The Alien Years (31 page)

Now, though, Richie had gone too far.

Coming home plainly drunk, red-faced, enraged over something, muttering to himself. Greeting Aissha with a growling curse, Khalid with a stinging slap. No apparent reason for either. Demanding his dinner early. Getting it, not liking what he got. Aissha offering mild explanations of why beef had not been available today. Richie shouting that beef bloody well
should
have been available to the household of Richie Burke.

So far, just normal Richie behavior when Richie was having a bad day. Even sweeping the serving-bowl of curried mutton off the table, sending it shattering, thick oily brown sauce splattering everywhere, fell within the normal Richie range.

But then, Aissha saying softly, despondently, looking down at what had been her prettiest remaining sari now spotted in twenty places, “You have stained my clothing.” And Richie going over the top. Erupting. Berserk. Wrath out of all measure to the offense, if offense there had been.

Leaping at her, bellowing, shaking her, slapping her. Punching her, even. In the face. In the chest. Seizing the sari at her midriff, ripping it away, tearing it in shreds, crumpling them and hurling them at her. Aissha backing away from him, trembling, eyes bright with fear, dabbing at the blood that seeped from her cut lower lip with one hand, spreading the other one out to cover herself at the thighs.

Khalid staring, not knowing what to do, horrified, furious.

Richie yelling. “I’ll stain you, I will! I’ll give you a sodding stain!” Grabbing her by the wrist, pulling away what remained of her clothing, stripping her all but naked right there in the dining room. Khalid covering his face. His own grandmother, forty years old, decent, respectable, naked before him: how could he look? And yet how could he tolerate what was happening? Richie dragging her out of the room, now, toward his bedroom, not troubling even to close the door. Hurling her down on his bed, falling on top of her. Grunting like a pig, a pig, a pig, a pig.

I must not permit this.

Khalid’s breast surged with hatred: a cold hatred, almost dispassionate. The man was inhuman, a jinni. Some jinn were harmless, some were evil; but Richie was surely of the evil kind, a demon.

His father. An evil jinni.

But what did that make him? What? What? What? What?

Khalid found himself going into the room after them, against all prohibitions, despite all risks. Seeing Richie plunked between Aissha’s legs, his shirt pulled up, his trousers pulled down, his bare buttocks pumping in the air. And Aissha staring upward past Richie’s shoulder at the frozen Khalid in the doorway, her face a rigid mask of horror and shame: gesturing to him, a repeated brushing movement of her hand through the air, telling him to go away, to get out of the room, not to watch, not to intervene in any way.

He ran from the house and crouched cowering amid the rubble in the rear yard, the old stewpots and broken jugs and his own collection of Arch’s empty whiskey bot- des. When he returned, an hour later, Richie was in his room, chopping malevolently at the strings of his guitar, singing tunelessly in a low, boozy voice. Aissha was dressed again, moving about in a slow, downcast way, cleaning up the mess in the dining room. Sobbing softly. Saying nothing, not even looking at Khalid as he entered. A sticking-plaster on her lip. Her cheeks looked puffy and bruised. There seemed to be a wall around her. She was sealed away inside herself, sealed from all the world, even from him.

“I will kill him,” Khalid said quietly to her.

“No. That you will not do.” Her voice was deep and remote, a voice from the bottom of the sea.

Aissha gave him a little to eat, a cold chapati and some of yesterday’s rice, and sent him to his room. He lay awake for hours, listening to the sounds of the house, Richie’s endless drunken droning song, Aissha’s barely audible sobs. In the morning nobody said anything about anything.

Khalid understood that it was impossible for him to kill his own father, however much he hated him. But Richie had to be punished for what he had done. And so, to punish him, Khalid was going to kill an Entity.

The Entities were a different matter. They were fair game.

For some time now, on his better days, Richie had been taking Khalid along with him as he drove through the countryside, doing his quisling tasks, gathering information that the Entities wanted to know and turning it over to them by some process that Khalid could not even begin to understand, and by this time Khalid had seen Entities on so many different occasions that he had grown quite accustomed to being in their presence.

And had no fear of them. To most people, apparently, Entities were scary things, ghastly alien monsters, evil, strange; but to Khalid they still were, as they always had been, creatures of enormous beauty. Beautiful the way a god would be beautiful. How could you be frightened by anything so beautiful? How could you be frightened of a god?

They didn’t ever appear to notice him at all. Richie would go up to one of them and stand before it, and some kind of transaction would take place. While that was going on, Khalid simply stood to one side, looking at the Entity, studying it, lost in admiration of its beauty. Richie offered no explanations of these meetings and Khalid never asked.

The Entities grew more beautiful in his eyes every time he saw one. They were beautiful beyond belief. He could almost have worshipped them. It seemed to him that Richie felt the same way about them: that he was caught in their spell, that he would gladly fall down before them and bow his forehead to the ground.

And so.

I will kill one of them, Khalid thought.

Because they are so beautiful. Because my father, who works for them, must love them almost as much as he loves himself, and I will kill the thing he loves. He says he hates them, but I think it is not so: I think he loves them, and that is why he works for them. Or else he loves them and hates them both. He may feel the same way about himself. But I see the light that comes into his eyes when he looks upon them.

So I will kill one, yes. Because by killing one of them I will be killing some part of
him.
And maybe there will be some other value in my doing it, besides.

4

TWENTY-TWO YEARS FROM NOW

These years, the years of alien rule, had been good years for Karl-Heinrich Borgmann. When he was sixteen, living out his dark and lonely adolescent days, he had wanted prestige, power, fame. He was twenty-nine now, and he had them all.

Prestige, certainly.

He knew more about the Entities’ communications systems, and probably about the Entities themselves, than anyone else on Earth. That was a widely known fact. Everyone in Prague knew it; perhaps everyone on the planet. He was the master communicator, the conduit through whom the Entities spoke to the people of the world. He was the Maharajah of Data. He was Borgmann the borgmann. There was prestige in that, certainly. You had to respect someone who had achieved what he had achieved, however you might feel about the morality of the achievement.

And power. He had that too,
in excelsis.

From his glistening office on the top floor of the majestic riverfront building that had once been Prague’s Museum of Decorative Arts, he could connect with the Entity net at fifty different points around the world: he, and only he, knew the way in, knew how to insert himself in their data banks, how to swim through the surging currents of those rivers of alien computation. Anyone in the world who wanted to make contact with the Entities for whatever reason, to file a petition, to enroll in their service, to request information from them, had to go through his office, his interface. The Borgmann interface: he had slapped his own name right on it for all to see.

Power, yes. He was, in a way, the master of life and death, here. What he understood, and hardly anyone else did, was that the Entities paid essentially no attention to all those petitions and requests and even the offers of service. They were above all that, mysteriously drifting through levels far beyond human ken. It was he who dealt with most of these people’s urgent requests, passing them along to the Entities for decisions that probably would never be made, or, often, interposing his own decisions on the assumption that the decrees he issued were approximately what the Entities would have chosen to do if only they had deigned to pay attention to any of the applications. He who proposed and disposed, he who assigned, transferred, rearranged, reorganized. Whole population sectors were uprooted and moved about on his say-so. Huge public-works projects came into being because he believed that the Entities desired them to exist. Was that not power? Supreme power? Was he not the Entities’ viceroy on Earth?

And fame—

Ah. A touchy matter, that. There was fame and then there was fame. Certainly the inventor of the Borgmann interface was world-famous. But Karl-Heinrich knew quite well that his fame was not entirely a positive thing. He was aware that his name had become a common noun, now, in the popular speech of every land:
borgmann.
And what it meant, that word, was “traitor.” What it meant, that word, was “Judas.”

Well, he could do nothing about that. He was what he was; he had done what he had done. He had no regrets. He had meant no harm. It had all been an intellectual game for him, opening the interface between human computational systems and those of the aliens. A test of his abilities, which he had triumphantly passed. If he had not done it, someone else would have. And if he had never even been born, the world would have been no better off than it now was. Borgmann or no Borgmann, the Entities still would be here; still would rule, in their unfathomable, almost random way; still would be arranging and rearranging the conquered world in whatever ways they found amusing. He had merely facilitated things a little.

And here he was in this magnificent office paneled with the rarest of exotic woods brought in at infinite expense from the rain forests of South America, up here on top of this wonderful old French Renaissance Revival building, sitting here with a billion koruna worth of state-of-the-art computer hardware of his own design all around him, and the museum’s own spectacular collection of glassware and ceramics and silver serving dishes and nineteenth-century furniture still in place behind him in the surrounding hallways.

Karl-Heinrich rarely bothered to look at those things, indeed knew very little about most of them, but they were there for his amusement whenever he felt like strolling amongst them. He had had some of the paintings brought down from the National Gallery on Hradcany hill too, a Holbein and a Cranach and that sexy
Suicide of Lucretia
by Vouet; and his lavish Art Nouveau penthouse apartment a few blocks away was equally satisfactorily decorated with the national art, Renoir, Gauguin, Picasso, Braque. Why not? No one was allowed to go to the museum any more anyway, because it was on the castle grounds, where the Entity command compound was; and did they actually expect him to live in an apartment with bare walls?

Transferring the paintings had been a matter of a few simple keystrokes. Transferring some woman he fancied to his bed was just as easy. A work requisition had to be put through; that was all. The work involved service in the office of Karl-Heinrich Borgmann. You got the order, and you went, no questions asked, though you were only too well aware of what the “service” entailed. Because the alternative would surely be a lot worse: transfer to a work camp in Antarctica, transfer to sewer-sweeping duty in Novosibirsk, transfer to a latrine-cleaning job at a medical clinic in the middle of Africa. Or, if not you, then something equally terrible for your aged mother, your beloved babe, your husband, your cat.

Karl-Heinrich had not forgotten those evenings, ten years ago, eleven, twelve, when he had wandered disconsolate through the dark streets of Prague, gazing with insatiable longing at the girls he saw walking just ahead of him, or the ones sitting with their beaus in brightly lit cafes, or those standing before their mirrors in third-floor apartments. All of them as inaccessible to him as the inhabitants of alien worlds, those girls were. Then.

Well, he had access to them now. A long procession of them had marched through his bedroom in his years as Borgmann the borgmann. Starting with the girls he had lusted after in school, those of them that had survived the Great Plague: Jarmila and Magda, Eva, Jana, Jaroslava and Ludmila, the other Eva with the flat face and the wonderful bosom, and Osvalda, Vera, Ivana, Maria. Zuzana of the fiery hair. Bozena of the fiery temper. Milada. Jirina. Milena. He had had a long list to work his way through. Glorious Stepanka, alas, had died; he requisitioned her sister Katrina instead. And then Anna, Sophia, Theresa, Josefa. The other Milada, the tall one; the other Ludmila, the short one. And both Martinas. Some came with hatred in their eyes, some came in sullen indifference, some saw his bed as their gateway to special privilege. But they all came. What choice did they have?

Oh, yes, and Barbro Ekelund, too. One of the very first, even before Jarmila and Magda and Eva and the rest. The Swedish girl, the one for whom he had invented the myth of being able to tap into the Entity computers, the spontaneous boast that had been the beginning of all this for him. Barbro of the long slender limbs, the unexpectedly full breasts, the golden hair, the sea-green eyes.

“Why am I here?” she had asked, the first time he requisitioned her.