Read The Best American Crime Reporting 2009 Online

Authors: Jeffrey Toobin

Tags: #True Crime, #General

The Best American Crime Reporting 2009 (19 page)

He seemed, in a fundamental way, far too sweet a kid to become truly adept in the art of ruthlessness. Among Armenians and beyond, people were awed by his generosity in the same way they had admired his father’s. Zankou didn’t deliver, but there was Steve, bags of spit-roasted goodies loaded in his Lexus, heading to a school or a charity that needed free food for its function. He paid the monthly rent on a building in Ontario that a black preacher, a friend, had converted into his first church. Steve was the one whom friends called when they were nearing bottom and needed a push into rehab. He drove them there, nursed them through the cold turkey, and monitored their recoveries like a hawk.

As for his own life, it was a mess. He had dark circles under his eyes and was 30 pounds overweight. His younger brother Ara, whose addiction to Vicodin had morphed into an addiction to exercise, thanks in part to Steve, tried to work him back into
shape. He kept skipping the gym to gorge on lobster and crab at Mariscos Colima in North Hollywood. After one monumental meal, he caressed his belly. “Bro,” he said, eyes twinkling. “You wouldn’t know it, but underneath these pounds I used to catch a lot of ladies.”

He was sure he was paying a price for all that softness. People saw him as an easy mark. No wonder his mother discounted his vision. “She thought the manager I hired was pulling the wool over my eyes. But she doesn’t know what it takes to move this business forward. Don’t get me wrong. My mother’s been awesome. She surprised all of us with her work ethic. But she doesn’t understand this business the way I understand it.”

He had been at his father’s side, watching and learning, since he was a kid. If only he were calling the shots now, the next move would be big. “I believe we can open a Zankou in every major city in America. But she doesn’t want to hear it, bro. I have to sugarcoat everything. I have to walk on eggshells.”

Walk on eggshells? Had he been walking on eggshells a few days earlier with his aunt?

“My aunt was totally provoking me the whole way,” he said. “They are making it like I beat her up, but I didn’t. They are insisting that I hurt her. And I didn’t hurt her. I lost—I lost my control, bro. I was mad. You know?”

So he hit her?

“I slapped her on the hand. It didn’t hurt, though, bro. I know it didn’t hurt.”

Now Steve wasn’t sure what to do. Should he stay with friends? Get a place of his own? Leave town? He packed his bags and headed north, past Santa Clarita and Bakersfield, straight up Highway 99. The grape fields all around him were in winter slumber, and he felt his mind begin to race. One image after the other, his life over the past ten years, came back to him. He saw Dikran, the older brother he so admired, walk into the bedroom they shared
and whisper at night: “Steve, you’re going to hell if you don’t change your ways.” He saw the 777 Motel and the call girl and her pimp. He saw the courtroom in Van Nuys and the prosecutor making the tiniest of blunders. He saw his father lying on the couch, a hat covering his bald head, and his grandmother home from work, walking past him as if he were already dead. He saw his father burning the photo and telling him he would never forgive her. “God will forgive the devil before I can forgive my mother. Because this is a mother, not the devil.” He saw his father asking him for a slushy lemonade from the Muscle Beach shop at the Glendale Galleria. He saw himself coming back home, the lemonade still icy, his father gone.

He kept driving through the California farm fields until he reached Fresno. That night, sitting in a friend’s backyard, he heard the story about the Armenian kid who had stolen a crate of raisins in the 1920s. Fifty years later, at the church picnic, the old ladies sitting in their lawn chairs pointed to a boy standing in the shish kebab line. “See that young man,” one old lady said. “That’s the raisin stealer’s grandson.” No one needed to tell him the moral. He was the son of the Zankou Chicken mogul who had murdered his mother and sister and then had the decency to kill himself. What struck him wasn’t the story’s lesson—that you can never escape the past—but what the storyteller had left out. Did those whispers reach the ears of the raisin stealer’s grandson? Or was he lucky enough to be just outside their reach? Did he manage to live his life never knowing the peculiar bent of his patrimony? Steve wasn’t so lucky. He had heard the whispers, and it made him think about the son he might have one day. Would the whispers follow him? Or would his son know the story because Steve had chosen to tell it from his own mouth?

For three days, he ate white bean and lamb stew, drank whiskey, and imagined living in a place such as Fresno, the land of Saroyan, far from Zankou, far from family. On the fourth day, he
climbed back into his car and headed home.

This time, as the highway opened up, his mind fixed on a different image from the past. It was 2005, two years after the murders, and the grieving was finished. The family had decided it was time to honor Mardiros and open a new store in West L.A. Because he was the son most like his father, the job was given to him. You find the location, his mother told him. You find the contractor. One day, the store half done, he found himself unable to get out of bed. For 90 days, he lingered in a state of deep depression. Doctors prescribed pills, but he wouldn’t take them. Nothing could reach him. Not food or drink or sex. His mother didn’t know what to do. She was paying $15,000 a month in rent for a restaurant with no opening in sight. She finally persuaded him to see a psychiatrist, a Greek doctor who heard the story and could see where the problem was buried.

All his life, he had been told he was Mardiros’s son. And all his life, good and bad, he had done his best to make that true. The girls, the outbursts, the devotion to business, the loyalty to family, it became his way of honoring the father. But what it meant to be Mardiros Iskenderian’s son had changed irrevocably that day. It was one thing to be the second coming of a patriarch beloved by family and community. It was another to know that all this legacy had been washed over by one act. Who was the father? Who was the son? How could Steve ever be expected to build a new Zankou in his father’s name, without ever owning up to what his father had done?

Usually he did not plan his visits to Forest Lawn. He went only when the impulse seized him, and that was rare. Truth be known, he wasn’t sure if he was strong enough. But that December day in 2007, as he barreled into Los Angeles, he decided he would do something different. Inside the cemetery gates, he visited the grave of his father, and then he headed to the opposite end to locate the graves of his grandmother and aunt. He hadn’t gone to their funerals. He had never said a proper good-bye. “I
know it sounds stupid, but it wasn’t until I was standing there, staring into their headstones, that it hit me for the first time. That my father had killed them. I never really looked at it like that before. He took two lives. He was going to die anyway, so I don’t count his life. But he took two lives with him. And those lives belonged to my grandmother and my aunt. There was no turning away from it. This is what my father chose to do as his final deed.”

He wanted to believe that none of it was truly planned, that his father, racked by rage and cancer, was not of sound mind. He wanted to believe that in the living room of his aunt’s house, his father awoke to his crime and felt immense sadness. He could only hope that his father had asked for forgiveness as he sat down on the couch and raised the gun to his head. What he didn’t know was that the coroner had checked for traces of salt beneath his father’s eyes and found none. Mardiros Iskenderian had shed no tears.

The son left the cemetery that day with the same questions he had been lugging around for five years. They were questions, he now knew, that had no answers. How could a woman who cooked with such love disown her son on his deathbed? How could a man so intent on passing to his sons the good name of his life’s work hand them this name, this act?

He drove up the canyon to the mansion that sat on a ledge in the Verdugo Hills. He parked his car and walked up the driveway past the koi pond in the entrance and knocked on the door. His mother and three brothers were waiting for him. There was Ara, who struck an impressive bodybuilder’s pose, and Vartkes, the university student who was still trying to finish a condolence letter he had been writing to Dzovig’s sons for five years. And there was Dikran, the uneasy patriarch, who felt the need to speak for them all.

“Dad wanted us brothers to love each other and always support each other no matter what. We are different, each of us, but we
are one. We love each other, and we will die for each other. As his sons, we can never let money or outsiders tear us apart. To do less would be to dishonor Dad’s memory.”

Steve sat down on the couch next to his mother, leaned back, and closed his eyes. Rita took a puff of her cigarette and smiled.
Her prince. Her pasha.
Then she opened the family scrapbook to a page from Beirut, the year 1975, and she began to narrate. “To this day, I never see anybody as beautiful as my husband was. I met him when I was 12. Roof to roof, we passed each other notes. It was forbidden, but we fell in love.”

 

M
ARK
A
RAX
is the author of three books, including
In My Father’s
Name, about his twenty-year search to find the men who murdered his father, and the upcoming
West of the West: Dreamers, Believers, Builders, and Killers in the Golden State.
During his twenty-year career at the Los Angeles Times, Mark won many national awards for both his investigative reporting and feature writing. He now teaches literary nonfiction at Claremont McKenna College.

Coda

The story ends where it ends. No epilogue, other than Rita and her four sons still trying to come to terms with Mardiros’s final act. If the piece feels as if the writer had something extra invested in the telling, something deep down but never expressed, it may be because I saw so much of my own story in their story. My father was murdered when I was fifteen, and the mystery of that crime bent my entire life, for good and bad. I saw my mother in Rita, a woman who knew nothing about her husband’s business yet had no choice but to take it over. I saw myself in Steve, a son trying to honor his father and yet so confused about the choices his father had made at the end of his life. I wanted to use my Ar
menian heritage to inform the story, to get close to the family and give the reader the most intimate portrait I could. But I had to be careful not to rely on my heritage so much that I was conning the family or pulling punches with the reader. It was not an easy balancing act and I think now that I may have failed. Rita, for one, will no longer speak to me. Not because of some factual error or even a contextual one but because, her friends tell me, the story was too personal, too intimate.

Charles Bowden
M
EXICO’S
R
ED
D
AYS

FROM
GQ
magazine

T
HERE WAS A TIME
when death made sense in Juárez. You died because you had a drug load or because you lost a drug load. You died because you tried to do a deal or because you were a snitch, or because you were a poor woman and it was dark and someone thought it might be fun to rape and kill you. There was a pleasant order to death, a ritual of cartel thugs or corrupt police or the army taking you, then tying your hands and feet with duct tape, torturing you, and finally killing you and tossing your body into a hole with a dose of “milk”—the friendly term for lime. Your death would be called carne asada, a barbecue. Life made sense then, even in death. But those were, of course, the good old days, when murders averaged two or three hundred per year.

Now the world has changed. Since January, El Paso, the sister city of Juárez, just across the remnants of the Rio Grande, has had just five murders. In the first 160-odd days of 2008, Juárez has had nearly 500—no one knows the exact number, except that it just goes up and up and up. The killings have the cold feeling of butchery in a slaughterhouse, and they are everywhere: done in broad daylight, on streets, in markets, at homes,
and even in Wal-Mart parking lots. Women, children, guilty, innocent-no one is safe.

These are red, endless days.

 

S
HE CAME TO
J
UÁREZ FROM
S
INALOA,
the state on the Pacific that is the mother of almost all the major players in the Mexican drug industry, probably to visit her sister who works in the city. She was very beautiful—her hair hung down to her ass and her skin was oh so white. They called her Miss Sinaloa. I know this because when Elvira, who works at an asylum on the outskirts of Juárez, starts talking about her, she includes this
Miss
part. Yes, Miss Sinaloa, a beauty queen who came to Juárez. “Once,” Elvira says with pride, “we had a very beautiful woman—Miss Sinaloa. The police brought her here; she was 24 years old.”

The city cops claimed they had found her wandering on the street one morning, but Miss Sinaloa had actually been at a party. No one knows how she left the party—in Juárez there are many versions of every event—but everyone agrees on what happened after: The police took her and then raped her for three days. Eight policemen, in turn, over and over. In the mid-1990s, when girls from Juárez first began vanishing and then reappearing in the desert as corpses, the cops referred to them as
morenitas,
the little dark ones, because they came from the darker-skinned barrios where the women who slave in American-owned factories live. But Miss Sinaloa hailed from a different world: She was fair-skinned, middle-class, a beauty queen. And a fair-skinned woman is a special treat for street cops. By the time she got to the asylum, Miss Sinaloa’s buttocks bore the handprints of many men. There were bite marks all over her breasts.

I have been coming to Juárez for thirteen years, and like everyone here, I have an investment in the dead. And the living. Miss Sinaloa is a story, and like all stories, for a moment it tantalizes. Then it vanishes—swept up into one of the many theories that
attempt to account for all the violence happening in Juárez. Some blame the massive migration of the poor to the city to work in the factories; another favorite theory has it that the violence is because of the drug world. Those who focus on the murder of the girls sense a serial killer prowling the lonely dark lanes. Others simply see the state waning in border towns like Juárez, the violence a new order replacing the fading state with criminal organizations.

But I am a tiny minority on this matter. I see no new order emerging but a new way of life, one beyond our imagination and beyond the code words we use to protect ourselves from the horror of violence. In this new way of life, no one is really in charge—and no one is safe. The violence has crossed class lines. The violence is everywhere. It has no apparent and simple source. It is like the dust in the air, part of life itself.

So I sit on the sand outside the asylum and think of Miss Sinaloa. She understands what is happening in Juárez. And soon I think I will, too, if I am given enough time on the killing ground.

Victor Alejandro Gomez Marquez, 28
D. March 16, 2008

In January a list appears on a Juárez monument to fallen police officers. Under the heading
THOSE WHO DID NOT BELIEVE
are the names of five recently murdered cops. And under the heading
FOR THOSE WHO CONTINUE NOT BELIEVING
are seventeen names, including one belonging to Victor Alejandro Gomez Marquez. No one knows who is responsible for the list, but a few days later, four cops on it are killed.

In March, Marquez tells his mother he has fifteen days to live. A week later, he comes over to his mother’s house again and sits with a friend as they drink a liter of whiskey. That time he tells his mother he has eight days to live, at best. “Be positive,” she tells him. “Christ’s blood is covering you and protecting you.”

On the morning of Palm Sunday, the beginning of Holy Week,
Victor Marquez rides in a police convoy through the quiet of Juárez when his car is pinned at a light by a car in front. Another car pulls alongside and machine-guns his vehicle. He is now done with living.

By the end of April, ninety Juárez cops have left the force, and those who remain have announced they will no longer be leaving their station houses. In late May, another list goes up. Beneath the names of marked men and women, it reads:
THANK YOU FOR WAITING

I
N
D
ECEMBER
2006, Felipe Calderón, the incoming president of Mexico, unleashed the nation’s army to attack the multibillion-dollar drug industry, which had flourished during the later years of Vicente Fox’s administration and was beginning to rival the government in scale and influence. Organized crime was close to gaining complete control of certain Mexican states, Calderón said; it had to be stopped, And besides, after having barely won his seat as president, it seemed like a smart idea to do something popular—such as hunt the cartels—so Calderón gave the army a pay raise and sent 30,000 soldiers out among the people.

At first, Calderón’s gambit was sold as a resounding success. In just four months of the operation, the government claimed to have apprehended the leader of a major drug gang and to have captured more than 1,102 drug dealers and 630 cars, fifteen boats, and two airplanes used to transport drugs. “We have managed…to calm people’s fears and let them know that government is here for them,” the president said.

For most of 2007, things remained quiet, or at least relatively so—a few murders, some disappearances, nothing unusual.

But when I arrive in Juárez in January, something is stirring. That month, the violence explodes—one, two, sometimes more people die per day, and many more go missing. Forty are killed in Juárez and hundreds across Mexico, and the numbers only go up from there. (By the time I sit down to write, in June, roughly
2,500 have died in Mexico this year.) In early May, the director of Calderón’s national drug-enforcement agency is gunned down in his own home—he dies asking, “Who sent you?” and later the government determines the hit was done by the Sinaloa cartel, with the killers reportedly led by a former agent of the director’s own force.

Suddenly, it seems Calderón’s war may be hurting the Mexican people more than it hampers the drug trade.

When it comes to explaining the causes of all this carnage, the DEA, the U.S. Border Patrol, and America’s media and government leaders claim that it stems from a battle between various drug cartels, made increasingly desperate as Calderón’s army puts on the squeeze. This is a perfectly plausible explanation, except for the fact that the violence is failing to kill cartel members. After several months, there is hardly a body in Juárez that can be connected to the cartels. Nor can the Mexican Army seem to locate any of the leaders of the cartels—men who have lived in the city for years. A rumor is everywhere in Juárez about what happened at Aroma, a café on a plush avenue next to an area of mansions and a country club. The rumor is that on May 17, fifty heavily armed men arrived here, took the cell phones of the customers, and told people they could not leave. Then Joaquín “El Chapo” Guzmán, the head of the Sinaloa cartel, swept in, dined, and left around 2
A.M.
while out in the street Calderón’s army guarded the serenity of the establishment. Guzmán paid everyone’s tab. He is a man with a $5 million bounty on his head who is said to be at war with the Juárez cartel, yet everyone in the city seems to know of his visit to Aroma and to believe it.

That weekend at least ten people are murdered as El Chapo dines in peace.

The other problem with the cartel theory is that Calderón’s army has seized tons of marijuana in Juárez but only a few kilos of cocaine—the main stream of cartel revenue. The Mexican
government itself has estimated that 60 percent of the killings are gang violence over street drug sales, and less than 10 percent are assigned to organized crime, meaning the cartels.

And yet it is the cartel-war story that appears on the pages of newspapers such as
The Washington Post
and
The New York Times
and tumbles from the tight smile of Lou Dobbs. It is apparently easiest on the nerves when the main victims of the slaughter in Mexico are drug lords—bad men who get what they deserve.

Juan Carlos Rocha, 38
D. March 10, 2008

He stands on a freeway island peddling P.M., a tabloid that features murders and sells to working-class people. Two men approach and shoot him in the head. The killers walk away from the killing. No one sees anything except that they are armed, wear masks, and move like commandos.

A crowd gathers to watch the police clean up. Rocha, the people say, sold more than P.M. He also offered cocaine at $4 to $6 a packet and allegedly earned about $300 a week as his cut—about four times what the neighboring factory workers, his customers, make. He’d been warned twice by mysterious strangers to cease this activity.

He did not listen.

As he lies in a pool of blood in the bright sunlight, his brown jacket is neatly folded on the traffic island, his cap on the pavement where it tumbled from his shattered skull. The next day, the vendor is the cover story of P.M. His street name was El Cala. This man who sold newspapers and little packets of cocaine: the Skull.

P
ALOMAS FEELS EMPTY
even though its church is full of flowers from a big expensive wedding. Padre José Abel Retana stands with his vestments as the bride and groom beam on the church steps, a mariachi band strumming them into their new lives. The
padre is a short, solid man. He looks a lot like El Chapo Guzmán, who is credited with many of the murders going on in this small community about a hundred miles west of Juárez, on the border just below Columbus, New Mexico.

“Yes,” he softly smiles when I point out the likeness, “people tell me that. Let me change into my jeans so I look handsome.”

Padre Abel’s flock is now a bloody mess. So far this year, his town of 8,000 has witnessed more than forty murders. Seventeen more have vanished. During one week this spring, Padre Abel held funeral Masses for nine people. Two of the slain were a father and son slaughtered on a Friday; five more were men killed leaving the father and son’s wake on Sunday. Calderón’s army stood by at the burial ceremonies, since follow-up murders at the cemetery are a real possibility in the current climate of Mexico.

For decades an old system kept Palomas in order. The town fed off tourists and the drug trade—when Padre Abel arrived five years ago, he remembers, each week a shipment of three to five tons of marijuana would roll through and pass, without a problem, right into the United States. In the late ’90s, human smuggling boomed: The town exploded with motels, big units thrown up for storing people for shipment. But as the border tightened in recent years, the drug and people smuggling moved away. The motels emptied out; there was no way to make money, and so Palomas starved. The old order disappeared. And then the killing started.

In a town this small, killers and slain know each other, and Padre Abel tends to them all. I’ve come to visit the padre because he recently gave a sermon against the killings—naming names in the drug industry—saying, This must stop. A newspaper account of his sermon noted everything he said but did not print the names that he announced in the pulpit; such disclosures are generally fatal for reporters. But Padre Abel is not worried. He says that no one will kill a priest and insists the naming thing was overblown—that he mentioned only a few, and everyone already knew who they were.

“It started last April,” the padre says, “and then it got calm. Until this January. We are not just talking about dead people but the disappeared—a lot of people. They just take them away.”

He seems to sink into himself as he rolls through the history and nature of the drug business, how each town or city or state has a man in charge, how that man controls all the smuggling and killing, how it has always been that way—and yet this tidal wave of blood is without any precedent, so something must have changed.

“I think the government is causing more insecurity—because the army does nothing,” he says. “There is a shoot-out, and the army does not come because they say they don’t have orders to get close. I don’t know if the army is doing the killing or the hit men—but whoever it is, we think the government is behind it.”

Since the army began patrolling down the road in Juárez, dozens of city cops have been busted by soldiers—many claim to have been beaten—and two female police officers are found blindfolded and stripped to their underwear. They are rumored to have been raped. The cops fear the army, and the army is ill-equipped to police the streets, so law and order breaks down. There have always been little gangs besides the major cartels, and these little gangs now flourish because drugs are everywhere and drug use has exploded as people seek ways to endure the strife of normal life. Without the cops or the cartels to keep them in line, the gangs fight for the corner, scrambling for a cut of the small-scale action. And after a while, the killing takes on a life of its own—a final contact high for those with no future. The padre sees this chaos even in tiny Palomas.

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