The Book of Taltos (10 page)

I was in the back of the kitchen. The morning cook wouldn’t be started for another couple of hours, and there were no guards here. I moved across the kitchen and found the door I wanted. Oil, open, walk. If the bastard had
been a little poorer, he would have had leather hinges on his doors, which are easier to deal with. Or even empty doorways with curtains. Oil, open, walk. First checkpoint.

This door led down into the sublevels, and there were a pair of Dragaeran guards here, in addition to sorcerous alarms. The sorcery was simple and straightforward; mostly token, and I had what the Left Hand of the Jhereg calls a “device” and an Eastern witch would call a “charm” for dealing with it. The guards would be more difficult. They were more or less facing me and, unfortunately, awake.

I kill people for money; I don’t like doing it when I don’t have to. But sometimes there just isn’t any other way. I studied the guards standing there and tried to think of a way to avoid killing them.

I did not succeed.

Some time before this I had assassinated a certain moneylender who, it turned out, had been skimming more than his share out of the profits. His employer had been very upset and wanted me to “make a ‘xample outta the sonufabitch.” The boss arranged to meet the guy in a big, crowded inn at the busiest time. The boss didn’t show; instead, I did. When my target sat down, I walked straight up to him, put a dagger into his left eye, and walked out of the place.

One thing I remember about that is the wave of reaction that followed me out the door, as the patrons of the inn noticed the blood, the body, the event. None of them were able to describe me, though many of them saw me.

What I’m getting at is the advantage of surprise—of the attack that comes with no warning whatsoever. One moment all is peaceful, the next there is an Easterner in your face, knives flashing.

I hauled the bodies of the guards into the kitchen so they wouldn’t be quite so obvious, then I picked the lock and headed down into the dungeon.

I
GUESS IT WAS
my grandfather who really helped keep me going after my father died. It was funny how he did it. I mean, I’ve always hated being alone, but my grandfather felt that, at fourteen, I had to be independent, so he never responded to my hints that I could move in with him. Instead, he
spent even more hours teaching me witchcraft and fencing, to give me something to do in my spare time.

It worked, too, in that I turned into a quite passable witch, a very good swordsman in the Eastern style, and that I learned to live alone.

I learned many things during that time, but it’s taken the perspective of years to understand all of them. Like, I learned that to be not alone was going to take money. I had none, nor any means to acquire any (the restaurant I’d inherited from my father kept me alive and that was about it), but the lesson stuck with me, for the future.

I think practicing witchcraft was what did the most for me during that time. I could do things and
see
the results. Sometimes, in the peculiar trance state that witches fall into when performing, I’d see the entire thing as a metaphor of my life, and wonder if I’d ever be able to take control of my world and just
make
it be what I wanted.

Later, when I’d recovered from my attempt to take the salt out of seawater, or something equally useful, I’d take my lepip and go beat up a few Orca.

The other thing my grandfather did was insist—as did my father—that I have a good grounding in Dragaeran history. My grandfather found an Eastern tutor for me (he made me pay for it, too) who was quite good at those things, but who also knew something of the history of Fenario, the Eastern kingdom of my ancestors. I learned some of the language, too.

I would occasionally wonder what use these things would have for me, but then I’d start wondering about the rest of my life, and I just didn’t want to think about that.

Oh, well.

S
O
I
WENT DOWN
. Real quiet, now. My eyes were already adjusted to the dark and there was a dim light from below; I was able to move quickly. The steps were narrow and deep, but solid stone. There was no railing. I concentrated on silence.

I reviewed The Plan: get down to the level where Loraan would—I hope—keep such things as souls contained in staffs, unlock the door (breaking any spells necessary without alerting Loraan), and have Morrolan launch his surprise
(we hoped) attack on the keep’s defenses just hard enough and long enough to teleport us both out of there.

It occurred to me again that I’d never before depended on any form of magic to get me out of something. I didn’t like it. I reviewed the various ways I could ditch and run at this point, which took no time at all.

Ah! The bottom!

There was one guard here. Unlike the two upstairs, he was dozing, which saved his life. I made sure he wouldn’t wake any time soon, and continued. Left for twenty-five paces, and to a door. This one was big and strong, and the lock, I’d been told, was serious. I studied it, and it was. But then I’m pretty good.

My fingers twitched as I studied the dead-bolt and the hinges. Frankly, though, I was more worried about the spells that sealed it, as well as any that might trigger alarms. I estimated the door itself to weigh about forty pounds. It was composed of thick wooden planks with iron bands around them. It wasn’t perfectly sealed, though, since light was coming from the other side of it. I didn’t know what that meant; this was where my information ended. I licked my lips and started working.

Kiera the Thief had not only found a set of burglar tools for me, but had trained me in their use. I’m not a thief, but I get by. I hoped the “device” was up to overcoming the alarms, because I wasn’t; defeating the lock was the most I could hope for.

A good lock combines a fine mechanism with a heavy bolt. This one had, indeed, a very fine mechanism, and three separate dead-bolts. So the pick had to be strong enough to turn the bolts, but light enough to go into the lock. It turned out to be a three-tumbler system, requiring a spring-pick and three rods, all of which had to be pressed against tumblers going in different directions while being turned in yet a fourth direction. If my fingers had been much smaller and I’d had an extra pair of arms, it would have been much easier. As it was, it took me twenty minutes, but I got it, and no alarms went off as far as I could tell.

I would have forgotten to oil the hinges but Loiosh reminded me. On the other side was a landing with several lamps blazing and stairs leading down to a set of three doors, all of which looked—from up here—to be rather flimsy.

I spent about fifteen minutes locking the heavy door again. This may have been a waste of time; I couldn’t decide. Then I took a couple of deep, silent breaths, closed my eyes, and—

“What is it, Vlad?”
One is always on a first-name basis in psionic communication, because magic transcends courtesy.

“I’m past the big door.”

“All right. I’ll inform Morrolan. We’ll stay in contact. As soon as you have the staff in your hand, we’ll break the teleport block. It won’t be down for long.”

“So you’ve said.”

“And I repeat it. Be careful.”

“Yeah.”

Once at the bottom, I had to pick a door. None of them were locked or enchanted, so I chose the middle one. I oiled the hinge and slipped it open. Forty-five minutes later I was back in front of the three doors, and I had a much better idea of the sorts of seashells Loraan liked to collect, and a very good idea of his taste in art, but no better idea of where the staff was.

I wondered how long it would be until someone discovered the bodies in the kitchen, or noticed that the guards weren’t at their posts.

I really hated this. I tried the left-hand door.

The room was lit, though I couldn’t see the light source. It was about forty paces square, with another door opposite me. A large table, say ten feet long, dominated the middle of the room. There were globes suspended from the ceiling, emitting narrow beams of light that were concentrated on a single point at one side, and near this point was a stack of thick, heavy tomes. There was another tome on the table, open, with a quill pen next to it and half a page written in. Small, glittering stones were scattered on the table. Three wands—none of which matched the description of what I was looking for—stood against the wall to my left, and a pedestal at the end of the table held what seemed to be a chain made of gold, suspended in air except for the end that touched the pedestal. A broadsword leaned against the table, and it would have looked incongruous save that from where I stood I could see that it was covered with runes and symbols. Against another wall was a large basin, probably holding something unnatural to which unmentionable things had been done.

In case you haven’t figured it out yet, this was Loraan’s work area.

I studied the floor in front of me for a long time, checking the path to the door opposite. It seemed to be clear. I let my observations flow back to Sethra. She acknowledged but didn’t comment. I crossed very carefully and reached the other door without making a sound.

I studied this door for quite a while. No spells, no bolts, no alarms. I oiled the hinges just to be safe, then opened it. I was in a slightly smaller room, not as cluttered. The only thing of note was what seemed to be a cube made of orange light, about six feet on a side, in the middle of the room. In the center of the glowing cube was a white, five-foot-long staff. At one end I could almost make out the rusty star I’d been told to look for.

That was not, however, the only thing in the room.

Next to the cube of light, facing it, was a Dragaeran. He stared at me and I stared at him. He is frozen that way in my mind—all of seven and a half feet tall, big, thick eyebrows on a florid face, with long, tangled reddish hair that stuck out at improbable angles. He was old, I guess, but he certainly wasn’t infirm. He stood straight, and his stance reminded me of Morrolan just before he had almost attacked me. I saw the lines of muscles beneath his tight, white blouse, and the blood-red cloak he wore was drawn back, held by a ruby clasp that reminded me of Sethra’s. His brown eyes were clear and unblinking, yet his expression seemed mildly curious, neither frightened nor angry.

Only his hands seemed old—long fingers that were twisted and bent, with what might have been tiny scars all over the backs of his fingers. I have no idea what could have caused that. In his hands was a dark, thin tube, about four feet long, that was pointed at the staff inside the orange cube.

The bastard was working late tonight.

I would almost certainly have beaten him to the draw, as it were, if he hadn’t noticed me coming in. He gestured vaguely in my direction and I discovered I couldn’t move. A black fog swam before my eyes. I said,
“Sorry, Sethra, not this time.”
And nothing held me as I sagged against nothing, fell in, and was buried.

I stared at the flickering, weaving dance of the horizon and tried to decide if I liked it, or if it mattered. The thought that I was losing my mind came, and I pushed it aside. It is a not uncommon fear in such circumstances, largely because it sometimes happens. But I just didn’t have time to deal with it then.

My eyes were drawn from the wavering landscape to the sorcery rune I had, for whatever reason, drawn on the ground before me. I blinked and it didn’t go away. I licked my lips.

The rune was glowing. I hadn’t asked it to, but I guess I hadn’t asked it not to, either.

I brought my palms together in front of me, fingers pointing out, and in the air I drew another rune, this one the verb “to summon.” I considered what nouns I might hang from it, shuddered, and almost lost control of the spell. Loiosh pulled me back and I dropped my hands back to my lap.

The rhythm was still with me and the landscape still wavered and the rune on the ground still glowed.

I think the other sound was my teeth grinding.