This is a work of fiction. All characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental. This book, or parts thereof, may not be reproduced in any form without permission.

Preface

Galvanic Century isn't a typical Victorian Steampunk series. While Queen Victoria is still alive and Prince Edward still, well, a Prince, in 1910 the era is better termed 'Edwardian', at least from our perspective. The technology focuses less on steamtech and more on other forms of early 20th century science -- galvanic energy, N-Rays, difference engines. Aside from the pseudoscience there aren't any "magic" or "supernatural" element to the series. That was an early design decision, and I'm pleased with where that limitation has lead my creative process.

The genesis for And They Called Her Spider was a piece of digital art created by artist Pol Subanajouy. He generously agreed to allow me to use it as cover art. It inspired the character of the Spider, and from that aesthetic I created a steampunk London. I hadn't initially intended to write a series, but reader response was strong, asking for more from the characters. I focused on the detectives Alton Barlteby and James Wainwright at first, building a steampunk London around them, but it wasn't until I started on Aldora Fiske's Chronicles of a Gentlewoman series that the rest of the world fleshed itself out.

Aldora Fiske was initially slated for debut in Maiden Voyage of the Rio Grande, but cutting those scenes out and introducing her in On the Trail of the Scissorman tightened things up quite a bit. I'd originally planned four volumes for her stories, but as each novelette grew longer than the last I realized that A Gentlewoman's Chronicles had far exceeded The Collected Bartleby and James Adventures in length. Add that to the fact that the fans were clamoring for novels, and what could I do?

In 2013 I wrote March of the Cogsmen and Dreams of the Damned, both novellas longer than any of the previous works, and the last Galvanic Century short works. This second edition Steampunk Omnibus is the last major revision with their inclusion, and contains all of the earlier, shorter work written in the series. I hope you enjoy it.

Michael Coorlim (2014)

THE COLLECTED BARTLEBY AND JAMES ADVENTURES

That Damnable Bartleby

When Alton Bartleby barged into my workshop to inform me that we were to embark upon a career as private detectives, I was neither concerned nor interested. The man has the sort of intellect that is constantly flitting from one interest to the next, a hummingbird supping on hobby and fad, just as quick to speed off to the next bright flower to catch his eye.

His sudden interest in investigation and private law enforcement was no doubt a result of the bee-keeping symposium he'd dragged me to the week earlier, an earlier interest that had flared and faded with the suddenness of a summer storm. The keynote speaker had been the old man Holmes, retired from public life these five years.

His speech had been on the culture of Bees, a subject I found to be of passable interest compared to most of what grabbed Bartleby's fancy. As Holmes spoke, I could envision them, cogs in an intricate biological machine of fascinating complexity and fractal in their scope. The remnants of the few entomology classes I'd attended at the Royal Academy of Artificers and Engineers bubbled to the surface of my mind, along with the coalescing of a grand beehive-driven analytical matrix.

Of course, Bartleby kept interrupting the man with seemingly innocuous questions intended to guide the conversation away from insectile behaviourism and towards irrelevancies like classical logic and abductive reasoning, irritating our host and disrupting my concentration. I can only lament the world's loss of it's potential honey and wax computation device; once a scrap of brilliance slips my mind, it's gone forever. So died the Hymenoptera Engine.

Holmes, of course, was deeply annoyed. Bartleby may be a social savant whose deft control of the flow of conversation slides past most men, but Holmes is a true genius, and was able to intuit exactly what Alton was doing. He refused to speak with us after the event, and indeed hastened away to the confusion of the symposium's overseers.

I did not enlighten them.

Instead I returned to London alone, while Bartleby insisted upon pursuing the Great Detective to Sussex Downs. I have no doubt that Holmes can be a stubborn man, but Bartleby is persistent and persuasive. What transpired is a matter for conjecture, but for my part I was pleased to have the peace of days while Alton was otherwise occupied.

Until, of course, he returned.

***

"Good news, James," he said. "We are to be detectives."

I looked up from my workstation, the jeweller's loupe in my eye distorting his otherwise handsome face. "I've no desire to be a detective."

"That's unfortunate," Bartleby said. "For it's what we're to be."

I thumbed the ridged edge of the headpiece I was wearing, switching out the jeweller's loupe for a pale turquoise quartz lens and turned back to the gears on my workstation. "I've little time for your games as it is. And would much appreciate you knocking in the future."

"Little time?" Bartleby stepped back outside my workshop and knocked on its corrugated tin exterior. "Busy repairing broken watches for the idle rich?"

"Improving them," I said. "Some of us have to work for a living. And no. Your watch isn't ready yet."

"What about that engine you'd been going on about?" he asked.

I looked up at him. "The Hymenoptera Engine?"

"No, not the one with the bees, and I've already apologised for that. The galvanic one."

"Oh." I went back to my watches. "That one."

"Yes. That one." He leaned back against my workshop's wall. It wobbled. He straightened. "The one I gave you quite a large sum of money to develop?"

I didn't look up. "It's over there, on the shelf."

He followed my gesture. "Over here? This one?"

"Is it glowing?"

"No."

"Thump it."

There was a thump. "It's glowing now."

"That's the one.

"Why's it glowing?"

"Conversion of kinetic to galvanic energy."

"That wasn't... is it supposed to be doing that?"

I looked up again. Bartleby was eyeing the Galvanic Converter with some distrust. Unusually wise on his part. "Sometimes development takes odd tangents."

"Is it... will people pay money for it?"

"I imagine so. You can take it to the patent office, I'm done with it."

He tucked the device under his arm. "James, you need to take more of an interest in the business of these things."

"I thought that that was why I'd partnered with you."

"Yes, but you shouldn't trust me."

"I don't. Not with unimportant business." I took the ocular array off of my head. "Like money or patents."

Bartleby shook his head. "Look, can you invent... detective things?"

I raised an eyebrow. "Like what?"

"I don't know, you're the engineer."

"I suppose." I didn't see any reason why not. I hadn't studied forensics per se, but it wouldn't take too long to study the available materials and come up with plans to improve upon them.

"Excellent. I've been out trying to line up some cases for us, so expect movers to be along to collect your things shortly."

"What?" I turned.

"Well, you can't expect to run a detective agency out of Spitalfields?" Bartleby chuffed. "We'd never have any clients."

"I can't just pack up and move because you've got the urge to play detective."

"This isn't a game, James." He had his serious face on. "This is... it's destiny. I've been at a loose end since, well, since returning to London. Playing the fop. Dandying about society."

"You quite enjoy dandying about, and don't you bother denying it."

"It's killing time, James. Like these watches. You don't care about them, just as you don't care about the inventions I've been financing after you've puzzled them out. What you need, what we both need, is a real challenge. A real puzzle."

"That's what you think, is it?"

He stepped close, clasping a hand on my shoulder. "It's what I know, James. And I need you with me on this. I need a partner."

I felt a strange flare of mixed animosity and resignation. He was right, of course. Wasting my hours away in an east-end workshop fixing junked timepieces was a waste of my time, a waste of my life. I didn't know if detective work would be any more fulfilling, but it was bound to be more challenging. And the idea of moving my workshop to somewhere less prone to random street violence was appealing; I was tired of hurting the locals, but I just didn't think they were getting the message that my capacity for mayhem was greater than the value of the copper wire I possessed.

"Fine," I said. "But when we're settled, you'll respect the sanctity of my workshop. You don't barge in without my leave."

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