Aron peeks around.
Who can she be, he wonders.
Pudgy Naomi Feingold stares straight at him.
He blushes and quickly looks away.
Sometimes he has the feeling that Naomi has a crush on him.
Not that they ever talk in class, but once a year, on the school trip, she works up the courage to push her way into his crowd, the crowd with the good kids.
He doesn’t like her, though: she hangs around them and yaks all day till everyone stops listening, that’s how she unwinds enough to show them who she really is—a girl who’s frightened of being hurt.
And she never stops eating and making fun of herself for being fat, for being a party pooper and a real flat tire; she reminds him of Yochi in certain ways, they have the same kartofel nose, the same red creases in their thighs from wearing shorts.
Maybe Naomi is in love with him.
Who cares.
It’s her sense of humor that annoys him, knowing as he does from Yochi that making fun of herself the way everybody liked —ha ha, Naomi Feingold, she’s a card—is her first and last line of retreat, and what does she get out of it: a broken heart, humiliation, hate.
Again he peeks around and sees her gazing dreamily at Gil Kaplan; who cares, good riddance, but just the same he feels a little pang.
Or take Anat Fish.
Anat-fish.
If you dare call her Anat without the Fish, she glares at you as if you invaded her privacy.
Anat Fish goes
steady with a “freshie” named Mickey Zik, who invited her camping in Eilat during school vacation, everybody’s whispering about it, but she hasn’t made up her mind yet.
Aron peers around at her.
She’s stacked.
They say she needs a bra with three hooks in the back, and she wears “fuck me” stretch pants to high-school parties.
She’s shameless, really.
There she sits, nonchalantly, ignoring the notes that nitwit Avi Sasson keeps throwing her.
Even Rivka Bar-Ilan gets flustered when she looks into those Egyptian eyes.
Aron has noticed the way Rivka starts fiddling with her hair whenever Anat Fish is watching her, and then you can see that she was a little girl once too, sitting in a classroom just like this, and Aron rests his chin on his palm to contemplate Rivka Bar-Ilan, a homely girl with a big nose, she must have gotten teased about it, and there was probably some beautiful, coldhearted girl like Anat Fish in her class too; see how carefully she avoids Anat Fish’s eyes, it’s the same in every generation, but were any of the adults he knew like him, he wonders, and thinks of his father; but no.
Now their bottoms are wriggling on the hard seats, as they cross and uncross their legs.
All eyes are fixed on Gil Kaplan’s pompadour, over which he signals the five, four, three.
Varda Koppler and Koby Kimchi jostle elbows on the halfway line of the desk, trespass it and you die.
Zacky Smitanka, Meirky Blutreich, and Hanan Schweiky wave their hands exuberantly to rectify any bad impressions.
Dorit Alush chews her gum and writes around the face with the bangs:
Dorit Alush, grade 6C, Beit Hakerem Elementary School, Jerusalem, Israel, Asia, earth, universe …
and then she stares out the window: what else was there?
Michael Carny and Rina Fichman exchange notes and giggle behind their hands.
Naomi Feingold munches pretzels under her desk.
Anat Fish turns slowly with a sharklike stare at Avi Sasson, who shot a rubber band at her, and David Lipschitz’s face lights up, he looks so woebegone when he smiles like that, but she looks right through him, he isn’t there, can’t she at least give a sign that he exists; Aron vows revenge, he’ll steal something valuable from her and give it to David Lipschitz, how he loathes her, yet he can’t help admiring her a little too, for her beauty, for her coldness, for making a crazy boy fall so helplessly in love with her; and then Rabbi Yohanan Ben-Zakai slipped into the coffin, and his devoted pupils carried him out through the gates of the besieged city, and that is how he made his escape and founded his new center of learning.
After the destruction, after the destruction—the words grate
on his nerves.
Two minutes left.
Redheaded Aliza Lieber stretches her mouth for all to see.
Miri Tamari has a hairy mole on the side of her hand that she tries to hide.
A backward glance.
The albino head is still jerking, almost as if it has a gizmo inside it, a spring or something that makes it bob around like that.
“After the destruction of the Temple, children, Rabbi Yohanan Ben-Zakai founded the spiritual center of Yavneh.”
The bell rings.
Hurray.
A monster with eighty arms and legs scrambles out through the narrow doorway past Rivka Bar-Ilan, who turns away with a vague look of horror in her eyes.
Aron’s favorite is Roxana.
He’s fond of Rosaline and Natalie too, and he feels a certain sympathy for Angela, but even though he always knew it was his fate to marry a blind woman and be her eyes, he can’t quite ignore that shadow of a smile on Angela’s lips, that hint of pleasure in some of the pictures.
He tries to mimic the smile, but stops himself, afraid he’ll be noticed by the noisy crowd as they walk home together.
They’re fifteen strong, the boys and girls of the workers’ neighborhood, as they storm through the shopping center, with Aron, as usual, in the eye of the hurricane, telling jokes and talking about his inventions, though lately he prefers to observe them from the side, from behind.
Slowly they move on.
Gideon and Zacky, and Dorit Alush chewing gum, a head taller than the boys; tiny Varda Koppler, with the womanly face and a ring on every finger, doesn’t seem to fit in anymore; bringing up the rear is a fifth-grader, little Yaeli Kedmi, whose mom asked them to keep an eye on her when they cross the street, but no one talks to her, she follows them meekly, practically invisible except for her wavy black hair; Michael Carny slithers along as if he were made of jelly, he only smiles when Rina Fichman’s around, and Aron turns away from the gloomy expression on his face; redheaded Aliza Lieber is pensively licking her lips … Take a good look, he tells himself: why is everyone so withdrawn, so lost in thought, so sad, even, though outwardly they’re as noisy and cheerful as ever; together they pass through the new electric door at the supermarket, and Aron is careful not to cross the threshold alone, he doesn’t trust these automatic things, and the kids swarm by the food shelves, so many colors and no smell, thinks Aron, and they stop to watch Mr.
Babaioff at the fish counter kill a carp with one blow, the body goes on squirming, and while the rest of them chase their tails around the aisles, Aron tarries at the fish counter till the carp lies
motionless and the manager rushes over shouting, Shhhhh!
And the chorus of children answers, Shhhhhine my shhhhhoes!
and go rollicking out the automatic door, and Aron vows he’ll make it through alone at least once before his bar mitzvah.
Outside he sees Binyumin the gimp standing in the doorway of his father’s barbershop.
A year ago they had a fight.
Aron beat him up and walked over him to make him stop growing, and in revenge Binyumin cursed him, well, sticks and stones can break my bones; now they file past Morduch, the crazy blind beggar, who either blesses you or curses you, depending on your charity, and as usual, Zacky finds a nail or screw in the street and sneaks up on Morduch and says in a husky voice, “Here you go, Mr.
Morduch!”
And the beggar stirs hopefully, groping in his direction with trembling hands, and Zacky tosses a screw into the rusty cup, and it lands with a ring.
The blind man beams: “May the Holy One bless your household!
May He doubly reward you, and grant you health and prosperity!”
And they laugh their heads off.
Gideon has given up lecturing Zacky about this daily prank, and Aron, who used to stifle his laughter for Gideon’s sake, imagines Morduch coming home at night, if he has a home, spilling the coins out on his little table, and counting the day’s take with his crooked fingers, and the way he must feel when he touches Zacky’s screw.
He can picture it vividly, as though he were actually there: the dirty room, the bare walls, the hungry children, Morduch’s lips trembling with disappointment … Come on, y’alla, Aron shouts to the others, and starts walking faster, his head held high, and then someone makes a wisecrack behind his back, and someone else, or maybe several children, splutter with laughter.
Roxana’s different, he feels, striding briskly ahead, she has a serious air about her that sets her apart.
On her cheek there is a mole, which doesn’t make her any less pretty as far as he’s concerned; in fact, it makes her even prettier.
As if the little blemish brought them closer together.
And there’s one picture that shows Roxana in a nurse’s uniform suckling Fritz and Alfonso the dwarf.
No matter how many times he looks at this picture, he always sees it differently.
One thing is certain, though: there’s nothing cheap or disgusting about Roxana’s face.
Yesterday as he shyly kissed her picture and watched his lip prints melt away, it suddenly occurred to him that even if the circus didn’t exist in real life, even if it was just a filthy sham, there was still a Roxana in this world, a living girl who had her picture taken to earn money because
she was poor, and had innocently fallen into the clutches of that bastard Alfonso; if only he were older, if only he had power and money, he would dedicate his life to saving Roxana from Alfonso, because how long would she remain virtuous with so much corruption around her?
And again he thumbed through the pictures, maybe he would understand this time, maybe he would figure them out and stop suffering.
Once every three days—he’s a stickler about this—he shuts himself in the bathroom with the cards and uses Mama’s 70 percent alcohol to wipe off the big, greasy fingerprints that soil Roxana in particular.
Tenderly he cleanses her from head to toe.
For almost two weeks now he has been watching over Roxana like this, and he wonders whether maybe he should rub himself, the way you’re probably supposed to with these pictures.
But reaching down to touch himself, he knows he’s only bluffing.
He doesn’t need to.
He’s empty still.
He stopped, turned around, and saw he was alone.
His friends had stranded him.
Or maybe they’d taken a different route home.
Let them, who cares.
Still, his feelings were hurt.
Gideon had gone along with the others.
Then he shrugged his shoulders: he had more important things to think about just now.
But later that afternoon, while Papa was working high in the fig tree, and Mama and Yochi were shopping, and Grandma was tucked under the Scottish plaid, Aron hurried to the sock drawer and rummaged through it with a practiced hand.
And then his heart stood still: Roxana was gone.
They were all gone.
Overnight the circus had disappeared.
The traitor had changed the hiding place.