Authors: Theodore Sturgeon

Some of Your Blood (16 page)

Sturgeon began writing stories and poems during the three years he spent working as an engine room laborer on a freighter. Beginning in 1938, he published short stories for genre and general market publications including
Astounding
(now
Analog Science Fiction and Fact
),
Unknown Worlds of Science Fiction
, and
Argosy
. His groundbreaking short story “The World Well Lost” (1953), which was among the first science fiction stories to include positive themes of homosexuality, went on to win the Gaylactic Spectrum Award in 2000.

Sturgeon’s 1953 novel
More Than Human
was considered groundbreaking for science fiction in its stylistic daring, fine characterization, and visionary impact. Offering the idea that the next step in human evolution was a gestalt organism composed of people with different and strange talents who “bleshed,”
More Than Human
was an inspiration to many in the 1960s counterculture, including artists and musicians such as the Grateful Dead and Crosby, Stills and Nash.

In the 1960s, Sturgeon ventured into television writing, penning the screenplays for two of the most popular
Star Trek
episodes: “Shore Leave” (1966) and “Amok Time” (1967). He is credited with inventing the story of Spock’s sex life, as well as the famous Vulcan greeting, “Live long and prosper,” and (with Leonard Nimoy) its accompanying hand signal. Two of Sturgeon’s stories were adapted for
The New Twilight Zone
, and his novella
Killdozer!
(1944) became a television movie in 1974. He is also the creator of Sturgeon’s Law—90 percent of everything is crap—which he developed to counter the common denigration of science fiction as a genre.

Beloved by critics and readers alike, Sturgeon inspired a generation of authors across genres, such as Samuel R. Delany, Michael Chabon, Jonathan Lethem, Octavia E. Butler, Karen Joy Fowler, and Rad Bradbury. Kurt Vonnegut considered Sturgeon to be one of the best writers in America, and Sturgeon served as inspiration for Vonnegut’s recurring character, Kilgore Trout.

Survived by his seven children, Sturgeon died in Eugene, Oregon, on May 8, 1985. In 2000, he was posthumously inducted into the Science Fiction Hall of Fame.

The decree wherein Sturgeon is officially adopted by his stepfather (William “Argyll” D. Sturgeon) and his mother, and his last name is changed accordingly, from “Waldo” to “Sturgeon.” (Photo courtesy of Special Collections, Kenneth Spencer Research Library, University of Kansas.)

Sturgeon’s report card from the Pennsylvania State Nautical Schoolship “Annapolis” postmarked April 10, 1937, showing his rank as last in his class of cadets. (Photo courtesy of Special Collections, Kenneth Spencer Research Library, University of Kansas.)

Sturgeon with his third wife, Marion McGahan, and (left to right) daughter Tandy (b. 1954), son Robin (b. 1952), and daughter Noël (b. 1956).

An early draft of Sturgeon’s 1957 story “The Other Celia.” (Photo courtesy of Special Collections, Kenneth Spencer Research Library, University of Kansas.)

Sturgeon’s notes for his iconic book
More Than Human.
(Photo courtesy of Special Collections, Kenneth Spencer Research Library, University of Kansas.)

Notes, dated 6/12/66 and entitled “Spock Blows Top,” for an episode of
Star Trek
that Sturgeon wrote, ultimately titled “Amok Time.” (Photo courtesy of Special Collections, Kenneth Spencer Research Library, University of Kansas.)

Sturgeon in his library.

From left to right, author N. K. Jemisin, Noël Sturgeon—Ted’s daughter and trustee of the Theodore Sturgeon Literary Trust—and author Samuel R. Delany at a May 4, 2011, tribute to Sturgeon sponsored by the
New York Review of Science Fiction
. (Photo courtesy of Marc Blackman.)

The Theodore Sturgeon Memorial Award, which was designed by Elden Tefft and is presented annually by the Center for the Study of Science Fiction for the best short story of the year. (Photo courtesy of the Center for the Study of Science Fiction.)

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This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

cover design by Mauricio Diaz

978-1-4532-9545-8

This edition published in 2013 by Open Road Integrated Media

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