The early Christians also extolled torture as just deserts for the sinful. Most people have heard of the seven deadly sins, standardized by Pope Gregory I in 590 CE. Fewer people know about the punishment in hell that was reserved for those who commit them:
Pride: Broken on the wheel
Envy: Put in freezing water
Gluttony: Force-fed rats, toads, and snakes
Lust: Smothered in fire and brimstone
Anger: Dismembered alive
Greed: Put in cauldrons of boiling oil
Sloth: Thrown in snake pits
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The duration of these sentences, of course, was infinite.
By sanctifying cruelty, early Christianity set a precedent for more than a millennium of systematic torture in Christian Europe. If you understand the expressions
to burn at the stake, to hold his feet to the fire
,
to break a butterfly on the wheel, to be racked with pain, to be drawn and quartered, to disembowel, to flay, to press, the thumbscrew, the garrote, a slow burn,
and
the iron maiden
(a hollow hinged statue lined with nails, later taken as the name of a heavy-metal rock band), you are familiar with a fraction of the ways that heretics were brutalized during the Middle Ages and early modern period.
During the Spanish Inquisition, church officials concluded that the conversions of thousands of former Jews didn’t take. To compel the conversos to confess their hidden apostasy, the inquisitors tied their arms behind their backs, hoisted them by their wrists, and dropped them in a series of violent jerks, rupturing their tendons and pulling their arms out of their sockets.
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Many others were burned alive, a fate that also befell Michael Servetus for questioning the trinity, Giordano Bruno for believing (among other things) that the earth went around the sun, and William Tyndale for translating the Bible into English. Galileo, perhaps the most famous victim of the Inquisition, got off easy: he was only
shown
the instruments of torture (in particular, the rack) and was given the opportunity to recant for “having held and believed that the sun is the center of the world and immovable, and that the earth is not the center and moves.” Today the rack shows up in cartoons featuring elasticized limbs and bad puns (Stretching exercises; Is this a wind-up? No pain no gain). But at the time it was no laughing matter. The Scottish travel writer William Lithgow, a contemporary of Galileo’s, described what it was like to be racked by the Inquisition:
As the levers bent forward, the main force of my knees against the two planks burst asunder the sinews of my hams, and the lids of my knees were crushed. My eyes began to startle, my mouth to foam and froth, and my teeth to chatter like the doubling of a drummer’s sticks. My lips were shivering, my groans were vehement, and blood sprang from my arms, broken sinews, hands, and knees. Being loosed from these pinnacles of pain, I was hand-fast set on the floor, with this incessant imploration: “Confess! Confess!”
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Though many Protestants were victims of these tortures, when they got the upper hand they enthusiastically inflicted them on others, including a hundred thousand women they burned at the stake for witchcraft between the 15th and 18th centuries.
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As so often happens in the history of atrocity, later centuries would treat these horrors in lighthearted ways. In popular culture today witches are not the victims of torture and execution but mischievous cartoon characters or sassy enchantresses, like Broom-Hilda, Witch Hazel, Glinda, Samantha, and the Halliwell sisters in
Charmed.
Institutionalized torture in Christendom was not just an unthinking habit; it had a moral rationale. If you really believe that failing to accept Jesus as one’s savior is a ticket to fiery damnation, then torturing a person until he acknowledges this truth is doing him the biggest favor of his life: better a few hours now than an eternity later. And silencing a person before he can corrupt others, or making an example of him to deter the rest, is a responsible public health measure. Saint Augustine brought the point home with a pair of analogies: a good father prevents his son from picking up a venomous snake, and a good gardener cuts off a rotten branch to save the rest of the tree.
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The method of choice had been specified by Jesus himself: “If a man abide not in me, he is cast forth as a branch, and is withered; and men gather them, and cast them into the fire, and they are burned.”
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Once again, the point of this discussion is not to accuse Christians of endorsing torture and persecution.
Of course
most devout Christians today are thoroughly tolerant and humane people. Even those who thunder from televised pulpits do not call for burning heretics alive or hoisting Jews on the strappado. The question is why they don’t, given that their beliefs imply that it would serve the greater good. The answer is that people in the West today compartmentalize their religious ideology. When they affirm their faith in houses of worship, they profess beliefs that have barely changed in two thousand years. But when it comes to their actions, they respect modern norms of nonviolence and toleration, a benevolent hypocrisy for which we should all be grateful.
MEDIEVAL KNIGHTS
If the word
saintly
deserves a second look, so does the word
chivalrous
. The legends of knights and ladies in King Arthur’s time have provided Western culture with some of its most romantic images. Lancelot and Guinevere are the archetypes of romantic love, Sir Galahad the embodiment of gallantry. Camelot, the name of King Arthur’s court, was used as the title of a Broadway musical, and when word got out after John F. Kennedy’s assassination that he had enjoyed the sound track, it became a nostalgic term for his administration. Kennedy’s favorite lines reportedly were “Don’t let it be forgot that once there was a spot / For one brief shining moment that was known as Camelot.”
As a matter of fact, the knightly way of life
was
forgot, which is a good thing for the image of the knightly way of life. The actual content of the tales of medieval chivalry, which were set in the 6th century and written between the 11th and the 13th, was not the stuff of a typical Broadway musical. The medievalist Richard Kaeuper tallied the number of acts of extreme violence in the most famous of these romances, the 13th-century
Lancelot
, and on average found one every four pages.
Limiting ourselves to quantifiable instances, at least eight skulls are split (some to the eyes, some to the teeth, some to the chin), eight unhorsed men are deliberately crushed by the huge hooves of the victor’s war-horse (so that they faint in agony, repeatedly), five decapitations take place, two entire shoulders are hewn away, three hands are cut off, three arms are severed at various lengths, one knight is thrown into a blazing fire and two knights are catapulted to sudden death. One woman is painfully bound in iron bands by a knight; one is kept for years in a tub of boiling water by God, one is narrowly missed by a hurled lance. Women are frequently abducted and we hear at one point of forty rapes....
Beyond these readily enumerable acts there are reports of three private wars (with, in one case, 100 casualties on one side, and with 500 deaths with poison in another).... In one [tournament], to provide the flavor, Lancelot kills the first man he encounters with his lance and then, sword drawn, “struck to the right and the left, killing horses and knights all at the same time, cutting feet and hands, heads and arms, shoulders and thighs, striking down those above him whenever he met them, and leaving a sorrowful wake behind him, so that the whole earth was bathed in blood wherever he passed.”
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How did the knights ever earn their reputation for being gentlemen? According to
Lancelot
, “Lancelot had the custom of never killing a knight who begged for mercy, unless he had sworn beforehand to do so, or unless he could not avoid it.”
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As for their vaunted treatment of the ladies, one knight woos a princess by pledging to rape the most beautiful woman he can find on her behalf; his rival promises to send her the heads of the knights he defeats in tournaments. Knights do protect ladies, but only to keep them from being abducted by other knights. According to
Lancelot
, “The customs of the Kingdom of Logres are such that if a lady or a maiden travels by herself, she fears no one. But if she travels in the company of a knight and another knight can win her in battle, the winner can take a lady or maiden in any way he desires without incurring shame or blame.”
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Presumably that is not what most people today mean by the word
chivalry
.
EARLY MODERN EUROPE
In chapter 3 we will see that medieval Europe settles down a bit when the knightly warlords are brought under the control of monarchs in centralized kingdoms. But the kings and queens were hardly paragons of nobility themselves.
Commonwealth schoolchildren are often taught one of the key events in British history with the help of a mnemonic:
King Henry the Eighth, to six wives he was wedded:
One died, one survived, two divorced, two beheaded.
Beheaded! In 1536 Henry had his wife Anne Boleyn decapitated on trumped-up charges of adultery and treason because she gave him a son that did not survive, and he had become attracted to one of her ladies-in-waiting. Two wives later he suspected Catherine Howard of adultery and sent her to the ax as well. (Tourists visiting the Tower of London can see the chopping block for themselves.) Henry was clearly the jealous type: he also had an old boyfriend of Catherine’s drawn and quartered, which is to say hanged by the neck, taken down while still alive, disemboweled, castrated, decapitated, and cut into four.
The throne passed to Henry’s son Edward, then to Henry’s daughter Mary, and then to another daughter, Elizabeth. “Bloody Mary” did not get her nickname by putting tomato juice in her vodka but by having three hundred religious dissenters burned at the stake. And both sisters kept up the family tradition for how to resolve domestic squabbles: Mary imprisoned Elizabeth and presided over the execution of their cousin, Lady Jane Grey, and Elizabeth executed another cousin, Mary Queen of Scots. Elizabeth also had 123 priests drawn and quartered, and had other enemies tortured with bone-crushing manacles, another attraction on display in the Tower. Today the British royal family is excoriated for shortcomings ranging from rudeness to infidelity. You’d think people would give them credit for not having had a single relative decapitated, nor a single rival drawn and quartered.
Despite signing off on all that torture, Elizabeth I is among England’s most revered monarchs. Her reign has been called a golden age in which the arts flourished, especially the theater. It’s hardly news that Shakespeare’s tragedies depict a lot of violence. But his fictional worlds contained levels of barbarity that can shock even the inured audiences of popular entertainment today. Henry V, one of Shakespeare’s heroes, issues the following ultimatum of surrender to a French village during the Hundred Years’ War:
why, in a moment look to see
The blind and bloody soldier with foul hand
Defile the locks of your shrill-shrieking daughters;
Your fathers taken by the silver beards,
And their most reverend heads dash’d to the walls,
Your naked infants spitted upon pikes.
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In
King Lear
, the Duke of Cornwall gouges out the eyes of the Earl of Gloucester (“Out, vile jelly!”), whereupon his wife, Regan, orders the earl, bleeding from the sockets, out of the house: “Go thrust him out at gates, and let him smell his way to Dover.” In
The Merchant of Venice
, Shylock obtains the right to cut a pound of flesh from the chest of the guarantor of a loan. In
Titus Andronicus
, two men kill another man, rape his bride, cut out her tongue, and amputate her hands. Her father kills the rapists, cooks them in a pie, and feeds them to their mother, whom he then kills before killing his own daughter for having gotten raped in the first place; then he is killed, and his killer is killed.
Entertainment written for children was no less grisly. In 1815 Jacob and Wilhelm Grimm published a compendium of old folktales that had gradually been adapted for children. Commonly known as
Grimm’s Fairy Tales
, the collection ranks with the Bible and Shakespeare as one of the bestselling and most respected works in the Western canon. Though it isn’t obvious from the bowdlerized versions in Walt Disney films, the tales are filled with murder, infanticide, cannibalism, mutilation, and sexual abuse—grim fairy tales indeed. Take just the three famous stepmother stories:
• During a famine, the father and stepmother of Hansel and Gretel abandon them in a forest so that they will starve to death. The children stumble upon an edible house inhabited by a witch, who imprisons Hansel and fattens him up in preparation for eating him. Fortunately Gretel shoves the witch into a fiery oven, and “the godless witch burned to death in a horrible way.”
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• Cinderella’s stepsisters, when trying to squeeze into her slippers, take their mother’s advice and cut off a toe or heel to make them fit. Doves notice the blood, and after Cinderella marries the prince, they peck out the stepsisters’ eyes, punishing them “for their wickedness and malice with blindness for the rest of their lives.”