Silver on the Tree

SUSAN COOPER

SIMON PULSE

FOR MARGARET

AUTHOR'S NOTE: In chapter three, I have taken the liberty of transplanting Sir Mortimer Wheeler's excavation of the Roman amphitheater at Caerleon from 1928 to the present day. In Part Four, the five lines attached to the sword Eirias are those once proposed by Robert Graves as an envoie to the ancient Irish “Song of Amergin.”

Non-Welsh readers please note that Aberdyfi is pronounced “Aberduvvy.”

This book is a work of fiction. Any references to historical events, real people, or real locales are used fictitiously. Other names, characters, places, and incidents are the product of the author's imagination, and any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

SIMON PULSE
An imprint of Simon & Schuster Children's Publishing Division
1230 Avenue of the Americas, New York, NY 10020
www.SimonandSchuster.com

Copyright © 1977 by Susan Cooper

Copyright renewed © 2005 by Susan Cooper

All rights reserved, including the right of reproduction in whole or in part in any form.

SIMON PULSE and colophon are registered trademarks of Simon & Schuster, Inc.

Also available in a Margaret K. McElderry hardcover edition.

Manufactured in the United States of America

This Simon Pulse edition May 2007

2 4 6 8 10 9 7 5 3 1

The Library of Congress has cataloged the hardcover edition as follows:

Cooper, Susan.

Silver on the tree. / Susan Cooper.

(“The dark is rising sequence.”)

“A Margaret K. McElderry book.”

Summary: In this conclusion of a tale begun in “Over Sea, Under Stone,” Will Stanton, the Welsh boy Bran, and the Drew children try to locate the crystal sword that alone can vanquish the strong forces of the Dark.

ISBN-13: 978-0-689-50088-6 (hc)

ISBN-10: 0-689-50088-2 (hc)

eISBN-13: 978-0-689-84918-3

ISBN 978-1-416-94968-8

[I. Fantasy. 2. Space and time—Fiction. 3. Wales—Fiction.]   I. Title.

PZ7.C7878Si; 1977

[Fic]  77-5361

ISBN-13: 978-1-4169-4968-8 (pbk)

ISBN-10: 1-4169-4968-2 (pbk)

“[A] thunderous fantasy.”

—
New York Times
on
The Dark Is Rising
, a Newbery Honor Book

“The excitement, suspense, and imaginative daring of the narrative are matched by the strength and style of the writing.”

—
New York Times
on
The Grey King
, a Newbery Medal Winner

“One of the best fantasies ever written…. A wondrous book that can be appreciated by lovers of great storytelling, both young and old.”

—sfreviews.net on
The Dark Is Rising

“A brilliant, imaginative series of fantasies.”

—
Boston Globe

“These classic fantasies, complex and multifaceted, should not be missed, by child or adult.”

—Amazon.com

“Susan Cooper … is the inheritor of strong mythic traditions and a craftsman's understanding of the English language. With this series she has created a sweeping and beautiful tribute to both.”

—
Washington Post

“Susan Cooper is one of the few contemporary writers who have the vivid imagination, the narrative powers, and the moral vision that permit her to create the kind of sweeping conflict between good and evil that lies at the heart of all great fantasy. Tolkien had it. So did C. S. Lewis. And Cooper writes in the same tradition.”

—
Psychology Today

Over Sea, Under Stone

The Dark Is Rising

Greenwitch

The Grey King

Silver on the Tree

On the day of the dead, when the year too dies,
Must the youngest open the oldest hills
Through the door of the birds, where the breeze breaks.
There fire shall fly from the raven boy,
And the silver eyes that see the wind,
And the Light shall have the harp of gold.

By the pleasant lake the Sleepers lie,
On Cadfan's Way where the kestrels call;
Though grim from the Grey King shadows fall,
Yet singing the golden harp shall guide
To break their sleep and bid them ride.

When light from the lost land shall return,
Six Sleepers shall ride, six Signs shall burn,
And where the midsummer tree grows tall
By Pendragon's sword the Dark shall fall.

Y maent yr mynyddoedd yn canu,
ac y mae'r arglwyddes yn dod.

Part One: When the Dark Comes Rising

Midsummer's Eve

Black Mink

The Calling

Midsummer Day

Part Two: The Singing Mountains

Five

The Bearded Lake

Afanc

Three from the Track

Part Three: The Lost Land

The City

The Rose-Garden

The Empty Palace

The Journey

The Mari Llwyd

Caer Wydyr

The King of the Lost Land

Part Four: The Midsummer Tree

Sunrise

The Train

The River

The Rising

One Goes Alone

Will said, turning a page, “He liked woad. He says—listen
—the decoction of Woad drunken is good for wounds in bodies of a strong constitution, as of country people, and such as are accustomed to great labour and hard coarse fare.”

“Such as me, and all other members of Her Majesty's Navy,” Stephen said. With great precision he pulled a tall, heavy-headed stem of grass out of its sheath, and lay back in the field nibbling it.

“Woad,” said James, wiping a mist of sweat from his plump pink face. “That's the blue stuff the Ancient Britons used to paint themselves with.”

Will said, “Gerard says here that woad flowers are yellow.”

James said rather pompously, “Well, I've done a year's more history than you have and I know they used it for blue.” There was a pause. He added, “Green walnuts turn your fingers black.”

“Oh, well,” said Will. A very large velvety bee, overloaded with pollen, landed on his book and waddled dispiritedly across the page. Will blew it gently on to a leaf, pushing back the straight brown forelock that flopped over his eyes. His glance was caught by a movement on the river beyond the field where they lay.

“Look! Swans!”

Lazy as the hot summer day, a pair of swans sailed slowly by without a sound; their small wake lapped at the riverbank.

“Where?” said James, clearly with no intention of looking.

“They like this bit of the river, it's always quiet. The big boats stay over in the main reach, even on a Saturday.”

“Who's coming fishing?” said Stephen. But he still lay unmoving on his back, one long leg folded over the other, the slender stem of grass swaying between his teeth.

“In a minute.” James stretched, yawning. “I ate too much cake.”

“Mum's picnics are as huge as ever.” Stephen rolled over and gazed at the grey-green river. “When I was your age, you couldn't fish at all in this part of the Thames. Pollution, then. Some things do improve.”

“A paltry few,” Will said sepulchrally, out of the grass.

Stephen grinned. He reached out and picked a slender green stalk with a tiny red flower; solemnly he held it up. “Scarlet pimpernel.
Open for sun, closed for rain, that's the poor man's weathervane.
Granddad taught me that. Pity you never knew him. What does your friend Mr. Gerard say about this one, Will?”

“Mmm?” Will was lying on his side, watching the weary bumblebee flex its wings.

“Book,” James said. “Scarlet pimpernel.”

“Oh.” Will turned the crackling pages. “Here it is. Oh loverly.
The juyce purgeth the head by gargarising or washing the throat therewith; it cures the tooth-ach being snift up into the nosethrils, especially into the contrary nosethril.”

“The contrary nosethril, of course,” Stephen said gravely.

“He also says it's good against the stinging of vipers and other venomous beasts.”

“Daft,” said James.

“No it's not,” Will said mildly. “Just three hundred years old. There's one super bit at the end where he tells you very seriously how barnacle geese are hatched out of barnacles.”

“The Caribbean might have foxed him,” Stephen said. “Millions of barnacles, but not one barnacle goose.”

James said, “Will you go back there, after your leave?”

“Wherever their Lordships send us, mate.” Stephen threaded the scarlet pimpernel into the top buttonhole of his shirt, and unfolded his lanky body. “Come on. Fish.”

“I'll come in a minute. You two go.” Will lay idly watching as they fitted rods together, tied hooks and floats. Grasshoppers skirled unseen from the grass, chirruping their solos over the deep summer insect hum: it was a sleepy, lulling sound. He sighed with happiness. Sunshine and high summer and, rarer than either, his eldest brother home from sea. The world smiled on him; nothing could possibly be improved. He felt his eyelids droop; he jerked them apart again. Again they closed in sleepy content; again he forced them open. For a flicker of a moment he wondered why he would not let himself fall harmlessly asleep.

And then he knew.

The swans were there on the river again, slow-moving white shapes, drifting back upstream. Over Will's head the trees sighed in the breeze, like waves on distant oceans. In tiny yellow-green bunches the flowers of the sycamore scattered the long grass around him. Running one of them between his fingers, he watched Stephen standing tall a few yards off threading his fishing-line through his rod. Beyond, on the river, he could see one of the swans moving slowly ahead of its mate. The bird passed Stephen.

But as it passed, it did not disappear behind Stephen. Will could see the white form clearly through the outline of Stephen's body.

And through the outline of the swan, in turn, he could see a steep slope of land, grassy, without trees, that had not been there before.

Will swallowed.

“Steve?” he said.

His eldest brother was close before him, knotting a leader on his line, and Will had spoken loudly. But Stephen did not hear. James came past, holding his rod erect but low as he fastened the hook safely into its cork handle. Will could still see, through him, the forms of the swans as if in a faint mist.
He sat up and stretched out his hand to the rod as James went by, and his fingers moved through the substance of the wood as if there had been nothing there.

And Will knew, with dread and delight, that a part of his life which had been sleeping was broad awake once more.

His brothers walked off to the river, moving diagonally across the field. Through their phantom forms Will could see the only earth that in this elusive patch of time was for him solid and real: the grassy slope, its edges merging into mistiness. And on it he saw figures, running, bustling, driven by some urgent haste. If he stared at them too hard, they were not there. But if he gazed with sleepy eyes, not quite focussed, he could see them all, sun-dappled, hurrying.

They were small, dark-haired. They belonged to a very distant time. They wore tunics of blue, green or black; he saw one woman in white, with a string of bright blue beads about her neck. They were gathering bundles of spears, arrows, tools, sticks; packing pots into wrappings of animal skin; putting together packages of what he supposed was meat, in dry rippled strips. There were dogs with them: full-haired dogs with short pointed muzzles. Children ran and called, and a dog lifted his head to bay, but no sound came. For Will's ears, only the grasshoppers chirruped, over the deep insect hum.

He saw no animals but the dogs. These people were travellers; not belonging here, but passing through. He was not even sure whether the land on which they stood, in their own time, lay in his own part of the Thames Valley or in some totally different place. But he knew one thing very clearly, suddenly: they were all very much afraid.

Often they raised their heads, fearfully, and gazed away to the east. They spoke seldom to one another, but worked on, hastily. Something, someone, was coming, threatening them, driving them on. They were running away. Will found himself catching the sense of urgency, willing them to hurry, to escape whatever disaster was on its way. Whatever disaster … he too stared eastward. But it was hard to tell what
he saw. A strange double landscape lay before him, a firm curving slope visible through the phantom misty lines of the flat fields and hedges of his own day and the glimmering half-seen Thames. The swans were still there, and yet not there; one of them dipped its elegant neck to the surface of the water, ghostly as an image reflected in a window-pane….