The Collected Stories of Eudora Welty (8 page)

"They'd throw it this chicken, and it would reach out an' grab it. Would sort of rub over the chicken's neck with its thumb an' press on it good, an' then it would bite its head off."

"O.K.," said Max.

"It skint back the feathers and stuff from the neck and sucked the blood. But ever'body said it was still alive" Steve drew closer to Max and fastened his light-colored, troubled eyes on his face.

"O.K."

"Then it would pull the feathers out easy and neat-like, awful fast, an' growl the whole time, kind of moan, an' then it would commence to eat all the white meat. I'd go in an' look at it. I reckon I seen it a thousand times."

"That was you, boy?" Max demanded of Little Lee Roy unexpectedly.

But Little Lee Roy could only say, "Hee! hee!" The little man at the head of the steps where the chickens sat, one on each step, and the two men facing each other below made a pyramid.

Steve stuck his hand out for silence. "They said—I mean, I said it, out front through the megaphone, I said it myself, that it wouldn't eat nothin' but only live meat. It was supposed to be a Indian woman, see, in this red dress an' stockin's. It didn't have on no shoes, so when it drug its foot ever'body could see.... When it come to the chicken's heart, it would eat that too, real fast, and the heart would still be jumpin'."

"Wait a second, Bud," said Max briefly, "Say, boy, is this white man here crazy?"

Little Lee Roy burst into hysterical, deprecatory giggles. He said, "Naw suh, don't think so." He tried to catch Steve's eye, seeking appreciation, crying, "Naw suh, don't think he crazy, mista."

Steve gripped Max's arm. "Wait! Wait!" he cried anxiously. "You ain't listenin'. I want to tell you about it. You didn't catch my name—Steve. You never did hear about that little nigger—all that happened to him? Lived in Cane Springs, Miss'ippi?"

"Bud," said Max, disengaging himself, "I don't hear anything. I got a juke box, see, so I don't have to listen."

"Look—I was really the one," said Steve more patiently, but nervously, as if he had been slowly breaking bad news. He walked up and down the bare-swept ground in front of Little Lee Roy's porch, along the row of princess feathers and snow-on-the-mountain. Little Lee Roy's turning head followed him. "I was the one—that's what I'm tellin' you."

"Suppose I was to listen to what every dope comes in Max's Place got to say,
I'd
be nuts," said Max.

"It's all me, see," said Steve. "I know that. I was the one was the cause for it goin' on an' on an' not bein' found out—such an awful thing. It was me, what I said out front through the megaphone."

He stopped still and stared at Max in despair.

"Look," said Max. He sat on the steps, and the chickens hopped off. "I know I ain't nobody but Max. I got Max's Place. I only run a place, understand, fifty yards down the highway. Liquor buried twenty feet from the premises, and no trouble yet. I ain't ever been up here before. I don't claim to been anywhere. People come to my place. Now. You're the hitchhiker. You're tellin' me, see. You claim a lot of information. If I don't get it I don't get it and I ain't complainin' about it, see. But I think you're nuts, and did from the first. I only come up here with you because I figured you's crazy."

"Maybe you don't believe I remember every word of it even now," Steve was saying gently. "I think about it at night—that an' drums on the midway. You ever hear drums on the midway?" He paused and stared politely at Max and Little Lee Roy.

"Yeh," said Max.

"Don't it make you feel sad. I remember how the drums was goin' and I was yellin', 'Ladies and gents! Do not try to touch Keela, the Outcast Indian Maiden—she will only beat your brains out with her iron rod, and eat them alive!'" Steve waved his arm gently in the air, and Little Lee Roy drew back and squealed. "'Do not go near her, ladies and gents! I'm warnin' you!' So nobody ever did. Nobody ever come near her. Until that man."

"Sure," said Max. "That fella." He shut his eyes.

"Afterwards when he come up so bold, I remembered seein' him walk up an' buy the ticket an' go in the tent. I'll never forget that man as long as I live. To me he's a sort of—well—"

"Hero," said Max.

"I wish I could remember what he looked like. Seem like he was a tallish man with a sort of white face. Seem like he had bad teeth, but I may be wrong. I remember he frowned a lot. Kept frownin'. Whenever he'd buy a ticket, why, he'd frown."

"Ever seen him since?" asked Max cautiously, still with his eyes closed. "Ever hunt him up?"

"No, never did," said Steve. Then he went on. "He'd frown an' buy a ticket ever' day we was in these two little smelly towns in Texas, sometimes three-four times a day, whether it was fixin' to eat a chicken or not."

"O.K., so he gets in the tent," said Max.

"Well, what the man finally done was, he walked right up to the little stand where it was tied up and laid his hand out open on the planks in the platform. He just laid his hand out open there and said, 'Come here,' real low and quick, that-a-way."

Steve laid his open hand on Little Lee Roy's porch and held it there, frowning in concentration.

"I get it," said Max. "He'd caught on it was a fake."

Steve straightened up. "So ever'body yelled to git away, git away," he continued, his voice rising, "because it was growlin' an' carryin' on an' shakin' its iron bar like they tole it. When I heard all that commotion—boy! I was scared."

"You didn't know it was a fake."

Steve was silent for a moment, and Little Lee Roy held his breath, for fear everything was all over.

"Look," said Steve finally, his voice trembling. "I guess I was supposed to feel bad like this, and you wasn't. I wasn't supposed to ship out on that boat from Port Arthur and all like that. This other had to happen to me—not you all. Feelin' responsible. You'll be O.K., mister, but I won't. I feel awful about it. That poor little old thing."

"Look, you got him right here," said Max quickly. "See him? Use your eyes. He's O.K., ain't he? Looks O.K. to me. It's just you. You're nuts, is all."

"You know—when that man laid out his open hand on the boards, why, it just let go the iron bar," continued Steve, "let it fall down like that—bang—and act like it didn't know what to do. Then it drug itself over to where the fella was standin' an' leaned down an' grabbed holt onto that white man's hand as tight as it could an' cried like a baby. It didn't want to hit him!"

"Hee! hee! hee!"

"No sir, it didn't want to hit him. You know what it wanted?"

Max shook his head.

"It wanted him to help it. So the man said, 'Do you wanna get out of this place, whoever you are?' An' it never answered—none of us knowed it could talk—but it just wouldn't let that man's hand a-loose. It hung on, cryin' like a baby. So the man says, 'Well, wait here till I come back.'"

"Uh-huh?" said Max.

"Went off an' come back with the sheriff. Took us all to jail. But just the man owned the show and his son got took to the pen. They said I could go free. I kep' tellin' 'em I didn't know it wouldn't hit me with the iron bar an' kep' tellin' 'em I didn't know it could tell what you was sayin' to it."

"Yeh, guess you told 'em," said Max.

"By that time I felt bad. Been feelin' bad ever since. Can't hold on to a job or stay in one place for nothin' in the world. They made it stay in jail to see if it could talk or not, and the first night it wouldn't say nothin'. Some time it cried. And they undressed it an' found out it wasn't no outcast Indian woman a-tall. It was a little clubfooted nigger man."

"Hee! hee!"

"You mean it was this boy here—yeh. It was him."

"Washed its face, and it was paint all over it made it look red. It all come off. And it could talk—as good as me or you. But they'd tole it not to, so it never did. They'd tole it if anybody was to come near it they was comin' to git it—and for it to hit 'em quick with that iron bar an' growl. So nobody ever come near it—until that man. I was yellin' outside, tellin' 'em to keep away, keep away. You could see where they'd whup it. They had to whup it some to make it eat all the chickens. It was awful dirty. They let it go back home free, to where they got it in the first place. They made them pay its ticket from Little Oil, Texas, to Cane Springs, Miss'ippi."

"You got a good memory," said Max.

"The way it
started
was," said Steve, in a wondering voice, "the show was just travelin' along in ole trucks through the country, and just seen this little deformed nigger man, sittin' on a fence, and just took it. It couldn't help it."

Little Lee Roy tossed his head back in a frenzy of amusement.

"I found it all out later. I was up on the Ferris wheel with one of the boys—got to talkin' up yonder in the peace an' quiet—an' said they just kind of happened up on it. Like a cyclone happens: it wasn't nothin' it could do. It was just took up." Steve suddenly paled through his sunburn. "An' they found out that back in Miss'ippi it had it a little bitty pair of crutches an' could just go runnin' on 'em!"

"And there they are," said Max.

Little Lee Roy held up a crutch and turned it about, and then snatched it back like a monkey.

"But if it hadn't been for that man, I wouldn't of knowed it till yet. If it wasn't for him bein' so bold. If he hadn't knowed what he was doin'."

"You remember that man this fella's talkin' about, boy?" asked Max, eying Little Lee Roy.

Little Lee Roy, in reluctance and shyness, shook his head gently.

"Naw suh, I can't say as I remembas that ve'y man, suh," he said softly, looking down where just then a sparrow alighted on his child's shoe. He added happily, as if on inspiration, "Now I remembas
this
man."

Steve did not look up, but when Max shook with silent laughter, alarm seemed to seize him like a spasm in his side. He walked painfully over and stood in the shade for a few minutes, leaning his head on a sycamore tree.

"Seemed like that man just studied it out an' knowed it was somethin' wrong," he said presently, his voice coming more remotely than ever. "But I didn't know. I can't look at nothin' an' be sure what it is. Then afterwards I know. Then I see how it was."

"Yeh, but you're nuts," said Max affably.

"You wouldn't of knowed it either!" cried Steve in sudden boyish, defensive anger. Then he came out from under the tree and stood again almost pleadingly in the sun, facing Max where he was sitting below Little Lee Roy on the steps. "You'd of let it go on an' on when they made it do those things—just like I did."

"Bet I could tell a man from a woman and an Indian from a nigger though," said Max.

Steve scuffed the dust into little puffs with his worn shoe. The chickens scattered, alarmed at last.

Little Lee Roy looked from one man to the other radiantly, his hands pressed over his grinning gums.

Then Steve sighed, and as if he did not know what else he could do, he reached out and without any warning hit Max in the jaw with his fist. Max fell off the steps.

Little Lee Roy suddenly sat as still and dark as a statue, looking on.

"Say! Say!" cried Steve. He pulled shyly at Max where he lay on the ground, with his lips pursed up like a whistler, and then stepped back. He looked horrified. "How you feel?"

"Lousy," said Max thoughtfully. "Let me alone." He raised up on one elbow and lay there looking all around, at the cabin, at Little Lee Roy sitting cross-legged on the porch, and at Steve with his hand out. Finally he got up.

"I can't figure out how I could of ever knocked down an athaletic guy like you. I had to do it," said Steve. "But I guess you don't understand. I had to hit you. First you didn't believe me, and then it didn't bother you."

"That's all O.K., only hush," said Max, and added, "Some dope is always giving me the low-down on something, but this is the first time one of 'em ever got away with a thing like this. I got to watch out."

"I hope it don't stay black long," said Steve.

"I got to be going," said Max. But he waited. "What you want to transact with Keela? You come a long way to see him." He stared at Steve with his eyes wide open now, and interested.

"Well, I was goin' to give him some money or somethin', I guess, if I ever found him, only now I ain't got any," said Steve defiantly.

"O.K.," said Max. "Here's some change for you, boy. Just take it. Go on back in the house. Go on."

Little Lee Roy took the money speechlessly, and then fell upon his yellow crutches and hopped with miraculous rapidity away through the door. Max stared after him for a moment.

"As for you"—he brushed himself off, turned to Steve and then said, "When did you eat last?"

"Well, I'll tell you," said Steve.

"Not here," said Max. "I didn't go to ask you a question. Just follow me. We serve eats at Max's Place, and I want to play the juke box. You eat, and I'll listen to the juke box."

"Well..." said Steve. "But when it cools off I got to catch a ride some place."

"Today while all you all was gone, and not a soul in de house," said Little Lee Roy at the supper table that night, "two white mens come heah to de house. Wouldn't come in. But talks to me about de ole times when I use to be wid de circus—"

"Hush up, Pappy," said the children.

WHY I LIVE AT THE P.O.

I was getting along fine with Mama, Papa-Daddy and Uncle Rondo until my sister Stella-Rondo just separated from her husband and came back home again. Mr. Whitaker! Of course I went with Mr. Whitaker first, when he first appeared here in China Grove, taking "Pose Yourself" photos, and Stella-Rondo broke us up. Told him I was one-sided. Bigger on one side than the other, which is a deliberate, calculated falsehood: I'm the same. Stella-Rondo is exactly twelve months to the day younger than I am and for that reason she's spoiled.

She's always had anything in the world she wanted and then she'd throw it away. Papa-Daddy gave her this gorgeous Add-a-Pearl necklace when she was eight years old and she threw it away playing baseball when she was nine, with only two pearls.

So as soon as she got married and moved away from home the first thing she did was separate! From Mr. Whitaker! This photographer with the popeyes she said she trusted. Came home from one of those towns up in Illinois and to our complete surprise brought this child of two.

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