The Best of Ruskin Bond (29 page)

Somi began singing. The town came in sight, the bazaar lights twinkling defiance at the starry night.

The Lafunga
*

‘I
f you have nothing to do,’ said Devinder, ‘will you come with me on my rounds?’

‘First we will see Hathi. If he has not left yet, I can accompany him to Lansdowne.’

Rusty set out with Devinder in the direction of the bazaar. As it was early morning, the shops were just beginning to open. Vegetable vendors were busy freshening their stock with liberal sprinklings of water, calling their prices and their wares; children dawdled in the road on their way to school, playing hopscotch or marbles. Girls going to college chattered in groups like gay, noisy parrots. Men cycled to work, and bullock-carts came in from the villages, laden with produce. The dust, which had taken all night to settle, rose again like a mist.

Rusty and Devinder stopped at the tea-shop to eat thickly buttered buns and drink strong, sweet tea. Then they looked for Hathi’s room, and found it above a cloth shop, lying empty, with its doors open. The string bed leant against the wall. On shelves and window-ledges, in corners and on the floor, lay little coloured toys made of clay—elephants and bulls, horses and peacocks, and images of Krishna and Ganesha; a blue Krishna, with a flute to his lips, a jolly Ganesha with a delightful little trunk. Most of the toys were rough and unfinished, more charming than the completed pieces. Most of the finished products would now be on sale in the bazaar.

It came as a surprise to Rusty to discover that Hathi, the big wrestler, made toys for a living. He had not imaginated there would be delicacy and skill in his friend’s huge hands. The pleasantness of the discovery offset his disappointment at finding Hathi had gone.

‘He has left already,’ said Rusty. ‘Never mind. I know he will welcome me, even if I arrive unexpectedly.’

He left the bazaar with Devinder, making for the residential part of the town. As he would be leaving Dehra soon, there was no point in his visiting the school again; later, though, he would see Mr Pettigrew.

When they reached the Clock Tower, someone whistled to them from across the street, and a tall young man came striding towards them.

He looked taller than Devinder, mainly because of his long legs. He wore a loose-fitting bush-shirt that hung open in front. His face was long and pale, but he had quick, devilish eyes, and he smiled disarmingly.

‘Here comes Sudheer the Lafunga,’ whispered Devinder. ‘Lafunga means loafer. He probably wants some money. He is the most charming and the most dangerous person in town.’ Aloud, he said, ‘Sudheer, when are you going to return the twenty rupees you owe me?’

‘Don’t talk that way, Devinder,’ said the Lafunga, looking offended. ‘Don’t hurt my feelings. You know your money is safer with me than it is in the bank. It will even bring you dividends, mark my words. I have a plan that will come off in a few days, and then you will get back double your money. Please tell me, who is your friend?’

‘We stay together,’ said Devinder, introducing Rusty. ‘And he is bankrupt too, so don’t get any ideas.’

‘Please don’t believe what he says of me,’ said the Lafunga with a captivating smile that showed his strong teeth. ‘Really I am not very harmful.’

‘Well, completely harmless people are usually dull,’ said Rusty.

‘How I agree with you! I think we have a lot in common.’

‘No, he hasn’t got anything,’ put in Devinder.

‘Well then, he must start from the beginning. It is the best way to make a fortune. You will come and see me, won’t you, mister Rusty? We could make a terrific combination, I am sure. You are the kind of person people trust! They take only one look at me and then feel their pockets to see if anything is missing!.’

Rusty instinctively put his hand to his own pocket, and all three of them laughed.

‘Well, I must go,’ said Sudheer the Lafunga, now certain that Devinder was not likely to produce any funds. ‘I have a small matter to attend to. It may bring me a fee of twenty or thirty rupees.’

‘Go,’ said Devinder. ‘Strike while the iron is hot.’

‘Not I,’ said the Lafunga, grinning and moving off. ‘I make the iron hot by striking.’

*

‘Sudheer is not too bad,’ said Devinder, as they walked away from the Clock tower. ‘He is a crook, of course—
Shree
420
—but he would not harm people like us. As he is quite well educated, he manages to gain the confidence of some well-to-do people, and acts on their behalf in matters that are not always respectable. But he spends what he makes, and is too generous to be successful.’

They had reached a quiet, tree-lined road, and walked in the shade of neem, mango, jamun and eucalyptus trees. Clumps of tall bamboo grew between the trees. Nowhere, but in Dehra, had Rusty seen so many kinds of trees. Trees that had no names. Tall, straight trees, and broad, shady trees. Trees that slept or brooded in the afternoon stillness. And trees that shimmered and moved and whispered even when the winds were asleep.

Some marigolds grew wild on the footpath, and Devinder picked two of them, giving one to Rusty.

‘There is a girl who lives at the bottom of the road,’ he said. ‘She is a pretty girl. Come with me and see her.’

They walked to the house at the end of the road and, while Rusty stood at the gate, Devinder went up the path. Devinder stood at the bottom of the veranda steps, a little to one side, where he could be seen from a window, and whistled softly.

Presently a girl came out on the veranda. When she saw Devinder she smiled. She had a round, fresh face, and long black hair, and she was not wearing any shoes.

Devinder gave her the marigold. She took it in her hand and, not knowing what to say, ran indoors.

That morning Devinder and Rusty walked about four miles. Devinder’s customers ranged from decadent maharanis and the wives of government officials to gardeners and sweeper women. Though his merchandise was cheap, the well-to-do were more finicky about a price than the poor. And there were a few who bought things from Devinder because they knew his circumstances and liked what he was doing.

A small girl with flapping pigtails came skipping down the road. She stopped to stare at Rusty, as though he were something quite out of the ordinary, but not unpleasant.

Rusty took the other marigold from his pocket, and gave it to the girl. It was a long time since he had been able to make anyone a gift.

*

After some time they parted, Devinder going back to the town, while Rusty crossed the river-bed. He walked through the tea-gardens until he found Mr Pettigrew’s bungalow.

The old man was not in the veranda, but a young servant salaamed Rusty and asked him to sit down. Apparently Mr Pettigrew was having his bath.

‘Does he always bathe in the afternoon?’ asked Rusty.

‘Yes, the sahib likes his water to be put in the sun to get warm. He does not like cold baths or hot baths. The afternoon sun gives his water the right temperature.’

Rusty walked into the drawing-room and nearly fell over a small table. The room was full of furniture and pictures and bric-à-brac. Tiger-heads, stuffed and mounted, snarled down at him from the walls. On the carpet lay several cheetal skins, a bit worn at the sides. There were several shelves filled with books bound in morocco or calf. Photographs adorned the walls—one of a much younger Mr Pettigrew standing over a supine leopard, another of Mr Pettigrew perched on top of an elephant, with his rifle resting on his knees . . . Remembering his own experiences, Rusty wondered how such an active shikari ever found time for reading. While he was gazing at the photographs, Pettigrew himself came in, a large bathrobe wrapped round his thin frame, his grizzly chest looking very raw and red from the scrubbing he had just given it.

‘Ah, there you are!’ he said. ‘The bearer told me you were here. Glad to see you again. Sit down and have a drink.’

Mr Pettigrew found the whisky and poured out two stiff drinks. Then, still in his bathrobe and slippers, he made himself comfortable in an armchair. Rusty said something complimentary about one of the mounted tiger-heads.

‘Bagged it in Assam,’ he said. ‘Back in 1928, that was. I spent three nights on a machan before I got a shot at it.’

‘You have a lot of books,’ observed Rusty.

‘A good collection, mostly flora and fauna. Some of them are extremely rare. By the way,’ he said, looking around at the wall, ‘did you ever see a picture of your father?’

‘Have you got one?’ asked Rusty. ‘I’ve only a faint memory of what he looked like.’

‘He’s in that group photograph over there,’ said Mr Pettigrew, pointing to a picture on the wall.

Rusty went over to the picture and saw three men dressed in white shirts and flannels, holding tennis rackets, and looking very self-conscious.

‘He’s in the middle,’ said Pettigrew. ‘I’m on his right.’

Rusty saw a young man with fair hair and a fresh face. He was the only player who was smiling. Mr Pettigrew, sporting a fierce moustache, looked as though he was about to tackle a tiger with his racket. The third person was bald and uninteresting.

‘Of course, he’s very young in that photo,’ said Pettigrew. ‘It was taken long before you were ever thought of—before your father married.’

Rusty did not reply. He was trying to imagine his father in action on a tennis court, and wondered if he was a better player than Pettigrew.

‘Who was the best player among you?’ he asked.

‘Ah, well, we were both pretty good, you know. Except for poor old Wilkie on the left. He got in the picture by mistake.’

‘Did my father talk much?’ asked Rusty.

‘Well, we all talked a lot, you know, especially after a few drinks. He talked as much as any of us. He could sing, when he wanted to. His rendering of the “Kashmiri Love Song” was always popular at parties, but it wasn’t often he sang, because he didn’t like parties . . . Do you remember it? “Pale hands I love, beside the Shalimar . . .” ’

Pettigrew began singing in a cracked, wavering voice, and Rusty was forced to take his eyes off the photograph. Half-way through the melody, Pettigrew forgot the words, so he took another gulp of whisky and began singing ‘The Rose of Tralee’. The sight of the old man singing love songs in his bathrobe, with a glass of whisky in his hand, made Rusty smile.

‘Well,’ said Pettigrew, breaking off in the middle of the song, ‘I don’t sing as well as I used to. Never mind. Now tell me, boy, when are you going to Garhwal?’

‘Tomorrow, perhaps.’

‘Have you any money?’

‘Enough to travel with. I have a friend in the hills, with whom I can stay for some time.’

‘And what about money?’

‘I have enough.’

‘Well, I’m lending you twenty rupees,’ he said, thrusting an envelope into the boy’s hands. ‘Come and see me when you return, even if you don’t find what you’re looking for.’

‘I’ll do that, Mr Pettigrew.’

The old man looked at the boy for some time, as though summing him up.

‘You don’t really have to find out much about your father,’ he said. ‘You’re just like him, you know.’

*

Returning to the bazaar, Devinder found Sudheer at a paan shop, his lips red with betel juice. Devinder went straight to the point.

‘Sudheer,’ he said, ‘you owe ne twenty rupees. I need it, not for myself, but for Rusty, who has to leave Dehra very urgently. You must get me the money by tonight.’

The Lafunga scratched his head.

‘It will be difficult,’ he said, ‘but perhaps it can be managed. He really needs the money? It is not just a trick to get your own money back?’

‘He is going to the hills. There may be money for him there, if he finds the person he is looking for.’

‘Well, that’s different,’ said the Lafunga, brightening up, ‘That makes Rusty an investment. Meet me at the Clock Tower at six o’ clock, and I will have the money for you. I am glad to find you making useful friends for a change.’

He stuffed another roll of paan into his mouth, and taking leave of Devinder with a bright red smile, strolled leisurely down the bazaar road.

As far as appearances went, he had little to do but loll around in the afternoon sunshine, frequenting tea-shops, and gambling with cards in small back rooms. All this he did very well—but it did not make him a living.

To say that he lived on his wits would be an exaggeration. He lived a great deal on other people’s wits. There was the Seth for instance, Rusty’s former landlord, who owned much property and dabbled in many shady transactions, and who was often represented by the Lafunga in affairs of an unsavoury nature.

Sudheer came originally from the Frontier, where little value was placed on human life; and while still a boy, he had wandered, a homeless refugee, over the border into India. A smuggler adopted him, taught him something of the trade, and introduced him to some of the best hands in the profession; but in a border-foray with the police, Sudheer’s foster-father was shot dead, and the youth was once again on his own. By this time he was old enough to look after himself. With the help of his foster-father’s connections, he soon attained the service and confidence of the Seth.

Sudheer was no petty criminal. He practised crime as a fine art, and believed that thieves, and even murderers, had to have certain principles. If he stole, then he stole from a rich man, who could afford to be robbed, or from a greedy man, who deserved to be robbed. And if he did not rob poor men, it was not because of any altruistic motive—it was because poor men were not worth robbing.

He was good to those friends, like Devinder, who were good to him. Perhaps his most valuable friends, as sources of both money and information, were the dancing-girls who followed their profession in an almost inaccessible little road in the heart of the bazaar. His best friends were Hastini and Mrinalini. He borrowed money from them very freely, and seldom paid back more than half of it.

Hastini could twang the sitar, and dance—with a rather heavy tread—among various other accomplishments.

Mrinalini, a much smaller woman, had grown up in the profession. She was looked after by her mother, a former entertainer; who kept most of the money that Mrinalini made.

Sudheer awoke Hastini in the middle of her afternoon siesta by tickling her under the chin with a feather.

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