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Authors: Sandy Williams

Tags: #Science Fiction, #Romance, #Space Opera, #military science fiction, #paranormal romance, #sci-fi, #space urban fantasy, #space marine

Shades of Treason (36 page)

BOOK: Shades of Treason
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I jog to keep up. When students start to stare, I try to free my hand from Kyol’s. It’s not completely unusual to see someone run across campus, but my gait is awkward because he’s pulling me, and I’m sure they’re wondering what the hell I’m doing with my arm.

“Kyol,” I whisper.

His gaze darts to the humans who don’t see me holding his hand; they see me clutching wildly at the air. His jaw clenches before he lets me go. “I’m sorry,
kaesha.

I catch my breath.
Kaesha
. It’s a term of endearment he calls me only when we’re alone. I don’t think he knows he said it—there’s no hitch in his stride as he leads me across the courtyard—but if his soldiers overhear, if they report back to the king…

An unnatural wind cuts through the previously still air, rustling through the trees and skittering a soda can across the cement. The hair at the nape of my neck stands on end and goose bumps prickle across my skin. The rebels are here. They’re watching. They’re hiding. They’re—

Arrows whistle through the air. Light erupts around me as the Court fae vanish into their fissures. The arrows disappear when they touch the light, too, swallowed up by the In-Between. Only one hits its target: the shoulder of a fae who reacted an instant too late. With a grunt of pain, he escapes through his fissure. He’s the only one who doesn’t return. The others reappear with reinforcements as the rebels release another barrage.

“Go!” Kyol shoves me forward, but I spin to run back to the English building. No way am I running across the open courtyard.

More arrows fire through the air. I don’t see if any hit the fae—I’m struggling to get past Kyol—but I hear the sound of more fissures opening. Each time the bright lights slash through the atmosphere, it sounds like someone’s ripping a thick cloth in two. Add to that noise the fact that my heartbeat is thudding in my ears, and I almost don’t hear Kyol’s words.

“You must make it to the gate, McKenzie. You must!”

Instinct screams for me to get inside the building, but I trust Kyol with my life, so I stop fighting and glance over my shoulder. Arrows still fly through the air. A few seconds after they leave the rebels’ bows, they’ll become visible to normal humans so if a fae misses his target or doesn’t hit a fissure, people will see the bolts embed in trees or the ground or skidding across the cement. None of the students are reacting, though. The rebels are being careful.

I take a small step forward. Some of the Court fae have fissured to the rooftops to fight; others remain on the ground, darting in and out of their fissures in smooth, defensive dances.

They’re drawing the rebels’ attacks, but it’s a long way to the gate. They’ll tire before I get there. Some of them might die.
Kyol
might die.

“I’ll be fine,” he says, reading the concern in my expression. He cups my cheek in his hand. “As long as you’re safe, I’ll be fine.”

I bite my lip and nod. Of course he’ll be okay. He’s the king’s sword-master. He can take care of himself. Besides, the fae will need me if any of the rebels are illusionists. Only a human with the Sight can see through that magic.

Ignoring the stares students throw my way, I take a deep breath, grit my teeth, and run. Kyol and I have worked together for ten years—we’re tuned in to how the other moves, how we think and react—so when a rebel charges straight toward us and Kyol doesn’t turn his way, I know he can’t see him.

“Ten o’clock. Now!” I say.

Kyol swings as ordered, forcing the rebel to parry. Touch breaks a fae’s illusion, so as soon as their weapons clash, Kyol can see him. His blade cuts into the rebel’s arm three moves later, but it’s not a killing blow. The illusionist fissures away.

Kyol returns to my side. I flinch when an arrow almost hits him, flinch again when another one whizzes past my face, disappearing into another Court fae’s fissure. I want to duck and dodge the rebels’ attack, but that will slow us down and draw even more attention from the humans. I’ve already lied my way through one psychiatric evaluation; I don’t think I can lie my way through another.

We sprint past the library. Ahead, a metal fence blocks off the construction site to the new engineering building. I veer left to go around it, but a wall of fissures forms in my path. Six fae appear. All rebels.

I tell Kyol their number. None of them must be hidden by illusion because he doesn’t hesitate. His blade carves through the air as he charges the rebels, but he can’t occupy all six at once. Two of them break away from the others and move toward me.

I turn and run. To hell with going around the fence. I leap up and grab its top. My tennis shoes struggle for a foothold in the metal links and the wire cuts into my palms. I manage to pull myself over the top, but I land hard on my right hip. Ignoring the sharp burst of pain, I scurry back to my feet and sprint forward again. When a fissure opens in front of me, I almost run into it, but Kyol steps out, stopping me. Saving me.

He extinguishes the fissure and then shoves me behind him. Metal clanks against metal as he takes on my pursuers. I dash under the exterior scaffolding and through the doorless entrance to the engineering building. The construction company’s already erected the interior walls on the first floor. I run through what will be the common area, almost make it to the other side, but five fissures open in a semicircle in front of me.

Five rebel fae appear. I’m no military genius, but this is clearly an ambush. I’ve been herded here, lured like a sheep to the wolf’s den.

“McKenzie.”

Even if the fae in the center of the group hadn’t spoken, my attention would be riveted to him. He’s tall, taller than Kyol, but not as thickly muscled, and his silver eyes, while intense, have a lighter, livelier hue to them. He’s wearing a poorly made, dark
jaedric
cuirass over a once-white tunic, loose gray pants, and scuffed black boots. His golden-blond hair looks like it’s been chopped off with a knife or, perhaps, the sword in his hand. Despite his haphazard appearance, he’s confident, he’s alert, and he’s completely focused on me, his prey.

“McKenzie Lewis.” A bolt of blue lightning flashes down his neck. He cocks his head slightly. A moment later, his sword-point dips and
something
changes in his posture.

“Are you hurt?” he asks.

I follow his gaze down to a dark stain on my purple cami. I press a hand against my stomach. It’s warm, wet.

“Are you hurt?” the rebel asks again.

No. I’m not. I don’t know where the blood came from. No one’s touched me. No one but Kyol…

Kyol
. Oh, God. He’s hurt.

I spin toward the exit, trying to get back to him, but two rebels move to block my path, their swords held ready to strike.

“I don’t want to hurt you,” the fae’s leader says. “I’d like to talk to you.” He takes a step toward me. I take a step back.

“Look.” He sheaths his sword, then holds his hands out, palms up like he’s harmless.

Screw him. I won’t let them take me. I sprint for my only remaining escape route, the metal staircase in the building’s northeast corner.

My backpack bounces as I run up the steps. I reach the second floor before I hear the rebels coming after me. I pause to consider my options, realize I have none.

“Shit!” I have nowhere to go but up, and once I’m up, I’ll have nowhere to go at all. I sprint to the next floor because I don’t know what else to do. I can’t turn around. I can’t stop. They’re right behind me.

“Shit, shit, shit!”

My legs are burning by the time I reach the fourth level. I can’t make it up the next flight of stairs so I run across this floor instead, watching my feet as I step over stacks of two-by-fours and through the wooden frames of the building’s future walls. The sun’s set. It’s dark, but I’m able to make out the outline of a piece of machinery in what will eventually be a hallway. I duck down behind it, praying I’m out of sight in time.

Soft footsteps walk across the cement.

My hair clings to my face and neck. I swipe it out of my eyes and search for some way out of this. There’s an opening at the end of the hallway for what I assume will be a floor-to-ceiling window. An orange plastic safety fence runs across the gap, and seven or eight feet away from the edge of the building is the white, moonlit arm of a tower crane.

Seven or eight feet
. Can I jump that?

“You’re making this more difficult than it needs to be.” I flinch at the voice. He’s close. He knows I’m here.

I grit my teeth and refuse to panic. I don’t think the rebels will kill me immediately. They’ll try to use me. They’ll try to turn me against the Court, make me read the shadows. They probably won’t hurt me until they’re certain I won’t cooperate. I should have a few seconds to make my move.

I wipe sweat from my face and focus on the crane outside the building.
Seven or eight feet
. I
have
to jump that.

I don’t give myself time to second-guess my decision. I sprint the distance to the plastic fence, scramble over it—

“No, wait!”

—and jump, but the rebel grabs my backpack. I slip. I scream.

My fingers tangle in the plastic fence. I fall.

I hit the side of the building and keep screaming.

My throat’s raw by the time I realize I’m not dead. I’m hanging between the third and fourth floors, holding on to the plastic fence like my life depends on it because… well, it does.

A chuckle draws my attention upward. The damn fae peers over the edge, looking all jolly and relaxed.

“I can’t believe you held on,” he says.

The moonlight highlights the planes of his face and even though I’m dangling three and a half stories above the ground, I’m suddenly more pissed than afraid. I don’t recognize him, but my gut tells me who he is: Aren, son of Jorreb, the false-blood who’s determined to overthrow the king. And he’s laughing at me.

The plastic fence stretches. My fingers cramp, but I’m determined to hang on forever if it keeps me away from the killer above.

Something snaps loose from the wall and I drop another foot. “Whoa, easy there. Easy,” Aren says.

“Back off!” I mean to yell the words, but they come out as a hoarse croak. I know I should be begging for his help, but a part of me believes Kyol will rescue me. I choose to ignore the part that believes he’s dead.

“Sure,” Aren says in an infuriatingly devil-may-care voice. “No problem, but how about you give me your hand first? There’s no need for you to fall.”

“I won’t help you!”

“I’m not asking for your help. Just give me your h—”

The plastic rips free from the wall. I scream again and tense, bracing for impact. “McKenzie. Hey, look up here, McKenzie. I’ve got you.”

Heart thudding, I look up. He does have me. Sort of. He’s dangling over the edge of the building, his left hand wrapped in the fence, his right hand grasping the opening’s frame.

“Stop kicking,” he says. I stop, not realizing I was moving at all.

“Good. Now, you’re going to have to grab my legs. I think the fence will rip if I try to pull you up. Can you do that?”

I nod. I don’t care who he is anymore. I don’t want to die. I want to live. I want to be normal, graduate college, get a real job, and spend time with some real-life friends. Hell, I want to have sex at least once before I croak.

The thought of death pulls my gaze toward the concrete.

“No, don’t look down, McKenzie. Look up here. Look at me.”

I do as he says. His eyes are bright but soft, like silver sand with tiny shards of diamonds, and his expression is serious but not strained. The last part impresses me. I might be thin, but I’m not dainty, and he’s supporting both of our weights.

“Pull yourself up.” There’s a bit more urgency in his voice now. He must feel the plastic stretching, too.

I muster the strength to reach up and grab his legs. As soon as I wrap my arms around him, he releases the fence. With a grunt, he pulls himself up and over the edge. I scrape along the side of the building until he grabs my arm, dragging me to safety.

I lay face down on the cement floor. My arms feel like spaghetti and I’m shaking, but I can’t be weak right now. The rebels will demand a high price for saving my life, and I have no intention of sticking around to pay it.

I lurch to my feet, but my knees buckle. “Are you okay?” Aren asks.

I ignore him and rise again. This time, I manage to keep my balance. It doesn’t matter, though. Three rebels block the staircase. One of them speaks in Fae.

“The police are coming,” Aren translates behind me. No doubt my screams have brought them. I consider screaming again, but Aren grabs my arm.

Lightning flashes from his skin to mine. I can’t shake loose. He wrestles me to a corner and, when he presses his lean body against mine, my brain stops functioning. The lightning between our skin increases, becoming almost volatile, and my body flushes with heat.

“The police can’t help you,” Aren says. I’m sure that smirk on his face is due to my obvious discomfort. He feels the electricity between us the same as I do, but he’s not bothered by it.

“Let go!” I demand, trying to free my arms. Flashlight beams precede the cops up the stairs. “Be quiet. Be still,” Aren whispers.

I twist. I almost slip free, but one strong arm locks around my waist. He covers my mouth with his other hand.

Stupid move on his part. I bite down hard. He doesn’t grimace, but his smirk vanishes. “Sorry about this,” he whispers in my ear.

Pain explodes above my temple. I totter, but don’t black out. My knees aren’t working, though. Aren’s holding me up. I’m able to focus on his face well enough to see surprise in his eyes. Then the surprise disappears. His lips thin as he raises the weapon again. It’s a dagger. He swings its hilt down a second time.

 

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