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Authors: Katherine Hall Page

The Body in the Cast (26 page)

BOOK: The Body in the Cast
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But was it so improbable to assume that Alden had been on the set when she died? He'd certainly been there, lurking in the woods, during the shooting of the forest scene. Alden with his binoculars. Faith hadn't actually seen them, and she suddenly realized she'd been barking up the wrong tree. It wasn't a pair of binoculars that Alden had been trying to hide, but a camera. Alden had had an interest in photography—“art” photography. Now where did this take her?
If the slides he was showing at the Town Hall were nude shots of Sandra, who would have been there watching with him? The most logical choice was Sandra. He might have tried to blackmail her in some way with them. But she was dead.
Faith decided to approach the subject from another angle: timing. She scribbled away. The neat columns had long gone by the board. Alden had not been killed during a general break, which meant it couldn't have been anyone actively involved in the scene being shot. One of the townspeople would have been able to slip away, but this didn't link up with Sandra's death. Were there any cast members peripheral to the scene? She made a note on a separate page to ask Dunne, who was no doubt going over the footage and might let her have another peek.
She started to gnaw on the pencil eraser, then got herself a large ruby comice pear instead. It was a juicy one and she stood up to eat it over the sink. Her meanderings had touched upon Sandra's mother, which reminded Faith that neither victim had had many family ties. This was invariably the first place to look for a perpetrator, since every third grader knew from constant repetition on TV and in the press that you were much more likely to be bumped off by blood than water.
The pear finished, she rinsed her sticky fingers and sat down again, the sensation that she wasn't getting anywhere increasing steadily. Her interesting but admittedly tenuous theory about Max/Chillingworth did not apply to Death Two, unless—going back to the purported photos—Max was enraged by Alden's voyeurism. Yet unless Max had some well-concealed reason for wanting to sabotage his own film, she was forced to eliminate
him from her suspects. But it could be someone else wanting to sabotage the film. Someone who had it in for Max or one of the other actors?
She thought of Alan Morris, the ever-present, loyal assistant director. He seemed devoted to the movie, and especially its director; however, it was possible he was secretly jealous of Max and resented all the credit Reed got. Certainly, Alan worked incredibly hard. Maybe the one line he got on the screen wasn't enough. Maybe he wanted to move up. He'd been in medical school and might have known Sandra was asthmatic.
She went back to Alden and Sandra. What in their past lives could have connected the two? They lived a continent apart, but she had been born in Boston. Or was it something completely separate in their pasts that led to their deaths happening coincidentally close together? Was Alden's a copycat crime? The two methods were so different: one quite subtle and obviously premeditated; the other brutal and impulsive.
She wrote “Find out more about Alden and Sandra's past” on the page with “View footage.” Her head was starting to swim. She had two possible leads. It wasn't much.
Then she added: “Alden on set last Friday? Saw something? Blackmail?” If this was true, she could put Max, Alan, and virtually everyone else at the Pingrees' back in the running. She thought about what Greg Bradley had said: “ … a lot of everyday rules get turned upside down.” Maybe a lot of those rules got broken, as well.
What else? There was the question of the soup. It had never been answered. Was it safe to assume Caresse added the Chocolax in a moment of pique, or was it some kind of rehearsal for Sandra's poisoning? She made a note to suggest to Dunne that he press the little girl—oh so gently, of course—to confess to her prank.
She tried to picture a piece of blank paper. Someone had once told her this was a way to cure yourself of insomnia—or trigger something you were trying to remember. It seldom worked for Faith in either case, not that she'd had much trouble
sleeping since Ben was born. The problem was staying awake.
The sheet stayed snowy white, then a single word appeared:
suicide.
“Suicide,” she wrote down. Not Alden. That would have been quite a feat, but Sandra. There was the slim possibility she had been despondent enough over her hopeless crush on Max to want to kill herself. Or drugs may have been involved. Faith needed to think it through some more.
Tom came out to the kitchen in search of nourishment.
“What are you up to, honey?” he asked.
“I thought if I got something down on paper, I might be able to make more sense out of all of this.”
“And have you?”
“I've written a lot, but it's mostly gibberish.” Faith was disgusted.
“Well, you can't expect to solve a crime sitting at your kitchen table.” Tom was sorry the moment the words left his mouth. “Not that you're involved in solving these.” He had been understandably very upset about Faith's near tête-à-tête with Alden's murderer.
“Why don't I make you a big sloppy sandwich with the entire fridge in it and we can talk.”
“Swell,” said Tom. “I know when I'm being sidetracked. But be sensible, Faith—and haven't I said this before recently?—you have two kids to think of, and me, by the way.”
“Don't worry, love, you won't be stuck with them.”
“That's not what I mean and you know it.” Tom was clearly not in a jovial mood.
He seemed to feel better after starting to consume a bottle of Samuel Adams Boston Lager and the sandwich of roast beef, red onion, broiled peppers, tomato, lettuce, Swiss cheese, and mayo on sourdough bread his wife set before him. They talked over the various possibilities on Faith's list, but the combined Fairchild forces didn't get much further than she had alone. They were about to give up and go to bed when the phone rang.
“I'll toss you for it,” Tom suggested.
“No, I'll get it. You had to deal with all those calls this morning. Besides, I'm curious to find out who could possibly be calling at such an unfashionably late hour. What is it? Almost ten o'clock? It can't be anyone from Aleford.”
Faith wasn't to know where the call came from.
“Faith Fairchild?”
She didn't recognize the voice. Whoever it was had a heavy cold.
“Yes,” she replied, ready for a fund appeal.
“Keep your fucking nose out of other people's business.”
“Who is this! Hello! Hello!”
The line went dead.
She hung up and immediately dialed the police. Charley was on duty. She realized she was shaking. The voice—she couldn't be absolutely sure whether it had been a man or a woman—had sounded so venomous. The warning was clear.
Charley said he'd be right over and would get in touch with Dunne. Faith went back to the kitchen. It seemed as if she had been gone for an hour. Tom was still contentedly munching.
“Who was it, honey?”
Faith's call to Chief MacIsaac had calmed her down. The last thing she wanted was to upset Tom, but it was inevitable in this particular situation.
“It was a crank, an obscene phone call. Whoever it was told me to mind my own business, essentially.”
“Faith! I knew it! We have to call the police!” Tom looked stricken, the remains of the sandwich in his hand suspended between his plate and mouth.
“I've already called and Charley is on his way. Honey, don't worry. Nothing is going to happen to me.” Faith knew she could take care of herself. It was harder to convince her husband.
 
Charley was more agitated than usual, and as they sat debating the ways someone could disguise his or her voice, Faith realized the chief's mind was elsewhere.
“Charley, is something more bothering you? Because if it's just the call, please trust me. I know it was a warning and I'll be careful. Very careful.”
“I hope so. You're right. The call was the last straw, but frankly, I'm worried sick about Penny. No one's seen hide nor hair of her since last night after I announced that Alden was dead.”
“I wish we could help you, except we haven't heard a thing, either. Millicent's been calling, too. She thinks Tom is hiding Penny.”
There was a short pause.
“And of course he's not.” MacIsaac's expression turned the statement into a question.
Faith hastened to defend her husband, who appeared startled.
“Charley! First of all, Tom is a man of a very high quality of cloth, and they don't do things like that, unless the Nazis or whatever are at the door. And second of all, why on earth would he—we—hide Penny? And why would she need to hide? Do you think she's in some kind of danger?”
“You tell me. We searched the house from top to bottom today. Every time I opened a closet, I got the willies, the way things have been happening around here.” Faith thought she detected a sigh. More garrulous than was his wont, Charley kept talking.
“Nothing's going right. All those people, and not one saw Alden leave. Too busy stargazing. And he's the only person missing from the audience on the film.”
“This is a really tough time for you. I hope you'll drop by whenever you want,” Tom offered.
“Thanks, I will. Oh, and you can have the funeral on Friday. I told the
Chronicle
and they managed to get it into tomorrow's edition. Maybe Penny will show up.”
The chief was not the only one in Aleford who had the willies. Ever since Alden's body had been discovered, the entire town was looking over its shoulder. Doors that had been kept
on the latch for centuries acquired shiny new dead bolts. Children were cautioned to come straight home from school, and hosts and hostesses of social gatherings planned for the weekend found themselves facing a night of TV. No one wanted to be out after dark. Penelope Bartlett was the constant topic of conversation.
The woman had simply vanished from the known world.
 
The baby was crying. Why didn't that woman shut her up? She was certainly getting paid enough, and with her English accent and starched uniforms, she looked like the real thing. A costume. You could be anybody with the right costume. No one knew this better than Evelyn O'Clair did. Makeup and costumes; smoke and mirrors. It was all an illusion. Her whole life.
Why couldn't the damned nanny keep the baby quiet! Probably didn't want to spoil the kid, but she'd been told more than once that when Evelyn was home, she didn't want to hear a thing.
She reached forward and turned on the gold-plated hot-water tap. It wasn't like her bathroom at home. That was made up of three rooms, one opening into another, culminating in the largest, which had a pool-sized tub made of marble, with malachite inlays, overlooking the ocean through dramatic floor-to-ceiling windows. But this setup wasn't bad. At least it had a Jacuzzi, and the rose carpeting gave the room a warm glow. She leaned back on the inflatable pillow and let her thoughts drift. The perfumed water steamed slightly.
For a moment, she recaptured the calm she'd felt before the baby started screaming. It was quiet. Then the noise started up again. She stood up in annoyance and got out. The water splashed onto the carpet and she reached for her robe, ready to tell the nanny off. Where the hell was Max? It was late. He'd said he'd be home hours ago. He would have taken care of it. Would have picked up the baby himself. He adored her. Had named her. Such a funny name, Cordelia. Evelyn had wanted something more modern like Tiffany. But she didn't care. One name was as good as another.
The crying stopped suddenly, like an alarm turned off. She debated getting back in the tub, but it required too much effort. Night
shooting was a strain. She had to get some sleep or it would begin to show on her face.
She wished Max had never started the film or that she had been committed to another project. Except he would have just waited for her. She hated her part, Hester Prynne. It didn't do too much for her image. Hester Prynne, an adulteress.
She hated being in this house, in this town. She hated the whole thing.
Naked, she walked over to the wall of mirrors lighted softly from above, dragging her robe behind her and unpinning her hair from the top of her head. Not bad. She'd exercised constantly and all through the pregnancy had rubbed cocoa butter on her disgusting belly. The doctor was amazed at how little weight she'd gained, she remembered proudly. She looked at herself closely. Unless you were as familiar with her body as she was, you'd never have noticed the difference. But there was one tiny wrinkle that would not go away and a slight slackness around her navel. When Max had discovered she was pregnant, she'd agreed to have it. Only no more. And there wouldn't be any more. She'd see to that. She couldn't plead exhaustion forever, but she could be careful—very, very careful.
BOOK: The Body in the Cast
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ads

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