the
Snark
in. There was no perilous passage through the reef, no emerald surf and azure sea—nothing but a warm soft land, a motionless lagoon, and tiny beaches on which swam dark-skinned tropic children. The sea had disappeared. The
Snark's
anchor rumbled the chain through the hawse-pipe, and we lay without movement on a “lineless, level floor.” It was all so beautiful and strange that we could not accept it as real. On the chart this place was called Pearl Harbor, but we called it Dream Harbor.

A launch came off to us; in it were members of the Hawaiian Yacht Club, come to greet us and make us welcome, with true Hawaiian hospitality, to all they had. They were ordinary men, flesh and blood and all the rest; but they did not tend to break our dreaming. Our last memories of men were of United States marshals and of panicky little merchants with rusty dollars for souls, who, in a reeking atmosphere of soot and coal-dust, laid grimy hands upon the
Snark
and held her back from her world adventure. But these men who came to meet us were clean men. A healthy tan was on their cheeks, and their eyes were not dazzled and be-spectacled from gazing overmuch at glittering dollar-heaps. No, they merely verified the dream. They clinched it with their unsmirched souls.

So we went ashore with them across a level flashing sea to the wonderful green land. We landed on a tiny wharf, and the dream became more insistent; for know that for twenty-seven days we had been rocking across the ocean on the tiny
Snark
. Not once in all those twenty-seven days had we known a moment's rest, a moment's cessation from movement. This ceaseless movement had become ingrained. Body and brain we had rocked and rolled so long that when we climbed out on the tiny wharf we kept on rocking and rolling. This, naturally, we attributed to the wharf. It was projected psychology. I spraddled along the wharf and nearly fell into the water. I glanced at Charmian, and the way she walked made me sad. The wharf had all the seeming of a ship's deck. It lifted, tilted, heaved, and sank; and since there were no handrails on it, it kept Charmian and me busy avoiding falling in. I never saw such a preposterous little wharf. Whenever I watched it closely, it refused to roll; but as soon as I took my attention off from it, away it went, just like the
Snark
. Once, I caught it in the act, just as it upended, and I looked down the length of it for two hundred feet, and for all the world it was like the deck of a ship ducking into a huge head-sea.

At last, however, supported by our hosts, we negotiated the wharf and gained the land. But the land was no better. The very first thing it did was to tilt up on one side, and far as the eye could see I watched it tilt, clear to its jagged, volcanic backbone, and I saw the clouds above tilt, too. This was no stable, firm-founded land, else it would not cut such capers. It was like all the rest of our landfall, unreal. It was a dream. At any moment, like shifting vapor, it might dissolve away. The thought entered my head that perhaps it was my fault, that my head was swimming or that something I had eaten had disagreed with me. But I glanced at Charmian and her sad walk, and even as I glanced I saw her stagger and bump into the yachtsman by whose side she walked. I spoke to her, and she complained about the antic behavior of the land.

We walked across a spacious, wonderful lawn and down an avenue of royal palms, and across more wonderful lawn in the gracious shade of stately trees. The air was filled with the songs of birds and was heavy with rich warm fragrances—wafture from great lilies, and blazing blossoms of hibiscus, and other strange gorgeous tropic flowers. The dream was becoming almost impossibly beautiful to us who for so long had seen naught but the restless, salty sea. Charmian reached out her hand and clung to me—for support against the ineffable beauty of it, thought I. But no. As I supported her I braced my legs, while the flowers and lawns reeled and swung around me. It was like an earthquake, only it quickly passed without doing any harm. It was fairly difficult to catch the land playing these tricks. As long as I kept my mind on it, nothing happened. But as soon as my attention was distracted, away it went, the whole panorama, swinging and heaving and tilting at all sorts of angles. Once, however, I turned my head suddenly and caught that stately line of royal palms swinging in a great arc across the sky. But it stopped, just as soon as I caught it, and became a placid dream again.

Next we came to a house of coolness, with great sweeping veranda, where lotus-eaters might dwell. Windows and doors were wide open to the breeze, and the songs and fragrances blew lazily in and out. The walls were hung with tapa-cloths. Couches with grass-woven covers invited everywhere, and there was a grand piano, that played, I was sure, nothing more exciting than lullabies. Servants—Japanese maids in native costume—drifted around and about, noiselessly, like butterflies. Everything was preternaturally cool. Here was no blazing down of a tropic sun upon an un-shrinking sea. It was too good to be true. But it was not real. It was a dream-dwelling. I knew, for I turned suddenly and caught the grand piano cavorting in a spacious corner of the room. I did not say anything, for just then we were being received by a gracious woman, a beautiful Madonna, clad in flowing white and shod with sandals, who greeted us as though she had known us always.

We sat at table on the lotus-eating veranda, served by the butterfly maids, and ate strange foods and partook of a nectar called poi. But the dream threatened to dissolve. It shimmered and trembled like an iridescent bubble about to break. I was just glancing out at the green grass and stately trees and blossoms of hibiscus, when suddenly I felt the table move. The table, and the Madonna across from me, and the veranda of the lotus-eaters, the scarlet hibiscus, the greensward and the trees—all lifted and tilted before my eyes, and heaved and sank down into the trough of a monstrous sea. I gripped my chair convulsively and held on. I had a feeling that I was holding on to the dream as well as the chair. I should not have been surprised had the sea rushed in and drowned all that fairyland and had I found myself at the wheel of the
Snark
just looking up casually from the study of logarithms. But the dream persisted. I looked covertly at the Madonna and her husband. They evidenced no perturbation. The dishes had not moved upon the table. The hibiscus and trees and grass were still there. Nothing had changed. I partook of more nectar, and the dream was more real than ever.

“Will you have some iced tea?” asked the Madonna; and then her side of the table sank down gently and I said yes to her at an angle of forty-five degrees.

“Speaking of sharks,” said her husband, “up at Niihau there was a man—” And at that moment the table lifted and heaved, and I gazed upward at him at an angle of forty-five degrees.

So the luncheon went on, and I was glad that I did not have to bear the affliction of watching Charmian walk. Suddenly, however, a mysterious word of fear broke from the lips of the lotus-eaters. “Ah, ah,” thought I, “now the dream goes glimmering.” I clutched the chair desperately, resolved to drag back to the reality of the
Snark
some tangible vestige of this lotus land. I felt the whole dream lurching and pulling to be gone. Just then the mysterious word of fear was repeated. It sounded like
Reporters
. I looked and saw three of them coming across the lawn. Oh, blessed reporters! Then the dream was indisputably real after all. I glanced out across the shining water and saw the
Snark
at anchor, and I remembered that I had sailed in her from San Francisco to Hawaii, and that this was Pearl Harbor, and that even then I was acknowledging introductions and saying, in reply to the first question, “Yes, we had delightful weather all the way down.”

That is what it is, a royal sport for the natural kings of earth. The grass grows right down to the water at Waikiki Beach, and within fifty feet of the everlasting sea. The trees also grow down to the salty edge of things, and one sits in their shade and looks seaward at a majestic surf thundering in on the beach to one's very feet. Half a mile out, where is the reef, the white-headed combers thrust suddenly skyward out of the placid turquoise-blue and come rolling in to shore. One after another they come, a mile long, with smoking crests, the white battalions of the infinite army of the sea. And one sits and listens to the perpetual roar, and watches the unending procession, and feels tiny and fragile before this tremendous force expressing itself in fury and foam and sound. Indeed, one feels microscopically small, and the thought that one may wrestle with this sea raises in one's imagination a thrill of apprehension, almost of fear. Why, they are a mile long, these bull-mouthed monsters, and they weigh a thousand tons, and they charge in to shore faster than a man can run. What chance? No chance at all, is the verdict of the shrinking ego; and one sits, and looks, and listens, and thinks the grass and the shade are a pretty good place in which to be.

And suddenly, out there where a big smoker lifts skyward, rising like a sea-god from out of the welter of spume and churning white, on the giddy, toppling, overhanging and downfalling, precarious crest appears the dark head of a man. Swiftly he rises through the rushing white. His black shoulders, his chest, his loins, his limbs—all is abruptly projected on one's vision. Where but the moment before was only the wide desolation and invincible roar, is now a man, erect, full-statured, not struggling frantically in that wild movement, not buried and crushed and buffeted by those mighty monsters, but standing above them all, calm and superb, poised on the giddy summit, his feet buried in the churning foam, the salt smoke rising to his knees, and all the rest of him in the free air and flashing sunlight, and he is flying through the air, flying forward, flying fast as the surge on which he stands. He is a Mercury—a brown Mercury. His heels are winged, and in them is the swiftness of the sea. In truth, from out of the sea he has leaped upon the back of the sea, and he is riding the sea that roars and bellows and cannot shake him from its back. But no frantic outreaching and balancing is his. He is impassive, motionless as a statue carved suddenly by some miracle out of the sea's depth from which he rose. And straight on toward shore he flies on his winged heels and the white crest of the breaker. There is a wild burst of foam, a long tumultuous rushing sound as the breaker falls futile and spent on the beach at your feet; and there, at your feet steps calmly ashore a Kanaka, burnt golden and brown by the tropic sun. Several minutes ago he was a speck a quarter of a mile away. He has “bitted the bull-mouthed breaker” and ridden it in, and the pride in the feat shows in the carriage of his magnificent body as he glances for a moment carelessly at you who sit in the shade of the shore. He is a Kanaka—and more, he is a man, a member of the kingly species that has mastered matter and the brutes and lorded it over creation.

And one sits and thinks of Tristram's last wrestle with the sea on that fatal morning; and one thinks further, to the fact that that Kanaka has done what Tristram never did, and that he knows a joy of the sea that Tristram never knew. And still further one thinks. It is all very well, sitting here in cool shade of the beach, but you are a man, one of the kingly species, and what that Kanaka can do, you can do yourself. Go to. Strip off your clothes that are a nuisance in this mellow clime. Get in and wrestle with the sea; wing your heels with the skill and power that reside in you; bit the sea's breakers, master them, and ride upon their backs as a king should.

And that is how it came about that I tackled surf-riding. And now that I have tackled it, more than ever do I hold it to be a royal sport. But first let me explain the physics of it. A wave is a communicated agitation. The water that composes the body of a wave does not move. If it did, when a stone is thrown into a pond and the ripples spread away in an ever widening circle, there would appear at the centre an ever increasing hole. No, the water that composes the body of a wave is stationary. Thus, you may watch a particular portion of the ocean's surface and you will see the same water rise and fall a thousand times to the agitation communicated by a thousand successive waves. Now imagine this communicated agitation moving shoreward. As the bottom shoals, the lower portion of the wave strikes land first and is stopped. But water is fluid, and the upper portion has not struck anything, wherefore it keeps on communicating its agitation, keeps on going. And when the top of the wave keeps on going, while the bottom of it lags behind, something is bound to happen. The bottom of the wave drops out from under and the top of the wave falls over, forward, and down, curling and cresting and roaring as it does so. It is the bottom of a wave striking against the top of the land that is the cause of all surfs.

But the transformation from a smooth undulation to a breaker is not abrupt except where the bottom shoals abruptly. Say the bottom shoals gradually for from quarter of a mile to a mile, then an equal distance will be occupied by the transformation. Such a bottom is that off the beach of Waikiki, and it produces a splendid surf-riding surf. One leaps upon the back of a breaker just as it begins to break, and stays on it as it continues to break all the way in to shore.

And now to the particular physics of surf-riding. Get out on a flat board, six feet long, two feet wide, and roughly oval in shape. Lie down upon it like a small boy on a coaster and paddle with your hands out to deep water, where the waves begin to crest. Lie out there quietly on the board. Sea after sea breaks before, behind, and under and over you, and rushes in to shore, leaving you behind. When a wave crests, it gets steeper. Imagine yourself, on your board, on the face of that steep slope. If it stood still, you would slide down just as a boy slides down a hill on his coaster. “But,” you object, “the wave doesn't stand still.” Very true, but the water composing the wave stands still, and there you have the secret. If ever you start sliding down the face of that wave, you'll keep on sliding and you'll never reach the bottom. Please don't laugh. The face of that wave may be only six feet, yet you can slide down it a quarter of a mile, or half a mile, and not reach the bottom. For, see, since a wave is only a communicated agitation or impetus, and since the water that composes a wave is changing every instant, new water is rising into the wave as fast as the wave travels. You slide down this new water, and yet remain in your old position on the wave, sliding down the still newer water that is rising and forming the wave. You slide precisely as fast as the wave travels. If it travels fifteen miles an hour, you slide fifteen miles an hour. Between you and shore stretches a quarter of mile of water. As the wave travels, this water obligingly heaps itself into the wave, gravity does the rest, and down you go, sliding the whole length of it. If you still cherish the notion, while sliding, that the water is moving with you, thrust your arms into it and attempt to paddle; you will find that you have to be remarkably quick to get a stroke, for that water is dropping astern just as fast as you are rushing ahead.